The illuminatus! trilogy (69 page)

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Authors: Robert Shea,Robert Anton Wilson

Tags: #Science fiction; American, #General, #Science fiction, #Fiction, #Fantasy, #Visionary & Metaphysical

BOOK: The illuminatus! trilogy
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“Actually, you’re glad of the interlude; you’re not all that eager to face the powers of Tsathoggua again. Let that pass.” The old man shifted to a more comfortable position and, still oblivious of Chips’ tired shifting from leg to leg, began:

This is the story of Our Lady of Discord, Eris, daughter of Chaos, mother of Fortuna. You have read some of it in Bullfinch, no doubt, but his is the exoteric version. I am about to give you the Inside Story.

Is the thought of a unicorn a real thought? In a sense, that is the basic question of philosophy—

I thought you were going to tell me a story, not launch into some dreary German metaphysics. I had enough of that at the University
.

Quite so. The thought of a unicorn is a real thought, then, to be brief. So is the thought of the Redeemer on the Cross, the Cow who Jumped Over the Moon, the lost continent of Mu, the Gross National Product, the Square Root of Minus One, and anything else capable of mobilizing emotional energy. And so, in a sense, Eris and the other Olympians were, and are, real. At the same time, in another sense, there is only one True God and your redeemer in His only begotten son; and the lloigor, like Tsathoggua, are real enough to reach out and draw you into their world, which is on the other side of Nightmare. But I promised to keep the philosophy to a minimum.

You recall the story of the Golden Apple, in the exoteric and expurgated version at least? The true version is the same, up to a point. Zeus, a terrible old bore by the way, did throw a bash on Olympus, and he did slight Our Lady by not inviting Her. She did make an apple, but it was Acapulco Gold, not metallic gold. She wrote Korhhisti, on it,
to the prettiest one
, and
rolled it into the banquet hall. Everybody—not just the goddesses; that’s a male chauvinist myth—started fighting over who had the right to smoke it. Paris was never called in to pass judgment; that’s all some poet’s fancy. The Trojan War was just another imperialistic rumble and had no connection with these events at ail.

What really happened was that everybody was squabbling over the apple and working up a sweat and pushing one another around and pretty soon their vibrations—Gods have very high vibration, exactly at the speed of light, in fact—heated up the apple enough to unleash some heavy fumes. In a word, the Olympians all got stoned.

And they saw a Vision, or a series of Visions.

In the first Vision, they saw Yahweh, a neighboring god with a world of his own which overlapped theirs in some places. He was clearing the set to change its valence and start a new show. His method struck them as rather barbarous- He was, in fact, drowning everybody—except one family that he allowed to escape in an Ark.

“This is Chaos,” said Hermes. “That Yahweh is a
mean
mother’, even for a god.”

And they looked at the Vision more closely, and because they could see into the future and were all (like every intelligent entity) rabid Laurel and Hardy fans and because they were zonked on the weed, they saw that Yahweh bore the face of Oliver Hardy. All around him, below the mountain on which he lived (his world was flat), the waters rose and rose. They saw drowning men, drowning women, innocent babes sinking beneath the waves. They were ready to vomit. And then Another came and stood beside Yahweh, looking at the panorama of horrors below, and he was Yahweh’s Adversary, and, stoned as they were, he looked like Stanley Laurel to them. And then Yahweh spoke, in the eternal words of Oliver Hardy: “Now look what
you
made me do,” he said.

And that was the first Vision.

They looked again, and they saw Lee Harvey Os-wald
perched in the window of the Texas School Book Depository; and he, again, wore the face of Stanley Laurel. And, because this world had been created by a great god named Earl Warren, Oswald fired the only shots that day, and John Fitzgerald Kennedy was, as the Salvation Army charmingly expresses it, “promoted to glory.”

“This is Confusion,” said Athena with her owl-eyes flashing, for she was more familiar with the world created by the god Mark Lane.

Then they saw a hallway, and Oswald-Laurel was led out between two policemen. Suddenly Jack Ruby, with the face of Oliver Hardy, stepped forward and fired a pistol right into that frail little body. And then Ruby spoke the eternal words, to the corpse at his feet: “Now look what
you
made me do,” he said.

And that was the second Vision.

Next, they saw a city of 550,000 men, women and children, and in an instant the city vanished; shadows remained where the men were gone, a firestorm raged, burning pimps and infants and an old statue of a happy Buddha and mice and dogs and old men and lovers; and a mushroom cloud arose above it all. This was in a world created by the cruelest of all gods,
Realpolitik
.

“This is Discord,” said Apollo, disturbed, laying down his lute.

Harry Truman, a servant of Realpolitik, wearing the face of Oliver Hardy, looked upon his work and saw that it was good. But beside him, Albert Einstein, a servant of that most elusive and gnomic of gods, Truth, burst into tears, the familiar tears of Stanley Laurel facing the consequences of his own karma. For a brief instant, Truman was troubled, but then he remembered the eternal words: “Now look what
you
made me do,” he said.

And that was the third Vision.

Now they saw trains, many trains, all of them running on time, and the trains criss-crossed Europe and ran 24 hours a day, and they all came to a few destinations
that were alike. There, the human cargo was stamped, catalogued, processed, executed with gas, tabulated, recorded, stamped again, cremated and disposed.

“This is Bureaucracy,” said Dionysus, and he smashed his wine jug in anger; beside him, his lynx glared balefully.

And then they saw the man who had ordered this, Adolf Hitler, wearing still the mask of Oliver Hardy, and he turned to a certain rich man, Baron Rothschild, wearing the mask of Stanley Laurel, and they knew this was the world created by the god Hegel and the angel Thesis was meeting the demon Antithesis. Then Hitler spoke the eternal words: “Now look what
you
made me do,” he said.

And that was the fourth Vision.

They did then look further and, lo, high as they were they saw the founding of a great republic and proclamations hailing new gods named Due Process and Equal Rights for All. And they saw many in high places in the republic form a separate cult and worship Mammon and Power. And the Republic became an Empire, and soon Due Process and Equal Rights for All were not worshipped, and even Mammon and Power were given only lip-service, for the true god of all was now the impotent What Can I Do and his dull brother What We Did Yesterday and his ugly and vicious sister Get Them Before They Get Us.

“This is Aftermath,” said Hera, and her bosom shook with tears for the fate of the children of that nation.

And they saw many bombings, many riots, many rooftop snipers, many Molotov cocktails. And they saw the capital city in ruins, and the leader, wearing the face of Stanley Laurel, taken prisoner amid the rubble of his palace. And they saw the chief of the revolutionaries look about at the rubble and the streets full of corpses, and they heard him sigh, and then he addressed the leader, and he spoke the eternal words: “Now look what
you
made me do,” he said.

And that was the fifth Vision.

And now the Olympians were coming down and they looked at each other in uncertainty and dismay. Zeus himself spoke first.

“Man,” he said, “that was Heavy Grass.”

“Far
fuckin out,” Hermes agreed solemnly.

“Tree fuckin mendous,” added Dionysus, petting his lynx.

“We were really fuckin
into
it,” Hera summed up, for all.

And they turned their eyes again on the Golden Apple and read the word Our Lady Eris had written upon it, that most multiordinal of all words, Korhhisti. And they knew that each god and goddess, and each man and woman, was in the privacy of the heart, the prettiest one, the fairest; the most innocent, the Best. And they repented themselves of not having invited Our Lady Eris to their party, and they summoned her forth and asked her, “Why did you never tell us before that all categories are false and all Good and Evil a delusion of limited perspective?”

And Eris said, “As men and women are actors on a stage of our devising, so are we actors on the stage devised by the Five Fates. You had to believe in Good and Evil and pass judgments on your creatures, the men and women below. It was a curse the Fates put upon you! But now you have come to the Great Doubt and you are free.”

The Olympians thereupon lost interest in the god-game and soon were forgotten by humanity. For She had shown them a great Light, and a great Light destroys shadows; and we are all, gods and mortals, nothing else but gliding shadows. Do you believe that?

“No,” said Fission Chips.

“Very well,” the Dealy Lama said somberly. “Begone, back to the world of maya!”

And Fission Chips whirled head over heels into a vortex of bleatings and squealings, as time and space were given another sharp tug and, nearly a month later, head
over heels, the Midget is up and tottering
across Route 91 as the rented Ford Brontosaurus shrieks to a stop and Saul and Barney are out the doors (every cop instinct telling them that a man who runs from an accident is hiding something) but John
Dillinger, driving toward Vegas from the north, continues to hum “Good-bye forever, old sweethearts and gals, God…bless…
you
…”
and the same tug in space-time grips Adam Weishaupt two centuries earlier, causing him to abandon his planned soft sell and blurt out to an astonished Johann Wolfgang von Goethe, “Spielen Sie Strip Schnipp-Schnapp?” and Chips
, hearing Weishaupt’s words, is back in the graveyard at Ingolstadt as four dark figures move away in dusk.

“Strip Schnipp-Schnapp?”
Goethe asks, putting hand on chin in a pose that was later to become famous,
“Das ist dein hoch Zauberwerk?”

“Ja, ja,”
Weishaupt says nervously,
“Der Zweck heiligte die Mittel.”

Ingolstadt always reminds me of the set of a bleeding Frankenstein movie, and, after Saint Toad and that shoggoth chap and the old Lama with his wog metaphysics, it was no help at all to have an invisible voice ask me to join him in a bawdy card game. I’ve faced some weird scenes in H.M. Service but this Fernando Poo caper was turning out to be outright unwholesome, in fact
unheimlich
as these krauts would say. And, in the distance, I began to hear wog music, but with a Yank beat to it, and suddenly I knew the worst: that blasted Lama or Saint Toad or somebody had lifted nearly a month out of my life. I had walked into Saint Toad’s after midnight on March 31 (call it April 1, then) and this would be April 30 or May 1.
Walpurgisnacht
. When all the kraut ghosts are out. And I was probably considered dead back in London. And if I called in and tried to explain what had happened, old W. would be downright
psychiatric
about the matter, oh, he’d be sure I was well around the bend. It was a rum go either way.

Then I remembered that the old Lama in Dallas had
said he was sending me to the final battle between Good and Evil. This was probably it, right here, right now, this night in Ingolstadt. A bit breathtaking to think of that. I wondered when the Angels of the Lord would appear: bloody soon, I hoped. It would be nice to have them around when Old Nick unleashed the shoggoth and Saint Toad and that lot.

So I toddled out into the streets of Ingolstadt and started sniffing around for the old sulphur and brimstone.

And half a mile below and twelve hours earlier, George Dorn and Stella Maris were smoking some Alamout Black hash with Harry Coin.

“You haven’t got a bad punch for an intellectual,” Coin said with warm regard.

“You’re pretty good at rape yourself,” George replied, “for the world’s most incompetent assassin.”

Coin started to draw back his lips in an angry snarl, but the hash was too strong. “Hagbard told you, Ace?” he asked bashfully.

“He told me most of it,” George said. “I know that everybody on this ship once worked for the Illuminati directly or for one of their governments. I know that Hagbard has been an outlaw for more than two decades—”

“Twenty-three years exactly,” Stella said archly.

“That figures,” George nodded. “Twenty-three years, then, and never killed anybody until that incident with the spider ships four days ago.”

“Oh, he
killed
us,” Harry said dreamily, drawing on the pipe. “What he does is worse than capital punishment, while it’s going on. I can’t say I’m the same man I was before. But it’s pretty bad until you come through.”

“I know,” George grinned. “I’ve had a few samples myself.”

“Hagbard’s system,” Stella said, “is very simple. He just gives you a good look at your own face in a mirror. He lets you see the puppet strings. It’s still up to you to break them. He’s never forced anyone to do
anything that goes against their heart. Of course,” she frowned in concentration, “he does sort of maneuver you into places where you have to find out in a hurry just what your heart
is
saying to you. Did he ever tell you about the Indians?”

“The Shoshone?” George asked. “The cesspool gag?”

“Let’s play a game,” Coin interrupted, sinking lower in his chair as the hash hit him harder. “One of us in this room is a Martian, and we’ve got to guess from the conversation which one it is.”

“Okay,” Stella said easily. “Not the Shoshone,” she told George, “the Mohawk.”

“You’re not the Martian,” Coin giggled. “You stick to the subject, and that’s a human trait.”

George, trying to decide if the octopus on the wall was somehow connected with the Martian riddle, said, “I want to hear about Hagbard and the Mohawk. Maybe that will help us identify the Martian. You think up good games,” he added kindly, “for a guy who was sent on seven assassination missions and fucked up every one of them.”

“I’m dumb but I’m lucky,” Coin said. “There was always somebody else there blasting away at the same time. Politicians are
awfully
unpopular these days, Ace.”

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