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Authors: Mary Miley

Tags: #Fiction, #Mystery & Detective, #Historical, #Women Sleuths

The Impersonator

BOOK: The Impersonator
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CONTENTS

 

Title Page

Copyright Notice

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Postscript

Acknowledgments

About the Author

Copyright

 

1

 

I felt his eyes before I saw his face. A quick sweep of the audience and I spotted him, the man from last night. On the aisle again, row C, seat 1. A good choice—his bulk would have overflowed the armrests of an interior seat and caused his neighbors to curl their lips and lean away.

I am sensitive to being watched. Whenever someone’s eyes rest overlong on me, a prickly awareness flushes across my neck and shoulders. It comes from a lifetime spent onstage, honing the subtler tricks of the trade—the toss of the hair, the jut of the hips, the flutter of the fingers—whatever pulls the audience’s attention. I can throw attention too: a gasp and wide eyes will send them searching for the cause of my surprise; my languid examination of another actor will turn every head in the audience to him. I know what I’m doing, and I know when I am doing it. At that moment, I was doing nothing. I had finished my line and moved stage right where I stood like a marble statue so as not to distract from Darcy’s solo verse. I was doing nothing to draw the fat man’s stare, yet he was staring.

Had he been young and attractive, I would have been pleased, but this man made me uneasy. He wasn’t watching the act; he was watching me. Two nights in a row. I’d put it down to my great beauty, but I live my life close to the mirror, and I know better.

I missed my cue—something I’d hear about later. Hands on hips, I tap-danced back into the lights, caught up with Angie approaching from stage left, and the seven Little Darlings began to sing the final refrain.

You’ve got to see Mama ev’ry night,

Or you can’t see Mama at all!

All eyes were on me now, and I blocked out any thought of the fat man in the third row.

 

2

 

Three bows. It should have been two, but “Mama” stole the last one, pulling us back onstage as the applause drizzled away, leaving us to slink off in silence. I was mortified, but no one blamed me, I was just a kid. So to speak. We got out of the way for the Kanazawa Japs.

Our dressing room was as small as a closet. Angie kept bumping my elbow as I wiped off the greasepaint. I snapped at her, then apologized. She was a good kid, wiser than her seventeen years, and a good friend since she’d joined the Little Darlings a couple years back. The closet wasn’t her fault. Fact of the matter, it was better than most I’d seen growing up, with electric lights and heat and toilets in the basement. The Creighton, like all Orpheum Circuit theaters, was Big Time and pretty decent, all in all. But even a headliner’s dressing room at the Creighton would have been seriously crowded with nine of us struggling to change to street clothes.

At last I escaped, my coat over my shoulders and Angie at my heels.

“Lordy mercy, I could use a drink!” she exclaimed—uselessly, since we both knew my bottle of hooch was empty and neither of us knew Omaha well enough to find a speakeasy that would admit two girls who looked fifteen. “Three shows! Whew!”

“Many’s the time I’ve played four or even five shows a day,” I said. “And in theaters without dressing rooms at all. We’re lucky to have made Big Time.”

“I know,” she said, but she didn’t really.

We threaded our way down the narrow passageway choked with crates, props, barrels, and paint cans. Angie caught her foot in a coil of rope and dislodged a rat. She smothered a scream as it scurried ahead of us and disappeared into the shadows.

“Yikes! Where’s the Cat Circus when you need ’em?” I said, immediately regretting the little quip when I saw the quiver in Angie’s lip. She was sweet on the young man who managed that act, and we hadn’t shared a billing with him in many weeks.

“Button up,” Angie said, as she squared her shoulders and threw open the heavy stage door. March in the Midwest has its pleasant days. This wasn’t one of them.

“I’m going back to Mabel’s,” I told her by way of an invitation. “I snitched some rolls and chicken legs when no one was looking. Enough for two.”

The alley was muddy and littered with broken glass. Old playbills clogged the gutter. Ahead of us, a voice called out to someone, “Jessie!”

Angie and I tied scarves over our heads and made our way toward the main street, guided by the light of the single gas lamp that glowed in front of the theater. It was a nine-block walk to Mabel’s boardinghouse where the Little Darlings were lodged this week. Tomorrow was our last night. On Sunday we’d jump to Tulsa, a day’s train ride if we were lucky and there were no cows on the tracks.

“Jessie!”

I paid no attention. It wasn’t my name.

Then I saw him in the lamplight. The fat man from the aisle seat. Waiting for Angie and me to come down the alley. Except I knew he wasn’t waiting for Angie.

Nothing to worry about; I’d blown off men before.

He stood with his hands in the pockets of a cashmere topcoat, a Vandyke beard on his chin, and a fine fedora on his head. “Jessie! Jessamyn Carr!” he said as we came closer.

I gave an exaggerated look over my shoulder, shrugged, and attempted to walk past him.

“Wait! A moment, please. Just a moment. I recognized you from the audience, Jessie. You remember me, don’t you? Uncle Oliver? Of course you do.”

He didn’t grab my arm or try to touch me in any way, and his round face was creased with what looked like genuine anxiety. Maybe, just maybe, he was legit—and I didn’t want to be unkind. I decided to play it straight. “I’m sorry, sir. You’ve mistaken me for someone else. Excuse us, please.”

“No, I can’t be wrong. You’re Jessie Carr. Even after all these years, I’d recognize you anywhere—the auburn hair, the eyes, the freckles.” His sincerity was unmistakable, and I felt a stab of sympathy for him.

“Look, Mr. Oliver, I am sorry. But honestly, I’m not your niece. I’ve gone by a lot of names in my life, but Jessie was never one of them. I guess I look like her, but you know what they say: there’s a double for every one of us somewhere in the world.” His expression was almost comical with disbelief, and he seemed to grow smaller, like a round balloon with some of the air let out. I felt sorry for him. “Is your niece in vaudeville?”

“Oh, no … at least, not that I know of,” he replied, peering hard at my face to watch for my reaction as he continued with his tale. “My late sister’s child, Jessamyn Carr, disappeared seven years ago, in the summer of 1917. Ran away, no doubt. No one has seen her since. You look so much like her … those freckles … She would be twenty now, almost twenty-one. At first glance I thought you were too young, but after careful study, I realized you were older than the girl you play on stage. Are you sure there’s no chance that you could be—”

“Well, I’m older than twenty,” I said. His eyes widened in surprise. So did Angie’s. I generally keep mum about my real age. Most people in the business figure I’m around seventeen, and they’re amused at how much younger I appear, on stage and off. It’s been the key to my success, really. “I’ve been in vaudeville since I was a baby, so I can’t be your niece.”

He gave a great sigh and rubbed his hand over his face. “I beg your pardon, young lady. I—I really thought … you are so like her, exactly as she would look grown-up. It’s—well, it’s uncanny. Excuse me.”

He bowed from the waist like I was royalty, lifted his hat, and walked off in the opposite direction from Mabel’s.

Angie arched her eyebrows in a silent question that I answered with a shrug of my shoulders.

“He seemed so sure…” She trailed off. I knew what she was thinking. Although we’d been in the same act for a couple years, she knew almost nothing about my life before the Little Darlings.

“I feel kind of sorry for him,” I said as I watched him disappear into the night.

“He reminds me of Fatty Arbuckle,” Angie said softly.

“I’m not his niece.”

Angie giggled. “Maybe you should have said you were. Maybe he’s fabulously rich and was going to leave you all his money!” And we laughed our way back to Mabel’s.

 

3

 

Saturday’s three shows went well enough. The Little Darlings hoofed it through their fourteen-minute musical routine with the flawless timing that comes from months of repetition. The audience applauded generously, and “Mama”—chastened earlier by the emcee—stole no bows. We’d been billed third this week and so finished by ten, a distinct advantage in my book since it left more time for celebration at the end of a long week. Angie and I waited impatiently for Sylvia, the assistant in the magician act billed after the Kanazawa Japs. Sylvia had played Omaha last year and knew of a blind pig that would serve us … if it hadn’t been shut down by now. I hoped it had food too. I was hungry enough to eat a whole pig myself.

We wore our best. Angie and I had brushed the schoolgirl braids into pinned-up styles befitting sophisticated young ladies, and the new hat I’d bought at Younkers in Des Moines two weeks ago made me look at least eighteen. As soon as Sylvia joined us, we headed for the stage door.

The fat man was waiting for us by the gas lamp, dressed in a tuxedo.

“Excuse me, Miss—ah, Darling?”

I was in an end-of-the-week mood. “Uncle Oliver!” I exclaimed buoyantly. “I didn’t see you in the audience tonight.”

“I wasn’t in the audience tonight.” He doffed his homburg to acknowledge Angie and Sylvia, then turned back to me. His eyes took in my hair and outfit with a gleam that approved the transformation. “I came by the theater in the hope that I could persuade you to dine with me tonight. I would like to talk with you about a job, something I think will be well worth your while.”

I’ll just bet. Angie and Sylvia exchanged knowing glances. We’d each had our share of mashers on the make. The missing niece had been a ruse after all. I should have known.

“Thank you kindly, sir, but as you can see, my friends and I have plans for this evening.”

“So that my intentions are not misconstrued, I was of course including your friends in my invitation. I have reserved a table at the Blackstone Hotel, reputedly the finest restaurant in the Midwest, where I will be honored to treat you and your friends to anything on the menu.”

His gentle caress of the word “anything” would have made an actor proud. And who hadn’t heard of the Blackstone? Only headliners could afford to stay there, and they raved about its luxury.

I had no idea if he knew how hungry I was at that moment or how poorly we’d eaten lately, but the memory of the fried meat, cornmeal mush, and peach preserves we’d been served for the past week at Mabel’s made me drool for something better. Potluck at the blind pig was likely to be greasy sausages or nothing at all. A nod from Angie and Sylvia clinched the deal. Why not? The price for him would be high. The price for me was small: a curt refusal when he got around to making his “job offer.”

“Thank you, sir; we’d be delighted to accept.”

He beamed. Without turning his head, he lifted one arm and snapped his fingers. Before I had time to wonder, an enormous Pierce-Arrow hummed out of the darkness and a chauffeur leaped out to open our door.

The Blackstone Hotel lobby was a work of art with enough gold leaf to make Willie Sutton trade in his gun for a chisel. We gawked like rubes at the painted ceilings, fancy mirrors, and plush velvet furniture as we were ushered through to the Orleans Dining Room. A maid took our coats. A fawning maître d’ bowed and motioned to a waiter, then led us to a table in the middle of the room.

BOOK: The Impersonator
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