The Judge Is Reversed (26 page)

“Gardner Willings K. O.ed.” That, or something like that, would be one of them. “Noted Writers in Party Brawl.” “Book Review Leads to Fisticuffs.” “Anthony Payne Invited to Eat Words; Declines with Fists.”

Pam put a hand on Jerry's, under the table. “Read 'em and weep,” Pam said, softly. Gerald North's response was brief. “God,” Jerry said. He finished his drink and beckoned a waiter.

Payne, also, seemed abstracted, as if he were having second thoughts. As well he may, Pam thought. He seemed, further, to have developed a sudden and considerable thirst. Dutch courage? But Willings was, now, long gone.

And so, Pam thought, looking around the room, half listening to Hathaway's assurance that there was really no harm done, to Birdwood's skeptical “hmmm,” is almost everybody else. Only two waiters, now; several busboys now, and most of them by no means boys. The thin youngster whose face had momentarily showed hate—of whom?—was not in sight, although now was certainly a time for busboys. Lauren Payne was not in sight—no doubt she had developed the headache Pam had herself thought of acquiring. The man who had looked anxiously at her—oh yes, Blaine Smythe—he also was not to be seen. Nor Faith Constable; nor Alice Draycroft. Of course not Alice—Alice was working; long ago Alice must have gone for a quick, before-performance, dinner. Lars Simon had—at least she was sure he had—left before the brawl. Pity to miss the fireworks, which he probably would have enjoyed. (Even if, in the end, Anthony Payne had eaten nothing so indigestible as newsprint.) Everybody she had—no, there was Pink Chiffon. Pam hoped that the woman she was talking to was, this time, really the wife of an author. (One who could be compared to Ned.)

Jerry looked at his watch and shook his wrist and looked at it again.

“What say,” Jerry said, “we get some dinner? Tony? Birdwood? Tom? Find Mrs. Payne and—”

Payne shook his head. His wife had “gone up.” Headache. Probably taken something to put her to sleep. Subject to headaches, poor thing.

“Here?” Birdwood said, with doubt. He was younger than one would have thought, since he was “Productions, Inc.” He was tall and rangy and had deep-set eyes.

Payne shook his head, violently.

“No,” Jerry said. “Somewhere—quieter.”

They went out of the Gold Room and through the lobby and stood on the sidewalk in front of the Dumont among others waving for taxis. They had, Pam thought, picked a bad time. All that remained of the party seemed to have joined them. They'd be hours getting a taxi. And they all needed food by now. Anthony Payne especially, Pam thought. Payne did not seem entirely steady on his feet. Jerry took his arm.

The Dumont's doorman stood, perilously, in the middle of the street and blew a shrill whistle furiously, and, as need arose, dodged expertly. Down the street a cab stopped; started up again, and its roof light went on. The doorman beeped at it almost hysterically; grabbed it as it approached. And the lead-off couple, looking smug to all who were still to wait, got in and were driven off. Jerry waved in the air and the doorman nodded his head, but then gestured at others who waited. It will be forever, Pam thought.

Their “party”—try to think of something else to call it—was a group of five, wedged some distance from the curb, with Payne swaying slightly in the center—swaying and, at intervals, turning from side to side. He was also talking. He was talking about Willings. He had now, it appeared, reached in his own mind a satisfactory explanation of Willings. Willings was crazy. He turned to Pam and said, “That's it. The poor old bastard's gone nuts.” Pam said of course, and that that was probably it. “Crazy as a loon,” Payne said, and turned to say it to Jerry, who held his arm. “Sure,” Jerry said. “That's it.” “Ought to be locked up in a loony bin,” Payne told Tom Hathaway. “Right you are,” Hathaway said. “Only explanation.” “Been showing in his work for years,” Payne said to Livingston Birdwood, who looked discomfitted and said, “Hm-mm.”

“What I say—” Anthony Payne said, and dropped dead.

This was not, of course, instantly apparent. It was apparent that he dropped, and, falling, pulled his arm from Jerry's not insistent hold. He dropped to the sidewalk, in a huddle, twitched violently, and more or less straightened out and lay still.

“Poor bloke's passed—” Hathaway began, and did not finish. Jerry was sitting on his heels by Payne and looked up at Hathaway and shook his head, and then Hathaway squatted on the other side of Payne and looked and said,
“Good God!”
and then put his head back and began to look, apparently, up at the sky.

There was blood by that time. It came out of a small, neat hole almost in the middle of the top of Payne's bald head.

It was the doorman who ran, heavily, to call the police.

Every now and then in New York somebody comes into the possession of a rifle and goes either to a roof or to a high-up window and indulges in target practice, with people as targets. There is no rational explanation of this; many things happen in New York, and in other cities, which do not admit of rational explanation. The police of New York are, to this, resigned. “Town's full of crackpots,” any policeman will tell anyone. There is nothing to do about crackpots except to try to catch them.

And this, of course, is made the more difficult by the fact that reason does not anywhere enter in. Premeditated crimes, including murder, are reasonably designed, and hence may be considered by the rational mind. In professional crime there is always the hope, usually justified, that a squeal will sound, particularly if pressure is properly applied in likely places, most of which the police know. Police laboratories sift the logic of fact and present the sittings for addition. (“The cord with which the woman was tied up is of a type used by upholsterers. This particular sample was manufactured by the Such and Such Company, which has sales outlets in—”)

But none of these methods of operation is of much use when somebody has shot somebody else merely for the fun of it.

During the November on a late evening of which Anthony Payne had dropped dead on the sidewalk in front of the Dumont Hotel, there had been seven snipings in the five boroughs, four of them in Manhattan. Three of these had occurred earlier in the week Payne died in. One child had been slightly grazed; a young woman had been shot in the leg, again not seriously; an elderly man had been barely nicked, but he had died of a heart attack in the moment of his shocked surprise.

The Eighteenth Precinct, with a station house in West Fifty-fourth Street, had had its fill of snipings. Nobody had so far been caught and it did not seem likely that anybody would be. Such prankish marksmen are, in the ordinary run of things, caught either at once or not at all. (Somebody sees a rifle sticking from a window and then there is a place to start; a building to surround, to go over inch by inch.)

In none of that month's incidents had the police had luck. One man or woman, or boy or girl, might be responsible for Manhattan's four and, for that matter, for the one in the Bronx and the two in Brooklyn. This was not likely, nor, on the other hand, was it likely that the sudden sequence of such shootings was merely a matter of chance. Crackpots ape crackpots. “Might be fun to try that,” one crackpot thinks, reading of another crackpot's exploit.

“Got another one,” Detective Pearson said to Detective Foley in the squad room of the Eighteenth Precinct. “We're to get cracking, Joe. A D.O.A. this time.”

“Nobody will have seen anything,” Detective Foley said. “Also, everybody will have scrammed. If anybody heard anything, he thought it was a backfire.”

“Yep,” Detective Pearson said. “Let's get cracking, Joe.”

“The homicide boys?”

“Probably not fancy enough for them,” Detective Pearson said. “Just some poor bloke with a hole in his head, on account of this prankster sees a likely head.”

“Anybody we know?”

“Not a regular,” Pearson said. “Just some poor Joe trying to get a taxi. In front of the Dumont.”

“Some ways,” Foley said, “this is a hell of a town.”

Victim: Anthony Payne, white American; 57; 5 feet 11; 195 pounds; occupation, writer. House in Ridgefield, Connecticut; for some days staying at the Hotel Dumont. Married; wife in hotel room—fourth floor, front; under mild sedation when notified by friends. Further sedation considered necessary by house physician.

Nature of wound: Gunshot, probably .22 long rifle (autopsy to verify) in top of head. Apparent course of bullet, straight down. Unconscious almost instantly; dead in seconds; dead on the arrival of an ambulance; body removed to morgue.

“They don't grow wings,” Pearson told Foley. “Nobody was hovering over his head.”

“He leans a little this way,” Foley pointed out. “Leans a little that way. All our joker has to do is wait until he leans where wanted.”

Pamela North and Gerald North; Thomas Hathaway and Livingston Birdwood had waited. They had been asked to wait, as those closest to Payne when he died. And Mrs. North had been the one who had gone up to the room in which Lauren Payne dozed, under the mild influence of a barbiturate, and wakened her to tell her that Anthony Payne was dead.

Pam had been a little surprised by the wide-eyed, protesting shock with which her news had been received. She did not know precisely why she had been surprised; she knew nothing of the relations between Lauren and her husband. Anthony might have been all her life to Lauren Payne. Why, then, be surprised at the near-hysteria that followed shock, at the need for sedation so quickly recognized by the house physician?

They had waited in the lounge of the Dumont, with Birdwood looking often at his watch. When they arrived, Foley and Pearson looked very much like policemen in plain clothes. Pearson said it looked like being one of those things—one of those things with no sense to it.

“Might have been anybody,” Foley said. “Any one of you. Got hit, I mean.”

Pam had already thought of that, shivered at the thought of that. It might most easily have been Jerry, who had been standing closest—who had had a hand on Payne's left arm, to steady him.

“About all we can do,” Pearson said, “is to try to work out where the shot came from. See what I mean? It went straight in, looks like. As if whoever fired was shooting straight down. But it couldn't have been, because what's directly above him? Air.”

“He was—swaying a little,” Pam said. “He was—” She stopped.

“Payne had had several drinks,” Jerry said. “I suppose we all had. We'd been at a cocktail party, you see. Payne showed his, when he got out in the air especially. So—”

“Sure,” Foley said. “He swayed a little, leaned this way a little and that way a little. Which way was he leaning when it hit him?”

Jerry shook his head slowly and looked at Pam, and she shook hers. “I haven't the faintest idea,” Tom Hathaway said. “I wasn't looking at him,” Birdwood said. “I was watching the doorman trying to get a cab.”

“If it was toward this hotel,” Pearson said, “then the shot probably came from here. Or the place next door. If he was leaning toward the street, then our man could have been in the hotel across it—the—” He looked at Foley.

“King Arthur,” Foley said. “Or the hotel up the street from it. Or the roof of the parking garage.”

“It's about all we've got to go on,” Pearson said. “It's not much, is it?”

“Things like this, we never get much,” Foley said. “That's the size of it. Nobody noticed which way he was leaning? Which way he was facing?”

Still nobody had.

“I don't suppose,” Pearson said, “one of you heard the shot. To recognize? To locate?”

Nobody had.

“Not even something you thought was a backfire?”

“Not,” Pam said, “to pick out from everything else. That is, probably we all heard it but not really. If you see what I mean.”

Foley looked at Pearson. Upsetting experience this lady had had, seeing a friend shot right in front of her, having to notify his widow. Not used to things like that. “Sure,” Pearson said. “Happens that way all the time. Well—”

“No reason to keep you four here,” Foley said. “Somebody got your names?”

Somebody had.

“Just in case,” Pearson said. “Well—”

“Bill!” Pamela North said. “We're over here.”

William Weigand, captain of detectives, Homicide, Manhattan West, came across the small and pleasant lobby. He stopped in front of them and looked down.

“What's this I hear?” Bill Weigand said. “You've had another author shot out from under you, Jerry?”

Gerald North nodded his head, gloomily.

“Hell of a way to run a publishing house,” Bill Weigand said.

3

Captain William Weigand, in his small office in West Twentieth Street, had been about to call it a day, since even policemen must sometimes call a day a day. The report, coming to him as a matter of routine, that there had been another sniper victim, and this one dead, had not at first seemed sufficient reason to start the day over. It had been a long day already and had ended, satisfactorily, with an arrest—Antonio Spagalenti had not, after all, been in his office when his wife was strangled in their apartment in lower Manhattan. It did not appear to be true that the scratches on his face had been inflicted by the family cat. The Medical Examiner's laboratory reported that Mrs. Spagalenti had scratched someone. And it was easy enough to prove that Antonio Spagalenti had found a new interest in life, and a blond one.

Another sniping, and particularly a fatal one, was certainly unpleasant. It was, however, a thing which the precinct detective squad, with the precinct uniformed force, could handle as well as anyone, which probably was not going to be too satisfactorily, and no reflections on anybody. If Homicide West needed to get into it, Lieutenant Stein could lead it in. Stein had arrived when due, and been told, “Nothing but this, John,” and shown “this.” “Sniper killed, this time. Killed a man named—”