Read The Judgment of Paris Online

Authors: Ross King

Tags: #History, #General, #Art

The Judgment of Paris (84 page)

BOOK: The Judgment of Paris
8.19Mb size Format: txt, pdf, ePub
ads
Courthion, Pierre, and Pierre Cailler.
Portrait of Manet by Himself and His Contemporaries,
trans. Michael Ross (London: Cassell, 1960).
Crespelle, Jean-Paul.
Maîtres de la Belle Époque
(Paris: Hachette, 1966).
Curtiss, Mina, ed. and trans. "Letters of Édouard Manet to his Wife during the Siege of Paris: 1870—71,"
Apollo
113 (June 1981): 378—89.
Darragon, Eric.
Manet
(Paris: Fayard, 1989).
Delaborde, Henri.
Ingres: Sa vie, ses travaux, sa doctrine
(Paris, 1870).
Delacroix, Eugène.
Correspondance ginirale de Eugène Delacroix,
5 vols., ed. Andre Joubin (Paris: Plon, 1935—38).
————.
The Journal of Eugène Delacroix,
trans. Walter Pach (New York: Hacker Art Books, 1980).
Delecluze, Étienne.
Louis David: son icole et son temps
(Paris, 1855).
Desnoyers, Fernand.
Le Salon de Refusés
(Paris, 1863).
Distel, Anne, et al.
Gustave Caillebotte: The Unknown Impressionist
(London: Royal Academy of Arts, 1996).
Dolan, Therese. "Skirting the Issue: Manet's Portrait of
Baudelaire's Mistress, Reclining," Art Bulletin
(December 1997), pp. 611—29.
Dorival, Bernard. "Meissonier et Manet,"
Art de France
(1962), pp. 223—6.
Dorment, Richard. "James McNeill Whisder," in Juliet Wilson-Bareau and David Degener, eds.,
Manet and the Sea
(New Haven, Conn.: Yale University Press, 2003), pp. 187-93
Duret, Théodore.
Histoire de Édouard Manet et de son oeuvre
(Paris: Charpentier et Fasquelle, 1906).
Duro, Paul. " 'Un Livre Ouvert a 1'Instruction': Study Museums in Paris in the Nineteenth Century,"
Oxford Art Journal
10 (1987), pp. 44—58.
Edwards, Stewart, ed.
The Communards of Paris
(Ithaca, N.Y.: Cornell University Press, 1973).
Eitner, Lorenz.
An Outline of 19th Century European Painting: From David through Cézanne
(New York: Harper & Row, 1987).
————.
Géricault's "Raft of the Medusa"
'(London: Phaidon, 1972).
Engels, Frederick, and Karl Marx.
Collected Works,
37 vols., ed. Eric Hobsbawm et al. (London: Lawrence & Wishart, 1975—1998).
Elam, Caroline. "Editorial: Édouard Manet, the old-masterly modernist,"
Burlington Magazine
(February 2002), p. 67.
Escholier, Raymond.
Delacroix: Peintre, Graveur, Écrivain,
3 vols. (Paris: H. Floury, 1926—9).
Farwell, Beatrice. "Manet's
Nymphe Surprise," Burlington Magazine
97 (April 1975), pp. 224—9.
Feller, Robert L., et al., eds.
Artists' Pigments: A Handbook of their History and Characteristics,
3 vols. (Washington: National Gallery of Art, 1986—1997).
Fidell-Beaufort, Madeleine, and Janine Bailly-Herzberg.
Daubigny: La Vie et l'oeuvre
(Paris: Éditions Geoffroy-Dechaume, 1975).
Flaubert, Gustave.
The Letters of Gustave Flaubert,
ed. and trans. Francis Steegmuller (Cambridge, Mass.: Harvard University Press, 1982).
————.
A Sentimental Education,
trans. Douglas Parmee (Oxford: Oxford University Press, 1989).
Flescher, Sharon. "More on a Name: Manet's
Olympia
and the Defiant Heroine in Mid-Nineteenth-Century France,"
Art Journal
(Spring 1985), pp. 27-35.
Fosca, François.
Renoir: His Life and Work
(London: Thames & Hudson, 1961).
France, Anatole.
On Life and Letters,
4 vols., trans. A. W. Evans et al. (London: Bodley Head, 1911-1924).
Franquet, Charles, le Comte de Franqueville.
Le Premier Siècle de L 'Institut de France,
2 vols. (Paris, 1895-6).
Fried, Michael.
Manet's Modernism, or The Face of Painting in the 1860s
(Chicago: University of Chicago Press, 1996).
Gaskell, Ivan.
Vermeer's Wager
(London: Reaktion, 2000).
Gaunt, William.
The Pre-Raphaelite Tragedy
(London: Cardinal, 1975).
Gautier, Théophile.
Tableaux de siege: Paris 1870—1871
(Paris, 1871).
Gaynor, Suzanne. "Count de Nieuwerkerke: A Prominent Official of the Second Empire and His Collection,"
Apollo
122 (1985), pp. 372-9.
Geffroy, Gustave.
Claude Monet: Sa vie, son oeuvre, 2
vols. (Paris: Cres, 1922—4).
Goldschmidt, Fernande, et al.
Le Comte de Nieuwerkerke: Art etpouvoir sous Napoléon III
(Paris: Réunion des Musées nationaux, 2000).
Goldschmidt, Fernande.
Nieuwerkerke, le bel Émilien: Prestigieux directeur du Louvre sous Napoléon
///(Paris: Art International Publishers, 1997).
Gombrich, Ernst.
The Image and the Eye: Further Studies in the Psychology of Pictorial Representation
(Oxford: Phaidon Press, 1982).
Goncourt, Edmond de, and Jules de Goncourt.
Journal: Mimoires de la vie littiraire,
3 vols., ed. Robert Ricatte (Paris: Robert Laffont, 1989).
————.
Pages from the Goncourt Journal,
ed. and trans. Robert Baldick (London: The Folio Society, 1980).
Gossez, Rémi.
Les Ouvriers de Paris: L 'Organisation, 1848—1851
(Paris: Société d'histoire de la revolution de 1848, 1968).
Gotlieb, Marc J.
The Plight of Emulation: Ernest Meissonier and French Salon Painting
(Princeton, N.J.: Princeton University Press, 1996).
Gould, Roger V.
Insurgent Identities: Class, Community and Protest in Paris from 1848 to the Commune
(Chicago: University of Chicago Press, 1995).
Gréard, Valery C. O.
Meissonier: His Life and Art,
trans. Lady Mary Loyd and Miss Florence Simmonds (London: William Heinemann, 1897).
Green, Nicholas.
The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth-Century France
(Manchester: Manchester University Press, 1990).
Guest, Ivor.
Napoléon III in England
(London: British Technical & General Press, 1952).
Hamilton, George Heard.
Manet and His Critics
(New Haven, Conn.: Yale University Press, 1954).
Harding, James.
Artistes Pompiers: French Academic Art in the 19th Century
(New York: Rizzoli, 1979).
Harsin, Jill.
Policing Prostitution in Nineteenth-Century Paris
(Princeton, N.J.: Princeton University Press, 1985).
Hauser, Arnold.
The Social History of Art, 2
vols., trans. Stanley Godman (London: Routledge & Kegan Paul, 1951).
Hemmings, F.W.J.
Baudelaire the Damned: A Biography
(London: Hamish Hamilton, 1982).
Herbert, Robert L.
Impressionism: Art, Leisure, and Parisian Society
(New Haven, Conn.: Yale University Press, 1988).
Honour, Hugh.
Neo-Classicism
(London: Penguin, 1968).
————.
Romanticism
(London: Penguin, 1979).
Home, Alistair.
The Fall of Paris: The Siege and the Commune, 1870—71
(New York: St. Martin's Press, 1965).
Holt, Elizabeth Gilmore, ed.
The Art of All Nations: The Emerging Role of Exhibitions and Critics
(Princeton, N.J.: Princeton University Press, 1982).
House, John. "Manet and the De-Moralized Viewer," in Paul Hayes Tucker, ed.,
Manet's
Le Déjeuner sur l'Herbe (Cambridge: Cambridge University Press, 1998), pp. 75-89.
————. "Manet's Maximilian: History Painting, Censorship and Ambiguity," in Juliet Wilson-Bareau et al.,
Manet: "The Execution of Maximilian": Painting, Politics, Censorship
(London: National Gallery Publications, 1992), pp. 87—113.
Houssaye, Arséne.
Man About Paris: The Confessions of Arséne Houssaye,
trans, and ed. Henry Knepler (London: Victor Gollancz, 1972).
Hungerford, Constance Cain.
Ernest Meissonier: Master in His Genre
(Cambridge: Cambridge University Press, 1999).
————. "Meissonier's
Souvenir de guerre civile," Art Bulletin
(June 1979), pp. 277—88.
Hutton, John. "The Clown at the Ball: Manet's
Masked Ball of the Opéra
and the Collapse of Monarchism in the Early Third Republic,"
Oxford Art Journal
10 (1987), pp. 76-94.
Huyghe, René.
Delacroix,
trans. Jonathan Griffin (London: Thames & Hudson, 1963).
Ingamells, John.
The Wallace Collection Catalogue of Pictures,
vol. 2,
French Nineteenth Century
(London: Trustees of the Wallace Collection, 1986).
Isaacson, Joel.
Monet: "Le Déjeuner sur I'herbe" (London:
Allen Lane, 1972).
Jahyer, Félix.
Étude sur les beaux-arts: Salon de 1865
(Paris, 1865).
James, Henry.
The Painter's Eye: Notes and Essays on the Pictorial Arts,
ed. John L. Sweeney (London: Rupert Hart-Davis, 1956).
Jamot, Paul.
"Le Fifre
et Victorine Meurent,"
Revue de Tart ancient et moderne,
51 (1927), pp. 31-41.
Jamot, Paul, and Georges Wildenstein.
Manet,
2 vols. (Paris: Les Beaux-Arts, 1932).
Janin, Jules.
L'Eté à Paris
(Paris, 1844).
Jean-Aubry, Georges.
Eugène Boudin
(Paris: Bernheim-jeune, 1922).
Jennings, Simon.
Artist's Colour Manual
(London: HarperCollins, 2003).
Johnson, Douglas. "The French Intervention in Mexico: A Historical Background," in Juliet Wilson-Bareau et al.,
Manet: "The Execution of Maximilian": Painting, Politics, Censorship
(London: National Gallery Publications, 1992), pp. 15—33.
Johnson, Lee.
Eugène Delacroix (1798—1863): Paintings, Drawings, and Prints from North American Collections
(New York: Harry N. Abrams, 1991).
Jordan, David P.
Transforming Paris: The Life and Labors of Baron Haussmann
(Chicago: University of Chicago Press, 1996).
King, Edward.
My Paris: French Character Sketches
(Boston, 1868).
Kinney, Leila W. "Genre: A Social Contract?"
Art Journal
46 (Winter 1987), pp. 267-77.
Krell, Alan.
Manet and the Painters of Contemporary Life
(London: Thames & Hudson, 1996).
————. "Manet's
Déjeuner sur I'herbe
in the
Salon des Refuse's:
A Re-appraisal,"
Art Bulletin
65 (June 1983): 316-20.
Lafont-Couturier, Helene, et al.,
Gérôme & Goupil: Art and Enterprise,
trans. Isabel Ollivier (New York: Dahesh Museum of Art, 2000).
Lamb, Lynton.
Preparation for Painting: The Purpose and Materials of the Artist
(London: Oxford University Press, 1954).
Larroumet, Gustave.
Meissonier
(Paris, 1895).
Lavergne, Claudius.
Exposition Universelle de 1855: Beaux-Arts
(Paris, 1855).
Lefort, Paul.
La Peinture française actuelle
(Paris, 1891).
Lemonnier, Camille.
Le Salon de Paris 1870
(Paris, 1870).
Lethève, Jacques.
Daily Life of French Artists in the Nineteenth Century,
trans. Hilary E. Paddon (London: George Allen and Unwin, Ltd., 1968).
Lilley, Edward. "Manet's 'Modernity' and
Effet de Neige a Petit-Montrouge," Gazette des Beaux-Arts,
series 6, 188 (September 1991), pp. 107-110.
Lindsay, Jack.
Cézanne: His Life and Art
(New York: New York Graphic Society, 1969).
Lipton, Eunice.
Alias Olympia: A Woman's Search for Manet's Notorious Model and Her Own Desire
(New York: Meridian, 1994).
Locke, Nancy.
Manet and the Family Romance
(Princeton, N.J.: Princeton University Press, 2001).
————. "Manet's
Le Déjeuner sur I'herbe
as a Family Romance," in Paul Hayes Tucker, ed.,
Manet's Le
Déjeuner sur l'Herbe (Cambridge: Cambridge University Press, 1998), pp. 119-51.
————. "Unfinished Homage: Manet's
Burial
and Baudelaire,"
The Art Bulletin
(March 2000), pp. 68-82.
Lowry, Bates.
Muse or Ego: Salon and Independent Artists of the 1880s
(Claremont, Calif: Pomona College, 1963).
BOOK: The Judgment of Paris
8.19Mb size Format: txt, pdf, ePub
ads

Other books

Your Magic or Mine? by Ann Macela
Just Lucky that Way by Andy Slayde, Ali Wilde
A Fatal Debt by John Gapper
The 9/11 Wars by Jason Burke
Pictures of the Past by Deby Eisenberg
Maid for the Rock Star by Demelza Carlton
A Shameful Secret by Ireland, Anne
Under the Color of Law by Michael McGarrity