Read The Judgment of Paris Online

Authors: Ross King

Tags: #History, #General, #Art

The Judgment of Paris (85 page)

BOOK: The Judgment of Paris
2.33Mb size Format: txt, pdf, ePub
ads
Luxenberg, Alisa. "Bueno dias, Serior Courbet: The Artist's Trip to Spain,"
Burlington Magazine
(November 2001), pp. 690-4.
————. "Creating
Désastres:
Andrieu's Photographs of Urban Ruins in the Paris of 1871,"
Art Bulletin
80 (March 1998), pp. 113-37.
Mack, Gerstle.
Gustave Courbet
(New York: Knopf, 1951).
Mainardi, Patricia.
Art and Politics of the Second Empire: The Universal Expositions of 1855 and 1867
(New Haven, Conn.: Yale University Press, 1987).
————.
The End of the Salon: Art and the State in the Early Third Republic
(Cambridge: Cambridge University Press, 1993).
————. "The Political Origins of Modernism,"
Art Journal
45 (Spring 1985), pp. n-17.
Malmesbury, James Howard Harris, first earl of Malmesbury.
Memoirs of an Ex-Minister,
2 vols. (London, 1884).
Marx, Karl.
The Civil War in France,
in Karl Marx and Frederick Engels,
Collected Works,
37 vols., ed. Eric Hobsbawm et al. (London: Lawrence & Wishart, 1975—1998), vol. 22, pp. 309-55.
Maurois, Andre.
Victor Hugo,
trans. Gerard Hopkins (London: Chatto & Windus, 1956).
Mayeur, Jean-Marie.
Les Débuts de la Troisième République, 1871—1898
(Paris: Editions du Seuil, 1973).
McCauley, Elizabeth Anne. "Sex and the Salon: Defining Art and Immorality in 1863," in Paul Hayes Tucker, ed.,
Manet's
Le Déjeuner sur l'Herbe (Cambridge: Cambridge University Press, 1998), pp. 38-74.
————.
Industrial Madness: Commercial Photography in Paris, 1848—1871
(New Haven, Conn.: Yale University Press, 1994).
McMillan, James F.
Napoléon III
(London: Longman, 1991).
McMullen, Roy.
Degas: His Life, Times and Work
(London: Seeker & Warburg, 1985).
McPhee, Peter.
A Social History of France
(London: Routledge, 1992).
McPherson, Heather. "Manet: Reclining Women of Virtue and Vice,"
Gazette des Beaux-Arts,
series 6 (January 1990), pp. 34—44.
Meissonier, Charles. "Extraits de l'agenda de Charles Meissonier," in
Ernest Meissonier: Retrospective
(Lyon: Musée des Beaux-Arts de Lyon, 1993), p. 73.
Meixner, Laura L.
French Realist Painting and the Critique of American Society, 1865—1900
(Cambridge: Cambridge University Press, 1995).
Meller, Peter. "Manet in Italy: Some Newly Identified Sources for Manet's Sketchbooks,"
Burlington Magazine
(February 2002), pp. 68-84.
Mendès, Catulle.
Les 73 Jours de la Commune
(Paris, 1871).
Milner, John.
Art, War and Revolution in France, 1870—1871: Myth, Reportage and Reality (New
Haven, Conn.: Yale University Press, 2000).
————.
The Studios of Paris: The Capital of Art in the Late Nineteenth Century
(New Haven, Conn.: Yale University Press, 1988).
Mitchell, Claudine. "What is to be done with the Salonniers?"
Oxford Art Journal
10 (1987), pp. 106-114.
Mollett, John W.
Meissonier
(London, 1882).
Monet, Claude.
Monet by Himself: Paintings, drawings, pastels, letters,
ed. Richard Kendall, trans. Bridget Strevens Romer (London: MacDonald Orbis, 1989).
Moore, George.
Memoirs of My Dead Life
(New York: Boni & Liveright, 1920).
————.
Modern Painting
(New York: Brentano, 1910).
Morisot, Berthe.
The Correspondence of Berthe Morisot,
ed. Denis Rouart, trans. Betty W. Hub-bard (London: Lund Humphries, 1957).
Moskowitz, Ira, ed.
Berthe Morisot
(New York: Tudor Publishing, 1961).
Moss, Armand.
Baudelaire et Madame Sabatier
(Paris: A.G. Nizet, 1975).
Nadar [Gaspard-Félix Tournachon],
Quandj'ètais photographe,
ed. Jean-François Bory (Paris: Editions du Seuil, 1994).
Nochlin, Linda.
The Politics of Vision: Essays on Nineteenth-Century Art and Society
(London: Thames & Hudson, 1991).
————.
Realism
(London: Penguin, 1971).
Nord, Philip.
Impressionists and Politics: Art and Democracy in the Nineteenth Century
(London and New York: Routledge, 2000).
Oulmont, Charles. "An Unpublished Watercolour Study for Manet's
Olympia," Burlington Magazine,
vol. 22 (October 1912), pp. 44—7.
Paladilhe, Jean, and José Pierre.
Gustave Moreau,
trans. Bettina Wadia (London: Thames &Hudson, 1972).
Palmade, Guy P.
French Capitalism in the Nineteenth Century,
trans. Graeme M. Holmes (Newton Abbot, Devon: David & Charles, 1972).
Paris Universal Exhibition, 1867: Complete Official Catalogue,
2nd edition (London and Paris, 1867).
Pasquier, Jacqueline de. "La Vie a la 'Grande Maison,'" in
Ernest Meissonier: Rétrospective
(Lyon: Musée des Beaux-Arts de Lyon, 1993), pp. 71—2.
Pasquier-Guignard, Agnes du. "L'Installation à Poissy," in
Ernest Meissonier: Rétrospective
(Lyon: Musée des Beaux-Arts de Lyon, 1993), pp. 64-70.
Patin, Sylvie, et al.
La Collection Havemeyer: Quand l'Amenque découvrait l'impressionisme
(Paris: Editions de la Réunion des musees nationaux, 1997).
Perruchot, Henri.
Manet,
trans. Humphrey Hare (London: Perpetua, 1962).
Pflanze, Otto.
Bismarck and the Development of Modern Germany,
3 vols. (Princeton, NJ.: Princeton University Press, 1990).
Piette, Ludovic.
Mon cher Pissarro: Lettres de Ludovic Piette a Camille Pissarro,
ed. Janine Bailly-Herzberg (Paris: Valhermeil, 1985).
Pinkney, David H.
Napoléon HI and the Rebuilding of Paris
(Princeton, N.J.: Princeton University Press, 1958).
Pitou, Spire.
The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers and Performers
(Westport, Conn.: Greenwood Press, 1983).
Plessis, Alain.
The Rise and Fall of the Second Empire, 1852-1871,
trans. Jonathan Mandelbaum (Cambridge: Cambridge University Press, 1985).
Polybius.
The Histories of Polybius,
trans. Evelyn S. Shuckburgh (London, 1889).
Poulain, Gaston.
Bazille et ses amis
(Paris: La Renaissance du livre, 1932).
Prelinger, Elizabeth, ed.
American Impressionism: Treasures from the Smithsonian American Art Museum
(New York: Watson-Guptil, 2000).
Proudhon, Pierre-Joseph.
La Pornacratie, ou les femmes dans les temps modernes
(Paris, 1875).
Proust, Antonin.
Édouard Manet: souvenirs
(Paris: H. Laurens, 1913).
Queen Victoria.
Leaves from a Journal {New
York: Farrar Strauss and Cudahy, 1961).
Reff, Théodore.
Manet: "Olympia"
'(London: Allen Lane, 1976).
————.
Manet and Modern Paris: One Hundred Paintings, Drawings, Prints and Photographs by Manet and His Contemporaries
(Washington, D.C.: National Gallery of Art, 1982).
————. "The Meaning of
Olympia," Gazette des Beaux-Arts
63 (1964), pp. in—22.
Ernest Renan.
The Life of Jesus,
trans A. D. Howell Smith (London: Watts & Co., 1935).
Rewald, John.
The History of Impressionism
(New York: Metropolitan Museum of Art, 1961).
————.
The Ordeal of Paul Cézanne
(London: Phoenix House, 1950).
Richardson, Joanna.
The Courtesans: The Demi-Monde in 19th-century France
(London: Wei-denfeld & Nicolson, 1967).
————.
Théophile Gautier: His Life and Times
(London: Max Reinhardt, 1958).
Ridley, Jasper.
Napoléon HI and Eugénie
(London: Constable, 1979).
Rishel, Joseph, et al.
The Second Empire: Art in France under Napoléon III
(Philadelphia: Philadelphia Museum of Art, 1978).
Robinson, Christopher. "The Artist as 'Renovateur': Paul Baudry and the Paris Opéra,"
Art Journal
46 (Winter 1987), pp. 285-9.
Rosenblum, Robert, and H. W. Janson.
Art of the Nineteenth Century: Painting and Sculpture
(London: Thames & Hudson, 1984).
Rosenthal, Léon.
Manet: Aquafortiste et lithographe
(Paris: Le Goupy, 1925).
Rossetti, Dante Gabriel.
Dante Gabriel Rossetti and Jane Morris: Their Correspondence,
ed. John Bryson and Janet Camp Troxell (Oxford: Clarendon Press, 1976).
————.
Letters of Dante Gabriel Rossetti,
ed. Oswald Doughty and John Robert Wahl, 5 vols. (Oxford: Clarendon Press, 1965—7).
Roos, Jane Mayo.
Early Impressionism and the French State (1866—1874)
(Cambridge: Cambridge University Press, 1996).
Roy, Ashok, et al. "Monet's
Bathers at La Grenouillère" National Gallery Technical Bulletin
(1981), pp. 14-25.
Rubin, James H.
Courbet
(London: Phaidon Press, 1997).
Saalman, Howard.
Haussmann: Paris Transformed (New
York: George Braziller, 1971).
Sala, George Augustus.
Gaslight and Daylight
(London, 1859).
————. ———.
Notes and Sketches of the Paris Exhibition
(London, 1868).
Sand, George.
Letters of George Sand, 2
vols., trans. R. Ledos de Beaufort (London, 1886).
Sandhu, M. C. "Le Romantisme: Problème de Generation," vol. 8 (Spring—Summer 1980), pp. 206-17.
Scharf, Aaron.
Art and Photography
(London: Allen Lane, 1968).
Séginger, Gisèle.
Flaubert: Une Poétique de Thistoire
(Strasbourg: Presses Universitaires de Strasbourg, 2000).
Serraute, Gabriel. "Contribution a l'étude du
Déjeuner sur I'herbe
de Monet,"
Bulletin du laboratoire du Musie du Louvre,
no. 3 (June 1958), pp. 46-51.
Shackleford, George T. M., and Fronia E. Wissman.
Impressions of Light: The French Landscape from Corot to Monet
(Boston: Museum of Fine Arts, Boston, 2002).
Shaw, Jennifer L. "The Figure of Venus: Rhetoric of the Ideal and the Salon of 1863,"
Art History
14 (December 1991), pp. 540-70.
Silvestre, Théophile.
Histoire des artistes vivants, français et étrangers: Études d'après nature
(Paris, 1856).
Sloane, Joseph C.
French Painting Between the Past and the Present
(Princeton, N.J.: Princeton University Press, 1951).
————. "Paul Chenavard's Cartoons for the Mural Decoration of the Panthéon,"
The Art Bulletin
(December 1951), pp. 240—58.
————.
Paul-Marc Chenavard: Artist of 1848
(Chapel Hill, N.C.: University of North Carolina Press, 1962).
Solkin, David H. "Philibert Rouviére: Édouard Manet's
L 'Acteur Tragique," Burlington Magazine
97 (November 1975), pp. 702—9.
Solnit, Rebecca.
River of Shadows: Eadweard Muybridge and the Technological Wild West
(New York: Penguin, 2003).
Song, Misook.
The Art Theories of Charles Blanc
(Ann Arbor, Mich.: University of Michigan Press, 1984).
Swinburne, Algernon Charles.
The Swinburne Letters,
6 vols., ed. Cecil Y. Lang (New Haven, Conn.: Yale University Press, 1959-62).
Spang, Rebecca L. " 'And they ate the zoo': Relating Gastronomic Exoticism in the Siege of Paris,"
MLN{\<)C)2),
pp. 752-73.
Tabarant, Adolphe.
Manet et ses oeuvres
(Paris: Gallimard, 1947).
————.
Vie artistique au temps de Baudelaire
(Paris: Mercure de France, 1942).
Thiers, Adolphe.
History of the Consulate and the Empire of France under Napoléon,
20 vols. (London, 1845—62).
Thomson, David.
Europe Since Napoléon
(London: Pelican, 1966).
Thuiller, Jacques. "Preface: Éloge d'Ernest Meissonier," in
Ernest Meissonier: Rétrospective
(Lyon: Musée des Beaux-Arts de Lyon, 1993), pp. 17—23.
Tinterow, Gary, and Henri Loyrette.
Origins of Impressionism
(New York: Metropolitan Museum of Art, 1994).
BOOK: The Judgment of Paris
2.33Mb size Format: txt, pdf, ePub
ads

Other books

By Force by Hubbard, Sara
Miss Misery by Andy Greenwald
Dark Daze by Ava Delany
PsyCop 5: Camp Hell by Jordan Castillo Price
01 Babylon Rising by Tim Lahaye
Citun’s Storm by C.L. Scholey