The Last Watch (12 page)

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Authors: Sergei Lukyanenko

BOOK: The Last Watch
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I imagined the young red-headed guy with his face pale from loss of blood instead of make-up, lying there surrounded by those appalling instruments of torture. ‘It's a bit creepy here on your own.' And I started swearing wildly under my breath.

‘I'm a fool, a fool …'

Lermont was waiting for me at the entrance to the Dungeons. He looked dark-faced and angry, the way only a Light One can be angry.

‘Let's go,' he said and tramped off without even looking round. We walked quickly through a string of empty rooms and came out at the River of Blood. This place again?

But Foma got into the boat without saying a word. I followed him in. He waved his hand, the mechanism creaked, and the boat moved forward.

‘Haven't you called the police yet?' I asked.

‘Not yet. Only our own people – and observers from the Dark Ones.'

‘Where are they?

‘I asked them to wait a few rooms away. I said I wanted to bring in an independent expert to examine the body. An ordinary human being. No point in anyone knowing about you at this stage …'

The boat crept across the small dark space and docked at the other mooring.

‘There,' Foma said morosely.

I clambered out of the boat and followed Foma into the next room, which contained an exhibition of methods of execution. There was a dummy hanging in a noose from the ceiling, and over there on the guillotine – it wasn't a dummy on the guillotine. The killer had demonstrated his sense of humour once again.

To cut a man's head off with the sham blade of the fake guillotine must have taken superhuman strength – the kind of strength that a vampire has, for instance.

The white plastic bucket under the guillotine was half full with blood. The severed head was lying beside it. I squatted and picked the head up cautiously. I felt like screaming at the helpless awareness of my own stupidity.

‘I wish I knew what bastard did this,' said Foma. ‘That man worked for me for seventeen years.'

‘The bastard was a young red-headed guy,' I said. ‘He pretended to be French and spoke with a slight accent. He looked twenty years old. And he had a liking for theatrical effects. Very quick-witted, a remarkable actor.'

Carefully laying the severed head back down on the floor, I looked at Lermont's dumbfounded face and explained.

‘He made a total fool of me. I was talking to the killer only two steps away from the body. And I didn't suspect a thing. Not a thing!'

The head of the murdered guard – black-haired, but with a sprinkling of grey quite appropriate for a man over fifty – stared up blindly at me from the floor.

‘You can only mask your true nature from someone who's very weak,' said Lermont, drilling into me with his mistrustful eyes. ‘That's axiomatic. Try to define my aura.'

A strange conversation over a dead man whose head has been severed. A strange place, a strange crime, strange conversations …

Lermont's aura – a blaze of bright yellow-green discharges, a prickly hedgehog of Power – dimmed. The pointed discharges were drawn in and faded. A few seconds later Lermont was surrounded by the smooth multilayered aura typical of a human being.

A ragged open aura is a sure sign of an Other. It can have sharp needles and prickles, swirling vortices, gaping holes. All these are indications of an open-energy pattern and the ability to absorb energy, not just give it out like human beings. To absorb, process and perform miracles.

A human aura is smooth, multilayered, integrated. People only give out Power, they don't absorb it. And the smooth membrane of their aura is an attempt to protect themselves, to halt the slow, implacable draining away of life.

Yes, now Lermont looked like a human being.

Almost
like a human being …

I looked a bit more carefully and saw the pale needles of his aura. Foma had disguised himself very well, but I had broken through his defence

‘I see it,' I said, ‘but I didn't look at that young guy so carefully. He could have masked himself.'

‘In that case, your red-headed companion is a Higher Vampire. Or a Higher Magician pretending to be a vampire.' Foma nodded in satisfaction. ‘And he was not able to put on a mask while disguising his aura at the same time. This is good, Anton, this is already good. We know his physical appearance: young, red-haired – there aren't all that many Higher Others in the world.'

‘He must have got the cloak from somewhere here,' I said. ‘And the false fangs. He heard me coming and instead of running away he came out calmly to meet me – and invented a cover story on the spot.'

‘I think I can guess why he needed the cloak,' Foma said gloomily, glancing at the blood-spattered floor. ‘He must have got blood on himself … Send me his image, Anton.'

I closed my eyes and tried to remember the Frenchman as clearly as possible. Then I sent the mental picture to Lermont.

‘Aha,' said the Scot. ‘Excellent. I'll check out all the files.'

‘Perhaps we ought to inform the Inquisition?' I asked.

Lermont shook his head.

‘No, not yet. The events have not exceeded the limits of a crime committed by a solitary Dark One. The Day Watch of Edinburgh has not lodged any protests. We'll manage without the Inquisition, Anton. For as long as we can.'

I didn't argue. There's not much fun in calling the Inquisition in to help.

‘Is my help still required here?'

‘No – go and catch up on your sleep,' said Lermont. ‘We won't inform the police: this is purely our business. My lads will try to find some clues, and I'll start checking the Higher Others.'

He grunted as he bent down over the severed head, as if he was hoping to spot some kind of clues carelessly left by the criminal. Lermont could do with losing that belly.

‘Foma,' I asked in a quiet voice. ‘What is there in here, in the Dungeons of Scotland?'

‘Eh?' he asked without even turning round.

‘What are the Dark Ones looking for here?'

‘It's a tourist attraction, Mr Gorodetsky,' Foma said coolly. ‘Just that, and nothing more.'

‘Well, all right,' I said and left.

The killer had not needed to come back. If he had left any clues, they would already have been found – both the ordinary ones and the magic ones.

But he had come back and killed again. In order to anger the Night Watch even more? Nonsense. In order to put pressure on Lermont? Total nonsense.

So there was something he hadn't managed to do the first time around. And he had had to come back again.

What could Lermont be hiding? This place wasn't as straightforward as it seemed. For example, the blue moss didn't grow here. That was already a significant anomaly. The structure of the Twilight is heterogeneous. For instance, in some places it is harder to enter than in others. I had even heard about zones where it is quite impossible to enter the Twilight. But the blue moss was a universal parasite …

I walked about a hundred metres away from the place and looked through the Twilight.

Aha.

Where I was standing, the moss was flourishing. There were thick garlands of it outside the pubs and cafes. It was thicker on the houses where people lived and thinner on the offices and shops. And there was more moss on the crossroads, where drivers get nervous.

All perfectly normal.

But when I looked towards the bridge, the closer to the entrance to the Dungeons, the more blue moss there was! It was drawn in that direction … And no wonder! The moss got thicker and thicker and then suddenly, ten metres from the doors, it started to dry up, as if it had hit some invisible boundary line.

Strange. If there was some factor that was harmful to the moss, it ought to have thinned out gradually. This had to be something else …

I reached out one hand to the closest colony of moss – a luxuriant blue clump on the asphalt. I said:

‘Burn!'

The Power flowed through me, only I held back the pressure. The moss didn't burn up immediately. It swelled up and started growing, trying to process this free dose of energy. But the Power increased, and the moss couldn't cope. It started turning grey and drying up … and finally it burst into flames.

Now I could see it. When you know exactly what to look for, everything becomes extremely clear.

The Power scattered through space, the vital energy given out by human beings, drained into the twilight unevenly. Yes, it constantly seeped through the fabric of the universe, down to the first level, the second, the third … but somewhere in the region of the Dungeons there was a gaping hole – and there was a constant stream of Power gushing down into it. As if someone had cut a hole in a piece of cloth through which water normally filtered slowly …

Too much food for a brainless parasite. The moss crept towards the tourist attraction, attracted by both the stream of Power and the emotions of the frightened customers. It crept up close – and then dried up.

I thought I could understand why Foma Lermont had chosen this precise spot to open his attraction. All this energy flowing into one place had to be concealed from rank-and-file Others. The excessive free Power here could be attributed to tipsy tourists, frightened children, the endless carnival that was Edinburgh …

I wouldn't have been surprised to learn that Foma had put a lot of effort into popularising Edinburgh for just one reason: to conceal this spot.

Even Light Ones sometimes have dark secrets. It can't be helped.

I walked slowly uphill along one of the streets leading to the Royal Mile. It wasn't a very touristy kind of street. Dark, with the only light coming from the windows. All the shops on it were closed. But it had to lead straight to my hotel. I was feeling desperately
sleepy
. Maybe I ought to take a taxi after all? But it was only a ten-minute walk …

I turned in to a narrow street between the houses and found myself in something between a small square and a large courtyard. I walked over to a small monument, only one metre high, in the roadway. There was a bronze parrot sitting on a stone chalice with a thin stream of water flowing from it – it was either an undersized street fountain or a drinking-water fountain. Lighting my cigarette lighter to examine the plaque below the parrot, I learned that this fountain had been erected by the inhabitants of the city in memory of a beloved parrot who had died of pneumonia at a very advanced age …

Something clicked behind me and I felt a powerful jolt in my shoulder. So powerful that I had to take several steps forward to avoid falling face down in the chalice of water.

Something hot trickled down my back

What the hell?

There was another click and something ricocheted loudly off the bronze bird. The hot bullet hissed as it fell into the water, finally convincing me that I had almost been killed beside the parrot fountain.

Someone was shooting at me!

At me, an Other!

A Higher Magician.

Who could destroy palaces and raise up cities with a wave of my hand!

Well, all right, the cities are a bit of an exaggeration – breaking down is always easier than raising up.

Squirming in my hiding place behind the fountain, I looked hard into the darkness. No one. Okay, how about through the Twilight?

The result astounded me.

The shots had clearly come from the side street next to the one that had led me to the fountain. But I couldn't see anyone, either human or Other!

At least it was only a flesh wound. The bullet had passed straight through the soft tissues. I had stopped the bleeding in a reflex response, within a second. Now I could recall a couple of good healing spells to knit the damaged muscles back together.

Another shot – the bullet passed over the top of my head and a wave of heat tousled my hair. The soft sound suggested that the gun must have a silencer. The fact that they hadn't killed me yet suggested that they were firing from a pistol, and firing very well, or from a sniper's rifle, and extremely badly.

But why couldn't I see the gunman?

I waved my hand and spread a five-minute Morpheus spell over the entire street. Then, after a moment's hesitation, I spread it across all the windows. And the roofs of the buildings, and the nearby side streets. Morpheus is a gentle spell, it gives a man about five seconds before it puts him out altogether: if he's standing, he can sit down, mothers holding children can put them down, drivers can slow down. There wouldn't be any casualties. Or probably not.

Silence.

Had I got him?

I got up and looked through the Twilight again. Well now, whoever you might be, if you've fallen asleep, your camouflage will fail—

A click. A faint flash in the side street. And another bullet went flying into my poor right shoulder! In exactly the same spot!

Well, I could take some comfort in the fact that I already had a wound there in any case. But it was really painful! Why did it hurt so badly if there was already a hole there?

I squatted down so that the fountain shielded me from the gunman. Now there was no doubt that the shots really were coming from the side street.

What was I going to do? Hurl fireballs into the darkness and try to get the camouflaged gunman that way? Scorch everything around me with the White Mirage? Put on a Magician's Shield and go into open battle … but if I couldn't see my enemy, then I was facing a magician more powerful than I was!

Or call for help, ring the police, call in Gesar and Foma?

Stop.

It didn't have to be Gesar and Foma.

What was that Zabulon had said? Contact, advice, protection?

A bit of protection wouldn't come amiss right now.

I took the little figure out of my pocket and set it down on the cobblestones of the roadway. I touched it gently with Power and shouted:

‘I! Need! Help!'

It all happened in a split second. The air struck my face so hard that for a moment I thought the invisible gunman had switched to grenades, But it was the figure being transformed – swelling up and softening and turning into a shaggy grey shadow. White fangs glinted in the darkness, yellow wolf's eyes glittered, and the werewolf leapt straight over the fountain, then immediately jumped to the right. There was the click of a shot, but obviously it missed. Skipping from side to side as precisely as only a creature that is targeted by gunfire can, the beast went dashing into the side street. I heard growling, then there was a rumble and a metallic clang. The clicks of the shots carried on sounding in the same way, at regular intervals of a second or two, but something told me the bullets were going astray, and the gunman was not dangerous any more.

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