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Authors: Elizabeth Gaskell

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In her next letter, February 6th, she says:—
 
“You will perceive that the poems are the work of three persons, relatives—their separate pieces are distinguished by their respective signatures.”
 
She writes again on February 15th; and on the 16th she says:—
“The MS. will certainly form a thinner volume than I had anticipated. I cannot name another model which I should like it precisely to resemble, yet, I think, a duodecimo form, and a somewhat reduced, though still clear type, would be preferable. I only stipulate for clear type, not too small; and good paper.”
 
On February 21 st she selects the “long primer type” for the poems, and will remit 311. 1 Os. in a few days.
Minute as the details conveyed in these notes are, they are not trivial, because they afford such strong indications of character. If the volume was to be published at their own risk, it was necessary that the sister conducting the negotiation should make herself acquainted with the different kinds of type, and the various sizes of books. Accordingly she bought a small volume, from which to learn all she could on the subject of preparation for the press. No half-knowledge—no trusting to other people for decisions which she could make for herself; and yet a generous and full confidence, not misplaced, in the thorough probity of Messrs. Aylott and Jones. The caution in ascertaining the risk before embarking in the enterprise, and the prompt payment of the money required, even before it could be said to have assumed the shape of a debt, were both parts of a self-reliant and independent character. Self-contained also was she. During the whole time that the volume of poems was in the course of preparation and publication, no word was written telling anyone, out of the household circle what was in progress.
I have had some of the letters placed in my hands, which she addressed to her old school-mistress, Miss Wooler. They begin a little before this time. Acting on the conviction, which I have all along entertained, that where Charlotte Brontë’s own words could be used, no others ought to take their place, I shall make extracts from this series, according to their dates.
 
“January 30th, 1846.
“MY DEAR MISS WOOLER,
 
“I have not yet paid my visit to -; it is, indeed, more than a year since I was there, but I frequently hear from E., and she did not fail to tell me that you were gone into Worcestershire; she was unable, however, to give me your exact address. Had I known it, I should have written to you long since. I thought you would wonder how we were getting on, when you heard of the railway panic,
2
and you may be sure that I am very glad to be able to answer your kind inquiries by an assurance that our small capital is as yet undiminished. The York and Midland is, as you say, a very good line; yet, I confess to you, I should wish, for my own part, to be wise in time. I cannot think that even the very best lines will continue for many years at their present premiums; and I have been most anxious for us to sell our shares ere it be too late, and to secure the proceeds in some safer, if, for the present, less profitable investment. I cannot, however, persuade my sisters to regard the affair precisely from my point of view; and I feel as if I would rather run the risk of loss than hurt Emily’s feelings by acting in direct opposition to her opinion. She managed in a most handsome and able manner for me, when I was in Brussels, and prevented by distance from looking after my own interests; therefore, I will let her manage still, and take the consequences. Disinterested and energetic she certainly is; and if she be not quite so tractable or open to conviction as I could wish, I must remember perfection is not the lot of humanity; and as long as we can regard those we love, and to whom we are closely allied, with profound and never-shaken esteem, it is a small thing that they should vex us occasionally by what appear to us unreasonable and headstrong notions.
“You, my dear Miss Wooler, know full as well as I do, the value of sisters’ affection to each other; there is nothing like it in this world, I believe, when they are nearly equal in age, and similar in education, tastes, and sentiments. You ask about Branwell; he never thinks of seeking employment, and I begin to fear that he has rendered himself incapable of filling any respectable station in life; besides, if money were at his disposal, he would use it only to his own injury; the faculty of self-government is, I fear, almost destroyed in him. You ask me if I do not think that men are strange beings? I do, indeed. I have often thought so; and I think, too, that the mode of bringing them up is strange: they are not sufficiently guarded from temptation. Girls are protected as if they were something very frail or silly indeed, while boys are turned loose on the world, as if they, of all beings in existence, were the wisest and least liable to be led astray. I am glad you like Bromsgrove, though, I dare say, there are few places you would not like, with Mrs. M. for a companion. I always feel a peculiar satisfaction when I hear of your enjoying yourself, because it proves that there really is such a thing as retributive justice even in this world. You worked hard; you denied yourself all pleasure, almost all relaxation, in your youth, and in the prime of life; now you are free, and that while you have still, I hope, many years of vigour and health in which you can enjoy freedom. Besides, I have another and very egotistical motive for being pleased: it seems that even ’a lone woman’ can be happy, as well as cherished wives and proud mothers. I am glad of that. I speculate much on the existence of unmarried and never-to-be-married women now-a-days; and I have already got to the point of considering that there is no more respectable character on this earth than an unmarried woman, who makes her own way through life quietly, perseveringly, without support of husband or brother; and who, having attained the age of forty-five or upwards, retains in her possession a well-regulated mind, a disposition to enjoy simple pleasures, and fortitude to support inevitable pains, sympathy with the sufferings of others, and willingness to relieve want as far as her means extend.”
 
During the time that the negotiation with Messrs. Aylott and Co. was going on, Charlotte went to visit her old school-friend, with whom she was in such habits of confidential intimacy; but, neither then nor afterwards, did she ever speak to her of the publication of the poems; nevertheless, this young lady suspected that the sisters wrote for magazines; and in this idea she was confirmed when, on one of her visits to Haworth, she saw Anne with a number of “Chambers’s Journal,” and a gentle smile of pleasure stealing over her placid face as she read.
 
“What is the matter?” asked the friend. “Why do you smile?”
“Only because I see they have inserted one of my poems,” was the quiet reply; and not a word more was said on the subject.
To this friend Charlotte addressed the following letters :—
 
“March 3, 1846.
“I reached home a little after two o’clock, all safe and right yesterday; I found papa very well; his sight much the same. Emily and Anne were gone to Keighley to meet me; unfortunately, I had returned by the old road, while they were gone by the new, and we missed each other. They did not get home till half-past four, and were caught in the heavy shower of rain which fell in the afternoon. I am sorry to say Anne has taken a little cold in consequence, but I hope she will soon be well. Papa was much cheered by my report of Mr. C.’s opinion, and of old Mrs. E.’s experience; but I could perceive he caught gladly at the idea of deferring the operation a few months longer. I went into the room where Branwell was, to speak to him, about an hour after I got home; it was very forced work to address him. I might have spared myself the trouble, as he took no notice, and made no reply; he was stupefied. My fears were not vain. I hear that he got a sovereign while I have been away, under pretence of paying a pressing debt; he went immediately and changed it at a public-house, and has employed it as was to be expected. - concluded her account by saying he was a‘hopeless being;’ it is too true. In his present state it is scarcely possible to stay in the room where he is. What the future has in store I do not know.”
 
“March 31, 1846.
“Our poor old servant Tabby had a sort of fit, a fortnight since, but is nearly recovered now. Martha” (the girl they had to assist poor old Tabby, and who remains still the faithful servant at the parsonage) “is ill with a swelling in her knee, and obliged to go home. I fear it will be long before she is in working condition again. I received the number of the
Record you
sent..... I read D’ Aubigné’s letter. It is clever, and in what he says about Catholicism very good. The Evangelical Alliance part is not very practicable, yet certainly it is more in accordance with the spirit of the Gospel to preach unity among Christians than to inculcate mutual intolerance and hatred. I am very glad I went to - when I did, for the changed weather has somewhat changed my health and strength since. How do you get on? I long for mild south and west winds. I am thankful papa continues pretty well, though often made very miserable by Branwell’s wretched conduct. There—there is no change but for the worse.”
 
Meanwhile the printing of the volume of poems was quietly proceeding. After some consultation and deliberation the sisters had determined to correct the proofs themselves. Up to March 28th the publishers had addressed their correspondent as C. Brontë, Esq., but at this time some “little mistake occurred,” and she desired Messrs. Aylott and Co. in future to direct to her real address, “Miss Brontë,” &c. But she had evidently left it to be implied that she was not acting on her own behalf, but as agent for the real authors, as in a note, dated April 6, she makes a proposal on behalf of “C., E. and A. Bell,” which is to the following effect, that they are preparing for the press a work of fiction, consisting of three distinct and unconnected tales, which may be published either together, as a work of three volumes, of the ordinary novel size, or separately, as single volumes, as may be deemed most advisable. She states in addition, that it is not their intention to publish these tales on their own account; but that the authors direct her to ask Messrs. Aylott and Co. whether they would be disposed to undertake the work, after having, of course, by due inspection of the MS., ascertained that its contents are such as to warrant an expectation of success. To this letter of inquiry the publishers replied speedily, and the tenor of their answer may be gathered from Charlotte’s, dated April 11th.
 
“I beg to thank you, in the name of C., E. and A. Bell, for your obliging offer of advice. I will avail myself of it, to request information on two or three points. It is evident that unknown authors have great difficulties to contend with, before they can succeed in bringing their works before the public. Can you give me any hint as to the way in which these difficulties are best met? For instance, in the present case, where a work of fiction is in question, in what form would a publisher be most likely to accept the MS.? Whether offered as a work of three vols., or as tales which might be published in numbers, or as contributions to a periodical?
“What publishers would be most likely to receive favourably a proposal of this nature?
“Would it suffice to write to a publisher on the subject, or would it be necessary to have recourse to a personal interview?
“Your opinion and advice on these three points, or on any other which your experience may suggest as important, would be esteemed by us as a favour.”
 
It is evident from the whole tenor of this correspondence, that the truthfulness and probity of the firm of publishers with whom she had to deal in this her first literary venture, was strongly impressed upon her mind, and was followed by the inevitable consequence of reliance on their suggestions. And the progress of the poems was not unreasonably lengthy or long drawn out. On April 20th she writes to desire that three copies may be sent to her, and that Messrs. Aylott will advise her as to the reviewers to whom copies ought to be sent.
I give the next letter as illustrating the ideas of these girls as to what periodical reviews or notices led public opinion.
 
“The poems to be neatly done up in cloth. Have the goodness to send copies and advertisements, as early as possible, to each of the undermentioned periodicals.
‘“ Colburn’s New Monthly Magazine.’
‘“Bentley’s Magazine.’
‘“ Hood’s Magazine.’
‘“Jerrold’s Shilling Magazine.’
‘“ Blackwood’s Magazine.’
“‘ The Edinburgh Review.’
“‘ Tait’s Edinburgh Magazine.’
‘“ The Dublin University Magazine.’
“Also to the ‘Daily News’ and to the ’Britannia’ newspapers.
“If there are any other periodicals to which you have been in the habit of sending copies of works, let them be supplied also with copies. I think those I have mentioned will suffice for advertising.”
 
In compliance with this latter request, Messrs. Aylott suggest that copies and advertisements of the work should be sent to the “Athenæum,” “Literary Gazette,” “Critic,” and “Times;” but in her reply Miss Brontë says, that she thinks the periodicals she first mentioned will be sufficient for advertising in at present, as the authors do not wish to lay out a larger sum than two pounds in advertising, esteeming the success of a work dependent more on the notice it receives from periodicals than on the quantity of advertisements. In case of any notice of the poems appearing, whether favourable or otherwise, Messrs. Aylott and Co. are requested to send her the name and number of those periodicals in which such notices appear, as otherwise, since she has not the opportunity of seeing periodicals regularly, she may miss reading the critique. “Should the poems be remarked upon favourably, it is my intention to appropriate a further sum for advertisements. If, on the other hand, they should pass unnoticed or be condemned, I consider it would be quite useless to advertise, as there is nothing either in the title of the work, or the names of the authors, to attract attention from a single individual.”
BOOK: The Life of Charlotte Bronte
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