The Moslem Wife and Other Stories (17 page)

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Authors: Mavis Gallant,Mordecai Richler

Tags: #General Fiction

BOOK: The Moslem Wife and Other Stories
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The bed that pulled out was sure to be all lumps. I had slept on worse. Would it be wide enough for Chris, too?

People in the habit of asking themselves silent useless
questions look for answers in mirrors. My hair was blond again now that it had dried. I looked less like my idea of my father. I tried to see the reflection of the man who had gone out in the middle of the night and who never came back. You don’t go out alone to tear down election posters in a village where nobody thinks as you do – not unless you
want
to be stabbed in the back. So the family had said.

“You were well out of it,” I said to the shadow that floated on the glass panel of the china cabinet, though it would not be my father’s again unless I could catch it unaware.

I said to myself, “It is quieter than France. They keep their radios low.”

In captivity I had never suffered a pain except for the cramps of hunger the first years, which had been replaced by a scratching, morbid anxiety, and the pain of homesickness, which takes you in the stomach and the throat. Now I felt the first of the real pains that were to follow me like little dogs for the rest of my life, perhaps: the first compressed my knee, the second tangled the nerves at the back of my neck. I discovered that my eyes were sensitive and that it hurt to blink.

This was the hour when, in Brittany, I would begin peeling the potatoes for dinner. I had seen food my mother had never heard of – oysters, and artichokes. My mother had never seen a harbor or a sea.

My American prisoner had left his immediate life spread on an alien meadow – his parachute, his revolver, his German money. He had strolled into captivity with his hands in his pockets.

“I know what you are thinking,” said my mother, who was standing behind me. “I know that you are judging me. If you could guess what my life has been – the whole story, not only the last few years – you wouldn’t be hard on me.”

I turned too slowly to meet her eyes. It was not what I had been thinking. I had forgotten about her, in that sense.

“No, no, nothing like that,” I said. I still did not touch her.
What I had been moving along to in my mind was: Why am I in this place? Who sent me here? Is it a form of justice or injustice? How long does it last?

“Now we can wait together for Chris,” she said. She seemed young and happy all at once. “Look, Thomas. A new moon. Bow to it three times. Wait – you must have something silver in your hand.” I saw that she was hurrying to finish with this piece of nonsense before Martin came back. She rummaged in the china cabinet and brought out a silver napkin ring – left behind by the vanished tenants, probably. The name on it was “Meta” – no one we knew. “Bow to the moon and hold it and make your wish,” she said. “Quickly.”

“You first.”

She wished, I am sure, for my brother. As for me, I wished that I was a few hours younger, in the corridor of a packed train, clutching the top of the open window, my heart hammering as I strained to find the one beloved face.

1974

In Youth Is Pleasure

M
Y FATHER
died, then my grandmother; my mother was left, but we did not get on. I was probably disagreeable with anyone who felt entitled to give me instructions and advice. We seldom lived under the same roof, which was just as well. She had found me civil and amusing until I was ten, at which time I was said to have become pert and obstinate. She was impulsive, generous, in some ways better than most other people, but without any feeling for cause and effect; this made her at the least unpredictable and at the most a serious element of danger. I was fascinated by her, though she worried me; then all at once I lost interest. I was fifteen when this happened. I would forget to answer her letters and even to open them. It was not rejection or anything so violent as dislike but a simple indifference I cannot account for. It was much the way I would be later with men I fell out of love with, but I was too young to know that then. As for my mother, whatever I thought, felt, said, wrote, and wore had always been a positive source of exasperation. From time to time she attempted to alter the form, the outward shape at least, of the creature she thought she was modelling, but at last she came to the conclusion there must be something wrong with the clay. Her final unexpected upsurge of attention coincided with my abrupt unconcern: one may well have been the reason for the other.

It took the form of digging into my diaries and notebooks and it yielded, among other documents, a two-year-old poem, Kiplingesque in its rhythms, entitled “Why I Am a Socialist.” The first words of the first line were “You ask …’ ” then came a long answer. But it was not an answer to anything she’d wondered. Like all mothers – at least, all I have known – she was obsessed with the entirely private and possibly trivial matter of a daughter’s virginity. Why I was a Socialist she rightly conceded to be none of her business. Still, she must have felt she had to say something, and that something was “You had better be clever, because you will never be pretty.” My response was to take – take, not grab – the poem from her and tear it up. No voices were raised. I never mentioned the incident to anyone. That is how it was. We became, presently, mutually unconcerned. My detachment was put down to the coldness of my nature, hers to the exhaustion of trying to bring me up. It must have been a relief to her when, in the first half of Hitler’s war, I slipped quietly and finally out of her life. I was now eighteen, and completely on my own. By “on my own” I don’t mean a show of independence with Papa-Mama footing the bills: I mean that I was solely responsible for my economic survival and that no living person felt any duty toward me.

On a bright morning in June I arrived in Montreal, where I’d been born, from New York, where I had been living and going to school. My luggage was a small suitcase and an Edwardian picnic hamper – a preposterous piece of baggage my father had brought from England some twenty years before; it had been with me since childhood, when his death turned my life into a helpless migration. In my purse was a birth certificate and five American dollars, my total fortune, the parting gift of a Canadian actress in New York, who had taken me to see
Mayerling
before I got on the train. She was kind and good and terribly hard up, and she had no idea that apart from some loose change I had nothing more. The birth
certificate, which testified I was Linnet Muir, daughter of Angus and of Charlotte, was my right of passage. I did not own a passport and possibly never had seen one. In those days there was almost no such thing as a “Canadian.” You were Canadian-born, and a British subject, too, and you had a third label with no consular reality, like the racial tag that on Soviet passports will make a German of someone who has never been to Germany. In Canada you were also whatever your father happened to be, which in my case was English. He was half Scot, but English by birth, by mother, by instinct. I did not feel a scrap British or English, but I was not an American either. In American schools I had refused to salute the flag. My denial of that curiously Fascist-looking celebration, with the right arm stuck straight out, and my silence when the others intoned the trusting “… and justice for all” had never been thought offensive, only stubborn. Americans then were accustomed to gratitude from foreigners but did not demand it; they quite innocently could not imagine any country fit to live in except their own. If I could not recognize it, too bad for me. Besides, I was not a refugee – just someone from the backwoods. “You got schools in Canada?” I had been asked. “You got radios?” And once, from a teacher, “What do they major in up there? Basket-weaving?”

My travel costume was a white piqué jacket and skirt that must have been crumpled and soot-flecked, for I had sat up all night. I was reading, I think, a novel by Sylvia Townsend Warner. My hair was thick and long. I wore my grandmother’s wedding ring, which was too large, and which I would lose before long. I desperately wanted to look more than my age, which I had already started to give out as twenty-one. I was travelling light; my picnic hamper contained the poems and journals I had judged fit to accompany me into my new, unfettered existence, and some books I feared I might not find again in clerical Quebec – Zinoviev and Lenin’s
Against the Stream
, and a few beige pamphlets from the Little Lenin
Library, purchased second hand in New York. I had a picture of Mayakovsky torn out of
Cloud in Trousers
and one of Paddy Finucane, the Irish
R.A.F
. fighter pilot, who was killed the following summer. I had not met either of these men, but I approved of them both very much. I had abandoned my beloved but cumbersome anthologies of American and English verse, confident that I had whatever I needed by heart. I knew every word of Stephen Vincent Benét’s “Litany for Dictatorships” and “Notes to be Left in a Cornerstone,” and the other one that begins:

They shot the Socialists at half-past five

In the name of victorious Austria.…

I could begin anywhere and rush on in my mind to the end. “Notes …” was the New York I knew I would never have again, for there could be no journeying backward; the words “but I walked it young” were already a gate shut on a part of my life. The suitcase held only the fewest possible summer clothes. Everything else had been deposited at the various war-relief agencies of New York. In those days I made symbols out of everything, and I must have thought that by leaving a tartan skirt somewhere I was shedding past time. I remember one of those wartime agencies well because it was full of Canadian matrons. They wore pearl earrings like the Duchess of Kent’s and seemed to be practicing her tiny smile. Brooches pinned to their cashmere cardigans carried some daft message about the Empire. I heard one of them exclaiming, “You don’t expect me, a Britisher, to drink tea made with tea bags!” Good plain girls from the little German towns of Ontario, christened probably Wilma, Jean, and Irma, they had flowing eighteenth-century names like Georgiana and Arabella now. And the Americans, who came in with their arms full of every stitch they could spare, would urge them, the Canadian matrons, to stand fast on the cliffs, to fight the fight, to slug the enemy on the landing fields, to belt him one on the beaches, to
keep going with whatever iron rations they could scrape up in Bronxville and Scarsdale; and the Canadians half-shut their eyes and tipped their heads back like Gertrude Lawrence and said in thrilling Benita Hume accents that they would do that – indeed they would. I recorded “They’re all trained nurses, actually. The Canadian ones have a good reputation. They managed to marry those American doctors.”

Canada had been in Hitler’s war from the very beginning, but America was still uneasily at peace. Recruiting had already begun; I had seen a departure from New York for Camp Stewart in Georgia, and some of the recruits’ mothers crying and even screaming and trying to run alongside the train. The recruits were going off to drill with broomsticks because there weren’t enough guns; they still wore old-fashioned headgear and were paid twenty-one dollars a month. There was a song about it: “For twenty-one dollars a day, once a month.” As my own train crossed the border to Canada I expected to sense at once an air of calm and grit and dedication, but the only changes were from prosperous to shabby, from painted to unpainted, from smiling to dour. I was entering a poorer and a curiously empty country, where the faces of the people gave nothing away. The crossing was my sea change. I silently recited the vow I had been preparing for weeks: that I would never be helpless again and that I would not let anyone make a decision on my behalf.

When I got down from the train at Wmdsor Station, a man sidled over to me. He had a cap on his head and a bitter Celtic face, with deep indentations along his cheeks, as if his back teeth were pulled. I thought he was asking a direction. He repeated his question, which was obscene. My arms were pinned by the weight of my hamper and suitcase. He brushed the back of his hand over my breasts, called me a name, and edged away. The murderous rage I felt and the revulsion that followed were old friends. They had for years been my reaction to what my diaries called “their hypocrisy.” “They” was a
world of sly and mumbling people, all of them older than myself. I must have substituted “hypocrisy” for every sort of aggression, because fright was a luxury I could not afford. What distressed me was my helplessness – I who had sworn only a few hours earlier that I’d not be vulnerable again. The man’s gaunt face, his drunken breath, the flat voice which I assigned to the graduate of some Christian Brothers teaching establishment haunted me for a long time after that. “The man at Windsor Station” would lurk in the windowless corridors of my nightmares; he would be the passenger, the only passenger, on a dark train. The first sight of a city must be the measure for all second looks.

But it was not my first sight. I’d had ten years of it here – the first ten. After that, and before New York (in one sense, my deliverance), there had been a long spell of grief and shadow in an Ontario city, a place full of mean judgments and grudging minds, of paranoid Protestants and slovenly Catholics. To this day I cannot bear the sight of brick houses, or of a certain kind of empty treeless street on a Sunday afternoon. My memory of Montreal took shape while I was there. It was not a random jumble of rooms and summers and my mother singing “We’ve Come to See Miss Jenny Jones,” but the faithful record of the true survivor. I retained, I rebuilt a superior civilization. In that drowned world, Sherbrooke Street seemed to be glittering and white; the vision of a house upon that street was so painful that I was obliged to banish it from the memorial. The small hot rooms of a summer cottage became enormous and cool. If I say that Cleopatra floated down the Chateauguay River, that the Winter Palace was stormed on Sherbrooke Street, that Trafalgar was fought on Lake St. Louis, I mean it naturally; they were the natural backgrounds of my exile and fidelity. I saw now at the far end of Windsor Station – more foreign, echoing, and mysterious than any American station could be – a statue of Lord Mount Stephen, the founder of the Canadian Pacific, which everyone took to be a memorial to
Edward VIL Angus, Charlotte, and the smaller Linnet had truly been: this was my proof; once upon a time my instructions had been to make my way to Windsor Station should I ever be lost and to stand at the foot of Edward VII and wait for someone to find me.

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