The Moslem Wife and Other Stories (8 page)

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Authors: Mavis Gallant,Mordecai Richler

Tags: #General Fiction

BOOK: The Moslem Wife and Other Stories
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He stared at her. He can still remember the freesias and the Bible and the heat in the room. She looked as if the elements had no power. She felt neither heat nor cold. “Nothing happened,” he said.

“I behaved in a silly way. I had no right to. I led you to think I might do something wrong.”


I
might have tried something,” he said gallantly. “But that would be my fault and not yours.”

She put her knuckle to her mouth and he could scarcely hear. “It was because of you. I was afraid you might be blamed, or else you’d blame yourself.”

“There’s no question of any blame,” he said. “Nothing happened. We’d both had a lot to drink. Forget about it. Nothing
happened
. You’d remember if it had.”

She put down her hand. There was an expression on her face. Now she sees me, he thought. She had never looked at him after the first day. (He has since tried to put a name to the look on her face; but how can he, now, after so many voyages, after Ceylon, and Hong Kong, and Sheilah’s nearly leaving him, and all their difficulties – the money owed, the rows with hotel managers, the lost and found steamer trunk, the children throwing up the foreign food?) She sees me now, he thought. What does she see?

She said, “I’m from a big family. I’m not used to being alone. I’m not a suicidal person, but I could have done something after that party, just not to see any more, or think or listen or expect anything. What can I think when I see these people? All my life I heard, Educated people don’t do this, educated people don’t do that. And now I’m here, and you’re all educated people, and you’re nothing but pigs. You’re educated and you drink and do everything wrong and you know what you’re doing, and that makes you worse than pigs. My family worked to make me an educated person, but they didn’t know you. But what if I didn’t see and hear and expect anything any more? It wouldn’t change anything. You’d all be still the same. Only
you
might have thought it was your fault. You might have thought you were to blame. It could worry you all your life. It would have been wrong for me to worry you.”

He remembered that the rented car was still along a snowy curb somewhere in Geneva. He wondered if Sheilah had the key in her purse and if she remembered where they’d parked.

“I told you about the ice wagon,” Agnes said. “I don’t remember everything, so you’re wrong about remembering. But I remember telling you that. That was the best. It’s the best you can hope to have. In a big family, if you want to be alone, you have to get up before the rest of them. You get up early in the morning in the summer and it’s you, you, once in your life alone in the universe. You think you know everything that can happen … Nothing is ever like that again.”

He looked at the smeared window and wondered if this day could end without disaster. In his mind he saw her falling in the snow wearing a tramp’s costume, and he saw her coming to him in the orphanage dressing gown. He saw her drowning face at the party. He was afraid for himself. The story was still unfinished. It had to come to a climax, something threatening to him. But there was no climax. They talked that day, and afterward nothing else was said. They went on in the same office for a short time, until Peter left for Ceylon; until somebody read the right letter, passed it on for the right initials, and the Fraziers began the Oriental tour that should have made their fortune. Agnes and Peter were too tired to speak after that morning. They were like a married couple in danger, taking care.

But what were they talking about that day, so quietly, such old friends? They talked about dying, about being ambitious, about being religious, about different kinds of love. What did she see when she looked at him – taking her knuckle slowly away from her mouth, bringing her hand down to the desk, letting it rest there? They were both Canadians, so they had this much together – the knowledge of the little you dare admit. Death, near-death, the best thing, the wrong thing – God knows what they were telling each other. Anyway, nothing happened.

When, on Sunday mornings, Sheilah and Peter talk about those times, they take on the glamor of something still to come. It is then he remembers Agnes Brusen. He never says her name. Sheilah wouldn’t remember Agnes. Agnes is the only secret Peter has from his wife, the only puzzle he pieces together without her help. He thinks about families in the West as they were fifteen, twenty years ago – the iron-cold ambition, and every member pushing the next one on. He thinks of his father’s parties. When he thinks of his father he imagines him with Sheilah, in a crowd. Actually, Sheilah and Peter’s father never met, but they might have liked each other. His father admired good-looking women. Peter wonders what they were doing over there in Geneva – not Sheilah and Peter,
Agnes
and Peter. It is almost as if they had once run away together, silly as children, irresponsible as lovers. Peter and Sheilah are back where they started. While they were out in world affairs picking up microbes and debts, always on the fringe of disaster, the fringe of a fortune, Agnes went on and did – what? They lost each other. He thinks of the ice wagon going down the street. He sees something he has never seen in his life – a Western town that belongs to Agnes. Here is Agnes – small, mole-faced, round-shouldered because she has always carried a younger child. She watches the ice wagon and the trail of ice water in a morning invented for her: hers. He sees the weak prairie trees and the shadows on the sidewalk. Nothing moves except the shadows and the ice wagon and the changing amber of the child’s eyes. The child is Peter. He has seen the grain of the cement sidewalk and the grass in the cracks, and the dust, and the dandelions at the edge of the road. He is there. He has taken the morning that belongs to Agnes, he is up before the others, and he knows everything. There is nothing he doesn’t know. He could keep the morning, if he wanted to, but what can Peter do with the start of a summer day? Sheilah is here, it is a true Sunday morning, with its dimness and headache and remorse and regrets, and this is
life. He says, “We have the Balenciaga.” He touches Sheilah’s hand. The children have their aunt now, and he and Sheilah have each other. Everything works out, somehow or other. Let Agnes have the start of the day. Let Agnes think it was invented for her. Who wants to be alone in the universe? No, begin at the beginning: Peter lost Agnes. Agnes says to herself somewhere, Peter is lost.

1963

An Autobiography
I

I
TEACH
elementary botany to girls in a village half a day’s journey by train from Montreux. Season by season our landscape is black on white, or green and blue, or, at the end of summer, olive and brown, with traces of snow on the mountains like scrubbed-out paint. The village is made up of concentric rings: a ring of hotels, a ring of chalets, another of private schools. Through the circles one straight street carries the tearooms and the sawmill and the stuccoed cinema with the minute screen on which they try to show things like
Ben-Hur
. Some of my pupils seem interested in what I have to say, but the most curious and alert are usually showing off. The dull girls, with their slow but capacious memories, are often a solace, a source of hope. Very often, after I have been on time for children raised to be unpunctual, or have counselled prudence, in vain, to these babies of heedless parents, I remind myself that they have not been sent here to listen to me. I must learn to become the substance their parents have paid for – a component of scenery, like a tree or a patch of grass. I must stop battering at the sand castles their parents have built. I might swear, at certain moments, that all the girls from Western Germany are lulled and spoiled, and all the French calculating, and the Italians insincere, and the English
impermeable, and so on, and on; but that would be at the end of a winter’s day when they have worn me out.

At the start of the new term, two girls from Frankfurt came to me. They giggled and pushed up the sleeves of their sweaters so that I could see the reddish bruises. “Tomorrow is medical inspection,” said Liselotte. “What can we say?” They should have been in tears, but they were biting their lips to keep from laughing too much, wondering what my reaction would be. They said they had been pinching each other to see who could stand the most pain. There are no demerits in our school; if there were, every girl would be removed at once. We are expected to create reserves of memory. The girls must remember their teachers as they remembered hot chocolate and after-skiing, all in the same warm fog. I disguised the bruises with iodine, and said that girls sometimes slipped and fell during my outdoor classes and sometimes scratched their arms.
“Merci, Mademoiselle,”
said the two sillies. They could have said
“Fräulein”
and been both accurate and understood, but they are also here because of the French. Their parents certainly speak English, because it was needed a few years ago in Frankfurt, but the children may not remember. They are ignorant and new. Everything they see and touch at home is new. Home is built on the top layer of Ur. It is no good excavating; the fragments would be without meaning. Everything within the walls was inlaid or woven or cast or put together fifteen years ago at the very earliest. Every house is like the house of newly wed couples who have been disinherited or say they scorn their families’ taste. It is easy to put an X over half your life (I am thinking about the parents now) when you have nothing out of the past before your eyes; when the egg spoon is plastic and the coffee cup newly fired porcelain; when the books have been lost and the silver, if salvaged, sold a long time ago. There are no dregs, except perhaps a carefully sorted collection of snapshots. You have survived and the food you eat is new – even that. There are bananas and avocado pears
and plenty of butter. Not even an unpleasant taste in the mouth will remind you.

I have light hair, without a trace of gray, and hazel eyes. I am not fat, because, unlike my colleagues, I do not hide pastry and
petits fours
in my room to eat before breakfast. My calves, I think, are overdeveloped from years of walking and climbing in low-heeled shoes. I am a bit sensitive about it, and wear my tweed skirts longer than the fashion. Because I take my gloves off in all weather, my hands are rough; their un tended appearance makes the French and Italian parents think I am not gently bred. I use the scents and creams my pupils present me with at Christmas. I have few likes and dislikes, but have lost the habit of eating whatever is put before me. I do not mind accepting gifts.

Everyone’s father where I come from was a physician or a professor. You will never hear of a father who rinsed beer glasses in a hotel for his keep, or called at houses with a bottle of shampoo and a portable hair-drying machine. Such fathers may have existed, but we do not know about them. My father was a professor of Medieval German. He was an amateur botanist and taught me the names of flowers before I could write. He went from Munich to the university at Debrecen, in the Protestant part of Hungary, when I was nine. He did not care for contemporary history and took no notice of passing events. His objection to Munich was to its prevailing church, and the amount of noise in the streets. The year was 1937. In Debrecen, on a Protestant islet, he was higher and stonier and more Lutheran than anyone else, or thought so. Among the very few relics I have is
Wild Flowers of Germany: One Hundred Pictures Taken from Nature
. The cover shows a spray of Solomon’s-seal – five white bells on a curving stem. It seems to have been taken against the night. Under each of the hundred pictures is the place and time we identified the flower. The plants are common, but I was allowed to think them rare. Beneath a photograph of lady’s-slipper my father wrote, “By
the large wood on the road going toward the vineyard at Durlach July 11 1936,” in the same amount of space I needed to record, under snowdrops, “In the Black Forest last Sunday.”

I have often wondered whether tears should rise as I leaf through the book; but no – it has nothing to do with me, or with anyone now. It would be a poor gesture to throw it away, an act of harshness or impiety, but if it were lost or stolen I would not complain.

I recall, in calm woods, my eyes on the ground, searching for poisonous mushrooms. He knocked them out of the soft ground with his walking stick, and I conscientiously trod them to pulp. I teach my pupils to do the same, explaining that they may in this way save countless lives; but while I am still talking the girls have wandered away along the sandy paths, chattering, collecting acorns. “Beware of mushrooms that grow around birch trees,” I warn. It is part of the lesson.

I can teach in Hungarian, German, French, English, or Italian. I am grateful to Switzerland, where language is a matter of locality, not an imposition, and existence a question of choice. It is better to avoid dying unless the circumstances are clear. If I fall, by accident, out of the funicular tomorrow, it will only prove once again that the suicide rate is high in a peaceful society. In any case, I will see the shadow of the cable car sliding over trees. In a clearing, a woman sorting apples for cider will not look up, although her children may wave. There I shall be, gazing down in order to frighten my vertigo away (I have been trying this for years), in the cable car of my own will, hoping I shall not open the door without meaning to and fall out and become a reproach to a country that has been more than kind. Imagine gliding – floating down to them! Think of the silence, the turning trees! Sometimes I have thought of adopting a strict religion and living by codes and signs, but as I observe my pupils at their absent-minded rites I find they are all too lax and uncertain. These spoiled girls do not care whether they eat roast veal or fish in parsley sauce on
Fridays – it is all the same monotonous meal. Some say they have never been sure what they may eat Fridays, where the limits are. My father was a non-believer, and my mother followed, but without conviction. He led her into the desert. She died of tuberculosis, not daring to speak of God for fear of displeasing her husband. He never carried a house key, because he wanted his wife to answer the door whatever the hour; that is what he was like. My only living relation now is my mother’s sister, who has disinherited me because I remind her of my father. She fetched me to Paris to tell me so – that old, fussy, artificial creature in a flat stuffed with showy trifles. “Proust’s maternal grandfather lived on this street,” she said severely. What of it? What am I supposed to make of that? She gave me a stiff dark photograph of my mother at her confirmation. My mother clasps her Bible to her breast and stares as if the camera were a house on fire.

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