The Narrow Road to the Deep North (22 page)

Think that’s Gyppo Nolan, Chum Fahey said.

The smoke rolled into Darky’s mouth. It was sour and sharp and good.

That’s our four-a-side crib competition down the gurgler, Sheephead Morton said. He turned to Rooster MacNeice. You interested in taking his place?

What? Rooster MacNeice said, still smarting from the humiliation of the eggshell.

Gyppo. He’s . . . He’s—well. Gone. And he loved the crib. He’d hate to think him just—

Dying?

Well. Sort of. I mean, the bloke could be an idiot. But he loved his cards. That was the gyppo I remember. And I know he’d want us to go on.

Playing crib?

Why not? Bridge wasn’t ever Gyppo’s lurk.

Darky Gardiner drew slow and long on the butt end a second time, dragging the smoke deep inside him and holding it there. For a moment the world was still and silent. With the rich, greasy smoke came peace, and he felt it was as if the world had stopped, and would stay stopped for as long as that smoke stayed within his mouth and chest. He closed his eyes, and whilst holding the butt end out for Jimmy Bigelow to take back, gave himself over to the nothingness that pervaded his body with the rich smoke. But his head was not right.

I hate cards, Rooster MacNeice said.

The rain returned. It was noise without comfort. It did not sweep faintly through the teak trees and the bamboo, it did not sigh, it did not create a tranquil hush. Rather, it crashed into the thorny bamboo, and the deluge sounded to Darky Gardiner like the noise of many things breaking. The rain was so loud it was impossible to talk.

He went out and stood in the tempest to wash the mud off. Filthy little creeks appeared around his feet as the rain formed rills and courses through the camp. He watched a dixie bob by their hut, and a moment later he saw a one-legged West Australian on bamboo crutches hopping in pursuit of it.

But his head was not right.

EVERY MORNING DORRIGO
Evans shaves because he believes he must keep up appearances for their sake, because if it looks like he no longer cares, why should they? And when he looks in the small service mirror, he sees its cloudy reflection blurring the face of a man no longer him: older, skinnier, bonier, hard in a way he never was, more remote and relying ever more on a few sorry props: his officer’s cap, raffishly angled; a red scarf, tied bandana-fashion around his neck, a gypsy touch perhaps more for himself than for them.

Three months before, walking to a downriver camp to get drugs, he had come upon a Tamil
romusha
in a ragged red sarong sitting next to a creek, waiting to die. The old man was uninterested in what help Dorrigo Evans could offer. He waited for death as a traveller for a bus. Walking back along the same path a month ago he came upon the old man for a second time, now a skeleton picked clean by beast and insect. He took the red sarong from the skeleton, washed it, tore it in half and tied the better piece around his neck. When death comes for him he hopes to meet it similarly to the Tamil
romusha
, though he doubts he will. He does not accept the authorities of life, and nor will he, he thinks, of death.

He notices how they, his men, are also far older than they will ever be if they survive to grow old. Somewhere deep within them, do they know they only have to suffer but not inflict suffering? He understands the cult of Christ makes of suffering virtue. He had argued with Padre Bob about this. He hopes Christ is right. But he does not agree. He does not. He is a doctor. Suffering is suffering. Suffering is not virtue, nor does it make virtue, nor does of it virtue necessarily flow. Padre Bob died screaming, in terror, in pain, in hopelessness; he was nursed by a man Dorrigo Evans knew was said to have been a brutal standover man for a Darlinghurst gang before the war. Virtue is virtue, and, like suffering, it is inexplicable, irreducible, unintelligible. The night Padre Bob died, Dorrigo Evans dreamt he was in a pit with God, that they were both bald, and that they were fighting over a wig.

Dorrigo Evans is not blind to the prisoners’ human qualities. They lie and cheat and rob, and they lie and cheat and rob with gusto. The worst feign illness, the proudest health. Nobility often eludes them. The previous day he had come across a man so sick he was lying face-down, nose just out of the mud, at the bottom of the rock face that marks the end of the Dolly, unable to make it the final few hundred yards home. Two men were walking past him, too exhausted to help, striving to conserve what little energy they had left for their own survival. He had to order them to help the naked man to the hospital.

Yet every day he carries them, nurses them, holds them, cuts them open and sews them up, plays cards for their souls and dares death to save one more life. He lies and cheats and robs too, but for them, always for them. For he has come to love them, and every day he understands that he is failing in his love, for every day more and more of them die.

It has been a long time since he has thought of women. But he still thinks of her. His world beyond here has shrunk to her. Not Ella. Her. Her voice, her smile, her throaty laugh, the smell of her asleep. He has conversations with her in his head. Does he love them because he cannot have her? He cannot have her. He cannot answer himself. He cannot.

Dorrigo Evans is not typical of Australia and nor are they, volunteers from the fringes, slums and shadowlands of their vast country: drovers, trappers, wharfies, roo shooters, desk jockeys, dingo trappers and shearers. They are bank clerks and teachers, counter johnnies, piners and short-price runners, susso survivors, chancers, larrikins, yobs, tray men, crims, boofheads and tough bastards blasted out of a depression that had them growing up in shanties and shacks without electricity, with their old men dead or crippled or maddened by the Great War and their old women making do on aspro and hope, on soldier settlements, in sustenance camps, slums and shanty towns, in a nineteenth-century world that had staggered into the mid-twentieth century.

Though every dead man is a reduction of their number, the thousand POWs who first left Changi as Evans’ J Force—an assortment of Tasmanians and West Australians surrendered in Java, South Australians surrendered at Singapore, survivors of the sinking of the destroyer, HMAS
Newcastle
, a few Vics and New South Welshmen from other military misadventures, and some RAAF airmen—remain Evans’ J Force. That’s what they were when they arrived and that’s what they will be when they leave, Evans’ J Force, one-thousand souls strong, no matter, if at the end, only one man remains to march out of this camp. They are survivors of grim, pinched decades who have been left with this irreducible minimum: a belief in each other, a belief that they cleave to only more strongly when death comes. For if the living let go of the dead, their own life ceases to matter. The fact of their own survival somehow demands that they are one, now and forever.

A SACK OF
letters from Australia had arrived with the bogged truck. This was a rare and unexpected pleasure. The POWs were aware that the Japanese withheld almost all mail, and such was the excitement that before breakfast was over the sack had already been opened and its contents distributed. Dorrigo was delighted to receive his first letter in almost a year. Before he even looked at the handwriting, he knew from its stiff card envelope that it was from Ella. He resolved not to open it until the evening, holding off on the pleasure of feeling that, somewhere else, another, better world continued on, a world in which he had a place and to which he would one day return. But almost immediately his mind rebelled and he tore open the envelope, so excitedly unfolding the two sheets that he partly ripped them. He began reading in a greedy fury.

Two-thirds of the way down the first page, he halted. He found himself unable to go on. It was as if he had jumped into a car and accelerated straight into a wall. The letters of Ella’s elegant copperplate hand kept scattering and rising off the page as dust motes, more and more dust motes bouncing off one another, and he was having trouble bringing her face to his mind. It seemed too real and entirely unreal at the same time.

He didn’t know whether it was the malaria attack he was still recovering from or exhaustion or the shock of receiving the letter, his first for the best part of a year. He reread it but was lost in a memory at once precise and imprecise, the dust motes brighter and wilder, the late-day sun more blinding than ever, and yet he could not see her face clearly. Thinking: The world is. It just is.

He could remember sitting in the baby Austin baker’s van as he drove towards the coast, could smell its acrid horsehair upholstery and stale flour, feel its burning sting in the Adelaide heat as he began visiting his uncle’s hotel regularly, his stomach wild with nervousness, his mouth dry, his shirt too tight, his heartbeat a conscious thud. The hotel, which came to his mind as if he were there once again: the verandahs deep and dark; the rusty filigree iron flaking crusts; the wind-raked sea topaz-scattered; the distant, crackling sound of Leslie Hutchinson singing ‘These Foolish Things’, heard as if while bodysurfing a shallow wave. But of Amy’s face he could remember nothing.

What, he wondered, was this desire to be with her and only her, to be with her night and day, to hang off even the dreariest of her anecdotes, the most obvious of her observations, to run his nose along her back, to feel her legs wrapping around his, hear her moan his name, this desire overwhelming everything else in his life? How to name this ache he felt in his stomach for her, this tightness in his chest, this overwhelming vertigo? And how to say—in any words other than the most obvious—that he now was possessed of only one thought which felt more an instinct: that he had to be near her, with her and only her.

She craved demonstrations of affection. The tritest of gifts always moved her, reassured her that his feeling for her had not evaporated. For her the gifts, the declarations, were necessary. What else did she have as proof of them? Denied the possibility of being a couple, this was the only evidence she could have, now and later, that she had once known such joy. Perhaps Amy, in her heart, so unlike Dorrigo, was a realist. Or so he thought. And so one day when they were together in the city he had withdrawn almost his entire savings to buy her a pearl necklace. It was a single pearl exquisitely mounted on a silver chain. It reminded him of looking out over her waist at the road made by moon over sea. She had rued his folly, twice told him to return it, but her delight was undeniable. For she had what she wished for, though she could never wear it publicly: proof of them. Even now he could see the necklace. But of her face nothing.

When you first saw me in the bookshop, he had said as he did up the triangular necklace clasp and kissed the back of her neck. Remember?

Of course, she said, a finger on the pearl.

Now I wonder if it was at that moment that you somehow joined us?

What do you mean?

But he hadn’t known what he had meant and he had been frightened by where his thoughts were leading. If it were so, did he have so little control over his life? He remembered swimming at the beach one morning, waiting for her to return from town. An undertow had grabbed him and swept him some hundreds of yards along before he could escape it.

The undertow, he had said. Of us.

She had laughed. It’s a beautiful necklace, she said.

Even now, he could see the necklace’s miniature moon rippling the shop’s electric light; he could see the triangular clasp resting on the nape of her neck, framing that faintest, most beguiling conifer ridge of down. But the dust motes were suddenly everywhere, the noise of the rain was rising and he could not see her face, he could not hear her voice, Bonox Baker was at his side saying it was tenko, and Amy was not there.

If we don’t go now, Bonox Baker said, we’ll be late and Christ knows what poor bastard they’ll send out to work.

For a moment Dorrigo Evans was bewildered as to where he was. Still not entirely sure, he laid the letter down next to his bed and went out into the rain.

Thinking: The world is. It just is.

ROOSTER MACNEICE WAS
late in joining the weary mob making its way through the rain and mud of their village of the damned to the cookhouse. Save for their cock rags and AIF slouch hats, most were naked, and the less they had in the way of clothing, the more wasted and wretched their bodies, the more they seemed to wear their slouch hat with a larrikin lair, as if off out once more for a night of beer and brothels in Palestine. But they cut no dash as they once had.

The smell of wood smoke, the small sanctuary of dry, warm dust around the crude clay fireboxes, the ease of men about to be fed, the low hum of conversation, all these in most circumstances gave the cookhouse a homely, welcoming feel in an alien and unwelcoming world. But that morning the rain was pouring into the cookhouse. Several small streams fell from its attap roof, steaming as they hit the fireboxes, garnishing the rice in the wide cast-iron cooking pans with the soot they dragged down from the blackened rafters. The floor was a good two inches under water.

Rooster MacNeice, wading through, unclipped his dixie, and when his turn came held both bowls out. A small cup of a watery rice slurry that served as breakfast was slopped in one dixie and a dirty rice ball that served as lunch dropped in the other.

Moving on or what? said a voice behind him.

Rooster MacNeice straightened up. Sloshing through the water, he shuffled back out into the monsoon rain. Now his choice was either to attempt to make it back down the slippery slope with his rice water to the relative shelter of their tent, and there sit and eat his breakfast, or, as many prisoners did, stand in the rain and swallow it as quickly as possible. After all, it wasn’t food; it was survival.

He watched Darky Gardiner walk past, heading back to their sleeping hut to eat. Darky Gardiner was one of those prisoners who would make a small ceremony out of eating, as though he were setting up not for a few spoons of rancid rice but for a Sunday roast. Rooster MacNeice, on the other hand, though he tried hard not to gallop down his swill, always failed. He could see the sense of taking pleasure in holding the food for a minute or two—in just knowing that now you could eat, of enjoying the anticipation almost as much as the eating, in eating it slowly, savouring the few mouthfuls, and even multiplying them, breaking them into many dabs on the spoon, rather than the three or four mouthfuls that the ration of swill amounted to. But he could never do it himself.