The Notebook + The Proof + The Third Lie (20 page)

The doctor stares straight ahead; he says, "I haven't brought charges against you, even though I recognize you perfectly. It was some border guards on patrol who found me and brought me here, like a common drunk. This is all very unfortunate for me. I ask you for your total discretion. I am an internationally renowned psychiatrist. I have children."

Lucas says, "Your only solution is to leave this town. It's a small town. Sooner or later, everyone will know. Even your wife."

"Is that a threat?"

"Yes."

"I've been assigned to this godforsaken hole. It's not for me to decide where I go."

"It doesn't matter. Ask for a transfer."

The commissioner comes in with Peter. Peter looks at Lucas, then at Clara, then at the doctor. The commissioner says, "Your alibi is confirmed, Lucas."

He turns to the doctor. "I think we'll leave it there, doctor. You slipped while returning from the hospital. The case is closed."

The doctor asks Peter, "Can I see you on Monday at your office? I wish to leave this town."

Peter says, "Certainly. You can count on my help."

The doctor gets up, offers Clara his hand. "I'm sorry."

Clara turns her head away. The doctor leaves the room, saying, "Thank you, gentlemen."

Lucas says to Clara, "I'll walk you home."

Clara goes out ahead of him without saying a word.

Lucas and Peter also leave the commissioner's office. Peter watches Clara leave. "So it was because of her."

Lucas says, "Do everything you can, Peter, to get this man transferred. If he stays in this town he's a dead man."

Peter says, "I believe you. You're crazy enough to do it. Don't worry. He'll leave. But if she loved him, do you realize what you've done to her?"

Lucas says, "She doesn't love him."

It is already almost noon when Lucas gets home from the police station.

The child says, "They didn't lock you up?"

Yasmine says, "I hope it was nothing serious."

Lucas says, "No. Everything is all right. They needed me as a witness to a fight."

Yasmine says, "You'd better go and see the priest. He's stopped eating. He hasn't touched anything I took him yesterday or the day before."

Lucas takes a bottle of goat's milk and goes to the priest's house. The congealed food stands on the kitchen table. The stove is cold. Lucas crosses an empty room and enters the bedroom without knocking. The priest is in bed.

Lucas asks, "Are you ill?"

"No, I'm just cold. I'm always cold."

"I brought you enough wood. Why don't you warm yourself up?"

The priest says, "I have to economize. On wood and everything else."

"You're just too lazy to light the fire."

"I am old, I don't have enough strength left."

"You don't have enough strength because you don't eat."

"I have no appetite. Since you no longer bring the meals, I have no appetite."

Lucas hands him his dressing gown. "Get dressed and come to the kitchen."

He helps the old man into his dressing gown, he helps him to walk to the kitchen, he helps him to sit on the bench. He pours him a cup of milk. The priest drinks.

Lucas says, "You can't go on living on your own. You are too old."

The priest puts his cup down. He looks at Lucas.

"I'm leaving, Lucas. My superiors have recalled me. I'm going to retire to a monastery. There won't be a priest in this town anymore. The priest from the neighboring town will come once a week to celebrate mass."

"It's a sensible decision. I'm happy for you."

"I will miss this town. I've been here for forty-five years."

After a silence, the priest continues. "You have taken care of me all these years as if you were my own son. I would like to thank you. But how can I repay you for so much love and so much goodness?"

"Don't thank me. There is no love and no goodness in me."

"That's what you think, Lucas. I'm convinced of the contrary. You have suffered a wound from which you have not yet recovered."

Lucas is silent. The priest continues. "I feel that I am leaving you during a particularly difficult time in your life, but I will be with you in spirit and I will pray always for the salvation of your soul. You have taken the wrong course. I sometimes wonder where you will end up. Your passionate and tortured nature can drive you to the worst extremes. But I live in hope. God's mercy is infinite."

The priest gets up and takes Lucas's face in his hands. " 'Remember now thy Creator in the days of thy youth, while the evil days come not, nor the years draw nigh, when thou shalt say, I have no pleasure in them. . . .' "

Lucas lowers his head; his forehead rests on the priest's chest.

" 'While the sun, or the light, or the moon, or the stars, be not darkened, nor the clouds return after the rain. . . .' It's Ecclesiastes."

The priest's frail body shakes with sobbing. "Yes. You recognized it. You still remember. When you were a child you knew entire pages of the Bible by heart. Do you still find the time to read it sometimes?"

Lucas frees himself. "I've got a lot of work. And I have other books to read."

The priest says, "I understand. I also know that my sermons bore you. Go now, and don't come back. I'm leaving tomorrow on the first train."

Lucas says, "I wish you a peaceful retirement, Father."

He goes home. He says to Yasmine, "The priest is going away tomorrow. There's no need to take him food anymore."

The child asks, "Is he leaving because you don't love him anymore? Yasmine and me, we'll leave too if you don't love us anymore."

Yasmine says, "Be quiet, Mathias!"

The child cries out, "She's the one who said it! But you do love us, don't you, Lucas?"

Lucas takes him in his arms. "Of course, Mathias."

At Clara's house the fire is burning in the living-room stove. The bedroom door is open.

Lucas goes into the room. Clara is in bed, with a book in her hands. She looks at Lucas, shuts the book, puts it on the bedside table.

Lucas says, "I'm sorry, Clara."

Clara throws back the quilt covering her. She is naked. She continues staring at Lucas.

"It's what you wanted, isn't it?"

"I don't know. I really don't know, Clara."

Clara switches off the bedside lamp. "What are you waiting for?"

Lucas lights the desk lamp, points it at the bed. Clara closes her eyes.

Lucas kneels by the bed, opens Clara's legs, then the lips of her vulva. A thin trickle of blood comes out. He bends forward; he licks and drinks the blood. Clara moans; her hands grasp Lucas's hair.

Lucas gets undressed, lies on top of Clara, enters her, cries out. Later, Lucas gets up, opens the window. Outside it is snowing. Lucas returns to the bed. Clara takes him in her arms. Lucas shivers. She says, "Calm yourself."

She strokes Lucas's hair, his face. He asks, "You're not angry with me about him?"

"No. It's better that he left."

Lucas says, "I knew you didn't love him. You were so unhappy last week when I saw you in the bar."

Clara says, "I met him at the hospital. It was he who took care of me when I had another depression during the summer. The fourth since Thomas died."

"Do you often dream of Thomas?"

"Every night. But only of his execution. Never of Thomas happy, alive."

Lucas says, "I see my brother everywhere. In my room, in the garden, walking beside me in the street. He speaks to me."

"What does he say?"

"He says he is living in mortal solitude."

Lucas goes to sleep in Clara's arms. In the middle of the night he enters her again, softly, slowly, as if in a dream.

From then on, Lucas spends all his nights at Clara's.

The winter is very cold this year. The sun doesn't appear for five months. An icy mist lies stagnant on the deserted town. The ground is frozen, the river too.

In the kitchen of Grandmother's house, the fire is on all the time. The firewood runs out quickly. Every afternoon, Lucas goes into the forest to find wood, which he sets to dry next to the stove.

The kitchen door is left open to warm the room of Yasmine and her child. Lucas's room is not heated.

When Yasmine sews or knits in the room, Lucas sits with the child on the large rug made by Yasmine that covers the kitchen floor, and they play together with the dog and the cat. They look at picture books; they draw. Lucas teaches Mathias to count on an abacus.

Yasmine prepares the evening meal. They all sit on the corner seat in the kitchen. They eat potatoes, dried beans, or cabbage. The child doesn't like this food and eats little. Lucas makes him jam tarts.

After the meal, Yasmine washes up. Lucas carries the child into the bedroom, undresses him, puts him to bed and tells him a story. When the child falls asleep, Lucas goes off to Clara's house on the other side of town.

4

On Station Road the chestnut trees are in bloom. Their white petals lie so deep on the ground that Lucas can't even hear the sound of his footsteps. He is coming back from Clara's house, late at night.

The child is sitting on the corner seat in the kitchen. Lucas says, "It's only five o'clock. Why are you up so early?"

The child asks, "Where is Yasmine?"

"She's gone to the big city. She was bored here."

The child's dark eyes open wide. "Gone? Without me?"

Lucas turns away, he lights the fire in the stove.

The child asks, "Is she coming back?"

"No, I don't think so."

Lucas pours some goat's milk into a pan, which he sets to boil.

The child asks, "Why didn't she take me with her? She promised to take me with her."

Lucas says, "She thought you'd be better off here with me, and I agreed."

The child says, "I'm not better off here with you. I'd be better off anywhere else with her."

Lucas says, "A big city is no fun for a child. There are no gardens or animals."

The child says, "But my mother's there."

He looks out of the window. When he turns around his little face is contorted with sorrow.

"She doesn't love me because I'm crippled. That's why she left me here."

"That's not true, Mathias. She loves you with all her heart. You know that."

"Then she will come back to get me."

The child pushes away his cup, his plate, and leaves the kitchen. Lucas goes to water the garden. The sun is rising.

The dog is asleep beneath a tree. The child approaches him with a stick. Lucas watches the child. The child lifts the stick and hits the dog. The dog runs off howling. The child looks at Lucas.

"I don't like animals. I don't like gardens either."

With his stick the child starts thrashing the greens, the tomatoes, the pumpkins, the beans, the flowers. Lucas watches him without saying a word.

The child goes back to the house, he gets into Yasmine's bed. Lucas follows him, he sits on the edge of the bed.

"Are you so unhappy about staying with me? Why?"

The child stares at the ceiling. "Because I hate you."

"You hate me?"

"Yes, I've always hated you."

"I didn't know. Can you tell me why?"

"Because you're big and handsome, and because I thought Yasmine loved you. But if she's gone, it's because she didn't love you either. I hope you're as unhappy as I am."

Lucas puts his head in his hands.

The child asks, "Are you crying?" "No, I'm not crying."

"But you're sad because of Yasmine?"

"No, not because of Yasmine. I'm sad because of you, because you're sad."

"Is that right? Because of me? That's nice." He smiles. "However, I'm just a little cripple, and she's beautiful."

After a silence the child asks, "Where is your mother?"

"She's dead."

"Was she too old? Is that why she died?"

"No. She died because of the war. She was killed by a shell, together with her baby, who was my little sister."

"Where are they now?"

"The dead are nowhere and everywhere."

The child says, "They're in the attic. I've seen them. The big bone thing and the little bone thing."

Lucas asks in a low voice, "You went up into the attic? How did you get up there?"

"I climbed. It's easy. I'll show you."

Lucas is silent. The child says, "Don't be afraid, I won't tell anyone. I don't want them to take them away. I like them."

"You like them?"

"Yes. Especially the baby. It's smaller and uglier than me. And it will never grow. I didn't know it was a girl. You can't tell when it's just those bone things."

"Those things are called skeletons."

"Yes. Skeletons. I've also seen some in the big book on top of your bookcase."

Lucas and the child are in the garden. A rope hangs from the attic, just within the reach of Lucas's outstretched arm. He says to the child, "Show me how you climb up."

The child pulls the nearby garden bench under the window of Lucas's room. He climbs onto the bench, jumps and grabs the rope, stops it swinging by pressing his feet against the wall, and uses his arms and legs to hoist himself up to the attic door. Lucas follows him. They sit on a mattress, looking at the skeletons hanging from a beam.

The child asks, "Didn't you keep your brother's skeleton?"

"Who told you I had a brother?"

"No one. I've heard you talking to him. You talk to him, and he's nowhere and everywhere, so he must be dead as well."

Lucas says, "No, he's not dead. He's gone to another country. He will return."

"Like Yasmine. She'll return too."

"Yes, both my brother and your mother."

The child says, "That's the only difference between the dead and those who go away, isn't it? Those who aren't dead will return."

Lucas says, "But how do we know they aren't dead when they're away?"

"We can't know."

The child is silent for a moment, then asks, "What did you feel when your brother went away?"

"I didn't know how to go on living without him."

"And do you know now?"

"Yes. Since you came here, I know."

The child opens the chest.