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Authors: Patrick O'Brian

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'You find it hard to believe, sir, I am sure; and so it is too if you have not seen it: but reflect, sir, you are in the Antipodes- you are standing upside down like a fly on the ceiling - we are all standing upside down; which is much stranger than black swans or sticks that fly back to your hand.'

When they had drunk their whiskey they walked on, and Martin said 'He was quite right. In many ways this is the opposite of our world. I should say as different as Hades from Earth if it were not for the penetrating light. Do you not find the perpetual sound of chains, the omnipresence of ragged, dirty, cheerless men whom we must suppose criminal deeply depressing?'

'I do: and if it were not for the prospect of getting out into the open country I should either paddle about this vast harbour in my skiff or stay aboard, classifying my collections and examining yours with a closer eye. But I think it is the eager cruelty of the oppressors that saddens me even more.'

They paused before crossing the rutted, dusty road to let two iron-gangs go by, one up, the other down, and as they stood a drunk young woman lurched into them, her hair wild, her bosom bare; a handsome young woman, in spite of her blotched face. 'Could they not see where they were going, the awkward buggers? God rot their...' The convicts passed; they crossed the street; her abuse followed them, fouler than anything heard on the forecastle.

They walked in silence for some time and then Martin said 'Here is Paulton's house.'

Paulton himself it was who opened the door and made them welcome, a tall bony man with spectacles, small steel-rimmed thick spectacles, that did not appear to suit him, seeing that sometimes he peered through them, sometimes over the top. Very often he took them off and polished them with his handkerchief, a nervous gesture, one of many; indeed he was a nervous man entirely. But a sensible one, thought Stephen, and amiable.

'May I offer you some tea?' he asked after the ordinary preliminaries. 'In this parching dusty weather I find that hot tea answers better than anything else.'

They made grateful murmurs, and presently an aged woman brought the tray. 'How kind of you to come, sir,' said Paulton, pouring him a cup. 'Martin tells me you have written many a book.'

'Only on medicine, sir, and a few aspects of natural philosophy.'

'And may I ask, sir, whether you can compose at sea, or whether you wait for the peace and calm of a country retreat?'

'I have written a good deal at sea,' said Stephen, 'but unless the weather is tolerably steady, so that the ink may be relied upon to stay in its well, I usually wait until I am ashore for any long, considered treatise or paper- for the peace and calm of a country retreat, as you say. Yet on the other hand I do not find that the turmoil of a ship prevents me reading: with a good clear candle in my lantern and balls of wax in my ears, I read with the utmost delight. The confinement of my cabin, the motion of my hanging cot, the distantly-heard orders and replies, the working of the ship - all these enhance my enjoyment.'

'I have tried your wax balls,' said Martin, 'but they make me apprehensive. I am afraid that there will be the cry "She sinks, she sinks! All is lost. She cannot swim," and I shall not hear.'

'You were always rather apprehensive, Nathaniel,' said Paulton, taking off his spectacles and looking at him kindly with his myopic gaze. 'I remember terrifying you as a little boy by asserting that I was really a corpse inhabited by a grey and hairy ghost. But I imagine, sir,' - to Stephen - 'that you read books on medicine, natural philosophy, perhaps history - that you do not read novels or plays.'

'Sir,' said Stephen, 'I read novels with the utmost pertinacity. I look upon them - I look upon good novels - as a very valuable part of literature, conveying more exact and finely-distinguished knowledge of the human heart and mind than almost any other, with greater breadth and depth and fewer constraints. Had I not read Madame de La Fayette, the Abb�r�st, and the man who wrote Clarissa, that extraordinary feat, I should be very much poorer than I am; and a moment's reflection would add many more.'

Martin and Paulton instantly added many more; and Paulton, who had hitherto been somewhat shy and nervous, shook Stephen's hand, saying, 'Sir, I honour your judgment. But when you spoke of Clarissa, did the name of Richardson slip your mind?'

'It did not. I am aware that Samuel Richardson's name appears on the title-page. Yet before ever I read Clarissa Harlowe I read Grandison, to which is appended a low grasping ignoble whining outcry against the Irish booksellers for invading the copyright. It is written by a tradesman in the true spirit of the counting-house; and since there can be no doubt that it was written by Richardson, I for my part have no doubt that Clarissa, with its wonderful delicacy, was written by another hand. The man who wrote the letter could not have written the book. Richardson as of course you know was intimately acquainted with the other printers and booksellers of his time; and it is my conviction that some one of their dependents, a man of singular genius, wrote the book, perhaps in the Fleet, perhaps in the Marshalsea.'

They both nodded their heads: they had both lodged in Grub Street. 'After all,' said Martin, 'statesmen do not write their own speeches.'

After a rather solemn pause Paulton called for more tea, and while they were drinking it their talk ran on about the novel, the process of writing a novel, the lively fruitful fluent pen and its sudden inexplicable sterility. 'I was sure, last time I was in Sydney,' said Paulton, 'that I should finish my fourth volume as soon as I was back at Woolloo-Woolloo - for my cousin and I take turns at overseeing the overseer, you know - but the weeks went by, and never a word that I did not strike out next morning.'

'The country did not suit, I collect?'

'No, sir. Not at all. Yet I had set great store by it when I was in London, distracted by a hundred trifles and by daily cares, with hardly two hours I could call my own until late in the evening, when I was good for nothing; and it seemed to me that nowhere could country peace and quiet reach a higher point than in New South Wales, a remote settlement in New South Wales, with no post, no newspapers, no untimely visitors.'

'But is not this the case at Woolloo-Woolloo?'

'There are no letters, no papers, no visitors, to be sure; but there is no country either. No country as I had conceived it and as I believe most people conceive it - nothing that one could call rural. Imagine riding from Sydney over a dun-coloured plain: shallow stony soil with coarse rank grass, deep bush, and here and there some melancholy trees. I never knew a tree could be ugly until I saw a blue-gum: others of the same kind too, with dull, leathery, discouraged leaves and their bark hanging down in great strips, a vegetable leprosy. You leave what settlements there are, what sheep-walks, and the track grows narrower, entering the bush, a grey-green sombre dusty vegetation, never fresh and green, with vast stretches that have been burnt black and bald by the Aborigines. And I should have stated that it was always the same: these trees never lose their leaves, but they never seem to have new ones either. On and on, skirting several dismal lagoons, where the mosquitoes are even worse, and then at last you climb a slope through lower scrub and there you see a river before you, sometimes a continuous stream, more often pools here and there in the valley. Beyond it stands Woolloo-Woolloo, a stark house set down in the wilderness; to the left the stockade where the convicts live, with the overseer's house beside it; and far inland you can just make out Wilkins' place, the only neighbour within reach. It is true that the convicts have cleared the farther bank for wheat, but it is nothing like a field, only a kind of industrial scar; and in any case it hardly affects the huge featureless expanse of colourless monotonous inhuman primeval waste that stretches away and away before you and on your left hand. The river has a long Aboriginal name: I call it the Styx.'

'That is a sad approach to a country retreat,' said Stephen. 'And the Styx has dismal associations.'

'None too dismal for Woolloo-Woolloo, sir, I do assure you. Indeed they are scarcely dismal enough. In Hades there was no triangle permanently installed as there is in the square at Woolloo-Woolloo and Wilkins' place; for though no man can flog his own assigned servants, both my cousin and Wilkins are magistrates, and each can do so for the other. And in Hades there was at least some company, however faded, some conversation: at Woolloo-Woolloo there is none. The overseer is a gross man, with no thoughts apart from the profit of the land, the acres of bush to be cleared, the harvest that Stanley's brig is to take down to Sydney; and he says I must not talk to the convicts except to give them orders. And although the black men I sometimes meet on our beach or walking by the stream are affable enough - one gave me a piece of ochre, and they have quite often painted my arms and face with the oil that exudes from dead fishes, to keep the mosquitoes away: they use it all over their bodies - our exchange is limited to a few score words. So, do you see, I have no conversation. My rural retreat is not unlike Bentham's solitary confinement: and although no doubt there are men who can bring a novel to a splendid resounding close in solitary confinement, I am not one of them. Though Heaven knows I am sadly in need of an end.'

'You paint a sombre picture of New Holland, sir. Are there no compensations, no birds, beasts and flowers?'

'I am told that ours is an exceptionally unfavoured part of the country, sir, with little game and that little poached by a band of escaped convicts who have somehow contrived to make friends with Aborigines living beyond our northern bush. Little game... I have, it is true, been told that emus were crossing our path, but I never saw them; nor, being so shortsighted, have I seen the cockatoos and parrots except as a vague blur. Indeed, Nature's beauties are wasted on me, though her shortcomings are not - I hear the dreadfully raucous voices of the birds, and I feel the innumerable mosquitoes that plague us, particularly after the rains.'

'As for an end,' said Martin, 'are endings really so very important? Sterne did quite well without one; and often an unfinished picture is all the more interesting for the bare canvas. I remember Bourville's definition of a novel as a work in which life flows in abundance, swirling without a pause: or as you might say without an end, an organized end. And there is at least one Mozart quartet that stops without the slightest ceremony: most satisfying when you get used to it.'

Stephen said 'There is another Frenchman whose name escapes me but who is even more to the point: La b�se c'est de vouloir conclure. The conventional ending, with virtue rewarded and loose ends tied up is often sadly chilling; and its platitude and falsity tend to infect what has gone before, however excellent. Many books would be far better without their last chapter: or at least with no more than a brief, cool, unemotional statement of the outcome.'

'Do you really think so?' asked Paulton, looking from one to the other. 'I am very willing to believe you, particularly as the tale has reached a point where... Nathaniel, may I beg you to read it? If it really will do without any beating of drums, or if you could suggest the first notes of the true closing passage, how happy I should be! I could escape from this cruel, desolate, corrupt and corrupting place.'

'I should like to read it very much,' said Martin. 'I have always liked your pieces.'

'The manuscript - you know my wretched scrawl, Nathaniel- is now being fine-copied by a Government clerk. Corruption has its uses, though I cry out against it.'

'Is he not allowed to copy, then?'

'Certainly not to the extent he is copying for me. He is the best pen in the colony, always employed for Government grants and leases, but until my manuscript is done not a single one will he presented for the seal. He was a forger in real life, and when he is sober he can make you the most convincing Bank of England note imaginable, if only the paper is right.'

'Is there a great deal of corruption in the colony?'

'Apart from the present Governor and the officers who came out with him, I should say that in one form or another it is almost universal. In the lower branches of the administration for example nearly all the clerks are convicts, often quite highly-educated men; and so long as you are reasonably discreet they will do anything you wish.'

'Ah,' said Stephen with some satisfaction. 'I asked because several of our people in the Surprise have friends who were transported. I waited on the penal secretary to enquire after them, but it was clear that he did not intend to give me any information; and although Captain Aubrey with his much greater authority could probably oblige him to do so, I fear the intervention might rebound upon the prisoners.'

'With such a fellow as Firkins I am sure it would. The simple, quite harmless way is to apply to one of the clerks who keep the register. Painter would be the best, a quick, intelligent man. He has had two or three shepherds and some real farm labourers, ploughmen, put in the place of others and assigned to us - rare birds in a population mostly made up of more or less sinful townsmen, and highly valued.'

'How can he be approached?'

'As he is a ticket-of-leave man, it is not difficult. A word left at Riley's hotel would bring him to a discreet meeting-place. It might be wiser for you not to go yourself, however; there are so many informers about, and your encounter with Lowe has set the whole Camden faction so very much against you, that it might have some ill effect. If you have nobody suitable aboard, I will go myself.'

'You are very kind, sir, very kind indeed, but I think I have the right man. If I am mistaken, may I come and see you again? I should like to do so in any case, whenever you are at leisure.'

'One of the many things I like about your friend,' said Stephen, peering out over the dark waters of Sydney Cove, 'is that he is not holier than thou, or at least than me. Although he is clearly a virtuous man he is not horrified by moderate sin. Can you make out where the landing-place is? I shall try a hail. The boat, ahoy! Halloo! Show a glim there, you wicked dogs.'

BOOK: The Nutmeg of Consolation
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