The Other Gods and More Unearthly Tales (21 page)

BOOK: The Other Gods and More Unearthly Tales
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And now Atal, slipping dizzily up over inconceivable steeps, heard in the dark a loathsome laughing, mixed with such a cry as no man else ever heard save in the Phlegethon of unrelatable
nightmares; a cry wherein reverberated the horror and anguish of a haunted lifetime packed into one atrocious moment:

“The
other
gods! The
other
gods! The gods of the outer hells that guard the feeble gods of earth! . . . Look away! . . . Go back! . . . Do not see! . . . Do not see! . . .
The vengeance of the infinite abysses . . . That cursed, that damnable pit . . . Merciful gods of earth,
I am falling into the sky!

And as Atal shut his eyes and stopped his ears and tried to jump downward against the frightful pull from unknown heights, there resounded on Hatheg-Kla that terrible peal of thunder which
awaked the good cotters of the plains and the honest burgesses of Hatheg and Nir and Ulthar, and caused them to behold through the clouds that strange eclipse of the moon that no book ever
predicted. And when the moon came out at last Atal was safe on the lower snows of the mountain without sight of earth’s gods, or of the
other
gods.

Now it is told in the mouldy Pnakotic Manuscripts that Sansu found naught but wordless ice and rock when he climbed Hatheg-Kla in the youth of the world. Yet when the men of Ulthar and Nir and
Hatheg crushed their fears and scaled that haunted steep by day in search of Barzai the Wise, they found graven in the naked stone of the summit a curious and Cyclopean symbol fifty cubits wide, as
if the rock had been riven by some titanic chisel. And the symbol was like to one that learned men have discerned in those frightful parts of the Pnakotic Manuscripts which are too ancient to be
read. This they found.

Barzai the Wise they never found, nor could the holy priest Atal ever be persuade to pray for his soul’s repose. Moreover, to this day the people of Ulthar and Nir and Hatheg fear
eclipses, and pray by night when pale vapours hide the mountaintop and the moon. And above the mists on Hatheg-Kla earth’s gods sometimes dance reminiscently; for they know they are safe, and
love to come from unknown Kadath in ships of cloud and play in the olden way, as they did when earth was new and men not given to the climbing of inaccessible places.

 
H
YPNOS

TO S. L.

“Hypnos” was written in March 1922, just prior to Lovecraft’s first visit to New York City in April. The story is dedicated to “S. L.”
(Samuel Loveman), whom Lovecraft had come to see in New York, and who is perhaps meant to be the strange individual whom the narrator befriends. A delicate tale that seems to combine
supernatural realism with Dunsanian cosmicism, “Hypnos” develops a theme already evident in “Beyond the Wall of Sleep”—that dreams provide access to other realms
of entity beyond the mundane world. It first appeared in the
National Amateur
(May 1923).

Apropos of sleep, that sinister adventure of all our nights, we may say that men go to bed daily with an audacity that would be incomprehensible if we did not know
that it is the result of ignorance of the danger.


BAUDELAIRE

M
AY THE MERCIFUL GODS, IF INDEED THERE BE SUCH, GUARD THOSE
hours when no power of the will, or drug that the cunning of man devises, can keep me from
the chasm of sleep. Death is merciful, for there is no return therefrom, but with him who has come back out of the nethermost chambers of night, haggard and knowing, peace rests nevermore. Fool
that I was to plunge with such unsanctioned phrensy into mysteries no man was meant to penetrate; fool or god that
he
was—my only friend, who led me and went before me, and who in the
end passed into terrors which may yet be mine.

We met, I recall, in a railway station, where he was the centre of a crowd of the vulgarly curious. He was unconscious, having fallen in a kind of convulsion which imparted to his slight
black-clad body a strange rigidity. I think he was then approaching forty years of age, for there were deep lines in the face, wan and hollow-cheeked, but oval and actually
beautiful;
and
touches of grey in the thick, waving hair and small full beard which had once been of the deepest raven black. His brow was white as the marble of Pentelicus, and of a height and breadth almost
godlike. I said to myself, with all the ardour of a sculptor, that this man was a faun’s statue out of antique Hellas, dug from a temple’s ruins and brought somehow to life in our
stifling age only to feel the chill and pressure of devastating years. And when he opened his immense, sunken, and wildly luminous black eyes I knew he would be thenceforth my only friend—the
only friend of one who had never possessed a friend before—for I saw that such eyes must have looked fully upon the grandeur and the terror of realms beyond normal consciousness and reality;
realms which I had cherished in fancy, but vainly sought. So as I drove the crowd away I told him he must come home with me and be my teacher and leader in unfathomed mysteries, and he assented
without speaking a word. Afterward I found that his voice was music—the music of deep viols and of crystalline spheres. We talked often in the night, and in the day, when I chiselled busts of
him and carved miniature heads in ivory to immortalise his different expressions.

Of our studies it is impossible to speak, since they held so slight a connexion with anything of the world as living men conceive it. They were of that vaster and more appalling universe of dim
entity and consciousness which lies deeper than matter, time, and space, and whose existence we suspect only in certain forms of sleep—those rare dreams beyond dreams which come never to
common men, and but once or twice in the lifetime of imaginative men. The cosmos of our waking knowledge, born from such an universe as a bubble is born from the pipe of a jester, touches it only
as such a bubble may touch its sardonic source when sucked back by the jester’s whim. Men of learning suspect it little, and ignore it mostly. Wise men have interpreted dreams, and the gods
have laughed. One man with Oriental eyes has said that all time and space are relative, and men have laughed. But even that man with Oriental eyes has done no more than suspect. I had wished and
tried to do more than suspect, and my friend had tried and partly succeeded. Then we both tried together, and with exotic drugs courted terrible and forbidden dreams in the tower studio chamber of
the old manor-house in hoary Kent.

Among the agonies of these after days is that chief of torments—inarticulateness. What I learned and saw in those hours of impious exploration can never be told—for want of symbols
or suggestions in any language. I say this because from first to last our discoveries partook only of the nature of
sensations;
sensations correlated with no impression which the nervous
system of normal humanity is capable of receiving. They were sensations, yet within them lay unbelievable elements of time and space—things which at bottom possess no distinct and definite
existence. Human utterance can best convey the general character of our experiences by calling them
plungings
or
soarings;
for in every period of revelation some part of our minds
broke boldly away from all that is real and present, rushing aërially along shocking, unlighted, and fear-haunted abysses, and occasionally
tearing
through certain well-marked and
typical obstacles describable only as viscous, uncouth clouds or vapours. In these black and bodiless flights we were sometimes alone and sometimes together. When we were together, my friend was
always far ahead; I could comprehend his presence despite the absence of form by a species of pictorial memory whereby his face appeared to me, golden from a strange light and frightful with its
weird beauty, its anomalously youthful cheeks, its burning eyes, its Olympian brow, and its shadowing hair and growth of beard.

Of the progress of time we kept no record, for time had become to us the merest illusion. I know only that there must have been something very singular involved, since we came at length to
marvel why we did not grow old. Our discourse was unholy, and always hideously ambitious—no god or daemon could have aspired to discoveries and conquests like those which we planned in
whispers. I shiver as I speak of them, and dare not be explicit; though I will say that my friend once wrote on paper a wish which he dared not utter with his tongue, and which made me burn the
paper and look affrightedly out of the window at the spangled night sky. I will hint—only hint—that he had designs which involved the rulership of the visible universe and more; designs
whereby the earth and the stars would move at his command, and the destinies of all living things be his. I affirm—I swear—that I had no share in these extreme aspirations. Anything my
friend may have said or written to the contrary must be erroneous, for I am no man of strength to risk the unmentionable warfare in unmentionable spheres by which alone one might achieve
success.

There was a night when winds from unknown spaces whirled us irresistibly into limitless vacua beyond all thought and entity. Perceptions of the most maddeningly untransmissible sort thronged
upon us; perceptions of infinity which at the time convulsed us with joy, yet which are now partly lost to my memory and partly incapable of presentation to others. Viscous obstacles were clawed
through in rapid succession, and at length I felt that we had been borne to realms of greater remoteness than any we had previously known. My friend was vastly in advance as we plunged into this
awesome ocean of virgin aether, and I could see the sinister exultation on his floating, luminous, too youthful memory-face. Suddenly that face became dim and quickly disappeared, and in a brief
space I found myself projected against an obstacle which I could not penetrate. It was like the others, yet incalculably denser; a sticky, clammy mass, if such terms can be applied to analogous
qualities in a nonmaterial sphere.

I had, I felt, been halted by a barrier which my friend and leader had successfully passed. Struggling anew, I came to the end of the drug-dream and opened my physical eyes to the tower studio
in whose opposite corner reclined the pallid and still unconscious form of my fellow-dreamer, weirdly haggard and wildly beautiful as the moon shed gold-green light on his marble features. Then,
after a short interval, the form in the corner stirred; and may pitying heaven keep from my sight and sound another thing like that which took place before me. I cannot tell you how he shrieked, or
what vistas of unvisitable hells gleamed for a second in black eyes crazed with fright. I can only say that I fainted, and did not stir till he himself recovered and shook me in his phrensy for
someone to keep away the horror and desolation.

That was the end of our voluntary searchings in the caverns of dream. Awed, shaken, and portentous, my friend who had been beyond the barrier warned me that we must never venture within those
realms again. What he had seen, he dared not tell me; but he said from his wisdom that we must sleep as little as possible, even if drugs were necessary to keep us awake. That he was right, I soon
learned from the unutterable fear which engulfed me whenever consciousness lapsed. After each short and inevitable sleep I seemed older, whilst my friend aged with a rapidity almost shocking. It is
hideous to see wrinkles form and hair whiten almost before one’s eyes. Our mode of life was now totally altered. Heretofore a recluse so far as I know—his true name and origin never
having passed his lips—my friend now became frantic in his fear of solitude. At night he would not be alone, nor would the company of a few persons calm him. His sole relief was obtained in
revelry of the most general and boisterous sort; so that few assemblies of the young and the gay were unknown to us. Our appearance and age seemed to excite in most cases a ridicule which I keenly
resented, but which my friend considered a lesser evil than solitude. Especially was he afraid to be out of doors alone when the stars were shining, and if forced to this condition he would often
glance furtively at the sky as if hunted by some monstrous thing therein. He did not always glance at the same place in the sky—it seemed to be a different place at different times. On spring
evenings it would be low in the northeast. In the summer it would be nearly overhead. In the autumn it would be in the northwest. In winter it would be in the east, but mostly if in the small hours
of morning. Midwinter evenings seemed least dreadful to him. Only after two years did I connect this fear with anything in particular; but then I began to see that he must be looking at a special
spot on the celestial vault whose position at different times corresponded to the direction of his glance—a spot roughly marked by the constellation Corona Borealis.

We now had a studio in London, never separating, but never discussing the days when we had sought to plumb the mysteries of the unreal world. We were aged and weak from our drugs, dissipations,
and nervous overstrain, and the thinning hair and beard of my friend had become snow-white. Our freedom from long sleep was surprising, for seldom did we succumb more than an hour or two at a time
to the shadow which had now grown so frightful a menace. Then came one January of fog and rain, when money ran low and drugs were hard to buy. My statues and ivory heads were all sold, and I had no
means to purchase new materials, or energy to fashion them even had I possessed them. We suffered terribly, and on a certain night my friend sank into a deep-breathing sleep from which I could not
awaken him. I can recall the scene now—the desolate, pitch-black garret studio under the eaves with the rain beating down; the ticking of the lone clock; the fancied ticking of our watches as
they rested on the dressing table; the creaking of some swaying shutter in a remote part of the house; certain distant city noises muffled by fog and space; and worst of all the deep, steady,
sinister breathing of my friend on the couch—a rhythmical breathing which seemed to measure moments of supernal fear and agony for his spirit as it wandered in spheres forbidden, unimagined,
and hideously remote.

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