Lucy stood shocked into silence. For a moment, she thought about running after her mother. But instead she turned, slowly, back toward the red carpet, swallowing the lump in her throat. As she climbed the remaining stairs to the museum's front entrance, she heard a photographer call her name and glanced over her shoulder with a carefully executed smile, striking the pose she'd practiced so often. Soon she was rewarded with a tidal wave of flashing cameras, the supernovas of fame. She turned slightly so the photographers could capture the floating layers of her gown in movement. She posed as though her future depended on it. Because it did.
I'll make it up to Rita later
, Lucy reassured herself, slipping through the doors into the party of a lifetime. She tried to ignore how much her heart ached.
30
Great apes . . . make great fakers. Frans B. M. de Waal, a professor at the Yerkes National Primate Research Center and Emory University, said chimpanzees or orangutans in captivity sometimes tried to lure human strangers over to their enclosure by holding out a piece of straw while putting on their friendliest face. "People think, Oh, he likes me, and they approach," Dr. de Waal said. "And before you know it, the ape has grabbed their ankle and is closing in for the bite. It's a very dangerous situation."
--The New York Times,
December 12, 2008
I
s that a chipmunk?" Lucy pointed at the birch branch, but before Parker Lewis could turn his head, the tiny little creature had scurried away. Of all the things Lucy had imagined she might see inside the social event of the year--the rustling of one-of-a-kind couture; jewelry worth more than most people's houses; immaculately preserved society doyennes--she hadn't figured on live fauna.
"I should've brought my ferret, but he's not trained. Apparently all the animals in attendance tonight had to finish more school than your average ophthalmologist."
Lucy giggled harder than Parker's joke merited, thanks to her runaway nerves. His was the first familiar face she'd seen when she entered the vaunted marble hall of the Heritage Museum, and she'd latched on to him immediately. Wyatt hadn't been kidding when he called the Fashion Forum Ball the Super Bowl of fashion, as well as being Lucy's chance to rub shoulders with the creme de la creme of international society. He'd prepped her that this wasn't a "pack a table with your friends for twenty grand" benefit, and that guests were chosen with greater care than vice presidential candidates. Margaux's team of A-list arbiters made snubbing an art form. It made Rita's ticket an even greater mystery.
"Where's Fernanda?" she asked, to be polite.
"Oh, Cornelia dragged her off to the powder room." He waved his hand. "I'm sure she'll be back in a few hours."
The Natural History wing of the museum had been transformed into an enchanted forest, with hundreds of rare butterflies fluttering above the crowd and touching down on the branches of the live birch trees. Apparently they were surrounded by an entire ecosystem, from the chipmunks to the songbirds Lucy could hear lightly chirping in the background.
How Rita would've loved it in here
, Lucy couldn't help thinking. Her mother had been born to exclaim over spectacles like this, and all the twinkling lights made it look like the room had been BeDazzled.
"George Clooney, two o'clock," whispered Parker.
Another reminder of the disappointment in Rita's eyes. The thought made Lucy's conscience feel like lead. She distracted herself by once again scanning the crowd for Wyatt. When she finally found him, despite his brush-off in the limo, Lucy couldn't unlock her eyes. As usual Wyatt cut an incredibly soigne figure; in his well-cut tails, he was a standout even among the highest ranks. Clooney didn't hold a candle. Wyatt's handsome face was animated by the story he was telling. She was so transfixed that it took Lucy a moment to notice that Wyatt was speaking to Margaux Irving.
Lucy's stomach lurched. Margaux was dressed to intimidate in a voluminous taupe gown with enormous mink shoulders and a matching train. It felt too soon in the night to face such a major challenge, but Lucy knew she had to go over--Margaux was in sky-high demand; it was unlikely Lucy would have two chances to meet her. Snagging a glass of champagne from a waiter with a tray, she told Parker she'd be right back. "Oh--and thank you," she said to the waiter, almost forgetting.
Wyatt beamed at her as she approached. "Lucy! I was hoping you'd find us. Margaux, this is Lucy Ellis. Her gown will be auctioned tonight."
"Of course," Margaux said, extending her long, thin hand toward Lucy. Her voice was surprisingly--well, human. Even feminine. And up close, her skin looked bizarrely flawless and untouched by age--so much so, Lucy wondered if she might have a gnarled portrait aging in an attic somewhere. "Lucy's photo has run in my magazine, Wyatt--I know very well who she is."
Don't blush. Don't curtsy. Just look her square in the eye.
Meeting Margaux required nearly as much protocol as an audience with Queen Elizabeth, and Wyatt had coached Lucy well. The key was to seem deferential but not obsequious. "I'm delighted to meet you," Lucy said, shaking the proffered hand. She suppressed the urge to kiss the enormous pink diamond bauble on the older woman's finger.
Margaux gave Lucy a cool once-over--taking in her modern Grace Kelly updo, lingering for a moment, maybe two, to assess her dress, and ending with her delicate stilettos. Her face gave away nothing. "Who designed your dress? I don't recognize it."
Lucy cleared her throat. Moment of truth. "I designed it myself," she said, mustering all her confidence. Wyatt discreetly took her hand in his, which she so appreciated. Having him next to her always gave her extra oomph. Maybe because she sensed that he cared as much about Margaux's approval and Lucy's success as she did.
"Yourself ?" Margaux arched a perfectly sculpted eyebrow. "Where did you study?"
Lucy glanced quickly at Wyatt. "I'm self-trained. I've loved fashion since I was a little girl." She tried to keep her voice steady and relaxed, as if chatting about her designs to Margaux Irving were an everyday occurrence. "When I was a teenager, I took apart a vintage Chanel dress to understand exactly how it had been constructed, the way an aspiring engineer might take apart a radio." She didn't mention that she'd found the dress serendipitously at the local Salvation Army, or that she'd had to pay the eighty-dollar price tag on layaway. "It's always been my dream to be a designer."
Another loaded pause as Margaux stepped forward slightly to examine the dress from another angle. "And where did you have it made?"
"In my own living room." Lucy lifted up her train. It had taken weeks of labor to make the floaty confection. "I worked with another seamstress in order to finish in time. And my friend Eloise Carlton--I believe she's worked for your magazine--helped with the fitting."
Margaux swept around her. "I must say--"
Lucy drew her breath in anticipation, but before Margaux could deliver her verdict on the gown, a young assistant flew at her. The girl's face was flushed with panic. "Margaux! I'm so sorry to bother you, terribly sorry, but we're having a little issue with some protesters!"
Uh-oh.
This would not be pretty. Lucy felt so sorry for the assistant, who would doubtlessly get Margauxed for the breathless interruption, that she was temporarily distracted from her own suspense.
The editor in chief cast a withering look. "Such as?"
"They just doused three of our guests with red paint on their way in, and they say they'll only stop if they can have a word with you."
"I don't negotiate with terrorists."
"I know, but . . . we've received word that Mary Kate, Kanye, and Demi and Ashton are all circling the block, afraid to get out of their cars. These protesters don't care about the police, about spending the night in jail--they just want to talk to you."
That's kind of bad-ass
, Lucy thought, although she selfishly wished it didn't have to interrupt her tete a tete with Margaux. She'd never understood carcass chic, or how designers and their clients could look the other way while little bunnies in China went to their slaughter. She favored Stella McCartney's animal-friendly approach.
"Enough." The stony-faced editrix turned back to Wyatt and Lucy. "Please excuse me." She swept away before they could answer--before she could give any indication of feeling toward Lucy's gown.
Now what? Frustrated, Lucy let out something between a groan and a sigh, and Wyatt slipped his arm around her. "I'm sure she loved it," he said. "How could she not?"
Despite knowing better, she couldn't help feeling a little thrill from his unexpected closeness. "She must rock in poker. But thanks."
"Trust me, I'm sure she was a fan. And everyone else will be too. You're beautiful--" Those last two words seemed to slip out, and once they had, Wyatt quickly dropped his arm. The same cloud she'd felt in the limo passed over them, reminding Lucy that she had to get her feelings in check. Wyatt was nothing more than her friend--a surprisingly loyal and supportive friend, but just a friend. "There's Parker and Trip," he said, changing the subject. "Let's see if they're at our table."
"That's Walker Gregory, director of the museum." Wyatt discreetly pointed as they made their way through the crowded room to find their seats. The Grand Room (not only an apt description, but the name of the family who'd endowed it) was a sight to behold, even for Wyatt's jaded eyes. Amazonian vines and foliage hid the ceiling and walls, while the tables were covered in crisp linens, heavy silver, and Meissen porcelain, creating a sense of civility in the exotic wilderness. Walker, Wyatt observed, was seated to the left of Meredith Galt, who'd recently made an enormous gift to the Fashion Forum. He and Lucy had been seated prominently, too, he was pleased to note.
Speaking of Galts, there was an unwelcome one waiting when they reached the table. "Theo, what a fun surprise!" Lucy exclaimed, rushing over to kiss him hello.
"Swell tux," Wyatt said, shaking Theo's hand. It was black-on-black, cheesy as hell. "Very Steven Seagal." He took his seat. Wyatt wasn't sure why the discovery of Theo grinning from the seat next to Lucy's irritated him so much--ditto Lucy's effusive reaction to seeing him--but it did. He'd have preferred a table in Siberia to an evening spent witnessing Theo's slimy moves. Besides, for all Theo knew, Wyatt and Lucy really
were
a romantic item--so where did he get off with the full-court press? No doubt the guy had asked to be seated next to Lucy--since the museum was now in such debt to his family, nobody had the stones to say no. See how they felt when the Hayes Foundation reevaluated its portfolio of philanthropic contributions next year.
"Are you okay?" Lucy whispered when Theo was distracted by a passing friend. "You seem upset. Is it Theo?"
"Never mind," said Wyatt. If he tried to explain his feelings, he knew he would sound jealous, or possessive of a woman he had no right to be possessive of. Wyatt glanced down at the event card to the side of his plate. "So it looks like the auction will take place before dinner."
"I'm glad," she said. "I won't be able to enjoy myself until it's over."
As soon as the words left her lips, Walker Gregory took the stage. As the waitstaff silently set the first course, the audience craned to see the small, patrician gentleman who for decades had maintained the museum's preeminence. Walker welcomed everyone to the Ball, thanking various patrons and boasting of high-profile recent acquisitions, but Wyatt wasn't listening. He heard his own name mentioned, but even that failed to steal his attention away from the young woman sitting next to him. The magnitude of what Lucy was about to do--presenting not only her gown, but herself, to the most discerning style cognoscenti on the planet and asking for their approval in such a public and vulnerable way--was only now fully hitting him. She nervously clutched his hand under the table. At that moment, Wyatt wasn't thinking about his book, the experiment, his stake in the night. He just prayed Lucy wouldn't be crushed in front of everyone who mattered to her career. She'd come too far and cared too much.
"Will all the participants in our fashion auction please join me?" Walker asked, prompting Wyatt to squeeze Lucy's hand extra hard.
"Ouch!" She laughed a little as she stood. "You're even more nervous than I am, aren't you?"
"These ladies have generously agreed to auction the dresses they're modeling this evening," Walker continued, "and all proceeds will go toward continuing the Heritage Museum's tradition of excellence."
Wyatt watched with tense pride as Lucy threaded her way to join the museum director onstage. All the other women who were lining up next to her, besides hailing from the most prestigious families in American history, had chosen gowns made by established American designers such as Ralph Lauren, Michael Kors, and Nola Sinclair. He thought Lucy was the most self-assured and elegant of the bunch, and that her dress matched her as the most beautiful--but what if nobody else admired it enough to make a bid?
Compare her with Cornelia,
he thought, watching his ex glower next to Lucy in a celadon Ralph Rucci gown and a painted-on smile. Cornelia could don ten tons of diamonds and still lack Lucy's sparkle. He'd taught Lucy the manners, the savoir faire--but she'd always had an inherently noble character. It showed through in everything she did, from her ready devotion to Mimi Rutherford-Shaw's nonprofit to her tireless work ethic, from her immediate curiosity about art and culture to her unwavering modesty and sense of self. He knew she dreamed of making it big not only for herself, but also so that she could provide for her mother. Seeing her on that stage, he saw her clearly for the first time.