The Patrick Melrose Novels (18 page)

‘What I want is a small Latin American or Central American country where the ambassador has control of the CIA on the ground.'

‘On the ground,' echoed Patrick.

‘That's right,' said Earl. ‘But I have a dilemma at this point; a real hard one.' He was solemn again. ‘My daughter is trying to make the national volleyball team and she has a series of real important games over the next year. Hell, I don't know whether to go for the embassy or root for my daughter.'

‘Earl,' said Patrick earnestly, ‘I don't think there's anything more important than being a good dad.'

Earl was visibly moved. ‘I appreciate that advice, Paddy, I really do.'

The flight was coming to an end. Earl made some remarks about how you always met ‘high-quality' people on Concorde. At the airport terminal Earl took the US citizens' channel, and Patrick headed for the Aliens'.

‘Goodbye, friend,' shouted Earl with a big wave, ‘see you around!'

‘Every parting,' snarled Patrick under his breath, ‘is a little death.'

 

2

‘
WHAT IS THE PURPOSE
of your visit, sir? Business or pleasure?'

‘Neither.'

‘I'm sorry?' She was a pear-shaped, slug-coloured, shorthaired woman wearing big glasses and a dark blue uniform.

‘I'm here to collect my father's corpse,' mumbled Patrick.

‘I'm sorry, sir, I didn't catch that,' she said with official exasperation.

‘
I'm here to collect my father's corpse
,' Patrick shouted slowly.

She handed back his passport. ‘Have a nice day.'

The rage that Patrick had felt after passing through passport control eclipsed his usual terror of Customs (What if they stripped him? What if they saw his arms?).

And so here he was again, slumped in the back of a cab, in a seat often repaired with black masking tape, but still opening occasionally onto small craters of yellow foam, back in a nation that was dieting its way to immortality, while he still dieted his way in the opposite direction.

As his taxi bounced and squeaked along the freeway, Patrick started to register reluctantly the sensations of reentry into New York. There was of course a driver who spoke no English, and whose lugubrious photograph confirmed the suicidal gloom which the back of his neck could only hint at. The neighbouring lanes bore witness to the usual combination of excess and decay. Enormous battered cars with sloppy engines, and black-windowed limos, swarmed into the city, like flies on their favourite food. Patrick stared at the dented hubcap of an old white station wagon. It had seen so much, he reflected, and remembered nothing, like a slick amnesiac reeling in thousands of images and rejecting them instantly, spinning out its empty life under a paler wider sky.

The thought that had obsessed him the night before cut into his trance. It was intolerable: his father had cheated him again. The bastard had deprived him of the chance to transform his ancient terror and his unwilling admiration into contemptuous pity for the boring and toothless old man he had become. And yet Patrick found himself sucked towards his father's death by a stronger habit of emulation than he could reasonably bear. Death was always, of course, a
temptation
; but now it seemed like a temptation to obey. On top of its power to strike a decadent or defiant posture in the endless vaudeville of youth, on top of the familiar lure of raw violence and self-destruction, it had taken on the aspect of conformity, like going into the family business. Really, it had all the options covered.

Acre after acre of tombstones stretched out beside the freeway. Patrick thought of his favourite lines of poetry: ‘Dead, long dead, / Long dead!' (How could you beat that?) ‘And my heart is a handful of dust, / And the wheels go over my head, / And my bones are shaken with pain, / For into a shallow grave they are thrust, / Only a yard beneath the street,' something, something, ‘enough to drive one mad.'

The slippery humming metal of the Williamsburg Bridge reawakened him to his surroundings, but not for long. He felt queasy and nervous. Another withdrawal in a foreign hotel room; he knew the routine. Except that this was going to be the last time. Or
among
the last times. He laughed nervously. No, the bastards weren't going to get him. Concentration like a flame-thrower. No prisoners!

The trouble was that he always wanted smack, like wanting to get out of a wheelchair when the room was on fire. If you thought about it that much you might as well take it. His right leg twitched up and down rapidly. He folded his arms across his stomach and pinched the collar of his overcoat together. ‘Fuck off,' he said out loud, ‘just fuck off.'

Into the gorgeous streets. Blocks of light and shadow. Down the avenue, lights turned green all the way. Light and shadow, ticking like a metronome, as they surged over the curve of the earth.

It was late May, it was hot, and he really ought to take off his overcoat, but his overcoat was his defence against the thin shards of glass that passers-by slipped casually under his skin, not to mention the slow-motion explosion of shop windows, the bone-rattling thunder of subway trains, and the heartbreaking passage of each second, like a grain of sand trickling through the hourglass of his body. No, he would not take off his overcoat. Do you ask a lobster to disrobe?

He glanced up and saw that he was on Sixth Avenue. Forty-second Street, Forty-third Street, row after Mies van der Rohe. Who had said that? He couldn't remember. Other people's words drifted through his mind, like the tumbleweed across a windy desert in the opening shots of
They Came from Outer Space.

And what about all the characters who inhabited him, as if he was a cheap hotel: Gift o' the Gab O'Connor and the Fat Man, and Mrs Garsington, and all the rest of them, longing to push him aside and have their say. Sometimes he felt like a television on which somebody else was changing the channels impatiently and very fast. Well, they could just fuck off as well. This time he was going to fall apart
silently.

They were getting near the Pierre now. The land of the static electric shock. Doorknobs and lift buttons spitting sparks at a body which had generated its way through miles of thick carpet before forgetting to earth itself. It was here that he had begun his delirious decline on his last visit to New York. From a suite with as much chinoiserie as a person could be expected to take, and a view of the Park from far above the cry of traffic, he had slipped down, via the world-famous seediness of the Chelsea Hotel, and landed in a coffin-sized room at the bottom of a garbage-filled well shaft on Eighth Street, between C and D. From this vantage he had looked back with nostalgia on the hotel he had despised only a few weeks earlier for having a rat in its fridge.

Still, throughout this decline in his accommodation, Patrick had never spent less than five thousand dollars a week on heroin and cocaine. Ninety per cent of the drugs were for him and ten per cent for Natasha, a woman who remained an impenetrable mystery to him during the six months they lived together. The only thing he felt certain about was that she irritated him; but then, who didn't? He continually longed for an uncontaminated solitude, and when he got it he longed for it to stop.

‘Hotel,' said the driver.

‘About fucking time,' mumbled Patrick.

A grey-coated doorman lifted his cap and held out his hand, while a bellboy hurried out to fetch Patrick's bags. One welcome and two tips later Patrick was stalking sweatily through the long corridor which led to the reception. The tables in the Oval Room were occupied by pairs of lunching women, toying with plates of different-coloured lettuces and ignoring glasses of mineral water. Patrick caught sight of himself in a large gilt mirror, and noticed that, as usual, he looked rather overdressed and extremely ill. There was a disturbing contrast between the care with which the clothes had been assembled and the ease with which the face looked as if it might fall apart. His very long black overcoat, dark blue suit, and thin black and silver tie (bought by his father in the early sixties) seemed to be unrelated to the chaotic tangle of brown hair which surrounded his dead-white and shiny face. The face itself was in a spasm of contradiction. The full lips were pinched inward, the eyes reduced to narrow slits, the nose, which was permanently blocked, forced him to breathe through his open mouth and made him look rather imbecilic; and a frown concentrated his forehead into a vertical crease directly above the nose.

After he had registered, Patrick braced himself to clear as quickly as possible the long gauntlet of welcomes and tips that still lay between him and having a drink in his room. Someone took him to the lift, someone took him up in the lift (that long stale suspense, watching the numbers flicker up to thirty-nine), someone showed him how to turn on the television, someone put his suitcase down on the rack, someone pointed out the bathroom light, someone gave him his room key, and, at last, someone brought him a bottle of Jack Daniel's and a black bucket of frail ice cubes, and four glasses.

He poured himself a full glass over a few cubes of ice. The smell of the bourbon seemed to him infinitely subtle and poignant, and as he gulped down the first burning mouthful, standing by the window, looking out over Central Park, leafy and hot under a paler wider sky, he wanted to cry. It was so fucking beautiful. He felt his sadness and exhaustion fuse with the dissolving and sentimental embrace of the bourbon. It was a moment of catastrophic charm. How could he ever hope to give up drugs? They filled him with such intense emotion. The sense of power they gave him was, admittedly, rather subjective (ruling the world from under the bedcovers, until the milkman arrived and you thought he was a platoon of stormtroopers come to steal your drugs and splatter your brains across the wall), but then again,
life
was so subjective.

He really ought to go to the funeral parlour now, it would be appalling to miss the chance of seeing his father's corpse (perhaps he could rest his foot on it). Patrick giggled and put down his empty glass on the windowsill. He was not going to take any smack. ‘I want to make that
absolutely
clear,' he squealed in the voice of Mr Muffet, his old chemistry teacher from school. Walk tall, that was his philosophy,
but get some downers first.
Nobody could give up everything at once, especially (sob, sob) at a time like this. He must go down into that pulsing, burgeoning, monstrous mass of vegetation, the Park, and score. The gaggle of black and Hispanic dealers who hung around the entrance to Central Park opposite his hotel recognized Patrick as a potential customer from some way off.

‘Uppers! Downers! Check it out,' said a tall, bruised-looking black man. Patrick walked on.

A hollow-cheeked Hispanic with a scrawny beard jerked his jaw forward and said, ‘Wot canna du for ju, my friend?'

‘I got goo-ood stuff,' said another black man, wearing shades. ‘
Check it out.
'

‘Have you got any Quaaludes?' drawled Patrick.

‘Sure, I got some Quaaludes. I got Lemon 714s – how many you want?'

‘How much?'

‘Five dollars.'

‘I'll take six. And maybe some speed,' Patrick added. This was what they called impulse shopping. Speed was the last thing he wanted, but he didn't like to buy a drug unless he had the capacity to contradict it.

‘I got some Beauties, they're phar-ma-ceu-ti-cal.'

‘You mean you made them yourself.'

‘No, man, pharmaceutical mean they're goo-ood shit.'

‘Three of those.'

‘Ten dollars each.'

Patrick handed over sixty dollars and took the pills. By this time the other dealers had gathered round, impressed by the easy way that Patrick parted with money.

‘Ju English, right?' said the Hispanic.

‘Don't bother the man,' said Shades.

‘Yes,' said Patrick, knowing what was coming next.

‘You got free heroin over there, right?' said the bruised-looking black man.

‘That's right,' said Patrick patriotically.

‘One day I'm going to come over to Britain and get me some of that free smack,' the bruised-looking man said, looking relieved for a few seconds.

‘You do that,' said Patrick, heading back up the steps to Fifth Avenue. ‘Bye now.'

‘You come back here tomorrow,' said Shades possessively.

‘Yeah,' mumbled Patrick, running up the steps. He put the Quaalude in his mouth, summoned a little saliva, and managed to force the pill down. It was an important skill to be able to swallow a pill without anything to drink. People who needed a drink were intolerable, he reflected, hailing a cab.

‘Madison Avenue and Eighty-second Street,' he said, realizing that the Quaalude, which was after all a large pill, was stuck halfway down his throat. As the cab sped up Madison Avenue, Patrick twisted his neck into various positions in an attempt to get the pill all the way down.

By the time they reached Frank E. MacDonald's Patrick was stretched out with his neck craned backwards and sideways over the edge of the seat, his hair touching the black rubber floor mat while he squeezed as much saliva as he could from the sides of his dry cheeks and swallowed furiously. The driver looked in the rear-view mirror. Another weirdo.

Patrick eventually dislodged the Quaalude from the ledge it had found just under his Adam's apple, and walked through the tall oak doors of the funeral parlour, dread and absurdity competing inside him. The young woman behind the curved oak counter with Doric half-columns set at either end of its inner panel wore a blue jacket and a grey silk blouse, like an air hostess for a flight into the Afterlife.

‘I've come to see the corpse of David Melrose,' said Patrick coldly. She told him to step right into the elevator and go ‘straight on up' to the third floor, as if he might be tempted to stop off and see some other corpses on the way.