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Authors: Ronald Florence

The Perfect Machine

BOOK: The Perfect Machine
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The

Perfect Machine

 

 

 

 

BUILDING THE PALOMAR TELESCOPE

 

 

 

 

 

Ronald Florence

 

 

 

 

 

Dedication

For my son, Justin

Epigraph

How minute are our instruments in comparison with the celestial universe!

—EL KARAT, CAIRO, ELEVENTH CENTURY

 

 

Starlight is falling on every square mile of the earth’s surface, and the best we can do at present is to gather up and concentrate the rays that strike an area 100 inches in diameter.

—GEORGE HALE, 1928

 

 

For I can end as I began. From our home on earth we look out into the distances and strive to imagine the sort of world into which we were born. Today we have reached far out into space. Our immediate neighborhood we know intimately. But with increasing distance our knowledge fades … until at the last dim horizon we search among ghostly errors of observations for landmarks that are scarcely more substantial. The search will continue. The urge is older than history. It is not satisfied and it will not be suppressed.

—EDWIN HUBBLE, 1936

Contents

Cover

Title Page

Dedication

Epigraph

1. April 1920

2. Washington

3. The Worrier

4. The Whirligus

5. First Light

6. Waiting

7. Old Boys

8. The Politics of Money

9. Elation

10. Beginnings

11. Hope

12. Depression

13. Orderly Progress

14. Change of Guard

15. New Light

16. Good News

17. “The Greatest Item of Interest … in Twenty-five Years”

18. Salvaging Hopes

19. Revelation

20. Swept Away

21. The Journey

22. On the Roll

23. The Endless Task

24. Crisis

25. Big Machines

26. Fine Points

27. Passing the Torch

28. Testing

29. Almost

30. Impossible Circumstances

31. Endless, Damnable War

32. Starting Anew

33. Delicate Cargoes

34. Finishing Touches

35. Palomar Nights

Notes on Sources

Index

Acknowledgments

Praise

About the Author

Also by Ronald Florence

Copyright

About the Publisher

1
April 1920

The two men met on the platform of the Southern Pacific depot in Los Angeles. In their wool suits and stiff collars, they might have been mistaken for commercial travelers starting out on a week’s run to peddle their wares—at least until they bought tickets straight through to Washington, D.C. Transcontinental travel was enough of a novelty to turn heads in 1920.

The area around the depot looked like the backgrounds of the Mack Sennett Keystone Kops comedies, which were filmed nearby. Elegant homes abutted vacant lots. Trolley cars ran down streets lined with palm and eucalyptus trees, past incongruously empty pastures. Signs of construction were everywhere. Civic boosters, buoyed by preliminary reports of the 1920 census, were already bragging that Los Angeles had passed San Francisco in population to become the fastest-growing city in the United States.

At the depot the men exchanged pleasantries and agreed to share a compartment, but neither said much to the other, letting the flurry of boarding passengers, conductors checking tickets, baggage handlers, and porters fill the silence until the train left. Outside the Pullman window they watched cart after cart being wheeled down the platform to the dining car, laden with food, linen, and menus. Prohibition had eliminated the wine list and the prospect of a bar car, but even in the infancy of transcontinental travel, the railroads knew that leisurely meals served by porters in starched white jackets were one way to fill the long hours of the journey.

The trolley cars had a nine-story terminal at Sixth and Main, but railroad passengers didn’t count for much in the City of the Angels. Eager to match the splendor of the great eastern stations, like the grand concourse of New York’s Penn Station, where departing passengers on the famed Limited trains were greeted by a stationmaster in tails, top hat, and white gloves, Los Angeles had long campaigned to get the Southern Pacific, Union Pacific, and Atchison lines to build a
grand Union Station as part of a grandiose civic center plan. But by the 1920s Southern California already seemed hell-bent on the automobile. The ambitious plans of the tire, gasoline, and auto companies were open secrets, and the railroads, unsure of the future of passenger traffic, resisted municipal entreaties. Eastbound passengers in Los Angeles had to settle for a cluttered platform in a dilapidated depot, where the train pulled away with no more ceremony than an everyday local, and the engineer had to ride his whistle to clear the way over a series of annoying grade crossings along busy Alameda Street. Automobiles had already wrought havoc in Los Angeles.

The train didn’t pick up speed until it emerged from the built-up downtown area. By then the travelers could see billboards advertising canary farms, artificial pools for fishing, stands selling fried rabbit, dogs at stud, grass-shack eating huts, psychic mediums, vacant-lot circuses, storefront evangelicals, bicycles for rent, and frogs for sale. California was like no other economy in the world. Real estate companies sprang up and disappeared overnight. Where most cities had restaurants, Los Angeles had cafeterias. Signs advertised the eternal glories of Forest Lawn and the Hollywood Pet Cemetery. There were stores that sold pet caskets, as well as dog beauty shops and dog restaurants. Los Angeles had more telephones and automobiles than any city of comparable size in the United States. Its divorce and suicide rates were double the national average.

Some attributed the madness to Hollywood, a boomtown even by California standards. The studios had started making movies in Los Angeles only a half-dozen years before and were already one of the biggest industries in the state. All over the country people eagerly followed the antics, orgies, fame, depravity, scandals, and successes of the stars. Thousands flocked to California every week in pursuit of fame, stardom, or quick money in the movie business. Street-corner vendors were already hawking maps with addresses of the stars.

Although they were interested in stars and, like the moviemakers, had been drawn to California by the weather and skies so clear that the nearby mountains seemed to reach up and touch the heavens, the two men who boarded the train at the Southern Pacific depot hadn’t come to California because of the movie industry. They were astronomers, from what were then the two most advanced observatories in the world: Heber Curtis, from the Lick Observatory on Mount Hamilton, near San Jose; and Harlow Shapley, from the Mount Wilson Observatory, above Pasadena. For years they had been engaged in an exchange of articles in the professional journals, criticizing each other with the remarkable vehemence that scientific journals seem to encourage. To a layperson who tried to wade through the articles, the spirited exchange about “globular clusters” and “spiral nebulae” might have seemed a tempest in a teapot. But this tempest had ultimately
gathered national attention, finding its way onto the pages of newspapers that normally favored murders, adultery, and political scandal to serious science. At the end of their journey across the country, the two men were scheduled to debate at the annual meeting of the National Academy of Sciences, in the presence of an august audience that—and this was one detail the newspapers never failed to mention—would include the famous professor Albert Einstein.

From the sprawling Los Angeles Basin, a refuge ringed by mountains, the train climbed through the San Bernardino Mountains toward the Cajon Pass. Beyond the pass the open desert stretched for hundreds of miles, its bleakness punctuated only by chaparral, cactus, and the occasional mountain that pierced the clear air. The desert mountains were strange geological formations, isolated from the dangers of earthquake, remote enough to be untainted by the urban light pollution that even then affected most astronomical observatories. Their peaks thrust up into air so still that stars were pinpoints against the black heavens.

The great California observatories, like Lick and Mount Wilson, were themselves isolated by traditional standards. Before they were built most astronomical observatories were located more for convenience—usually on the campuses of urban universities—than for optimum
seeing,
the term astronomers use to describe the stillness and transparency of the atmosphere. Yet, compared to the remoteness of the desert peaks that Shapley and Curtis saw from the train window, the Lick and Mount Wilson observatories were almost urban. In 1920 the desert peaks, like Palomar Mountain, were so isolated by the lack of regular roads that only the Indians really knew them. Some of the mountains were sacred to the Indians: Legend had it that they were the homes of the Spirits—the departure point for souls journeying to the heavens. Shapley and Curtis could only imagine what the night sky would be like from a desert mountaintop.

The National Academy of Sciences often had distinguished speakers at its annual meetings. In the interest of widespread appeal the topics were generally selected from some aspect of what today would be labeled “applied” science. Reports of scientific developments with immediate and direct practical applications were a sure way to attract the attention of the newspapers, and potentially of the wealthy benefactors on whom the academy was dependent.

Early in 1920 Charles G. Abbot, secretary of the academy, began organizing a program of speakers for that year’s annual meeting. George Hale, a distinguished solar astronomer and the director of the Mount Wilson Observatory, as well as an officer of the academy, proposed that a Hale Lecture, named in honor of his father, might occupy one evening. The topic he suggested, relativity, was a new and quite fashionable subject in scientific circles, especially since the newly
famous Professor Einstein was scheduled to make his first visit to the United States that spring.

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