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Authors: Paul Quarrington

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BOOK: The Ravine
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I
want you to feel responsible? Why is this bird coming to land on
my
shoulders? Whether or not you feel responsible is your lookout.”

“Well, I don’t. You were fucked up. You were always fucked up. You’re a fuck-up.”

“Fair enough. I own what happened to me. I started reading the Bible—the one you told me to read—and I started thinking about the Good Samaritan. And Jesus Christ, of course. I started reading all these stories about self-sacrifice, and they started to change me, because you always told me I was a self-centred egotistical bastard. Which was true, quite true. And then you wrote that scene, you know, like in that movie, the one that we watched that night when we were all fucked up on
árbol de los brujos
, so I—”

“Okay, okay, I can see how I was kind of involved.”

“Uh-huh. Kind of sort of.”

“But, Ed, I’ll be candid. I can’t feel any guilt about what happened to you. I’ve got too much guilt already, I can’t take any more. It would destroy me.”

“What do you feel so guilty about? Screwing the makeup girl?”

“I guess so.”

“Oh, bullshit. The only reason you had an affair with Bellamy was so you’d have an excuse to feel guilty.”

“Look, I don’t need this nickel-ante psychology from the Other Side. What’s more, the other phone, I mean the
real
phone, is ringing somewhere. So I’m going to have to say goodbye.”

“Look, you’ve got to forgive yourself. For whatever it is you did. I have no idea what it is, and I don’t care. But you can’t forgive yourself until you look at the thing, and acknowledge you were wrong. Once you’ve forgiven yourself for the big thing, maybe you can forgive yourself for what you did to me.”
“And what then? You’ll find eternal peace?”

“No. But I might win the pool.”

“Okay, enough. I’m going to answer the other phone. The earthly phone.”

“I’m just trying to help. You’re fucking up. Pull up your socks.”

“That’s your great wisdom?
Pull up your socks?”

“Basically, yeah. Turn things around. You can do it, baby.
Turn

things around.”

15
|
ALL SOULS’ NIGHT


VAN DER GLICK?

“Huh, wha?”

“You’re fucking van der Glick?”

“Ronnie?”

“Oh, I’m sorry, my boner, I should have identified myself. Hello, Philip? It’s Veronica, your estranged wife.”

“Hi.”

“You’re fucking van der Glick?”

“Okay, now, let me just gather my thoughts here for a second. I was taking a nap.”

“Because you were shit-faced last night?”

“I wouldn’t say I was
shit-faced.”

“Jay said you guys were shit-faced. That is the exact term he used.”

“You’ve been talking to Jay?”

“Yes.”

“Why were you talking to Jay?”

“I don’t need a reason to talk to Jay. He is my brother-in-law.”

“He’s your estranged brother-in-law.”

“No. You are my estranged husband. Jay is my brother-in-law. He may be a little
strange
, I’ll grant you that.”

“Okay. And he apparently informed you that I’ve seen Rainie a couple of times.”

“Seen
her? Jay said she had hold of your dick the whole night.”

“Jay seems to have been very chatty.”

“Well, at least he let me know what was going on. When were you going to fill me in?”

“Last time I checked, Veronica, we had split up. I was thrown out of the house. You’ve taken up with Derwood, or whatever the youngster’s name is. So I don’t understand why this seems to bother you as much as it does.”

“Because Rainie is a friend of mine, in case you didn’t know.”

“Oh, I know. I know. I wrote about it, just a second, let me see if I can find the page. Hold on.”

“Phil.”

“The place is a bit of a mess. You know. Just hold on. Ah! Listen. ‘Rainie and Ronnie were friends, of a kind; they dined together two or three times a year and went on annual shopping campaigns.’”

“Okay, first of all,
wrong
, we see each other more than that, second of all,
bad
, I mean the writing, it seems
really
pedestrian, third of all, what the hell kind of book are you writing?”

“It’s an autobiographical novel.”

“It’s like you’re taking real people, real relationships, and making little, I don’t know, little tiny versions of them so that they’ll fit in your damn book.”

“You may have a point there, Ronnie. You may have a bit of a point. But I don’t mean to. When I write, sometimes I think I’m getting it all there, getting it all in, but when I read the pages the next day, it’s … I don’t know. Gone.”

“Go back to television. Perhaps the novel is beyond you.”

“Have you been sleeping with Hooper?”

“Never mind who I’ve been sleeping with.”

“You
have
, you have, dammit, you’ve been sleeping with Hooper!”

“I have not been sleeping with Hooper, although I am going out to dinner with him …”


What?

“Not that this is any of your business, but he sent me a copy of
Baxter
, which I read and adored, so then he called and asked me out, and I said yes because I wanted to tell him how much I liked the book.”

“I see. Won’t that be nice. But it might have been simpler, don’t you think, to rip my heart out of my chest and put it in the Cuisinart? Just keep pressing
that pulse
button?”

“John is an old friend of mine. I knew him before I knew you. I don’t see the problem with my having dinner with him.”

“John doesn’t have dinner. John has nourishment before the strenuous rutting commences. He carbo-loads for energy and stamina. Don’t be so naive.”

“Hey. I am perfectly capable of resisting Hooper’s advances. I have a very nice boyfriend who I wouldn’t want to be
unfaithful
to—anyway, screw you, Charlie, you’re the one that’s fucking van der Glick.”

“And what the hell do you mean, you
adored
it?”

“What?”

“Baxter. Which I read and adored.

“Well, of course I loved the book. Even you could understand that.”

“Even
me, what do you mean,
even
me—despite the fact I have the emotional intelligence of thirteen-year-old?”

“Thirteen seems a little high.”

“Why could
even I
understand that you loved the book?”

“Haven’t you read it?”

“Of course I haven’t read it.”

“What do you think it’s about?”

“I gather from the endless gushing in the dailies that it has something to do with the stage. A life in the theatah.”

“It’s about
me
, Phil.”

“No, no, that one was called
Lissome Is the Naiad
or, variously,
Hellhag!”

“What the hell are you talking about?”

“Am I in the damned novel?”

“The character Paul is not unlike you.”

“But but … I am not fodder for Hooper’s fiction.”

“Look, enough about Hooper. I called to talk about van der Glick.”

“Rainie van der Glick and I have been friends since we were, I’m not sure, five years old or something.”

“Are you in love with her?”

“Um …”

“I withdraw the question. It was an asinine thing to ask. Of course you aren’t in love with her.”

“That’s what I was going to say.”

“You’re not
capable
of love.”

“Sure I am. I love you, don’t I?”

“Yeah, well, people who love other people don’t go fucking
other
people and making the people they love feel like stupid ugly idiots.”

“Okay, now, listen to what I’m saying, don’t attack me blindly here, but the thing is, I think what you just said is wrong. Behaviour and emotion are two different things.”

“Phil, Phil. That is so pathetic.”

“Anyway, like I say, you have your little boy toy, plus you’re going out with Hooper, so really, I don’t see what the big—Ronnie? Veronica? Oh, sure, hang up on me. That is really mature. You keep
saying how I have this low-grade emotional maturity and what do you do? Hang up on me. You know what that is, Ronnie? That is
petulant.
Okay, I realize I’m being somewhat petulant right now, but at least you’re not at the other end of the phone to hear me. Oh, god. Oh, god, Ronnie. Oh, god.”

When I emerged from my basement apartment, I was assailed by a miniature version of Black Chester Nipes. The creature had a six-gun drawn, clutched in two tiny hands; the weapon trembled with the effort of holding it aloft. This being’s face was informed by the telltale black smear, but the cloud’s centre was the mouth, and after a moment I guessed it was not gunpowder residue but chocolate, chocolate that had been consumed gluttonously. I saw the rightness of Jay’s choice of meeting-nights. (I understood Milligan’s comment—
A nice touch
—although I tried not to think about Edward Milligan too much.) It was Halloween.

“Give me candy,” said Little Black Chester.

“I don’t have any.”

“Then you must die, earthling.” The kid had his mythologies confused, but who can blame him? Who among us have their mythologies all sorted out? He popped off a few caps, filling the air with little beads of acridity.

I stumbled off, “stumbled” because sometimes I am literally hobbled by remorse. How could I have become so self-absorbed that I failed to note the advent of Halloween? (Answer: easy.) And wouldn’t the girls be heartbroken that I wasn’t there to share the event with them? (Answer: not really.) I resolved to head over there as soon as the “meeting” with Jay was done.

The street was crowded with dwarf goblins and pygmy ghosts, but all was not absolutely macabre; there were also wee princesses, angels with minikin wings. There were many entities where I could
recognize neither genus nor species. This may have been because I had never seen the spawning movie or television program, or it may have been because the disguisee was a ranker. This was a shared characteristic of my friends and me when we were kids—no one could ever tell what we were supposed to be on Halloween.

As a kid, Rainie always tried to be some historical personage, a woman she admired, say, Carson McCullers. Toward this end, she would climb into a dress, pull on nylons and bedaub her face with lipstick. She would appear at people’s doorways and even though she was immediately recognizable as a little whore, people would send up the call out of embarrassment: “What are
you
supposed to be?” My own costuming was, admittedly, obscure; I would portray characters from
The Twilight Zone.
I would, for instance, pretend to be the little boy from the episode entitled “Third Stone from the Sun,” the lad the townspeople came to believe was an alien. They believed this because he would say strange things—“I come from the third stone from the sun”—and when he was struck down by a car, he simply climbed back to his feet and walked away. Rod Serling’s little plot twist here is that the kid was born without a functioning nervous system and couldn’t feel pain. The odd things he said were explained to the unthinking townsfolk—
The third stone from the sun is Earth, you idiots!
He was nothing other than an ordinary little boy, which was dramatically very moving but didn’t really suggest any dynamic costuming ideas, so of course I too would receive the blank stare and the dumbfounded “What
are you
supposed to be?”

When my brother stepped out of the shadows, however, about half a mile from our assigned meeting place, he looked at me, snapped his fingers and said, “Got it!”

“Huh?”

“The Trilight Zone!”

“What are you talking about?”

“I know who you’re supposed to be. You’re that guy, right, that librarian, who rejoiced when the world was destroyed. He believed he could therefore live forever in books.”

“Time enough at last to read, read, read.” This was by way of being a correction to what Jay had said.

“He organized all of the books from the library into piles on the steps. He had piles for this year, piles for the next year and the year after that …”

“I know all this. I’m the one who told you.”

“But what happened was, he bent over to pick up a book and his glasses flew from his face. They shattered. And he could see nothing. It seems to me he says,
It’s not fair, it’s just not fair
, but we the viewers understood. It
is
fair. It is what he deserved.”

We began to amble down the street, knee-deep in poltergeists. Jay seemed to have a destination in mind.

“By the way,” I said, “thanks for ratting me out to Veronica.”

“Oh,” Jay said, quite seriously, “you’re welcome. It was my pleasure.”

“That was certainly a pleasant call to receive.
You’re fucking van der Glick!That’s
what she said. That’s what she screamed.”

“You
are
fucking van der Glick.”

“So what?
She’s
going out to dinner with Hooper.”

“Yes? And your point?”

“It hurts.”

“Ah. Good. Signs of life.”

I took a moment to study Jay—because I had no idea what the hell he was talking about—when something struck me. “What are
you
supposed to be?”

He wore a suit that was dark as pitch—at least, for the most part, because at various places—elbows and knees particularly—the
material was so worn that the paleness of his skin shone through. Jay owned no suits, I knew that, so he had obviously purchased this at a second-hand store, or perhaps he’d bartered with a cadaver. He complemented this suit with jesus boots that appeared to be made of, I don’t know, jute or something. They looked ancient, these sandals—they seemed to have made innumerable journeys through wastelands. As odd as all this was, there was something about the plain white tee-shirt my brother wore underneath that looked odder still, something that was difficult to put one’s finger on. It struck me that the collar rode too high on the front, that it covered Jay’s prominent Adam’s apple, and where it did, there was the bulging expression of a manufacturer’s label. “Ah!” I said, because the answer to my own question occurred to me. Jay had the tee-shirt on backwards, which gave him this queerly canonical look. “You’re supposed to be a priest!”

BOOK: The Ravine
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