Kempe informed Benjamin and me that the Orb would be moved here. We sat on our horses beneath the gatehouse staring at the manor.
'It was owned by Isabella Malevel,' Kempe explained. 'Then, one night, about three years ago, the manor was attacked and all its precious objects stolen.'
'And Isabella Malevel?' Benjamin asked.
'Oh, she just disappeared. One of life's great mysteries!'
'It's ideal,' Egremont broke in. 'The best place to keep the Orb. I chose it from the list Kempe gave me.'
'It's easy to guard,' Sir Thomas added. 'Master Daunbey, you and Shallot will stay in the gatehouse.'
We left our horses grazing on the grass. Kempe had the keys, and he undid the three locks on the front door and took us in. Now, I have been in many a house of ill repute. I have sheltered in lonely, haunted dwellings on the Scottish March, in ghost-ridden palaces on the banks of the Loire and at gloomy castles along the Rhine. All of them were terrible, blood-soaked places where, as soon as you walked in, the ghosts thronged about you. Malevel was one of the worst.
'It has an air of menace,' Benjamin whispered as Kempe led us along a passageway then stopped at a staircase which swept up to the other two floors. I could only agree. Perhaps it was the flagstone floor or the empty walls which caught every sound and made it echo. Or, there again, the narrow windows which only let in slivers of light so each room and gallery had a gloomy appearance with corners full of shadows. Oh, it was clean all right, it had been swept and washed and there was furniture in every room but I noticed that, because there were no rushes on the floor or hangings on the wall, every sound reverberated. Egremont was proud he'd chosen such a place. He brushed aside Kempe's objections and insisted that we search the house from the tiles on the roof and then down to the dark, eerie cellar.
'Not even a mouse could break in here,' I announced.
My master, who had fallen strangely silent, just nodded.
We eventually gathered around the kitchen table, Kempe and Egremont sitting at either end.
'So all is ready.' Egremont began. 'Now about guards: the Noctales will stay here.'
'And provisions?' Kempe asked.
'I shall obtain them,' Egremont replied quietly. 'We always buy our own food and drink.'
'And what about the English guards?' Sir Thomas declared.
'The King has promised six of his best archers from the Tower.'
'The Orb of Charlemagne will be brought here tomorrow?' Egremont asked.
Kempe nodded. ‘I
t will arrive here just after noon.'
Egremont scratched his cheek, one finger playing along a scar from a swordthrust on the side of his jaw.
'The Orb will be brought here,' he said, fingers jabbing at the kitchen table. 'There will be nine Noctales, the rest will not be needed.'
His henchman was about to protest but Egremont made a sweeping movement with his hand.
‘I
require them, Cornelius,' he said softly, 'to guard the guards. Now!' Egremont sniffed, narrowing his eyes. 'The Orb will arrive here tomorrow and it will remain in its sealed coffer. The house will be shuttered and all doors locked and barred. No one can leave or enter, no matter what happens. This will last for five days until the Imperial caravel has docked in the Thames and all preparations carried out. The Orb will then be transferred to the ship. Until then, my master's relic will be left under the guard of fifteen men: nine Noctales and six of your archers. Do you agree, Sir Thomas?'
Kempe nodded.
'Outside,' Egremont continued,
‘I
want dogs to patrol, both night and day. The gatehouse will be guarded by archers, and Cornelius will stay in the gatehouse along with Master Daunbey and his servant. I am satisfied,' Egremont declared, 'that there are no secret entrances and that my master's relic -' he emphasized each word '- will be safe.'
'How do we know nothing will happen in the house?' Benjamin asked.
'We have planned for that,' Cornelius broke in. 'As the bells of St John's Clerkenwell chime for Matins in the morning, and again at Vespers in the evening, I will bring a shuttered lantern to a window on the first floor of the gatehouse. I shall show it three times. If no lamp is shone in reply, we will know something is wrong.'
'How long will this go on for?' Benjamin asked. 'For about five days,' Egremont replied. 'Until I am ready to sail.'
I stared across the table at my master. He had his head down, one hand covering the lower half of his face. He had been listening carefully and I could see he was worried and so was I. If the Great Beast wanted the relic back and replaced with the fake, how could we do it? More importantly, how could I solve that vexatious riddle? My own fear deepened. The Great Beast would be hopping with rage at the way the Imperial Envoy had so cleverly tricked him, so woe betide poor Shallot!
The conversation became more desultory as Kempe and Egremont hammered out the last details. Even then, before all the horrible and bloody murders began, a thought occurred to me. Why was the Orb being moved here, requiring such secrecy and all these guards? However, when your mind is concentrating on how to get a bloody fox, a chicken and a bowl of grain across the Thames, such Byzantine plans are not worthy of your attention. The meeting ended. As we left Malevel Manor, once again that feeling of unease deepened within me. I thought it was a Hall of Ghosts, a place of misery and sin. I wondered what had really happened to its former owner, the ancient Isabelle Malevel? My master was also quiet. I questioned him closely and found another reason for his misery.
'It's Miranda,' he replied dolefully.
My heart skipped a beat.
'She's not unwell?'
'No, worse. She has travelled north to stay with relatives in York. She went shortly after I went to Venice.'
(Ah well, the affairs of the heart are always troublesome and, in this story, the beautiful Miranda does not figure but later on, oh yes, she plays a part!)
Benjamin and I went out to the gatehouse and Cornelius joined us. We inspected our chambers: the gatehouse was quite extensive with two chambers on the top floor and two on the bottom, as well as a small buttery or kitchen. Cornelius took one of the top chambers and my master and I the lower two chambers. They were nothing more than narrow cells but they were comfortable. Cornelius inspected the window through which he would show the lantern and pronounced himself satisfied. We heard Kempe calling to us from below. My master went down but Cornelius caught at my sleeve as I prepared to follow.
'I like you, Shallot.' His hooded eyes held mine.
'Oh, thank you very much,' I replied but grew uneasy. I wondered if Cornelius was one of those bum boys. I know I am not very pretty but, with some people, it's any port in a storm!
‘I
have to go,' I declared.
‘I
like you, Shallot.'
'Yes, of course you do,' I said. 'And I am a great admirer of your good self.'
‘I
had a brother just like you, who had a cast in one eye. He was as full of roguery as a vat is full of ale: he died of the plague in Innsbruck.'
Those hooded eyes still gazed unblinkingly at me.
'You should be very careful,' Cornelius continued. 'Your king is as mad - how do you say - as a March hare?'
'Nonsense!' I replied. 'He's one of the wisest men in Christendom.'
Cornelius smirked. 'Read that on the way back." He handed across a scrap of parchment. I walked to the door.
'Oh, and Shallot, take this.' Cornelius came over and dropped a small sack into my hands. I felt it carefully, it was some form of powder.
'When
you win your prize, use that!' I
gazed quizzically back. 'You'd better go.'
I went down the stairs to where Kempe and the others were waiting.
‘I
paused halfway down and undid the scrap of parchment. The writing was small and neat, the letters perfectly formed. I read it once, twice, then grinned and put it back in my wallet: I knew the solution to the Great Beast's riddle!
We arrived back at court just before sunset. The Great Bastard was in one of his moods of revelry. He had spent the afternoon flying his falcons out above the marshes so he was in fine fettle, still playing the role of the great statesman relaxing at his pleasures. We met in the same room though, this time, tables had been laid out, covered in silken cloths and decorated with the most beautiful silverware. Henry sat in the middle of a small horseshoe of tables. He was dressed in velvet buckram, his bonnet rakishly pulled to one side of his head. His other cronies were there: Norreys, Brandon the Earl of Suffolk, and their ladies. One beauty caught my eye: tall, elegant, dark-haired and sallow-faced, she was strikingly attractive, dressed in dark-green. She reminded me of some beautiful phantasm, some goddess who appears to huntsmen in the depths of dark woods. Raven brows over eyes full of sensuality. Anne Boleyn! I tell you this - she's been in her grave more than sixty years, buried deep beneath the cold flagstones of St Peter's ad Vincula in the Tower, nevertheless, I can remember every detail about her from that evening. Modest yet saucy, retiring yet alluring, soft spoken and unobtrusive, she drew your eyes and made your heart beat a little faster. I tell the Great Elizabeth whenever she visits: her mother was every inch a woman. Beautiful beyond compare! Like Helen of Troy, mortal sin in clothes. Henry was infatuated with her. You could tell that. He was showing off, seeking her approval for everything he did. She, eyes lowered, would laugh soft and deep in her throat. I envied Henry. I really did. One other thing I noticed: Anne kept the cuffs of her dress well over her hands to cover her extra finger. Years later when I was closeted with her she allowed me to examine this closely. It was nothing much - a slight malformation of her right hand - but her enemies said it was the devil's teat on which she suckled her familiars. Anne didn't need such witchcraft. One kiss was enough!
Anyway, back to the Great Beast's banquet. Cardinal Wolsey was present but he was quiet, rather withdrawn. He was the only man apparently unimpressed by Boleyn and he was intent on showing it. We ate well, roast pheasant, swan, duck, lampreys, eels, the tenderest beef and the most succulent capon, all served in tangy sauces. The wine cups were deep bowled and were constantly replenished. We ate and drank while, in a far comer, boy choristers entertained us with a song composed by Abelard. Henry, like the pig he was, drank deeply until his fat cheeks glowed, his eyes glittered and, in his malice, he turned on old Shallot.
'Tell us now, Roger,' he bawled. 'Tell us the solution to the riddle!'
'What riddle?' Norreys cried, as if the lying bastard didn't know.
'A man has to take a fox, a chicken and a bowl of grain across the Thames,' the great pig bellowed. 'His rowing boat can take only the man and the fox, or the man and the chicken or the man and the grain at any one time.' Henry sighed at the knowing looks of his cabal. 'If he takes the grain, the fox will eat the chicken. If he takes the fox, the chicken will eat the grain. So, Roger, how does he get the three across?' The fat turd licked his fingers. 'If you can't solve it, you must pay the forfeit: the sun has dried our carp pond to a muddy mess and tomorrow, if you fail, you'll have to stand in the centre and play "Mummer's Boy"!'
I quietly groaned and shut my eyes. 'Mummer's Boy' was an old village game: some unfortunate was made to stand in the middle of a mud pack on a three-legged stool whilst others flung clods of mud at him. The one who knocked him off three times was the winner. A stupid, cruel game. Henry would love it! My master stiffened and was about to protest but I tapped him on the knee. I also caught Wolsey's anxious gaze and winked quickly. He smiled back. Anne Boleyn, God bless her, lifted her head and - perhaps it was my fevered brain or the light wasn't so good -1 am sure she blew me a kiss. Despite the cruelty she later inflicted on poor Queen Catherine, from that moment my heart was hers!
'Come on, Shallot!' the Hell-King roared. 'Give us an answer!'
'Answer! Answer!' His cronies began to bang their cups on the tables chanting like naughty schoolboys.
'Quite easy,' I replied, pushing back my chair and standing up. 'It can be done in four crossings. First, the man takes the chicken to the other bank and returns to collect the grain. Secondly, the man takes the grain to the other bank and returns with the chicken. Thirdly, the man leaves the chicken and takes the fox to the other bank where he leaves the fox with the grain. Fourthly, the man then returns to collect the chicken. At no time,' I concluded triumphantly, 'is the fox left alone with the chicken or the chicken left alone with the grain.'
My master clapped his hands. The rest, slightly befuddled, scratched their heads as they tried to work it out for themselves. Henry glared at me from under lowering brows.