The Shadow of a King (Shadowland Book 2)

The Shadow of a King

C.M. Gray

Copyright (C) 2016 C.M. Gray

Layout Copyright (C) 2016 by Creativia

Published 2016 by Creativia

eBook design by Creativia (www.creativia.org)

Cover art by Adriana Hanganu from
www.adipixdesign.com

This book is a work of fiction. Names, characters, places, and incidents are the product of the author's imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is purely coincidental.

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the author's permission.

Visit C.M.Gray's blog at
www.author-cmgray.com

Twitter:
@cgray129

Please note that I use British spelling throughout. You will see doubled letters (e.g. focussed), ou's (e.g. colour) and 're' (centre) as well as a few other differences from American spelling. It's also typical for British writers to use single quotes for speech rather than the double quotes familiar to American writers. I hope this will not spoil this story for any American readers.

Dedicated to my children
Dylan & Yasmin

Thanks so much for choosing The Shadow of a King, I do hope you enjoy reading it as much as I have enjoyed writing it. I think I should point out to readers of Shadowland that, The Shadow of a King, is not a direct sequel, but is a 'standalone' tale incorporating some of the later events in the life of Uther Pendragon. Although it isn't strictly necessary to have read Shadowland before this, I would, of course, recommend that you do!

The Shadow of a King is a work of historical fantasy, not historical fiction, so being fantasy, I get to throw in a few strange and fantastical things to entertain myself as I'm writing and for you as a reader; I hope that's going to work for you.

As it is historical, I try to use as many of the known 'facts' of the time as I can, but this is the dark ages and as such there are very few facts with which to work. It is known as the Dark Ages because there are so few written accounts of the time, it refers to the time roughly between the years 476–800 AD when there was no Roman emperor in the West and their empire was ending. However, before they left, the Romans, and especially Caesar, wrote much about the British tribes, how they lived and how they fought. Within the tribes, their history was mostly of the oral tradition with stories and legends told by travelling bards around crackling fires on dark nights. Much of what I draw upon to form the basis of my book comes from the old stories and legends of Uther, stories that these bards may well have told. Eventually, they were passed on and then written down hundreds of years later in books like the Mabinogion, a collection of eleven ancient Welsh tales that were transcribed around the year 1400 AD from tribal folklore.

We know that the bards were Druid trained for twelve years to recite stories, histories, poetry and songs upon the Isle of Mona, which was known as Ynys Mon in the old British tongue as well as current Welsh or better known these days as Anglesey Island. It lays a little way off the north-west coast of Wales. The bards in the tribal days would travel among the villages and settlements reciting their stories, singing their songs and telling the news of the time. They were the town criers or newspapers of the age bringing news and information to people who had little or no contact with the bigger world beyond the horizon.

I have written The Shadow of a King after researching and reading some of the legends handed down by the Bards. It is worth noting that a legend is not a myth, but a folk tale with some historical grounding that has been retold over the years. The historical grounding within The Shadow of a King is that Uther Pendragon did exist. His name was first mentioned in the Historia Regum Britanniae (History of the Kings of Britain) compiled by Geoffrey of Monmouth, a Welsh cleric who lived between 1100 and 1155 AD. Geoffrey claimed he was merely translating into Latin a far more ancient text, which makes it legend. Whatever the case, it is from this book that most of the poems and stories regarding the exploits of Uther and Merlyn and even Uther's more mythical son, Arthur, have come. Certainly it is where I have based a lot of my story, with a very tongue in cheek offering of what might have taken place if these legends had indeed taken place, for who is to say what actually did happen, these after all were the Dark Ages and the Druids were… well, ask Uther about Druids…

Oh that I could see to the Other Realm –

that I could learn the magic of the Ancients.

Oh that the secrets of the Druids

could be whispered in my ears

that I might know their beauty and their power –

that I might love again this land

and hear the voices of the Goddess and the God

in the trees and in the rivers.

Damh the Bard

 Chapter 1 
Glastening Abbey - AD 472

'No… please, do not move him. The King is not to be moved… I beg of you.' The nun stepped in front of the advancing warrior and pushed her hands against his chest, hindering his passage further into the dimly lit cell. 'There must be some mistake… the King is gravely ill.' She was flustered, almost beside herself in her wish to turn these intruders around and see them gone. 'The Abbess is not here, she sleeps now, but she left instructions that he cannot be disturbed… you may kill him.'

The warrior looked down at the small figure blocking his path. Her gown, as with all of these nuns, was a covering from head to foot of coarse black wool, stained and showing signs of many repairs. This nun was gazing up from beneath her cowl with a look of abject horror at his intrusion. Her pale white hands fluttered ineffectually against his stained and dented breastplate; then she glanced towards her charge, the lone figure that lay upon the cot within the damp, dark cell. Beside the cot, a single stub of candle was set upon a small table, its light reflecting from a thick torc of twisted gold, the dull metal gleaming in the candlelight; the candle guttered in the invasive draught sending shadows dancing along the rough, stone walls.

'Spirits preserve us, what a piss-hole,' the warrior whispered under his breath. Rats were moving close by, he could hear them, squeaking and rustling amongst the floor rushes in the darkness; the whole place reeked of vermin. This was a godforsaken place, even if it was an Abbey. Rank with the smell of rat piss, burning herbs and rotting flesh, it was still an improvement on the gathering of tribes he had so recently left. The Abbey was deathly cold, but at least it was out of the incessant, drizzling rain. The warrior raised a hand and rubbed absently at the knot of wires, shaped into the form of an intricate cross that hung between the ends of his own, somewhat thinner, gold torc at his throat. The cross was not a Christian emblem, but something far older, a connection to the ancient spirits of the land. For like many of his ilk, the warrior was still a follower of the old ways. He had not yet been won over by the honeyed words or threats of certain damnation delivered by the priests, should they not turn their backs upon their ancient Gods and follow the one nailed God. He didn't like nor trust them. Touching the cross had been an unconscious reflex to ward off the evil that he felt dwelt within the Abbey. He had not wanted to come here this night, but then fool's errand or not; he would do the Druid's work and so be it.

With a sigh, he removed his helm and brushed his fingers back through long, greying hair. It was thinning badly as the gesture rudely reminded him. He was tired, weary to the bone, truth be told, and his arms felt heavy from a clash with a Saxon raiding party during the dark hours of their riding to the Abbey.

They had met upon the wooded road, both groups startled to come upon the other, neither wishing to tarry yet both needing to pass the other. After a brief period of both parties shouting and taunting each other, each attempting to force the other to turn and run, they had fought, which of course had been inevitable. The clash had been brief and violent, but on this particular occasion, they had not taken any losses and sustained only one small wound to a member of their party. The Saxons, once past the Britons and heavy with raided goods, had fled towards their own border; it wasn't deemed prudent to pursue them considering the mission the Druid had tasked them with.

Drawing a deep breath, the warrior calmed himself. 'My name is Sir Ector, and I am sorry, lady, I surely am, but there is no mistake. My orders were spoken by the lips of the Druid Merlyn himself; our King must rise.' Turning, he threw his helm back into the hands of one of his men, gently brushed the sobbing nun to the side and approached the low sleeping pallet.

While he dropped to one knee beside his King, his two companions entered fully into the cell, bringing with them dampness and the sharp smell of the rainy dawn that had settled on the metal of their mail and armour.

'Sire.' In the inadequate light from the flickering candle, Uther Pendragon, High King of the Britons, appeared for all the world as if he may already be dead. Sir Ector studied the dying man and felt the small light of hope that he had been desperately holding onto, begin to dim, this surely could not be a man who within days would be leading a mass of warriors into battle. It would be some kind of Christian miracle if the King ever rose from this pallet again unless it was to be taken to his funeral pyre.

'Sire.' Sir Ector studied his King for some sign of life, some indication that he was hearing him. Yet there was nothing. The King's skin was white and mottled, hanging upon his bones as if it were made up of gossamer layers of autumn leaves, dry and yellow in the candlelight. The closed eyes of Uther Pendragon, eyes that were once so fierce and full of pride, were sunken back into their sockets, seemingly lost within the shadows of his soul.

'Uther, can you hear me, or is it that you are already walking in the Shadowland?' The room was silent as all within watched anxiously for something. Reaching out, the leather and metal of his armour creaking, Sir Ector placed the back of his hand close to Uther's mouth, holding it still for a few moments as he felt for breath. As he moved his hand up to the King's brow, the eyes fluttered open, and Sir Ector drew back sharply.

'Forgive me, Sire. I would not have disturbed you, but…'

The eyes blinked several times as the King returned from wherever it was that his soul had travelled, possibly to the gates of the Shadowland itself? Turning his head, he cast about the dim cell and finally found the features of the kneeling warrior. 'Ector?' The voice was weak, brittle, yet more than just the whisper Sir Ector had been hoping for, Uther Pendragon still lived.

'Sire, forgive me… the Druid has summoned you to the battlefield. He tells that the spirits have spoken to him, and it is time for you to lead us once more.' Sir Ector turned and gestured. One of his men stepped forward, and together they went about the task of gently raising the King to his feet.

It was a shock to find that Uther Pendragon weighed no more than a child. The King was pulled upright to hang limply between the two warriors. His head lolling down against his chest, the dirty white tunic he wore coming to just above bony knees, the heavy woollen leg wraps falling untucked about his ankles. Sir Ector began to wonder anew if these pitiful remains were just some hollow shell, an empty husk of the man who had once united the tribes of Britain, his former King, his friend. Had he witnessed life in the dying body, or had the King's soul merely turned back one last time before finally moving on? Despair returned to fill him once again, a fear that both the spirits and the old Druid might be wrong.

They dressed him quickly in warm woollen clothing and then placed a heavy cloak about his shoulders, then shuffled out of the cell with the nun's shrieking protests following them into the rush-strewn corridor.

More nuns arrived, drawn by the commotion, and it immediately became more difficult to manoeuvre with their charge as now several holy sisters began to wail and protest at seeing their King being moved.

The Abbey had originally been built as a fortified home by a Roman governor and was one of the only stone-built buildings in the area. A former chieftain had moved in when the Romans had left and then finally it had been gifted to the nuns by Uther when its previous owner had lost both favour, and then his life, in the King's court, but that had been some time ago. It was a narrow, dark labyrinth of halls, rooms, and passageways, with much wooden construction added to the former building over the years. Old and in a state of advanced neglect, it was damp, the thatch of the roof green and black with mould and mildew, the rooms and passages teeming with mice and rats. As they pushed through the nuns and moved through the confines in search of the main passage, the mixture of aromas became even stronger, mould and decay, vermin and unwashed bodies, concoctions of herbal medicines and communal cooking.

The spluttering torches that the warriors held sent a confusion of shadows ahead of them making it difficult to find their way out to where they had left their horses.

It was Sir Ector who led them, still pushing aside nuns who wept and implored him to take the King back to his rest. They sought to bar his way and confuse his direction, but he pushed on. And so, after much confusion and no little time, it was he who was first to emerge into the damp, but thankfully, sweeter chill air of the new morning.

Towards the east, he could see that the dawn sky was growing lighter low on the horizon, and it was just beginning to chase away the clinging darkness within the small enclosed square of the Abbey where they had left their horses.

He stopped; the rain was pattering against his armour. Lit by the light of flickering torches that spluttered in the drizzling rain, twenty or so nuns sheltered beneath the eaves to the sides of the courtyard. However, it wasn't the nuns that had caught his attention and stopped him, it was the tall figure dressed in black who stood alone in the middle of the open area, hood raised against the rain. As soon as they had emerged carrying the slumped body of Uther, the figure had raised its arms, palms out to bar their way. Somewhat startled, Sir Ector held up his torch aware of others coming out of the Abbey behind him. He was relieved to see the figure was no spirit, but as evidenced by the slim white wrists, that it was a woman, almost certainly the Abbess herself.

'What madness do you bring to our Lord's house?' she hissed. 'The King is dying. Does he not warrant your respect in these, his final days? Has he not done enough for his people that you must steal him away in the dark of the night? In the name of our Lord God, I tell you that he cannot be taken, he is the King. You will return him to his rest and leave him here to pass in peace.'

The Abbess stood unwavering, defying the heavily-armoured group to leave with their burden. Behind her, horses skittered and moved nervously, alarmed at the sudden raised voice and flickering torches. Eyes wide and staring, their warm breath clouded in the chill air, they continued to shuffle, the sound of their hooves clattering on the stone cobbles echoing strangely about the enclosed place, which only brought them more distress. They were big horses, bred for battle in open fields, not confined spaces such as the Abbey's courtyard and they were unusually skittish. The tribesman holding their reins in both hands, whispered soft promises and affections to them, pressing his face into the muzzle of the biggest, a mottled roan, as he tried to reassure them. The horse tapped the ground with its hoof and snorted, but his efforts seemed to calm them.

The Abbess was a tall woman and, as her position dictated, she was accustomed to being obeyed, yet after a moment's hesitation, whatever spell she had woven broke and Sir Ector and his men pushed past ignoring her and headed towards their mounts. The Abbess watched, her arms slowly returning to her sides as the King was hoisted unceremoniously up upon the back of one of the horses. He swayed in the saddle, yet somehow managed to keep his seat as his feet were thrust into the stirrups and then lashed into place. His eyes were closed as the warriors moved around him. As he began to slump forward, Sir Ector and one of his men quickly moved in to pull him back upright and then held him while an oak plank was set against his back and a length of flax linen wrapped tightly around both the King and the board, securing him erect and in place. The Abbess walked forward, dropping the hood of her cloak as she did so, and placed a hand upon the King's leg in a strangely familiar gesture. Long hair as black as her robes framed a striking face that appeared ghostly in the predawn light. Reaching up, she thrust an object into his hands, just as they were being tied to the pommel of the saddle. She felt him grip the object as the rough hemp of the rope dug into the flesh of his thin wrists.

'Go with God, Uther Pendragon, and I pray that the spirits may also be with you through this day. It seems your tasks among us may never be complete. I fear your people ask too much of you.' With a hand covering her mouth to stifle a sob, the Abbess stepped back into the company of the weeping nuns.

Armour was attached to the King; greaves for his legs and a breastplate to cover his chest. Over this was placed the heavy wool cloak that was tied in place around his body to protect him from the rain and also to shield the ropes that held him in place. The tribesmen all mounted, and in a final gesture, Sir Ector produced a golden crown from a bag set behind his saddle and tugged it firmly into place upon his King's lolling head. Preparations complete, he finally looked across to the Abbess.

'I am truly sorry, Morgana, but you know this is Merlyn's doing and not mine. I would let him die with dignity, here with you, but Merlyn says that he has communed with the spirits, and they have called for the King to lead us in battle one final time. You know I cannot argue with either the spirits or the Druid.' Without waiting for a reply, he kicked his horse into motion, and the five mounted men clattered out into a cold grey dawn, the sound of their departure disturbing a host of crows into flight, the birds rising like winged smoke from an old dead elm to circle raucously above them.