The Silent War

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Authors: Victor Pemberton

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The
Silent War
Victor Pemberton

Copyright © 1996 Victor Pemberton

The right of Victor Pemberton to be identified as the Author of the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.

Apart from any use permitted under UK copyright law, this publication may only be reproduced, stored, or transmitted, in any form, or by any means, with prior permission in writing of the publishers or, in the case of reprographic production, in accordance with the terms of licences issued by the Copyright Licensing Agency.

First published as an Ebook by Headline Publishing Group in 2012

All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

Cataloguing in Publication Data is available from the British Library

eISBN : 9780755392490

HEADLINE PUBLISHING GROUP
An Hachette UK Company
338 Euston Road
London NW1 3BH

www.headline.co.uk
www.hachette.co.uk

Contents

Title Page

Copyright Page

Dedication

About the Author

Also by Victor Pemberton

About the Book

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

For Beryl,

a dear friend, with love,

and dedicated to all those who lived through their own ‘Silent War’

THE SILENT WAR

Born in Holloway, in the London Borough of Islington, Victor Pemberton is a successful radio playwright and TV producer, as well as being the author of three popular London sagas, all of which are available from Headline. His first novel, OUR FAMILY, was based on his highly successful trilogy of radio plays of the same name. Victor has worked with some of the great names of entertainment, including Benny Hill and Dodie Smith, had a longstanding correspondence with Stan Laurel and scripted and produced many early episodes of the BBC’s ‘Dr Who’ series. In recent years he has worked as a producer for Jim Henson and set up his own company, Saffron, whose first TV documentary won an Emmy Award. He lives in Essex.

Also by Victor Pemberton:

Our Family

Our Street

Our Rose

The Silent War

Nellie’s War

My Sister Sarah

Goodnight Amy

Leo’s Girl

A Perfect Stranger

Flying with the Angels

The Chandler’s Daughter

We’ll Sing at Dawn

The Other Side of the Track

A Long Way Home

Sunday Collins is less than happy with her lot in war-torn London, working in the sweaty, steamy laundry round the corner from her home in a stark Holloway council flat known as ‘the buildings’ where she has been brought up by May Collins, a Salvation Army Officer who found her on the Sally Army steps along with her bossy sister Louie. Sunday lives for Saturday nights, when she makes the most of her Betty
Grable looks at the Athenaeum Dance Hall. But Sunday’s recklessly lived life is changed dramatically when, one summer morning in 1944, the laundry receives a direct hit from one of Hitler’s V-1s, and she finds she is - and it seems permanently - deaf…

Chapter 1

Sunday hated her name. For as long as she could remember she had always resented being named after a day of the week instead of being called something nice and ordinary, like Gladys or Lilian or Mary. Of course, she blamed it all on her mum and dad, not her real mum and dad, but the ones who adopted her when, as a newborn baby, she was found one Sunday evening, abandoned in a brown paper carrier bag on the steps of the Salvation Army Hall near Highbury Corner in Islington, North London. She got so fed up with the endless jibes from the girls she worked with down the Bagwash. At closing time on Saturday afternoons it was always the same old parting yells of ‘See yer Monday – Sunday!’ as they all streamed out into the yard outside, screeching with laughter at their same old worn-out gags.

It was way back in 1930 when old Ma Briggs first opened her Bagwash premises in a grubby back-street mews just off the Holloway Road. Once used as an old brewer’s stable-yard, it was a place where, for a few coppers, customers could bring their dirty washing wrapped up in a bed-sheet, and get it boiled and scrubbed clean in one of three stone tubs. It was then squeezed out through the rollers of a huge iron mangle until it was drained of water, wrapped up neatly in a bundle, and tied up again in the bed-sheet ready for collection. Briggs Bagwash was a real hell-hole of a place to work in, especially for a seventeen-year-old like Sunday Collins. It was stiflingly hot both in summer and winter, with hot steam constantly curling up from the boiling water in the
three
huge tubs, which were heated by the cheapest coke available. Even worse was the pungent smell of soap suds, washing soda, and carbolic soap, which at times was so powerful that one or two of the younger ‘Baggies’ (as the girls were known locally) had just fainted away for lack of fresh air. But this was May 1944, and with the war now in its fifth year, young girls were lucky to have a paid job at all.

‘Collins!’

To Sunday, the high-pitched squeal of Ma Briggs’s voice was like a hot knife through butter. ‘Yes, Mrs Briggs?’ she called, turning from the mangle where she was struggling to guide a large folded bed-sheet through the rollers.

With arms crossed and a Capstan fag dangling from her lips, the boss-lady picked her way past the other girls towards Sunday. ‘You was ten minutes late again this mornin’. That’s the fird time in two weeks. Wot d’yer fink you’re playin’ at?’

‘Sorry about that Mrs Briggs.’ Sunday had to shout to be heard, for she had to compete with Charles Shadwell and his BBC Radio Orchestra on
Music While You Work
booming out from a tannoy on the wall just above her. ‘Mum forgot to wake me up.’

The boss-lady glared back at the girl, unaware that she had let her ash fall on to a newly mangled pile of bagwash. Ma Briggs had a bony face with a pinched, upturned nose, which perfectly matched her hunched-up shoulders and painfully skinny middle-aged body. She had once sacked a girl who’d likened her to the Wicked Witch of the West in
The Wizard of Oz
. ‘Wos up wiv you, Collins? Why d’yer ’ave to rely on yer old gel ter wake yer up? Can’t yer buy yerself an alarm clock or somefin’?’

Sunday was dying to snap back, ‘Not on the wages
you
pay me, you old bitch!’ But, even though she was impulsive enough actually to say it, she bit her tongue firmly to resist the temptation. ‘It won’t happen again, Mrs Briggs.’

‘Too true it won’t!’ The boss-lady unfolded her arms and finally pulled the fag stub from her lips. ‘Let me tell yer somefin’, Miss Clever Arse!’ she said, smoke filtering out through her brown-stained teeth as she spoke. ‘Your hours are eight ’til five. Next time yer get ’ere past the hour, I’ll bolt the bleedin’ door on yer!’

Sunday didn’t answer. She couldn’t. She knew only too well that if she raised her eyes and looked straight into Ma Briggs’s face, she would say something she’d be bound to regret. Relishing the power she held over her girls, the boss-lady tossed the remains of her fag to the floor and stubbed it out with the sole of her foot. As if consolidating her victory over someone who she knew would not dare to argue with her, she attempted to straighten her hunched shoulders and stretch herself to a height above her normal five feet four inches.

‘Oh, an’ just one more fing,
Miss
big shot Collins,’ she sniped, leaning so close to Sunday that the smell of Capstan fags on her breath practically overpowered the girl. ‘I saw yer showin’ off yer arse to them sailor boys on the dance floor down the Athenaeum the uvver night. Fink you’re really somefin’, don’t yer,
duckie
? Wonder wot your old woman’d say if she knew ’alf wot you get up to?’ And lowering her voice, she added, ‘Bet she wouldn’t like ’er mates up the Salvation Army to ’ear such fings.’

Chuckling to herself, Ma Briggs brushed some fag ash from her white cotton blouse and black skirt, adjusted her turban, and made her way back to her room at the rear of the Bagwash.

Sunday watched her go. As soon as the boss-lady had closed her door, the other ‘Baggies’ stopped what they were doing and waited for Sunday’s reaction. But Sunday did not react. She merely carried on where she had left off, turning the wheel of the huge mangle with one hand and easing the wet sheet through the rollers with the other. Whatever her thoughts were, she was keeping them to herself.

Music While You Work
had now come to an end, and as it was 11 o’clock in the morning, Sandy MacPherson at the BBC organ was on the air, with his regular programme of listeners’ requests.

‘Take no notice, Sun,’ called one of the ‘Baggies’ who was at the tub closest to Sunday. ‘Briggs is all mouf an’ no trousers!’

Sunday turned back to look at her best mate, Pearl Simpson, a dumpy little thing with jet-black hair, large emerald-coloured eyes and a lovely moon-shaped face with a small mole on her left cheek.

‘I’m not fussed,’ said Sunday, coldly. ‘
Mrs
Briggs doesn’t mean a damned thing to me. Her trouble is, she’s frustrated. Ever since her old man went down at Dunkirk, she’s been grateful for every bit of hard she can get her hands on.’

‘Yer can say that again!’ Pearl left the tub where she was stirring clothes in boiling water, and after making sure that the other girls could not overhear her, she joined Sunday at the mangle. ‘Did yer know she’s been bangin’ it away wiv Tommy Leeson,’ she said, doing her best to compete with Sandy MacPherson’s organ-playing.

Sunday abruptly stopped turning the mangle wheel. ‘Tommy Leeson! That one behind the bar down the Nag’s Head? She can’t be. She’s old enough to be his grandmother!’

‘Tommy ain’t fussy,’ sniffed Pearl, with a huge grin on her face. ‘’E likes ter lay old hens. Reckons they’re always better at it than spring lambs!’

Both girls burst into laughter. Their workmates turned to glare at them, disliking the fact that they were not privy to the joke. And when Ernie Mancroft turned up with another pile of washing for Sunday to put through the mangle, he shrank at the sound of the two girls’ laughter. Being one of only two young blokes working in the Bagwash who had not yet been called up, he was sure that, as usual, he was the reason for another of their piss-taking jokes. And, as usual, Sunday and Pearl
never
gave him cause to think otherwise, containing their laughter only long enough for him to dump the washing and leave. But Ernie never responded to their jibes. He fancied Sunday far too much to stir up trouble. Every time he even caught a glimpse of her, he was determined that one day she’d find out what he was made of.

On the stroke of five that evening, like every evening five days a week, it took no more than a minute for the Bagwash to empty. Eight hours was long enough to expect any human being to endure, cooped up in the stifling atmosphere of steaming hot tubs. As usual, Ma Briggs was at the main doors waiting to lock up. It was the time of day she hated most, watching her ‘Baggies’ filter into the mews outside, and rushing off in an excitable gaggle of laughter towards the Holloway Road. Once she was alone, she felt all the power drained from her. After the last girl had gone, the boss-lady slammed the door behind her and padlocked it grudgingly. To make things worse, it was Saturday evening. No more power now until Monday morning.

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