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Authors: Matthew Plampin

Tags: #Fiction, #Historical, #Crimean War; 1853-1856, #War correspondents

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BOOK: The Street Philosopher
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Kitson checked his pocketbook and writing materials, wishing that Cracknell would refrain from his teasing for that one day at least. Styles looked away, seeming to ignore him; but Kitson could tell that a store of resentment was being built up, one that would eventually lead to retaliation.

But he could not dwell on this now. For all his annoyance at Cracknell’s continued harrying of the illustrator, he was relieved to see that the senior correspondent was confident–exuberant, even–at the prospect of the coming battle. As the inevitability of combat had slowly impressed itself upon him, Kitson had felt a keen desire for guidance. After months of delay, he was to see his first major action as a war correspondent for the
London Courier
–yet he found that he had not the least idea how to perform this task.

Cracknell, though, clearly suffered from no such anxieties. Lighting a fresh cigar, he called the
Courier
team to order and adopted an easy, business-like tone. ‘Now, my lads, the French are pretty certain that they’re taking the right flank. Apparently there’s a coastal path that the Russians have neglected to defend. A back door left unlocked, if you like. What of the British plan, Thomas?’

Kitson readied his pocketbook. ‘I have a complete list of the divisions, Mr Cracknell, and of the battalions in each, and have made a note of their current positions–but as to the strategy they are to follow, I could discover nothing, nothing at all. It seemed almost as if there isn’t one.’

The senior correspondent chuckled. ‘This is Raglan we’re talking about. Wellington will always be his master in matters of warfare. The Bear up a hill, John Bull lined up in front of it–Kitson, old fellow, I wouldn’t be surprised if he just marches the poor bastards straight towards ’em, to weather the fire as best they can.’

Kitson hesitated. ‘Surely not.’

Cracknell shrugged, unconcerned. ‘We shall see, shan’t we?’ He got to his feet, tapping off some ash and squeezing himself between his subordinates; Styles promptly moved another six inches along the wall.

‘Can I ask how we are to, ah…’ Kitson took a steadying breath. ‘How will we conduct ourselves, sir, once the fighting starts?’

Cracknell grinned mischievously. He turned towards the illustrator. ‘Tell me, young Styles, if you were preparing a painting for the Academy, a scene from Shakespeare–from
Hamlet
, say–would you choose to present the protagonists, the Prince and his whole unhappy family, as one might see them from the front row, in all their terrible splendour? Or from the top of the upper circle, as no more than little dots scampering around the stage like trained fleas?’

‘From the front row, of course.’ There was a hard, competitive edge to Styles’ voice. Kitson realised that he was determined to prove himself equal in courage and dedication to Cracknell–equal to the man who had won the heart of Madeleine Boyce. This was a troubling development. Their expedition on to the battlefield was being warped into a contest of daring.

Removing the cigar from his lips, Cracknell pointed at the illustrator in triumph. ‘Exactly, lad–
exactly
. And that is how we shall position ourselves in order to depict this battle. In the very front row.’ He leant around to deliver a firm pat to Kitson’s shoulder. ‘We want the truth, my friends, and the truth we shall obtain. Are we agreed?’

‘We are,’ Kitson replied, trying to suppress his uneasiness. ‘Wherever you lead us, sir, we shall endeavour to follow, with our pens at the ready.’ Styles nodded in mute agreement.

Cracknell was satisfied by this display of allegiance. ‘I’m glad to hear it. And you must not fall prey to fright, d’ye hear me? The British Army, on the field of battle, is highly methodical; Christ, it’s almost
mechanical
. These men have their formations and tactics seared on to their brains. They run on rails, and I know what to expect. We’ll be quite safe. It’s just a matter of staying alert, that’s all.’

A bugle sounded, some distance away. The time was upon them. Kitson stood, and looked over at the sea of waiting troops. The officers were gathering together, conferring and pointing. Another bugle echoed the first, and then another; then a host of them, all making the same call. Slowly, the army climbed to its feet, the many thousands of boots rumbling like a great landslide as they stamped in the dust. Sergeants shouted for attention, whilst officers moved to the front of their battalions. Kitson felt a cold shiver of nausea. Inside him, behind the valiant certainties so forcefully elicited by the senior correspondent, lurked something else, something uncomfortably insistent and full of doubt; something that might well be fear.

This would not do–he had to keep hold of himself. He had his responsibilities, and not just to the paper. He looked over at Styles. The illustrator was holding his drawing folder in both hands, looking down at his boots with his felt hat pulled low over his eyes. His bottom lip was protruding slightly, an oddly child-like mannerism.

‘This is it, my fine fellows!’ cried Cracknell, leaping eagerly from the wall. ‘This is it, by George! Think of the glory, of the work we shall produce! The Bear is to be soundly rebuked for his blundering incursions into helpless Turkey–and we will be here to see it! This will be the making of us all, you mark my words! Come, we must get ourselves forward.’

As Styles strode wordlessly towards the soldiers and out of earshot, Kitson signalled to Cracknell that he wished to speak. The senior correspondent paused, listening with a tolerance his junior knew would be but momentary.

‘Whilst I don’t for an instant question the wisdom of advancing with the attacking divisions, Mr Cracknell,’ Kitson began carefully, ‘I do find myself wondering what would happen should we be separated from our forces in the thick of the fighting. Do you think there is a significant risk of capture, or of—’

‘Is that
fright
I see there, Kitson?’ Cracknell broke in, his voice harsh. ‘Are you choosing this moment to show a womanish side? You’re not going to let us down, I hope–myself, or young Styles there, or Mr O’Farrell back in
London, who trusted you, an art correspondent, with this vital task?’

‘No, Mr Cracknell,’ Kitson replied firmly, ‘my will is strong, I assure you. My concern is primarily for Mr Styles. He has only been with us for two days. I am worried that he is not ready, and deserves our protection.’

Cracknell’s bright flash of scorn faded quickly to patronising amusement. He wrapped a conciliatory arm around Kitson’s shoulders. The junior correspondent could smell the liquor on his breath, and see the shadow of dirt behind his ear. ‘Ha! Uncle Thomas wants to look out for his best lad, eh? Well, no harm in that. You’re alarmed, man,’ he continued soothingly, ‘and it’s an alarming situation, to be sure. Perilous indeed, as you say–the guns, the Russians, vermin like Nathaniel Boyce leading our own. But you need to have a little faith,’ he jabbed Kitson’s collarbone with his finger in emphasis, ‘in the resourcefulness of your senior.’

He pulled back his jacket to reveal an object within, poking awkwardly from his inside pocket. At first, looking past Cracknell’s smirk, and the solid roundness of his belly, Kitson could not identify it. He could see a handle of polished walnut, hard and shiny amidst the grimy folds of Cracknell’s clothes, from which stemmed greased metal mouldings, delicate parts carefully fitted together. Was it a tool of some kind? A new model of telescopic device, perhaps, which might enable them to hang back from the worst of the fighting?

But then he saw the chambers, and the long tube of the barrel, jutting down through Cracknell’s jacket towards the small of his back. It was a revolving pistol.

Ten thousand men, four divisions of line infantry, marched across the plain towards the Russian guns. Music from a dozen regimental bands mingled together to form a dense martial cacophony. The battalion from the 99th was advancing at the centre of the Light Division, arranged into two long rows with its colours raised. Boyce, riding out in front, looked back over his troops with pride. The hours of drilling on the parade ground were showing their worth. Not a single private was out of place–more than could be said for some other parts of their division. He permitted himself a dry smile. Finally, after almost twenty years of service, he was leading men into battle. The Russians must be quaking in their boots, he thought, at the discipline, at the courage on display. What a glorious sight they must be!

The line approached a sturdy fence running across their path. Standing close to it, on the corner of a small crossroads, was a crude fingerpost. It had been whitewashed all over; even the names on the signs had been obscured.

‘Lieutenant-Colonel!’ someone shouted. ‘A word, sir!’

Boyce sighed. It was Major Maynard. Trust him to spoil the moment. ‘What is it, Mr Maynard?’ he replied impatiently, urging his mare over the fence. She cleared it effortlessly.

‘The signpost, sir! It’s been whitewashed!’ There was alarm in the Major’s voice. The soldiers marching behind Maynard, who were listening intently, all swivelled their eyes towards the white wooden fingers.

‘Well of course it has!’ snapped Boyce, wheeling around. ‘They don’t want to offer us directions to Sebastopol, do they? Honestly, man!’

Maynard glanced at the long row of attentive faces behind him, and then rushed forward, ducking through the bars of the fence and running up alongside his commander’s horse. ‘No, sir, with respect, I really don’t think that’s it,’ he said forcefully.

Boyce felt his earlier fury return. Why his superiors sought to torment him by placing this dullard in his regiment was completely beyond his capacity to understand. And his wretched voice, with those horrible twanging vowels–it was, quite unmistakably, the voice of a commoner. ‘Then what, pray, is it, Maynard?’

The line met the fence. It creaked as it went down. Soldiers flowed around the fingerpost.

‘Artillery, sir. It’s for their artillery,’ Maynard answered. ‘To indicate the limits of range.’

Boyce scoffed, and started to ride on. ‘Oh, what absolute rot! Honestly, Maynard, I sometimes think—’

The report of the cannons rolled around the valley. A dozen white smoke-jets leapt from the midst of the Russian redoubts. The black mare started to rear.

Styles froze. There was a split-second pause, and then a shrill whistle, followed by a heavy thud, and shouts from the ranks before him. These were not shouts of distress, however, but of warning; the cannon-balls were hitting the grass some fifty feet in front of the line, and then bouncing towards it. The soldiers could see the shot coming, and step smartly to one side.

Recovering himself, he watched a ball roll away, smoking, across the plain. Some among the redcoats began to yell abuse at the Heights, mocking their enemy’s marksmanship. Cracknell trotted on ahead, waving for his colleagues to follow. Styles was at his side in seconds, determined not to let the senior correspondent get ahead and thus have an edge when the time for valour arrived.

As they fell in a few yards behind the soldiers, he looked
the Irishman over, and wondered for the thousandth time what the divine Madeleine Boyce could see in such an empty cad, such an arrogant, self-aggrandising buffoon. It made no sense at all; and the worst of it, the part that made him truly sick, was the certain knowledge that despite the fact that she was being pawed by this scapegrace, freely consenting to it,
enjoying
it even, he loved her still. He loved her more than ever, in fact, with an aching intensity that felt as if it would send him screaming across the valley, straight towards the Russian guns.

But he was also quite certain that he was worth ten Cracknells. And this battle, he thought, gritting his teeth, is my great chance to prove it to her.

A ball whipped past him, so close that a gust of hot, bitter wind blew across his face. It seemed to be travelling much faster and higher than the two-score shots that had come through the 99th so far, and prompted a fearful spasm; a couple of feet to the left, and his campaign would surely have ended right there.

To his relief, this spasm did not linger. There was, in fact, a bizarrely jocular atmosphere to the advance that made his momentary loss of self-possession seem entirely unwarranted. The soldiers continued to joke and laugh whilst their bands played on gaily. The reports of the enemy cannon were distant and grand, like rolling drums, and their shots, including the one that had come so near to him, were still spinning away harmlessly. It was easy to convince oneself that all was well, that careful plans were being skilfully executed, and would lead to swift victory.

Kitson, who had been lagging, finally caught up with them, a hand on his hat like a man struggling through a gale. He seemed to be experiencing serious disquiet; his eyes were darting around furiously, trying to look in several directions at once. Could it be that the junior correspondent, having come this far, did not have the nerve for the challenge ahead–that he had reached the limits of his endurance?

Cracknell turned to them, beaming. ‘You see?’ he shouted cheerily over the noise of the marching army. ‘What did I tell you? All quite mechanical!’

Kitson, plainly unconvinced, crouched down as low as possible whilst Cracknell did the complete opposite, pulling himself to his full height, and then stretching and craning in order to see as much as he could. Keen to align himself with the brave, Styles did the same. He caught sight of Lieutenant-Colonel Boyce, out in front atop his black horse, surveying his dodging men with distaste, yelling at his sergeants to enforce the regimental line.

Then came the sound–metal striking flesh, tearing through it in an instant, like a butcher cleaving a rack of ribs. All laughter among the soldiers stopped abruptly, as if a door had been suddenly slammed on a room full of merriment, and an astonished scream took its place.

Boyce’s voice rose above the cannon-fire, somewhere up ahead. ‘Leave the wounded for the bandsmen! Leave them where they fall, I don’t care what rank they are! Keep steady! Press the advance!’

Another shot hit the 99th. Styles saw a red spray arc briefly above the soldiers’ shakos, and a wet ball slide into the grass behind them. The band stopped playing and left the advance. Their sergeant, a flute in his hands, stared dumbfounded at the smattering of broken bodies that lay in the wake of the line. Some of the injured writhed and wailed, others lay motionless and silent. Several were clearly dead, their skulls caved in or organs horribly exposed. Close to the
Courier
men was a corporal, his left leg sheared off just above the knee, a creamy substance oozing from the white shard of bone, mixing with his blood. He was trying to sit up, puffing frantically.

It was happening too quickly, far too quickly. Thinking to take stock for a moment, Styles came to a halt; and found himself staring dumbly at this corporal’s wound, drawn in by the savage colours, the cruelly attenuated form, the hideous, pulsing rawness of it. His stomach cramped painfully, and sweat sprung out across his brow, but he could not look away.

A hand closed on his shoulder. It was Kitson. He was facing the sergeant, who still stood resplendent and useless in his richly embroidered bandsman’s uniform. ‘Aren’t you going to do something?’ he demanded angrily.

The sergeant started, as if shaken out of a trance. He rubbed his brow with his sleeve, and hung the flute on his belt. ‘Orders are to carry ’em back. Fer–fer transport out.’

‘Back where? Out where?’

The sergeant just shook his head. Hesitantly, the band members approached the wounded and began to drag them back towards the Allied camp. The corporal, gripped under each arm and trailing fluids, started to sob piteously, but after a few yards fell into unconsciousness.

‘Come, Styles,’ muttered Kitson. ‘We must stay focused on our task. Mr Cracknell won’t wait for us.’

Styles nodded, trying to right his stumbling spirits. Such sights were part of battle. Cracknell was up in front, just behind the army, a dirty black blemish on a row of glowing red, jotting something in his pocketbook. They were a good distance closer to the Russian cannon now, the balls cleaving the air above them with wallowing roars. As they arrived at the senior correspondent’s side, a private further down the line was struck full in the chest and flung back violently through his fellows. Immediately, an officer began shouting for his men to fill the hole and keep to their places. The voice, high and lisping, sounded familiar; Styles stole a quick glance above the multitude of shining black shakos to see Captain Wray, waving his sword at his soldiers as if threatening them with it, cursing them vehemently for their cowardice.

A shell cracked overhead, a painfully sharp, ringing noise; and several soldiers below were dashed bloodily to the ground. Styles could see several mounted officers conferring ahead of the advance, displaying themselves to the enemy guns with studied nonchalance. An order was given, bugles calling along the line, and the massive force came to a halt. The redcoats lay down under the Russian fire, trying their best to bury themselves in the coarse Crimean grass. Styles realised that someone was tugging at his sleeve. Kitson was pulling him towards a small copse of silver-barked trees just behind the rows of stationary soldiers, in which Cracknell was already stowing himself. Another shell burst, closer and lower this time, throwing up clods of earth. The illustrator
was dimly aware of blood-soaked grass, slippery under his feet; then he was lying on his belly in the heart of the copse. The soil beneath him felt cool through his shirt. He could hear the trills of birdsong in the branches above, even over the barrage. The birds must be trapped, he thought, too frightened to take the risk of flight across the battlefield.

Styles peered out through the undergrowth. Officers continued to ride the line, their heads high as if inviting death; shows of courage that even managed, in places, to coax embattled cheers from their men. Gulping down some smoky air, he took out a sheet of paper and a pencil. But he could not draw. His body, his thoughts and his emotions all seemed to be completely beyond his control. He could feel his limbs beginning to tremble. You can endure battle, he tried to tell himself. You are no coward. What are a few shells, some blood, and a spot of cannon-fire? You have to show Mrs Boyce that you are a better man than Richard Cracknell. You have to
show her
. These thoughts ran through his head over and over again, like an incantation intended to firm up the mind and steady the nerves. Yet still he could not draw. At that moment, his many years of artistic training, of study and tireless application, were utterly lost to him.

Kitson had positioned himself upright, behind the thickest trunk. All signs of his earlier anxiety were gone. He now seemed, to the quailing Styles, an enviable exemplar of composure. Notebook out, he was asking Cracknell the reason for the halt.

The senior correspondent checked something inside his jacket; then he climbed warily to his feet and pointed towards the far side of the valley, in the direction of the sea. ‘Over there, look! The French are attacking. I should think that Raglan is waiting for them to take the coastal heights before continuing the British assault. All strictly by the book, my friends!’

Styles peered over at these heights. Above them, shell-fire was creating a constellation of drifting, star-shaped clouds. Tiny blue figures swarmed over the river and up into the foothills, breaking formation as they dashed forwards. Russians had descended to meet them, and Styles could see
a vicious tangle of bodies where the two sides clashed. The dead dropped on to the steep hillside and rolled away from the fighting, their limbs flailing as they tumbled towards the river.

A series of shells exploded above the copse, deafeningly loud, shredding the soldiers closest to it and smashing several of the trees to splinters. Kitson and Cracknell were knocked to the earth, winded, landing alongside Styles. All three were splattered with sap and viscera. Looking up at the sky in terror, the illustrator saw dark shapes shooting away in every direction, so fast the eye could barely discern them. He thought at first that this must be the scattering of shrapnel; but then realised that it was the birds, finally forced to take flight into the iron-filled air.

On the low hill two miles back from the river, Madeleine watched as a group of Cossack horsemen rode into the empty village by the Alma. Each one wore a fur hat and a long green kaftan, and was carrying a burning torch. A few moments later, thick smoke began to belch from the quaint thatched cottages, soon engulfing large parts of the British line.

This was a dire development. Even with the help of Captain Lichfield’s telescope, her hopes of locating Richard, of assuring herself that he was safe, had now dwindled away to nothing. She realised suddenly that the time had come. She had to act.

Lichfield himself was over at his horse, a large bay tethered thirty yards or so from the summit of the hill. He was stowing some papers in a saddle-bag. Madeleine waved to him, and he hurried over obediently.

‘Captain, I must get
closer
,’ she said, wrinkling her brow in pretty vexation. ‘We are too far away here. It is all too far away.’

This was met immediately by a chorus of disapproving noises from the wives behind them. ‘I’m afraid that’s impossible, Mrs Boyce,’ said Lichfield, mildly surprised. ‘Quite out of the question. Surely you can still see well enough from here?’ He nodded at his telescope, which lay in her lap.

Madeleine shook her head. ‘The smoke.’ She gestured with vague impatience. ‘It makes it impossible to see.’ She rose. ‘I must be closer. Here is no good. No good at all.’

Lady Cathcart, senior amongst the wives, spoke up in a hard, pitiless voice. ‘Look here, you little fool, don’t think we don’t know what you’re up to. The very last thing your husband requires at this moment is you running out to him on the field of battle like some swooning adolescent. Now, we’ve endured your simpering nonsense all day. A little decorum may not have a place amongst your people, but you should know that amongst the British it is considered quite paramount.’

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