The Summing Up

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Authors: W. Somerset Maugham

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Table of Contents
About the Author
William Somerset Maugham was born in 1874 and lived in Paris until he was ten. He was educated at King's School, Canterbury, and at Heidelberg University. He spent some time at St. Thomas's Hospital with the idea of practising medicine, but the success of his first novel,
Liza of Lambeth
, published in 1897, won him over to letters.
Of Human Bondage
, the first of his masterpieces, came out in 1915, and with the publication in 1919 of
The Moon and Sixpence
his reputation as a novelist was established. His position as a successful playwright was being consolidated at the same time. His first play,
A Man of Honour
, was followed by a series of successes just before and after World War I, and his career in the theatre did not end until 1933 with
Sheppey
.
His fame as a short story writer began with
The Trembling of a Leaf
, subtitled
Little Stories of the South Sea Islands
, in 1921, after which he published more than ten collections.. His other works include travel books such as
On a Chinese Screen
and
Don Fernando
, essays, criticism, and the autobiographical
The Summing Up
and
A Writer's Notebook
.
In 1927 Somerset Maugham settled in the South of France and lived there until his death in 1965.
ALSO BY W. SOMERSET MAUGHAM
Of Human Bondage
The Moon and Sixpence
The Narrow Corner
The Razor's Edge
Cakes and Ale
The Painted Veil
Collected Short Stories Vol. 1
Collected Short Stories Vol. 2
Collected Short Stories Vol. 3
Collected Short Stories Vol. 4
Ashenden
South Sea Tales
For Services Rendered
The Merry-Go-Round
Don Fernando
On a Chinese Screen
Catalina
Up at the Villa
Mrs Craddock
Liza of Lambeth
Ten Novels and their Authors
A Writer's Notebook
The Casuarina Tree
Christmas Holiday
The Magician
Points of View
Selected Plays
Theatre
Then and Now
The Vagrant Mood
Far Eastern Tales
More Far Eastern Tales
THE SUMMING UP
W. Somerset Maugham
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Epub ISBN: 9781409090649
Version 1.0
Published by Vintage 2001
4 6 8 10 9 7 5
Copyright © by the Royal Literary Fund
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First published in Great Britain in 1938
by William Heinemann
Vintage
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1
T
HIS
is not an autobiography nor is it a book of recollections. In one way and another I have used in my writings whatever has happened to me in the course of my life. Sometimes an experience I have had has served as a theme and I have invented a series of incidents to illustrate it; more often I have taken persons with whom I have been slightly or intimately acquainted and used them as the foundation for characters of my invention. Fact and fiction are so intermingled in my work that now, looking back on it, I can hardly distinguish one from the other. It would not interest me to record the facts, even if I could remember them, of which I have already made a better use. They would seem, moreover, very tame. I have had a varied, and often an interesting, life, but not an adventurous one. I have a poor memory. I can never remember a good story till I hear it again, and then I forget it before I have had a chance to tell it to somebody else. I have never been able to remember even my own jokes, so that I have been forced to go on making new ones. This disability, I am aware, has made my company less agreeable than it might otherwise have been.
I have never kept a diary. I wish now that during the year that followed my first success as a dramatist I had done so, for I met then many persons of consequence, and it might have proved an interesting document. At that period the confidence of the people in the aristocracy and the landed gentry had been shattered by the muddle they had made of things in South Africa, but the aristocracy and the landed gentry had not realized this, and they preserved their old self-confidence. At certain political houses I frequented they still talked as though to run the British Empire were their private business. It gave me a peculiar sensation to hear it discussed, when a general election was in the air, whether Tom should have the Home Office and whether Dick would be satisfied with Ireland. I do not suppose that anyone to-day reads the novels of Mrs. Humphry Ward, but dull though they may be, my recollection is that some of them give a very good picture of what the life of the ruling class was then. Novelists were still much concerned with it, and even writers who had never known a lord thought it necessary to write largely about persons of rank. It would astonish anyone now who looked at the playbills of the day to see how many of the characters were titled. Managers thought that they attracted the public, and actors liked to portray them. But as the political importance of the aristocracy dwindled the public took less interest in it. Playgoers began to be ready to observe the actions of people of their own class, the well-to-do merchants and professional men who were then conducting the affairs of the country; and the rule, though never formulated, prevailed that the writer should not introduce persons of title unless they were essential to his theme. It was still impossible to interest the public in the lower classes. Novels and plays that dealt with them were very generally considered sordid. It will be curious to see if now that these classes have acquired political power the public at large will take the same interest in their lives that for so long it took in the lives of the titled, and for a while in those of the opulent bourgeoisie.
During this period I met persons who by their rank, fame or position might very well have thought themselves destined to become historical figures. I did not find them as brilliant as my fancy had painted them. The English are a political nation, and I was often asked to houses where politics were the ruling interest. I could not discover in the eminent statesmen I met there any marked capacity. I concluded, perhaps rashly, that no great degree of intelligence was needed to rule a nation. Since then I have known in various countries a good many politicians who have attained high office. I have continued to be puzzled by what seemed to me the mediocrity of their minds. I have found them ill-informed upon the ordinary affairs of life, and I have not often discovered in them either subtlety of intellect or liveliness of imagination. At one time I was inclined to think that they owed their illustrious position only to their gift of speech, for it must be next door to impossible to rise to power in a democratic community unless you can catch the ears of the public; and the gift of speech, as we know, is not often accompanied by the power of thought. But since I have seen statesmen who did not seem to me very clever conduct public affairs with reasonable success I cannot but think I was wrong: it must be that to govern a nation you need a specific talent and that this may very well exist without general ability. In the same way I have known men of affairs who have made great fortunes and brought vast enterprises to prosperity, but in everything unconcerned with their business appear to be devoid even of common sense.

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