The Temporary Wife (16 page)

"They are a gift," he said. "A thank you, if you will. A wedding gift perhaps."

"I will wear them," she said, turning and dipping her head again so that he could clasp them about her neck. "They are beautiful."

"But not nearly as lovely," he said, "as their wearer."

Chapter 14

It was not so very difficult after all to get through dinner, the marquess found. His grace behaved as he always did; so did he. That is, they were both reticent, formally correct and courteous. It had become second nature to him to hide all feeling so deep that no one else would suspect that it was there at all.

Except that his wife suspected it. She sat in her place at the foot of the table, quite dizzyingly beautiful, smiling, animated, flushed, bright-eyed—and gazing straight through the defenses that had held everyone at bay for years to understand that he was deeply disturbed by what had just happened. At least it seemed to him that she saw through his defenses. Perhaps it was fanciful thinking. And fanciful too to imagine that she looked with just as penetrating an understanding at his father—only to discover, surely, that there was nothing behind his grace's facade. Only coldness and emptiness and even perhaps evil.

It was not even very difficult to stand in the receiving line just inside the ballroom later in the evening, greeting the guests as they arrived, presenting his marchioness to neighbors and acquaintances. It was not difficult, because although his father stood in the line too, she stood between them and was as animated, as charming, as beautiful as she had been in the dining room.

He found his mind counting back days as he smiled and bowed and made small talk with the arriving guests. But no matter how often he did the calculations he always arrived at the same conclusion. One week ago he had not even met Miss Charity Duncan. One week ago he had glanced through her letter of application and after some hesitation had set it on the pile of those to be given more serious consideration.

And now, just one week later, he was falling in love with her. The thought verbalized itself in his mind without any prior warning, and he pushed it impatiently away. He was no boy to be gulled by shallow emotion.

"I have never been so nervous in my life," she said, smiling at him during a lull in arrivals.

He raised his eyebrows. He never would have guessed it. She looked as if she had been standing in receiving lines for years. "Not even on your arrival here, my lady?" he asked.

"Oh." She laughed. "I was not nervous then. I was terrified." But she would not exclude his grace from her conversation even though he had used her shamefully earlier in the evening. She turned and set a hand on his arm. "Will you sit, Father? No one will remark upon it if you do. Almost everyone must have arrived by now, and Anthony and I can greet the latecomers." She spoke with a gentle concern that sounded almost affectionate.

As for himself, the marquess thought as, to his amazement, his father allowed himself to be led toward a vacant chair, he did not care what happened to the duke. He would not stay to concern himself with his father's health or with Enfield affairs. Tomorrow he would be on his way back to London with his wife. He would see her settled comfortably in a home of her choice and then he would resume his old life just as if there had not been this disruption of a few days. And really that was all it had been—a few days.

They did not remain in the receiving line much longer. It was their duty to lead off the first set of country dances, and the guests would be impatient to begin. The ballroom at Enfield looked remarkably festive, the marquess was forced to admit, and far more architecturally splendid than most of the London ballrooms he knew. It was a betrothal ball that had been rapidly converted into a wedding ball. The flowers and ribbons and bows that decked the room were predominantly white. But then, of course, his grace was adept at arranging such things.

Did his wife dance? he wondered suddenly. But she surely would have said something to him if she did not. And indeed she danced the steps flawlessly and gracefully. Will, he saw, had led Lady Marie into this opening set. He had not spoken to the girl himself beyond the exchange of a few courtesies. But it did not seem to him that she was nursing a broken heart. He hoped not. He did not doubt that, like him, she was merely a victim of two despotic men who assumed that it was their right to organize the lives of their offspring down to the last detail. Perhaps now she would be given a little more choice of husband, though he doubted it.

His father, he noticed, was observing the proceedings like a king from his throne, his expression proud and unreadable, his complexion tinged with gray. But he would take no notice of that last fact, his son decided. A serious illness did not hinder his grace in the pursuit of evil. He remembered being so blindly furious just a few hours ago that he had tried to yank his mother's necklet from his wife's neck without pausing to undo the catch first. He had drawn blood from the back of her neck.

And he remembered the day of his mother's funeral. He had returned from his vigorous ride, weary from the emotions and grief of the previous days, to find his father waiting in his rooms. For one moment—or perhaps for the mere fraction of a moment—his heart had leapt with something like gladness as he thought his father had come to share his grief. And then he had seen the topaz necklet in his father's hand.

In the pattern of the dance, he and his wife passed each other, back to back. "Smile, my lord," she said. "It is by far the best revenge."

And then they were back in their separate lines, performing other figures of the dance, unable to exchange anything more than looks. She was still smiling, an expression that involved her whole face and appeared to reach back far into her eyes. Perhaps, he thought in some surprise, she wore a mask as impenetrable as his own. Could she really be feeling as happy as she looked? She had been horribly shamed earlier, in front of his whole family. She had been given a precious gift and accepted into the family, so to speak, by the Duke of Withingsby himself. And then her husband had arrived, talked to her coldly in front of them all, torn the gift from about her neck, and abandoned her in her embarrassment and humiliation so that he might have his moment of confrontation with his grace.

It was Charles who had offered her comfort first. And for once—the only time during the days he had known her—she had lost her quiet self-possession. She had sagged against Charles, her breathing labored.

Yet now she had come to face his family again rather than run away as she had had the opportunity to do—it had been his full intent to take her away. She had faced them, not with anger or cold dignity or righteous recriminations, but with smiles and charm and grace. With a dignity worthy of a duchess—or of a marchioness maybe.

For his sake? Was she doing this for him? Because she had made a bargain with him and was determined to earn the generous settlement that would be hers for the rest of her life? Or was she doing it for herself? To show them all that she was not ashamed of who she was, that she could be more the person of true gentility than the best of them?

He really was falling in love with her. This time he allowed the thought to remain in his conscious mind. They crossed in front of each other in the middle of the set and he smiled at her.

"It is certainly something you should do more often," she said before she moved out of earshot again. "It is a deadly weapon."

She was referring to his smile, he thought after a moment of incomprehension. She was
flirting
with him. But even as his pulses quickened involuntarily, he knew that she was not. She was playing a part and she was doing it magnificently well. She was drawing admiring eyes despite the relative simplicity of her appearance—or perhaps because of it. She looked fresh and new and innocent and…

And the sooner he got her settled to a comfortable life of her own, the sooner he could retreat to the life that was familiar to him. The safe life. He did not want to be unsafe again. There was too much pain.

He bowed in the line of gentlemen and she curtsied in the line of ladies to signal the end of the set. He took her hand on his and led her toward Claudia.

"I will wish for the honor of your hand for the waltz after supper, my love," he said, relishing the chance to use the endearment. He bowed to her and raised her hand to his lips while Claudia looked on with a smile. "You will reserve it for me?"

"A waltz?" she said. "Oh yes. But I cannot think my hand will be so in demand, my lord, that you need to
reserve
the set with me."

There was no chance for further conversation. Sir John Symonds, Claudia's eldest brother, had arrived to solicit the hand of the Marchioness of Staunton for the quadrille that was to follow.

She looked endearingly startled, her husband saw.

Charity had made a discovery during the ball—two actually. The one was that the Marchioness of Staunton was a very important person indeed and more gentlemen wished to dance with her than there were sets in the evening. She amused herself with wondering how many of the same gentlemen would even notice her existence if she could suddenly appear at the ball as the person she had been just the week before—and clad in her gray silk.

The other discovery was of far greater significance and she longed to discuss it with someone, but Claudia, her obvious choice of confidant, was always in company with other people between sets, and so was she, Charity, for that matter.

Charles had eyes for Lady Marie Lucas. And Lady Marie Lucas had eyes for Charles. They danced the second set together and watched each other covertly during every set that followed it—all of which each of them danced with other partners. At supper they sat close enough to exchange some conversation even though they were not supper partners.

They were just perfect for each other. All of Charity's maternal and matchmaking instincts came to the fore. Penny, she thought, would recognize the gleam in her eye and begin to protest—she tried to hide the gleam in her eye. They were close in age, they were both beautiful people, and they were probably friends. Had not she heard that the Earl of Tillden had brought his family to Enfield a number of times over the years? Charles and Marie had probably been playmates. He was three years older than she. He had probably been her hero. And he had probably been protective of her. She wondered when childhood friendship had blossomed into love. And she wondered too if the Earl of Tillden would countenance a match between his only daughter and the youngest son of a duke—a mere cavalry lieutenant.

She had been woolgathering at the supper table and was not giving her partner the attention that was his due. She was brought back to the present when she met her husband's eyes across the room. He looked his usual cold, arrogant self, staring at her with pursed lips and hooded eyes. But he did not deceive her for a moment. The incident with the topaz necklet had shaken him dreadfully—far more than it had her. It had shaken him to the very roots, exposing wounds that he had covered over and hidden from sight for so long that doubtless he had thought them long healed.

And there was her father-in-law, sitting with the Earl of Tillden and two ladies whose identities she had forgotten, with the identical haughty, shuttered look on his face. How foolish human nature was sometimes. But she was back to woolgathering. She smiled and turned her attention to the conversation at her table.

The waltz she had promised to reserve for her husband came directly after supper. There had never been waltzes at any of the assemblies at home, but Philip had learned the steps elsewhere and had come home and demonstrated them, first with her and then with Penny and finally with Mary. They had all made very merry with the foolish dance. And she had dreamed ever since of waltzing in a real ballroom with a real partner—brothers did not qualify as real partners. Her husband, on the other hand, was as real as any partner could be.

"I know the steps of the waltz," she told him as they took their places on the floor, "but I have never danced it. I hope I will not disgrace you and trip all over your toes or mine."