The Town: A Novel (63 page)

The guy’s molesting hand squeezed excitedly, closing around the wad of bills inside, his grip on the strap easing just a bit.

Maven shoved backward, driving the guy off-balance. He kicked back with the heel of his left boot and got lucky—catching the guy’s nose, a crunch and a dull pop, like the bursting of the glass tube inside an old-fashioned fire alarm.

The knife came thrusting at him, Maven seeing only the blade, pivoting away from it and kicking out, catching the first guy’s front left knee. His leg wouldn’t bend that way, the guy going down face-first onto the slick pavement.

The guy behind Maven had released the strap, doubled over now, holding his gushing face with both hands.

Maven watched the first guy up on all fours, looking at his knife, the blade edge tipped in blood. He had landed on it when he fell. Maven gave him no time to find the wound, punting him in the ribs, the knife skittering loose.

Maven dropped and rolled over the knife, feeling for the handle with his hands still trapped against his sides, beneath the poncho. He grasped it and sawed at the strap, cutting his arms free—just as a blow from the side knocked the knife from his grip, sending Maven tumbling.

He sprang up fast into a fighter’s crouch. He faced the second guy, who still had both hands up protecting his busted nose and bleeding face. Maven threw two low jabs, quick-quick, cracking ribs on either side of the guy’s midsection. He tried to go down but Maven shoved him backward, up against the rear of an SUV, driving the heel of his boot into the guy’s crotch as if he were squashing a tarantula there. The guy’s hands sprang open off his bloody face, a wail escaping his mouth like that of a drunk thrown through saloon doors.

The other one was back on his feet behind Maven, retrieving the knife. Maven saw him reflected in the SUV’s rear window, and when Maven turned
hard, the knife guy seized up, thinking Maven’s powers of perception were beyond human. He reset himself, holding the bloody slash in his side, and led with the blade, Maven sidestepping the clumsy thrust almost before it started.

Behind him, Maven heard the scuffing of the other guy’s footsteps as he hobbled off the lot, making his escape.

The knife guy came in with a wild, diagonal slashing move, its tip catching the nylon of Maven’s poncho beneath his raised arms, slicing it as Maven pulled away. The knife guy’s face sharpened as though he had drawn blood, and not just ruined a $7 surplus poncho.

This sneer of victory made Maven snap.

The knife came at him again and Maven stepped into it this time, catching the guy’s hand and twisting, rotating the entire arm. He peeled two fingers back off the knife handle, all the way down, fracturing both. He wrenched the man’s wrist like the cap on a stubborn jar, cracking bones. The guy was screaming and trying to fall but Maven would not let him go. Maven gripped the knife in the guy’s own broken hand and stabbed down into his leg just above the knee, slicing upward, opening the guy’s thigh. Then Maven bent the guy’s arm back upward, ignoring his cries as he forced the trembling knife toward the strained muscles of his screaming throat.

Another arm hooked Maven’s. Not the guy who had run away; this was a good pro grip locking his arm, keeping him from slicing the guy’s throat. Maven’s legs were pushed out from behind, putting him off-balance, taking away his leverage.

Maven never saw the third man’s face. Only the woman a few cars down, a man’s black jacket draped over her shoulders, her silver dress shimmering like rain within the rain.

It was Danielle Vetti, watching him, her hand covering her mouth.

Maven released the knife guy, who had already fainted. The man behind him released Maven, and Maven backed away from Danielle Vetti’s eyes, walking, then running full out, so hard that even the rain couldn’t catch him.

S
EE, ONCE UPON
A time, there was this kid.

A lonely kid from a wrecked family, no father, barely a mother. A kid who didn’t know how to be liked, never mind loved. Growing up, this kid never guessed hundreds, if not thousands, of other kids out there were just like him: teenagers spurned by their parents and peers, outwardly quiet but inwardly raging.

It turned out he was one of an entire subset generation of would-be terrorists, adolescent time bombs sitting alone at the foots of unmade beds, managing their misery by drawing up scenarios of violence, vengeance, and immortality.

But he didn’t know this at the time. No one did.

These were kids for whom simple self-destruction wasn’t enough. Suicide would only have confirmed other people’s view of them as a nothing, a no one, a defeated outcast.

So why go out as a question mark when you can go out as an exclamation point instead?

But for this kid, as for most, the flip-switching bully’s punch or crushing social slight or failing grade never quite came to pass, at least not with the annihilative force he had imagined. Fantasy, in the form of death lists, detailed school maps, and first-person-shooter visualizations, appeased his teenage longing for mayhem in the same way that masturbation alleviated his longing for sex.

When the Columbine school shooting occurred in the spring of his graduating year, he was more appalled than fascinated. He saw his own dark shadow there, in the cafeteria video of the two trench-coat-clad shooters, and knew then, more than ever, that he needed to get the hell out of Gridley, Massachusetts.

So he visited his local army recruiter before graduation, stayed off pot all summer to pass the drug screen, and returned on his eighteenth birthday to sign on the dotted line and swear to uphold the Constitution against enemies foreign and domestic.

That was two Septembers before 9/11.

Before Afghanistan.

Before Iraq.

Many speak of the fog of war, but for this kid, war brought clarity. It gave him a mission, clearly defined. Rules of Engagement. A six-article Code of Conduct. He experienced the fellowship of men in combat and learned to give and to earn respect. He was commended, awarded, promoted. Honor, Discipline, Integrity: all those formerly bullshit, silver-plated words came to mean something to him. He was recommended for the six-month Q Course training and even learned passable Korean to earn his Special Forces tab.

He wore the Green Beret. He was accepted, even esteemed, if never totally understood. For the first time in his life, Neal Maven belonged.

And that vengeful, damaged kid, the one everyone tried to piss on? He was gone forever.

Or so Maven had thought.

I
T HAPPENED TOO LATE
for anything to be in the next day’s papers. Maven spent the morning walking around in a daze, waiting for a call from… who? The police? His boss?

He returned to work that night without any idea what he might be walking into. The rain had cleared, the night mild and almost meek in comparison.
The day guy had nothing for him. Maven had stashed the previous night’s take under the counter and would make a double deposit that evening; with banks closed for the weekend, his boss would never be the wiser.

He went over to where the fight had happened, the rain having washed away any blood. Cars started pulling in, and bit by bit the tension in his chest began to go away.

The Boston police detective stopped by around eight thirty. A black guy, he pulled his unmarked Sable over onto the curb, came out with a badge and a quick handshake. Smelled of Italian food, tomato sauce and oregano. He belched softly into his fist and excused himself. He wanted to know about a guy they had found earlier that morning, unconscious and bleeding a block down the street. Two fingers broken, a fractured wrist, his right thigh sliced open like a Sunday roast. Maven told him that he hadn’t seen anything, and the detective pointed out that a guy cut like that tends to make noise. Maven shrugged, reminding him of last night’s rain.

“You a veteran?” asked the detective.

Maven looked at him, bewildered.

“It’s the boots,” said the detective.

Maven noticed the cop eyeing his hands. Looking for cuts, for bruises.

“Between you, me, and the butcher,” noted the detective, “said victim has a rap sheet this long. Not exactly the innocent-bystander type, know what I mean? The blade he got cut with was his own. I’m thinking maybe he tried to roll the wrong person last night. What do you think?”

Maven shrugged and had no idea.

The detective took down Maven’s address and his digits before thanking him and heading home for the evening.

That was it. Maven played his misshapen tongue against his lower gums, a ruminative habit. Funny how large the tongue feels inside your head. The wound was not much bigger than a nick, but inside Maven’s mouth it felt like a major deformity.

He stood like that until a passing girl caught his eye. Over an expensive top and a tight skirt, she wore a clinging wrap that detailed rather than concealed her figure. She was hugging it to herself for warmth, her hair flowing behind her like a black satin scarf. She turned at the gate, stepping onto the lot in dagger heels. She didn’t mince in them, but strode sure-footedly with the confidence of a woman used to walking on knives.

Then Maven recognized her face. Danielle Vetti. In the flesh.

“Huh,” she said, close enough to speak, looking disappointed. “I bet him a hundy you wouldn’t be here.”

Her body was like the fulfillment of her high school promise. She moved with assurance, hugging the night to herself as she did her crocheted wrap.

“Do you talk?” she said.

“Yeah. Sometimes.”

She kept a few yards between them, appraising him as she might an unfamiliar dog. “You were going to kill that guy, weren’t you?”

Maven tried to shake his head. It wouldn’t move.

“Is that why you ran off???”

Maven did not have an answer for her.

“He dragged the guy away from here. So you wouldn’t get in trouble. Ruined a two-hundred-dollar shirt. I waited in the car.”

A breeze came up, cartwheeling a flattened drink cup across the pavement, stirring her hair. She hugged herself a little tighter.

“Why didn’t you just give them the money?”

Maven shrugged. “I never even thought about the money.”

She shook away the hair strands blowing across her face and opened a tiny clip purse. She stepped to Maven, presenting him with a card, blank but for a handwritten phone number.

“His number, not mine. He wants to meet you.”

“Meet me?”

“I think he wants to offer you a job.”

Maven looked at the numbers on the card again. “A job? But why would he… ?”

“Want to hire someone he stopped from killing another man in a parking lot in the middle of the night?” She shrugged. “He collects people like you. If you ask me.”

The alarm chirped on a silver BMW, and she sat inside, starting it up and pulling around to the gate. Maven raised the orange-striped arm, watching her profile for something more, anything—but she pulled out without another glance his way.

Chuck Hogan is the author of several acclaimed novels, including
Devils in Exile
and
The Killing Moon
.
The Town
was awarded the Hammett Prize for excellence in crime writing, and named one of the ten best novels of the year by Stephen King. He is also co-author, with Guillermo del Toro, of the international bestseller
The Strain
. He lives with his family outside Boston.