The Wave
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously.
Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Text copyright © 1981 by Dell Publishing Co., Inc., and T.A.T. Communications Company
Cover art copyright © 2013 by Blake Morrow
All rights reserved. Published in the United States by Ember, an imprint of Random House Children’s Books, a division of Random House, Inc., New York. Previously published in paperback in the United States by Dell Laurel-Leaf, an imprint of Random House Children’s Books, New York, in 1981. This work is a novelization of a teleplay by Johnny Dawkins based on a short story by Ron Jones.
Ember and the E colophon are registered trademarks of Random House, Inc.
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eISBN: 978-0-307-97913-1
RL: 5.6
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FOREWORD
The Wave
is based on a true incident that occurred in a high school history class in Palo Alto, California, in 1969. For three years afterward, according to the teacher, Ron Jones, no one talked about it. “It was,” he said, “one of the most frightening events I have ever experienced in the classroom.”
“The Wave” disrupted an entire school. The novel dramatizes the incident, showing how the powerful forces of group pressure that have pervaded many historic movements and cults can persuade people to join such movements and give up their individual rights in the process—sometimes causing great harm to others. The full impact on the students of what they lived through and learned is realistically portrayed in the book that follows.
In addition to the novel,
The Wave
has been made into a one-hour television show for ABC by Virginia L. Carter, an executive director at Tandem Productions and T.A.T. Communications Company.
H
ARRIET
H
ARVEY
C
OFFIN
Project Consultant
T.A.T. Communications Company
Contents
CHAPTER 1
L
aurie Saunders sat in the publications office at Gordon High School chewing on the end of a Bic pen. She was a pretty girl with short light-brown hair and an almost perpetual smile that only disappeared when she was upset or chewing on Bic pens. Lately she’d been chewing on a lot of pens. In fact, there wasn’t a single pen or pencil in her pocketbook that wasn’t worn down on the butt end from nervous gnawing. Still, it beat smoking.
Laurie looked around the small office, a room filled with desks, typewriters, and light tables. At that moment there should have been kids at each one of those typewriters, punching out stories for
The Gordon Grapevine
, the school paper. The art and layout staff should have been working at the light tables, laying out the next issue. But instead the room was empty except for Laurie. The problem was that it was a beautiful day outside.
Laurie felt the plastic tube of the pen crack. Her mother had warned her once that someday she
would chew on a pen until it splintered and a long plastic shard would lodge in her throat and she would choke to death on it. Only her mother could have come up with that, Laurie thought with a sigh.
She looked up at the clock on the wall. Only a few minutes were left in the period anyway. There was no rule that said anyone had to work in the publications office during their free periods, but they all knew that the next edition of
The Grapevine
was due out next week. Couldn’t they give up their Frisbees and cigarettes and suntans for just a few days in order to get an issue of the paper out on time?
Laurie put her pen back in her pocketbook and started to gather up her notebooks for the next period. It was hopeless. For the three years she’d been on staff,
The Grapevine
had always been late. And now that she was the editor-in-chief it made no difference. The paper would be done when everyone got around to doing it.
Pulling the door of the publications office closed behind her, Laurie stepped out into the hall. It was practically empty now; the bell to change classes had not yet rung, and there were only a few students around. Laurie walked down a few doors, stopped outside a classroom, and peered through the window.
Inside, her best friend, Amy Smith, a petite girl with thick, curly, Goldilocks hair, was trying to endure the final moments of Mr. Gabondi’s French class. Laurie had taken French with Mr. Gabondi the year before and it had been one of the most excruciatingly
boring experiences of her life. Mr. Gabondi was a short, dark, heavyset man who always seemed to be sweating, even on the coldest winter days. When he taught, he spoke in a dull monotone that could easily put the brightest student to sleep, and even though the course he taught was not difficult, Laurie recalled how hard it had been to pay enough attention to get an
A
.
Now watching her friend struggle to stay interested, Laurie decided she needed some cheering up. So, positioning herself outside the door where Amy could see her but Gabondi could not, Laurie crossed her eyes and made an idiotic face. Amy reacted by putting her hand over her mouth to keep from laughing. Laurie made another face and Amy tried not to look, but she couldn’t help turning back to see what her friend was doing next. Then Laurie did her famous fish face: she pushed her ears out, crossed her eyes, and puckered her lips. Amy was trying so hard not to laugh that tears started to roll down her cheeks.
Laurie knew she shouldn’t make any more faces. Watching Amy was too funny—anything could make her laugh. If Laurie did any more, Amy would probably fall out of her seat and roll into the aisle between the desks. But Laurie couldn’t resist. Turning her back to the door to create some suspense, she screwed up her mouth and eyes, and then spun around.
Standing at the door was a very angry Mr. Gabondi. Behind him Amy and the rest of her class were in hysterics. Laurie’s jaw dropped. But before Gabondi could reprimand her, the bell rang and
his class was suddenly spilling out into the hall around him. Amy came out holding her sides in pain from laughing so hard. As Mr. Gabondi glared at them, the two girls went off arm in arm toward their next class, too out of breath to laugh anymore.
In the classroom where he taught history, Ben Ross crouched over a film projector, trying to thread a film through the complex maze of rollers and lenses. This was his fourth attempt and he still hadn’t gotten it right. Frustrated, Ben ran his fingers through his wavy brown hair. All his life he had been befuddled by machinery—film projectors, cars, even the self-service pump at the local gas station drove him bananas.
He had never been able to figure out why he was so inept in that way, and so when it came to anything mechanical, he left it to Christy, his wife. She taught music and choir at Gordon High, and at home she was in charge of anything that required manual dexterity. She often joked that Ben couldn’t even be trusted to change a light bulb correctly, although Ben insisted this was an exaggeration. He had changed a number of light bulbs in his life and could only recall breaking two in the process.
Thus far in his career at Gordon High—Ben and Christy had been teaching there for two years—he had managed to hide his mechanical inabilities. Or rather, they had been overshadowed by his growing reputation as an outstanding young teacher. Ben’s students spoke of his intensity—the way he got so
interested and involved in a topic that they couldn’t help but be interested also. He was “contagious,” they’d say meaning that he was charismatic. He could get through to them.
Ross’s fellow faculty members were somewhat more divided in their feelings toward him. Some of them were impressed with his energy and dedication and creativity. It was said that he brought a new outlook to his classes, that whenever possible, he tried to teach his students the practical, relevant aspects of history. If they were studying the political system, he would divide the class into political parties. If they studied a famous trial, he might assign one student to be the defendant, others to be the prosecution and defense attorneys, and still others to sit as the jury.
But other faculty members were more skeptical about Ben. Some said he was just young, naïve, and overzealous, that after a few years he would calm down and start conducting classes the “right” way—lots of reading, weekly quizzes, classroom lectures. Others simply said they didn’t like the way he never wore a suit and tie in class. One or two might even admit they were just plain jealous.
But if there was one thing no teacher had to be jealous of, it was Ben’s total inability to cope with film projectors. While perhaps brilliant otherwise, now he only scratched his head and looked at the tangle of celluloid bunched in the machine. In just a few minutes his senior history class would arrive, and he had been looking forward to showing them this film for weeks. Why hadn’t his teachers’ college given a course in film threading?
Ross rolled the film back into its spool and left it unthreaded. No doubt one of the kids in his class was some kind of audiovisual whiz and could get the machine going in an instant. He walked back to his desk and picked up a pile of homework papers he wanted to distribute to the students before they saw the film.
The marks on the papers had gotten predictable, Ben thought as he thumbed through them. As usual, there were two
A
papers, Laurie Saunders’s and Amy Smith’s. There was one
A
-, then the normal bunch of
B
’s and
C
’s. There were two
D
’s. One was Brian Ammon, a quarterback on the football team, who seemed to enjoy getting low marks, even though it was obvious to Ben that he had the brains to do much better if he tried. The other
D
was Robert Billings, the class loser. Ross shook his head. The Billings boy was a real problem.
Outside in the hall the bells rang, and Ben heard the sounds of class doors banging open and students flooding into the corridors. It was peculiar how students always left class so quickly but somehow arrived at their next class at the speed of snails. Generally Ben believed that high school today was a better place for kids to learn than it was when he went. But there were a few things that bothered him. One was his students’ lackadaisical attitude about getting to class on time. Sometimes five or even ten minutes of valuable class time would be lost while students straggled in. Back when he was a student, if you weren’t in class when the second bell rang, you were in trouble.
The other problem was the homework. Kids just
didn’t feel compelled to do it anymore. You could yell, threaten them with
F
’s or detention, and it didn’t matter. Homework had become practically optional. Or, as one of his ninth-graders had told him a few weeks before, “Sure I know homework is important, Mr. Ross, but my social life comes first.”
Ben chuckled. Social life.
Students were starting to enter the classroom now. Ross spotted David Collins, a tall, good-looking boy who was a running back on the football team. He was also Laurie Saunders’s boyfriend.
“David,” Ross said, “do you think you could get that film projector set up?”
“Sure thing,” David replied.
As Ross watched, David kneeled beside the projector and went to work nimbly. In just a few seconds he had it threaded. Ben smiled and thanked him.
Robert Billings trudged into the room. He was a heavy boy with shirttails perpetually hanging out and his hair always a mess, as if he never bothered to comb it after getting out of bed in the morning. “We gonna see a movie?” he asked when he saw the projector.
“No, dummy,” said a boy named Brad, who especially enjoyed tormenting him. “Mr. Ross just likes to set up projectors for fun.”
“Okay, Brad,” Ben said sternly. “That’s enough.”