The Well of Loneliness (34 page)

At Morton there lived an ageing woman with sorrowful eyes now a little dim from gazing for so long into the distance. Only once, since her gaze had been fixed on the dead, had this woman turned it full on her daughter; and then her eyes had been changed into something accusing, ruthless, abominably cruel. Through looking upon what had seemed abominable to them, they themselves had become an abomination. Horrible! And yet how dared they accuse? What right had a mother to abominate the child that had sprung from her own secret moments of passion? She the honoured, the fulfilled, the fruitful, the loving and loved, had despised the fruit of her love. Its fruit? No, rather its victim.

She thought of her mother’s protected life that had never had to face this terrible freedom. Like a vine that clings to a warm southern wall it had clung to her father—it still clung to Morton. In the spring had come gentle and nurturing rains, in the summer the strong and health-giving sunshine, in the winter a deep, soft covering of snow—cold yet protecting the delicate tendrils. All, all she had had. She had never gone empty of love in the days of her youthful ardour; had never known longing, shame, degradation, but rather great joy and great pride in her loving. Her love had been pure in the eyes of the world, for she had been able to indulge in it with honour. Still with honour, she had borne a child to her mate—but a child who, unlike her, must go unfulfilled all her days, or else live in abject dishonour. Oh, but a hard and pitiless woman this mother must be for all her soft beauty; shamelessly finding shame in her offspring. ‘I would rather see you dead at my feet…’ ‘Too late, too late, your love gave me life. Here am I the creature you made through your loving; by your passion you created the thing that I am. Who are you to deny me the right to love? But for you I need never have known existence.’

And now there crept into Stephen’s brain the worst torment of all, a doubt of her father. He had known and knowing he had not told her; he had pitied and pitying had not protected; he had feared and fearing had saved only himself. Had she had a coward for a father? She sprang up and began to pace the room. Not this—she could not face this new torment. She had stained her love, the love of a lover—she dared not stain this one thing that remained, the love of the child for the father. If this light went out the engulfing darkness would consume her, destroying her entirely. Man could not live by darkness alone, one point of light he must have for salvation—one point of light. The most perfect Being of all had cried out for light in His darkness—even He, the most perfect Being of all. And then as though in answer to prayer, to some prayer that her trembling lips had not uttered, came the memory of a patient, protective back, bowed as though bearing another’s burden. Came the memory of horrible, soul-sickening pain: ‘No—not that—something urgent—I want—to say. No drugs—I know I’m—dying—Evans.’ And again a heroic and tortured effort: ‘Anna—it’s Stephen—listen.’ Stephen suddenly held out her arms to this man who, though dead, was still her father.

But even in this blessed moment of easement, her heart hardened again at the thought of her mother. A fresh wave of bitterness flooded her soul so that the light seemed all but extinguished; very faintly it gleamed like the little lantern on a buoy that is tossed by tempest. Sitting down at her desk she found pen and paper.

She wrote: ‘Mother, I am going abroad quite soon, but I shall not see you to say goodbye, because I don’t want to come back to Morton. These visits of mine have always been painful, and now my work is beginning to suffer—that I cannot allow; I live only for my work and so I intend to guard it in future. There can now be no question of gossip or scandal, for everyone knows that I am a writer and as such may have occasion to travel. But in any case I care very little these days for the gossip of neighbours. For nearly three years I have borne your yoke—I have tried to be patient and understanding. I have tried to think that your yoke was a just one, a just punishment, perhaps, for my being what I am, the creature whom you and my father created; but now I am going to bear it no longer. If my father had lived he would have shown pity, whereas you showed me none, and yet you were my mother. In my hour of great need you utterly failed me; you turned me away like some unclean thing that was unfit to live any longer at Morton. You insulted what to me seemed both natural and sacred. I went, but now I shall not come back any more to you or to Morton. Puddle will be with me because she loves me; if I’m saved at all it is she who has saved me, and so for as long as she wishes to throw in her lot with me I shall let her. Only one thing more; she will send you our address from time to time, but don’t write to me, Mother, I am going away in order to forget, and your letters would only remind me of ‘Morton.’

She read over what she had written, three times, finding nothing at all that she wished to add, no word of tenderness, or of regret. She felt numb and then unbelievably lonely, but she wrote the address in her firm handwriting: ‘The Lady Anna Gordon,’ she wrote, ‘Morton Hall, Near Upton-on-Severn.’ And when she wept, as she presently must do, covering her face with her large, brown hands, her spirit felt unrefreshed by this weeping, for the hot, angry tears seemed to scorch her spirit. Thus was Anna Gordon baptized through her child as by fire, unto the loss of their mutual salvation.

It was Jonathan Brockett who had recommended the little hotel in the Rue St. Roch, and when Stephen and Puddle arrived one evening that June, feeling rather tired and dejected, they found their sitting-room bright with roses—roses for Puddle—and on the table two boxes of Turkish cigarettes for Stephen. Brockett, they learnt, had ordered these things by writing specially from London.

Barely had they been in Paris a week, when Jonathan Brockett turned up in person: ‘Hallo, my dears, I’ve come over to see you. Everything all right? Are you being looked after?’ He sat down in the only comfortable chair and proceeded to make himself charming to Puddle. It seemed that his flat in Paris being let, he had tried to get rooms at their hotel but had failed, so had gone instead to the Meurice. ‘But I’m not going to take you to lunch there,’ he told them, ‘the weather’s too fine, we’ll go to Versailles. Stephen, ring up and order your car, there’s a darling! By the way, how is Burton getting on? Does he remember to keep to the right and to pass on the left?’ His voice sounded anxious. Stephen reassured him good-humouredly, she knew that he was apt to be nervous in motors.

They lunched at the Hôtel des Reservoirs, Brockett taking great pains to order special dishes. The waiters were zealous, they evidently knew him: Oui, monsieur, tout de suite—a l’instant, monsieur!’ Other clients were kept waiting while Brackett was served, and Stephen could see that this pleased him. All through the meal he talked about Paris with ardour, as a lover might talk of a mistress.

‘Stephen, I’m not going back for ages. I’m going to make you simply adore her. You’ll see, I’ll make you adore her so much that you’ll find yourself writing like a heaven-born genius. There’s nothing so stimulating as love—you’ve got to have an affair with Paris!’ Then looking at Stephen rather intently, ‘I suppose you’re capable of falling in love?’

She shrugged her shoulders, ignoring his question, but she thought: ‘He’s putting his eye to the keyhole. His curiosity’s positively childish at times,’ for she saw that his face had fallen.

Oh, well, if you don’t want to tell me—’ he grumbled.

‘Don’t be silly! There’s nothing to tell,’ smiled Stephen. But she made a mental note to be careful. Brockett’s curiosity was always most dangerous when apparently merely childish.

With quick tact he dropped the personal note. No good trying to force her to confide, he decided, she was too damn clever to give herself away, especially before the watchful old Puddle. He sent for the bill and when it arrived, went over it item by item, frowning.

‘Maitre d’hôtel!’

‘Oui, monsieur?’

‘You’ve made a mistake; only one liqueur brandy—and here’s another mistake, I ordered two portions of potatoes, not three; I do wish to God you’d be careful!’ When Brockett felt cross he always felt mean. ‘Correct this at once, it’s disgusting!’ he said rudely. Stephen sighed, and hearing her Brockett looked up unabashed: ‘Well, why pay for what we’ve not ordered?’ Then he suddenly found his temper again and left a very large tip for the waiter.

2

There is nothing more difficult to attain to than the art of being a perfect guide. Such an art, indeed, requires a real artist, one who has a keen perception for contrasts, and an eye for the large effects rather than for details, above all one possessed of imagination; and Brockett, when he chose, could be such a guide.

Having waved the professional guides to one side, he himself took them through a part of the palace, and his mind re-peopled the place for Stephen so that she seemed to see the glory of the dancers led by the youthful Roi Soleil; seemed to hear the rhythm of the throbbing violins, and the throb of the rhythmic dancing feet as they beat down the length of the Galerie des Glaces; seemed to see those other mysterious dancers who followed step by step, in the long line of mirrors. But most skilfully of all did he recreate for her the image of the luckless queen who came after; as though for some reason this unhappy woman must appeal in a personal way to Stephen. And true it was that the small, humble rooms which the queen had chosen out of all that vast palace, moved Stephen profoundly—so desolate they seemed, so full of unhappy thoughts and emotions that were even now only half forgotten.

Brockett pointed to the simple garniture on the mantelpiece of the little salon, then he looked at Stephen: ‘Madame de Lamballe gave those to the queen,’ he murmured softly.

She nodded, only vaguely apprehending his meaning.

Presently they followed him out into the gardens and stood looking across the Tapis Vert that stretches its quarter mile of greenness towards a straight, lovely line of water.

Brockett said, very low, so that Puddle should not hear him: ‘Those two would often come here at sunset. Sometimes they were rowed along the canal in the sunset—can’t you imagine it, Stephen? They must often have felt pretty miserable, poor souls; sick to death of the subterfuge and pretences. Don’t you ever get tired of that sort of thing? My God, I do!’ But she did not answer, for now there was no mistaking his meaning.

Last of all he took them to the Temple d’Amour, where it rests amid the great silence of the years that have long lain upon the dead hearts of its lovers; and from there to the Hameau, built by the queen for a whim—the tactless and foolish whim of a tactless and foolish but loving woman—by the queen who must play at being a peasant, at a time when her downtrodden peasants were starving. The cottages were badly in need of repair; a melancholy spot it looked, this Hameau, in spite of the birds that sang in its trees and the golden glint of the afternoon sunshine.

On the drive back to Paris they were all very silent. Puddle was feeling too tired to talk, and Stephen was oppressed by a sense of sadness—the vast and rather beautiful sadness that may come to us when we have looked upon beauty, the sadness that aches in the heart of Versailles. Brockett was content to sit opposite Stephen on the hard little let-down seat of her motor. He might have been comfortable next to the driver, but instead he preferred to sit opposite Stephen, and he too was silent, surreptitiously watching the expression of her face in the gathering twilight.

When he left them he said with his cold little smile: ‘Tomorrow, before you’ve forgotten Versailles, I want you to come to the Conciergerie. It’s very enlightening—cause and effect.’

At that moment Stephen disliked him intensely. All the same he had stirred her imagination.

3

In the weeks that followed, Brockett showed Stephen just as much of Paris as he wished her to see, and this principally consisted of the tourist’s Paris. Into less simple pastures he would guide her later on, always provided that his interest lasted. For the present, however, he considered it wiser to tread delicately like Agag. The thought of this girl had begun to obsess him to a very unusual extent. He who had prided himself on his skill in ferreting out other people’s secrets, was completely baffled by this youthful abnormal. That she was abnormal he had no doubt whatever, but what he was keenly anxious to find out was just how her own abnormality struck her—he felt pretty sure that she worried about it. And he genuinely liked her. Unscrupulous he might be in his vivisection of men and women; cynical too when it came to his pleasures, himself an invert, secretly hating the world which he knew hated him in secret; and yet in his way he felt sorry for Stephen, and this amazed him, for Jonathan Brockett had long ago, as he thought, done with pity. But his pity was a very poor thing at best, it would never defend and never protect her; it would always go down before any new whim, and his whim at the moment was to keep her in Paris.

All unwittingly Stephen played into his hands, while having no illusions about him. He represented a welcome distraction that helped her to keep her thoughts off England. And because under Brockett’s skilful guidance she developed a fondness for the beautiful city, she felt tolerant of him at moments, almost grateful she felt, grateful too towards Paris. And Puddle also felt grateful.

The strain of the sudden complete rupture with Morton had told on the faithful little grey woman. She would scarcely have known how to counsel Stephen had the girl come to her and asked for her counsel. Sometimes she would lie awake now at nights thinking of that ageing and unhappy mother in the great silent house, and then would come pity, the old pity that had come in the past for Anna—she would pity until she remembered Stephen. Then Puddle would try to think very calmly, to keep the brave heart that had never failed her, to keep her strong faith in Stephen’s future—only now there were days when she felt almost old, when she realized that indeed she was ageing. When Anna would write her a calm, friendly letter, but with never so much as a mention of Stephen, she would feel afraid, yes, afraid of this woman, and at moments almost afraid of Stephen. For none might know from those guarded letters what emotions lay in the heart of their writer; and none might know from Stephen’s set face when she recognized the writing, what lay in her heart. She would turn away, asking no questions about Morton.