The Well of Loneliness (30 page)

That was how Puddle came in and found her, and Puddle said: ‘Where you go, I go, Stephen. All that you’re suffering at this moment I’ve suffered. It was when I was very young like you—but I still remember.’

Stephen looked up with bewildered eyes: ‘Would you go with Cain whom God marked?’ she said slowly, for she had not understood Puddle’s meaning, so she asked her once more: ‘Would you go with Caine?’

Puddle put an arm round Stephen’s bowed shoulders, and she said: ‘You’ve got work to do—come and do it! Why, just because you are what you are, you may actually find that you’ve got an advantage. You may write with a curious double insight—write both men and women from a personal knowledge. Nothing’s completely misplaced or wasted, I’m sure of that—and we’re all part of nature. Some day the world will recognize this, but meanwhile there’s plenty of work that’s waiting. For the sake of all the others who are like you, but less strong and less gifted perhaps, many of them, it’s up to you to have the courage to make good, and I’m here to help you to do it, Stephen.’

BOOK THREE

A pale glint of sunshine devoid of all warmth lay over the wide expanse of the river, touching the funnel of a passing tug that tore at the water like a clumsy harrow; but a field of water is not for the sowing and the river closed back in the wake of the tug, deftly obliterating all traces of its noisy and foolish passing. The trees along the Chelsea Embankment bent and creaked in a sharp March wind. The wind was urging the sap in their branches to flow with a more determined purpose, but the skin of their bodies was blackened and soot-clogged so that when touched it left soot on the fingers, and knowing this they were always disheartened and therefore a little slow to respond to the urge of the wind—they were city trees which are always somewhat disheartened. Away to the right against a toneless sky stood the tall factory chimneys beloved of young artists—especially those whose skill is not great, for few can go wrong over factory chimneys—while across the stream Battersea Park still looked misty as though barely convalescent from fog.

In her large, long, rather low-ceilinged study whose casement windows looked over the river, sat Stephen with her feet stretched out to the fire and her hands thrust in her jacket pockets. Her eyelids drooped, she was all but asleep although it was early afternoon. She had worked through the night, a deplorable habit and one of which Puddle quite rightly disapproved, but when the spirit of work was on her it was useless to argue with Stephen.

Puddle looked up from her embroidery frame and pushed her spectacles on to her forehead the better to see the drowsy Stephen, for Puddle’s eyes had grown very long-sighted so that the room looked blurred through her glasses.

She thought: ‘Yes, she’s changed a good deal in these two years—’ then she sighed half in sadness and half in contentment. ‘All the same she is making good,’ thought Puddle, remembering with a quick thrill of pride that the long-limbed creature who lounged by the fire had suddenly sprung into something like fame thanks to a fine first novel.

Stephen yawned, and readjusting her spectacles Puddle resumed her wool-work.

It was true that the two long years of exile had left their traces on Stephen’s face; it had grown much thinner and more determined, some might have said that the face had hardened, for the mouth was less ardent and much less gentle, and the lips now drooped at the corners. The strong rather massive line of the jaw looked aggressive these days by reason of its thinness. Faint furrows had come between the thick brows and faint shadows showed at times under the eyes; the eyes themselves were the eyes of a writer, always a little tired in expression. Her complexion was paler than it had been in the past, it had lost the look of wind and sunshine—the open-air look—and the fingers of the hand that slowly emerged from her jacket pocket were heavily stained with nicotine—she was now a voracious smoker. Her hair was quite short. In a mood of defiance she had suddenly walked off to the barber’s one morning and had made him crop it dose like a man’s. And mightily did the fashion become her, for now the fine shape of her head was unmarred by the stiff clumpy plait in the nape of her neck. Released from the torment imposed upon it the thick auburn hair could breathe and wave freely, and Stephen had grown fond and proud of her hair—a hundred strokes must it have with the brush every night until it looked burnished. Sir Philip also had been proud of his hair in the days of his youthful manhood.

Stephen’s life in London had been one long endeavour, for work to her had become a narcotic. Puddle it was who had found the flat with the casement windows that looked on the river, and Puddle it was who now kept the accounts, paid the rent, settled bills and managed the servants; all these details Stephen calmly ignored and the faithful Puddle allowed her to do so. Like an ageing and anxious Vestal Virgin she tended the holy fire of inspiration, feeding the flame with suitable food—good grilled meat, light puddings and much fresh fruit, varied by little painstaking surprises from Jackson’s or Fortnum & Mason. For Stephen’s appetite was not what it had been in the vigorous days of Morton; now there were times when she could not eat, or if she must eat she did so protesting, fidgeting to go back to her desk. At such times Puddle would steal into the study with a tin of Brand’s Essence—she had even been known to feed the recalcitrant author piecemeal, until Stephen must laugh and gobble up the jelly for the sake of getting on with her writing.

Only one duty apart from her work had Stephen never for a moment neglected, and that was the care and the welfare of Raftery. The cob had been sold, and her father’s chestnut she had given away to Colonel Antrim, who had sworn not to let the horse out of his hands for the sake of his life-long friend, Sir Philip—but Raftery she had brought up to London. She herself had found and rented his stable with comfortable rooms above for Jim, the groom she had taken from Morton. Every morning she rode very early in the Park, which seemed a futile and dreary business, but now only thus could the horse and his owner contrive to be together for a little. Sometimes she fancied that Raftery sighed as she cantered him round and round the Row, and then she would stoop down and speak to him softly:

‘My Raftery, I know, it’s not Castle Morton or the hills or the big, green Severn Valley—but I love you.’

And because he had understood her he would throw up his head and begin to prance sideways, pretending that he still felt very youthful, pretending that he was wild with delight at the prospect of cantering round the Row. But after a while these two sorry exiles would droop and move forward without much spirit. Each in a separate way would divine the ache in the other, the ache that was Morton, so that Stephen would cease to urge the beast forward, and Raftery would cease to pretend to Stephen. But when twice a year at her mother’s request, Stephen must go back to visit her home, then Raftery went too, and his joy was immense when he felt the good springy turf beneath him, when he sighted the red brick stables of Morton, when he rolled in the straw of his large, airy loose box. The years would seem to slip from his shoulders, he grew sleeker, he would look like a five-year-old—yet to Stephen these visits of theirs were anguish because of her love for Morton. She would feel like a stranger within the gates, an unwanted stranger there only on sufferance. It would seem to her that the old house withdrew itself from her love very gravely and sadly, that its windows no longer beckoned, invited: ‘Come home, come home, come inside quickly, Stephen!’ And she would not dare to proffer her love, which would burden her heart to breaking.

She must now pay many calls with her mother, must attend all the formal social functions—this for the sake of appearances, lest the neighbours should guess the breach between them. She must keep up the fiction that she found in a city the stimulus necessary to her work, she who was filled with a hungry longing for the green of the hills, for the air of wide spaces, for the mornings and the noontides and the evenings of Morton. All these things she must do for the sake of her father, aye, and for the sake of Morton.

On her first visit home Anna had said very quietly one day: ‘There’s something, Stephen, that I think I ought to tell you perhaps, though it’s painful to me to reopen the subject. There has been no scandal—that man held his tongue—you’ll be glad to know this because of your father. And Stephen—the Crossbys have sold The Grange and gone to America, I believe—’ she had stopped abruptly, not looking at Stephen, who had nodded, unable to answer.

So now there were quite different folk at The Grange, folk very much more to the taste of the county—Admiral Carson and his apple-checked wife who, childless herself, adored Mothers’ Meetings. Stephen must sometimes go to The Grange with Anna, who liked the Carsons. Very grave and aloof had Stephen become; too reserved, too self-assured, thought her neighbours. They supposed that success had gone to her head, for no one was now allowed to divine the terrible shyness that made social intercourse such a miserable torment. Life had already taught Stephen one thing, and that was that never must human beings be allowed to suspect that a creature fears them. The fear of the one is a spur to the many, for the primitive hunting instinct dies hard—it is better to face a hostile world than to turn one’s back for a moment.

But at least she was spared meeting Roger Antrim, and for this she was most profoundly thankful. Roger had gone with his regiment to Malta, so that they two did not see each other. Violet was married and living in London in the ‘perfect duck of a house in Belgravia’. From time to time she would blow in on Stephen, but not often, because she was very much married with one baby already and another on the way. She was somewhat subdued and much less maternal than she had been when first she met Alec.

If Anna was proud of her daughter’s achievement she said nothing beyond the very few words that must of necessity be spoken: ‘I’m so glad your book has succeeded, Stephen.’

‘Thank you, mother—’

Then as always these two fell silent. Those long and eloquent silences of theirs were now of almost daily occurrence when they found themselves together. Nor could they look each other in the eyes any more, their eyes were for ever shifting, and sometimes Anna’s pale cheeks would flush very slightly when she was alone with Stephen—perhaps at her thoughts.

And Stephen would think: ‘It’s because she can’t help remembering.’

For the most part, however, they shunned all contact by common consent, except when in public. And this studied avoidance tore at their nerves; they were now wellnigh obsessed by each other, for ever secretly laying their plans in order to avoid a meeting. Thus it was that these obligatory visits to Morton were a pretty bad strain on Stephen. She would go back to London unable to sleep, unable to eat, unable to write, and with such a despairing and sickening heartache for the grave old house the moment she had left it, that Puddle would have to be very severe in order to pull her together.

‘I’m ashamed of you, Stephen; what’s happened to your courage? You don’t deserve your phenomenal success; if you go on like this, God help the new book. I suppose you’re going to be a one-book author!’

Scowling darkly, Stephen would go to her desk—she had no wish to be a one-book author.

2

Yet as everything comes as grist to the mill of those who arc destined from birth to be writers—poverty or riches, good or evil, gladness or sorrow, all grist to the mill—so the pain of Morton burning down to the spirit in Stephen had kindled a bright, hot flame, and all that she had written she had written by its light, seeing exceedingly clearly. As though in a kind of self-preservation, her mind had turned to quite simple people, humble people sprung from the soil, from the same kind soil that had nurtured Morton. None of her own strange emotions had touched them, and yet they were part of her own emotions; a part of her longing for simplicity and peace, a part of her curious craving for the normal. And although at this time Stephen did not know it, their happiness sprung from her moments of joy; their sorrows from the sorrow she had known and still knew; their frustrations from her own bitter emptiness; their fulfilments from her longing to be fulfilled. These people had drawn life and strength from their creator. Like infants they had sucked at her breasts of inspiration, and drawn from them blood, waxing wonderfully strong; demanding, compelling thereby recognition. For surely thus only are fine books written, they must somehow partake of the miracle of blood—the strange and terrible miracle of blood, the giver of life, the purifier, the great final expiation.

3

But one thing there was that Puddle still feared, and this was the girl’s desire for isolation. To her it appeared like a weakness in Stephen; she divined the bruised humility of spirit that now underlay this desire for isolation, and she did her best to frustrate it. It was Puddle who had forced the embarrassed Stephen to let in the Press photographers, and Puddle it was who had given the details for the captions that were to appear with the pictures: ‘If you choose to behave like a hermit crab I shall use my own judgment about what I say!’

‘I don’t care a tinker’s darn what you say! Now leave me in peace do, Puddle.’

It was Puddle who answered the telephone calls: ‘I’m afraid Miss Gordon will be busy working—what name did you say? Oh, The Literary Monthly! I see—well suppose you come on Wednesday.’ And on Wednesday there was old Puddle waiting to waylay the anxious young man who had been commanded to dig up some copy about the new novelist, Stephen Gordon. Then Puddle had smiled at the anxious young man and had shepherded him into her own little sanctum, and had given him a comfortable chair, and had stirred the fire the better to warm him. And the young man had noticed her charming smile and had thought how kind was this ageing woman, and how damned hard it was to go tramping the streets in quest of erratic, unsociable authors.

Puddle had said, still smiling kindly: ‘I’d hate you to go back without your copy, but Miss Gordon’s been working overtime lately, I dare not disturb her, you don’t mind, do you? Now if you could possibly make shift with me—I really do know a great deal about her; as a matter of fact I’m her ex-governess, so I really do know quite a lot about her.’