the wind's twelve quarters (36 page)

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Authors: ursula k. le guin

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In those days the horses used to work for them, and that too was enjoyable from my point of view. I particularly liked the canter, and got quite proficient at it. The surging and rhythmical motion accompanied shrinking and growing with a swaying and swooping, almost an illusion of flight. The gallop was less pleasant. It was jerky, pounding: one felt tossed about like a sapling in a gale. And then, the slow approach and growth, the moment of looming-over, and the slow retreat and diminishing, all that was lost during the gallop. One had to hurl oneself into it, cloppety-cloppety-cloppety! and the man usually too busy riding, and the horse too busy running, even to look up. But then, it didn’t happen often. A horse is mortal, after all, and like all the loose creatures grows tired easily; so they didn’t tire their horses unless there was urgent need. And they seemed not to have so many urgent needs, in those days.
 

It’s been a long time since I had a gallop, and to tell the truth I shouldn’t mind having one. There was something invigorating about it, after all.
 

I remember the first motorcar I saw. Like most of us, I took it for a mortal, some kind of loose creature new to me. I was a bit startled, for after a hundred and thirty-two years I thought I knew all the local fauna. But a new thing is always interesting, in its trivial fashion, so I observed this one with attention. I approached it at a fair speed, about the rate of a canter, but in a new gait, suitable to the ungainly looks of the thing: an uncomfortable, bouncing, rolling, choking, jerking gait. Within two
minutes, before I’d grown a foot tall, I knew it was no mortal creature, bound or loose or free. It was a making, like the carts the horses got hitched to. I thought it so very ill-made that I didn’t expect it to return, once it gasped over the West Hill, and I heartily hoped it never would, for I disliked that jerking bounce.
 

But the thing took to a regular schedule, and so, perforce, did I. Daily at four I had to approach it, twitching and stuttering out of the West, and enlarge, loom-over, and
diminish. Then at five back I had to come, poppeting along like a young jackrabbit for all my sixty feet, jigging and jouncing out of the East, until at last I got clear out of sight of the wretched little monster and could relax and loosen my limbs to the evening wind. There were always two of them inside the machine: a young male holding the wheel, and behind him an old female wrapped in rugs, glowering. If they ever said anything to each other I never heard it. In those days I overheard a good many conversations on the road, but not from that machine. The top of it was open, but it made so much noise that it overrode all voices, even the voice of the song-sparrow I had with me that year. The noise was almost as vile as the jouncing.
 

I am of a family of rigid principle and considerable self-respect. The Quercian motto is “Break but bend not,” and I have always tried to uphold it. It was not only personal vanity, but family pride, you see, that was offended when I was forced to jounce and bounce in this fashion by a mere making.
 

The apple trees in the orchard at the foot of the hill did not seem to mind; but then, apples are tame. Their genes have been tampered with for centuries. Besides, they are herd creatures; no orchard tree can really form an opinion of its own.
 

I kept my own opinion to myself.
 

But I was very pleased when the motorcar ceased to plague us. All month went by without it, and all month I walked at men and trotted at horses most willingly, and even bobbed for a baby on its mother’s arm, trying hard though unsuccessfully to keep in focus.
 

Next month, however—September it was, for the swallows had left a few days earlier—another of the machines appeared, a new one, suddenly dragging me and the road and our hill, the orchard, the fields, the farmhouse roof, all jigging and jouncing and racketing along from East to West; I went faster than a gallop, faster than I had ever gone before. I had scarcely time to loom, before I had to shrink right down again.
 

And the next day there came a different one.
 

Yearly then, weekly, daily, they became commoner. They became a major feature of the local Order of Things. The road was dug up and re-metalled, widened, finished off very smooth and nasty, like a slug’s trail, with no rats, pools, rocks, flowers, or shadows on it. There used to be a lot of little loose creatures on the road, grasshoppers, ants, toads, mice, foxes, and so on, most of them too small to move for, since they couldn’t really see one. Now the wise creatures took to avoiding the road, and the unwise ones got squashed. I have seen all too many rabbits die in that fashion, right at my feet. I am thankful that I am an oak, and that though I may be wind-broken or uprooted, hewn or sawn, at least I cannot, under any circumstances, be squashed.
 

With the presence of many motorcars on the road at once, a new level of skill was required of me. As a mere seedling, as soon as I got my head above the weeds, I had learned the basic trick of going two directions at once. I learned it without thinking about it, under the simple pressure of circumstances on the first occasion that I saw a walker in the East and a horseman facing him In the West I had to go two directions at once, and I did so. It’s something we trees master without real effort, I suppose. I was nervous, but I succeeded in passing the rider and then shrinking away from him while at the same time I was still jigjogging towards the walker, and indeed passed
him (no looming, back in those days!) only when I had got quite out of sight of the rider. I was proud of myself, being very young, that first time I did it; but it sounds more difficult than it really is. Since those days of course I had done it innumerable times, and thought nothing about it; I could do it in my sleep. But have you ever considered the feat accomplished, the skill involved, when a tree enlarges, simultaneously yet at slightly different rates and in slightly different manners, for
each one of forty motorcar drivers facing two opposite directions, while at the same time diminishing for forty more who have got their backs to it, meanwhile remembering to loom over each single one at the right moment: and to do this minute after minute, hour after hour, from daybreak till nightfall or long after?
 

For my road had become a busy one; it worked all day long under almost continual traffic. It worked, and I worked. I did not jounce and bounce so much any more, but I had to run faster and faster: to grow enormously, to loom in a split second, to shrink to nothing, all in a hurry, without time to enjoy the action, and without rest: over and over and over.
 

Very few of the drivers bothered to look at me, not even a seeing glance. They seemed, indeed, not to see me any more. They merely stared ahead. They seemed to believe that they were “going somewhere.” Little mirrors were affixed to the front of their cars, at which they glanced to see where they had been; then they stared ahead again. I had thought that only beetles had this delusion of Progress. Beetles are always rushing about, and never looking up. I had always had a pretty low opinion of beetles. But at least they let me be.
 

I confess that sometimes, in the blessed nights of darkness with no moon to silver my crown and no stars occluding with my branches, when I could rest, I would think seriously of escaping my obligation to the general Order of Things: of failing to move. No, not seriously. Half-seriously. It was mere weariness. If even a silly, three-year-old, female pussy willow at the foot of the hill accepted her responsibility, and jounced and rolled and accelerated and grew and shrank for each motorcar on the road, was I, an oak, to shirk? Noblesse oblige, and I trust I have never dropped an acorn that did not know its duty.
 

For fifty or sixty years, then, I have upheld the Order of Things, and have done my share in supporting the human creatures' illusion that they are “going somewhere." And I am not unwilling to do so. But a truly terrible thing has occurred, which I wish to protest.
 

I do not mind going two directions at once; I do not mind growing and shrinking simultaneously; I do not mind moving, even at the disagreeable rate of sixty or seventy miles an hour. I am ready to go on doing all these things until I am felled or bulldozed. They’re my job. But I do object, passionately, to being made eternal.
 

Eternity is none of my business. I am an oak, no more, no less. I have my duty, and I do it; I have my pleasures, and enjoy them, though they are fewer, since the birds are fewer, and the wind’s foul. But, long-lived though I may be, impermanence is my right. Mortality is my privilege. And it has been taken from me.
 

It was taken from me on a rainy evening in March last year.
 

Fits and bursts of cars, as usual, filled the rapidly moving road in both directions. I was so busy hurtling along, enlarging, looming, diminishing, and the light was failing so fast, that I scarcely noticed what was happening until it happened. One of the drivers of one of the cars evidently felt that his need to “go somewhere” was exceptionally urgent, and so attempted to place his car in front of the car in front of it. This maneuver involves a temporary slanting of the Direction of the Road and a displacement onto the far side, the side which normally runs the other direction (and may I say that I admire the road very highly for its skill in executing such maneuvers, which must be difficult for an unliving creature, a mere making).
Another car, however, happened to be quite near the urgent one, and facing it, as it changed sides; and the road could not do anything about it, being already overcrowded. To avoid impact with the facing car, the urgent car totally violated the Direction of the Road, swinging it round to North-South in its own terms, and so forcing me to leap directly at it. I had no choice. I had to move, and move fast—eightyfive miles an hour. I leapt: I loomed enormous, larger than I have ever loomed before. And then I hit the car.
 

I lost a considerable piece of bark, and, what’s more serious, a fair bit of cambium layer; but as I was seventy-two feet tall and about nine feet in girth at the point of impact, no real harm was done. My branches trembled with the shock enough that a last-year’s robin’s nest was dislodged and fell; and I was so shaken that I groaned. It is the only time in my life that I have ever said anything out loud.
 

The motorcar screamed horribly. It was smashed by my blow, squashed, in fact. Its hinder parts were not much affected, but the forequarters knotted up and knurled together like an old root, and little bright bits of it flew all about and lay like brittle rain.
 

The driver had no time to say anything: I killed him instantly.
 

It is not this that I protest. I had to kill him. I had no choice, and therefore have no regret. What I protest, what I cannot endure, is this: as I leapt at him, he saw me. He looked up at last. He saw me as I have never been seen before, not even by a child, not even in the days when people looked at things. He saw me whole, and saw nothing else—then, or ever.
 

He saw me under the aspect of eternity. He confused me with eternity. And because he died in that moment of false vision, because it can never change, I am caught in it, eternally.
 

This is unendurable. I cannot uphold such an illusion. If the human creatures will not understand Relativity, very well; but they must understand Relatedness.
 

If it is necessary to the Order of Things, I will kill drivers of cars, though killing is not a duty usually required of oaks. But it is unjust to require me to play the part, not of the killer only, but of death. For I am not death. I am life: I am mortal.
 

If they wish to see death visibly in the world, that is their business, not mine. I will not act Eternity for them. Let them not turn to the trees for death. If that is what they want to see, let them look into one another’s eyes and see it there.
 

THE ONES WHO WALK AWAY FROM OMELAS

(Variation on a theme by William James)
 

The central idea of this psychomyth, the scapegoat, turns up in Dostoyevsky’s Brothers Karamazov, and several people have asked me, rather suspiciously, why I gave the credit to William James. The fact is, I haven’t been able to re-read Dostoyevsky, much as I loved him, since I was twentyfive, and I’d simply forgotten he used the idea. But when I met it in James’s “The Moral Philosopher and the Moral Life," it was with a shock of recognition. Here is how James puts it:
 

 

Or if the hypothesis were offered us of a world in which Messrs. Fourier’s and Bellamy’s and Morris’s utopias should all be outdone, and millions kept permanently happy on the one simple condition that a certain lost soul on the far-off edge of things should lead a life of lonely torment, what except a specifical and independent sort of emotion can it be which would make us immediately feel, even though an impulse arose within us to clutch at the happiness so offered, how hideous a thing would be its enjoyment when deliberately accepted as the fruit of such a bargain?
 

 

The dilemma of the American conscience can hardly be better stated. Dostoyevsky was a great artist, and a radical one, but his early social radicalism reversed itself, leaving him a violent reactionary. Whereas the American James, who seems so mild, so naively gentlemanly—look how he says “us,” assuming all his readers are as decent as himself!—was, and remained, and remains, a genuinely radical thinker. Directly after the “lost soul” passage he goes on,
 

 

All the higher, more penetrating ideals are revolutionary. They present themselves far less in the guise of effects of past experience than in that of probable causes of future experience, factors to which the environment and the lessons it has so far taught us must learn to bend.
 

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