This Census-Taker (7 page)

Read This Census-Taker Online

Authors: China Miéville

Tags: #Fiction, #Fantasy, #General, #Contemporary, #Literary

BOOK: This Census-Taker
3.94Mb size Format: txt, pdf, ePub

I
t was very cold and I put on my heaviest clothes to descend the stairs and step as silently as I could onto the flat rock around our house and onto the path, to come down that hill. I shook hard with every step, even with all those layers. I was dry and dusty. In the very far distance, in the steppes on which I’d never trodden and to which I rarely paid attention, lightning soundlessly connected sky and earth. My skin felt like old paper.

I didn’t feel brave walking that path, though I had no flashlight and I strained to see by a slice of moon. If I’d stepped onto scree or braced against the wrong rock I might have started to slide and not been able to stop, and if there was no fence below me at that point I might have kept descending until I went over an overhang into a gulley, falling to my death.

By day there’s rarely anything on the hill that would take you, but whether or not there are those things about which the bridge gang asked me, there are predators after dark, the nightcats and others. They might hunt a child. Coyotes and pumas wouldn’t enter the streetlit town but they might have investigated me on my way to it. I don’t remember feeling fear or determination or anything but as cold and as drab as the earth as I came down.

A clattering made me stop. No animal came, but standing in the dark where the path on my little mountain widened and grew shallower in the angle of its descent, I heard that percussive scratching. What I’d thought the sounds of new birds, closer now, as if something was bringing up gravel in short coughs. I didn’t move.

On that hill, there were none of the true succulents of the desert, that I knew from pictures, that I’d once imagined walking. But there were spined trees, various clotted-looking things serrated as if with claws along the ridges of their bark. They surrounded the dark path and I peered between their spines.

Deep in a clag of them, I saw a human shape.

The figure seemed to approach me like someone rising out of water, a hulk of shadow with a box and a gun. It seemed to surveil me, and move without moving.

I hollered and I ran.

I didn’t know if I’d seen anything real, because the hill will throw up its own nightmares, and I didn’t care, just ran in great terror and didn’t look behind me.

Nothing seemed to follow, but I didn’t slow.

When at last I came slap-footed and quaking into the bridgetown it was still deep night. There were few people in the streets, dim but definite figures visible at junctions at work in their economies. They looked at me in curiosity. They couldn’t have seen my face and it wasn’t as if there were no ragged children in the town, nor as if none ever went walking in such forbidding hours. No one called to me.

I took a twisting route, striving for silence, returning to the bridge over the cut, to Samma and Drobe’s favorite house.

My hope was met: the door opened. I stood in the threshold. My eyes were wide and I felt as if they might shoot out rays for me to see by. I stood half-in half-out, unsure how to proceed, and Samma opened her own eyes to look at me.

“Oh, you,” she said. “It’s you.”

She rose and came for me. She was sleepy and vague and she held out her hand and whispered to me with more tenderness than I’d heard from her or anyone, now it was only she and I awake and she was unheard by the tough brood she helped shepherd.


 

She whispered to you the story of when you came down, to calm you. You had a childish hope of sanctuary right there in that airy ruin but Samma knew better and pulled herself all the way awake and warned you, finger to her lips. She thought. She put her hand on Drobe’s chest and brought him instantly out of sleep. They murmered.

She said to you, “Is anyone coming?”

“I think someone was on the hill.”

Some other gang children looked up from where they lay at the quiet caucus. Drobe and Samma pointed them back to sleep and they pretended to obey.

Samma leaned out and scanned the bridge. A light rain now fell. “Come on,” she whispered to you. “Come on right now.”

Watched by those silent comrades, Samma and Drobe took you to your dismay back out into the night. You could see the lines of the country now, rising into quickly ebbing darkness, the hills’ shoulders coming visible. Each streetlamp wore a corona.

Your guides surprised you. They took you left, above the bats’ arches, to cross the bridge. Past that dark cart, as absolute in its aspect as any rock, into the southern half of the town. A street slanted up. They took you higher. Your skin was wet.

It was as if dawn had been told to come quicker on that side, as if the greater emptiness of the streets sucked the light in. What watchers you noticed may as well have been dispassionate observers from some austere alternative, so opaque were their regards. Destitutes lying but not asleep under leaves in a graveyard, marking you from their locations, cozied up to the railings as if to give the dead their room. In a chair by her open doorway a woman waited for the sun and nodded as your escorts took you past. You cried out because something terrible clawed from her mouth, a dark tangle, as if something hookfooted was emerging from her and she didn’t care.

“Hush,” Drobe said. “We have to be quick and quiet.”

To the east there are beetles the size of hands and their shells tell fortunes. If you boil them you can chew their dead legs, as did the woman, and suck out narcotic blood. But you didn’t know that then.

“Ah now,” whispered Samma. She spoke in Drobe’s ear and he thought a moment and whispered back and her eyes widened and she nodded.

Perhaps someone was behind you, glancingly visible as the town came into its gray self. You tried to keep watch of any watcher. Drobe yanked you so you lost your grip on Samma’s hand and he pulled you into alleys, and you reached back but Drobe was too strong and fast, and Samma kept on in plain sight on the main way while you left her and headed into the snarls of the south side.

“She’ll come for us, she’ll come,” Drobe said, patting down the hands with which you reached back in her direction. “She’s getting things you’ll need. Come with me.”

Need? It was light so quickly. Drobe rushed you in through the windows of a barely musty cellar. From there, when the rain slowed, through a fence of barrel hoops, by a junction past two big men in butcher’s aprons who put down their tools at the sight of you and came after you yelling, chase instinct provoked by your speed.

In a foundation pit, the weeds were thick so you knew the building was stillborn. You hid while the men hunted. When they were gone, Drobe sniffed as if he could smell empty places. This early the sky looked like an ash version of itself. The air already smelt of diesel and there was smoke to run through.

“Samma’ll bring what you need to go,” he said. Then in a rush he said, “Hey, maybe I’ll come too.”

I didn’t want to go. “And Samma?” I said.

“Well, she can’t, can she?” he mumbled. “She can’t just walk out, can she?”

A big windowless brick hall rose on slanting foundations. Drobe pulled aside corrugated metal and led us into a dusty, still room, where water and wan light angled through the ceiling holes. The floor was deep in bird shit and down. It sloped gently to a stage and a wall of ragged canvas. Things roosted.

“It used to be a picture-house,” Drobe said. I imagined what that might be. “No one’s here,” he said. “Good,” he said.

He hallooed and got no answer.

“Whose house is this?” I said.

“No one’s,” he said. He thought that over. “Sort of.”

We steamed. He went to the stage and lifted a flap of canvas as gently as if it were ripped skin. Behind it was wadded-up cloth and a pile of other things.

On his knees, Drobe picked through someone’s hide. He showed no surprise to find a box of papers covered with ink, some kept pristinely flat, some torn and crumpled, some printed, some handwritten. He touched them. Carefully he examined a stiff envelope banded with red, the remains of its seal visible. I went to pick something up too but he stopped me, made me lean over and look without touching. They weren’t written in my language, and Drobe couldn’t read.

“All right, let’s wait,” he said at last. “Until she comes.”

“Samma,” I said.

“Samma,” he said, “or who these belong to.”


 

There were stairs to where bricks were missing, so you could lie on your tummy and look down at the street, to where a woman prodded a donkey past, dragging a big machine.

“You want to know who lives here for the moment?” Drobe said. “A traveler. I met her.”

“Where?” I said.

“In the streets. She’s a visitor. I ain’t seen her here but she told me this is where she was and this stuff’s hers.”

He pointed at the papers.

“She had a boss, but things went wrong. He thinks he’s done for her but he don’t know her. Don’t know she’s here, watching. She could get away and keep moving. She came here. He took her away from something bad, years gone, so it was like she owed him, she told me. It was all right for a long time, till it weren’t, till she could read all the paperwork and realized things were off.”

I couldn’t follow what he was telling me and I don’t think he understood his own words at all fully; was, rather, trying to accurately repeat someone else’s intrigue. Whoever slept here, he recited, was trying to find someone, not her boss, no, but someone who tracked
him,
in real authority. To present evidence of a crime. “She could read instructions.” He shook the envelope he still held.

He pointed in the direction, he said, of the places about which he was trying to inform me. “That way,” he said. “They come from there to count.”

I had chalk in my pocket and I gave him a piece. He kept hold of the red-trimmed paper with his left hand to draw frogs in houses and people with wings with his right. I drew my father’s keys and my house and me alone. The rain stopped.

“Samma’ll have a plan,” he said. “We have to get you away.” But I wanted to stay with her and Drobe in their bridge house.

I grew hungry. I sat and was quiet and watched the men and women on south-side errands swigging from flasks.

Drobe startled me by whispering.

“That lizard,” he said. “They put them in the bottle when they’re newborn or even eggs and they put food and water in for them, and they shake it out carefully to clean out their shit, and they grow in there till they get too big to leave.”

I stared at him but he was looking away from me.

“I seen them do it with fish too,” he said. “Fill a bottle with water. Put it in there when it’s fry. I heard they did it with a hare too but I never saw that. A hare in a bottle.”

He looked at me at last.

“Close your mouth,” he said. He was teasing: it wasn’t harsh. I felt light in my head.

We froze then because we heard a rattle and the wrench of metal. We scuttled to a little balcony inside above the main room. Right at its center, her back to us, watching the stage with bags in her hands, was Samma.

“Hey,” Drobe said. But before she turned to look at us someone shouted, “Stop!” and a man walked out of the shadows.

The window-cleaner in his sash again. For one dreadful instant I thought Samma had brought him but I saw her face as she saw his and I knew that he’d followed her without her knowledge.

Two others emerged behind him: one of the butchers, his smock black with blood smears; and a policeman, a real policeman, from the coast.

I’d never seen one before. He was young and fat with long hair and glasses. His uniform was shabby but it was full: I could see the official sigil on his breast. On his right thigh he wore a pistol. His tour had brought him here. It was our town’s turn.

“What, you got nothing better to do?” Samma managed to say as the men approached. She looked at me in anguish.

“I told you,” the butcher said to the window-cleaner. “Didn’t I say I saw him?”

“Boy,” the window-cleaner called up, “what are you doing?”

“I said if you followed her you’d find him, didn’t I?”

Drobe and Samma tried to insist that I was with them now, but the officer simply gestured impatiently for me to come. Then Drobe started on about my father, about how they couldn’t leave me with him, and the window-cleaner grew angry and stamped up the stairs for me, and Drobe started screaming that he was done, that he was going to light out and leave and come by the key-maker’s house for his mate, that he was done with this town, shouting so loud that Samma dropped whatever it was she’d brought to help me escape and ran to quiet him, and knowing how fast someone might withdraw the indulgence of allowing their presence in the houses of the bridge, Samma and Drobe, as he calmed, in agonies and protesting, let the men take me.


 

There were three other full-time and uniformed officers using the schoolroom as their temporary headquarters. They muttered to each other, they seemed edgy. They all but ignored me, except for the big policeman: he beat me. His attack was offhand and calm. He explained with passionless ill-temper that this was what I got for disobeying the law that made clear I was my father’s.

This was the first time any adult had hit me.

The window-cleaner winced with every strike. I felt better and worse that even a man such as he counted this punishment unfair. He did not intervene.

When he was done, the policeman made me wait while he discussed paperwork and plans with his colleagues. I hoped the hunter would come. I imagined him pushing through the thickets in the foothills. I’ve thought of him like that often since, as if he’s still out there, game in his sights, intending to check on me on his return.

It was early afternoon when they got word to my father and he came to fetch me.

I was sitting red-eyed and fearful when I heard a noise and looked up and he was standing in the schoolroom’s doorway, flanked by part-timers in their sashes, a man and a woman I didn’t recognize, and two of the visitors in full uniform. My father carried bread. His expression was solicitous.

He said, “Boy.” He stepped forward and stopped when he saw my face.

Other books

Conrad's Fate by Diana Wynne Jones
The Ice Queen by Bruce Macbain
Tell Me You Love Me by Kayla Perrin
The Mirrored City by Michael J. Bode
The Harder They Fall by Jill Shalvis
Master Chief by Alan Maki
Dragon's Melody by Bell, Ophelia
Woman Beware by Tianna Xander
Bodyguard Pursuit by Joanne Wadsworth