Trio For Blunt Instruments (7 page)

Read Trio For Blunt Instruments Online

Authors: Rex Stout

Tags: #Mystery, #Crime, #Thriller, #Classic

BOOK: Trio For Blunt Instruments
6.72Mb size Format: txt, pdf, ePub

Mercer didn't like it, but he wouldn't have liked anything short of an assurance that the heat was off or soon would be. The others didn't like it either, so they had to lump it. It was agreed that one of them would meet me in the lobby of the Eighth Avenue building at nine o'clock. They left together, Miss Cox with her chin up, Mercer with his down, and Horan with his long bony face even longer. When I returned to the office after letting them out, Wolfe was still standing, scowling at the red leather chair as if Mercer were still in it.

I said emphatically, 'Nuts. Mercer and Miss Cox are both quoting a dead man, and Horan's quoting anonymous. They're all double-breasted liars. I now call her Elma. If she passes Busch up I'll probably put in a bid myself after I find out if she can dance.'

Wolfe grunted. 'Innocence has no contract with bliss. Confound it, of course she's innocent, that's the devil of it. If she had misbehaved as charged, and as a result her father had killed that man and then himself, she wouldn't have dared to come to me unless she's a lunatic. There is always that possibility. Is she deranged?'

'No. She's a fine sweet pure fairly bright girl with a special face and good legs.'

'Where is she?'

'In her room.'

'I'm not in a mood to sit at table with her. Tell Fritz to take up a tray.'

'I'll take it up myself, and one for me. She'll want to know how you made out with them. After all, we've got her dollar.'

Nero Wolfe 39 - Trio For Blunt Instruments
8

EVERY TRADE HAS ITS TRICKS. If he's any good a detective gets habits as he goes along that become automatic, one of them being to keep his eyes peeled. As I turned the corner of Eighth Avenue at 8:56 that Thursday evening I wasn't conscious of the fact that I was casing the neighborhood; as I say, it gets automatic; but when my eye told me that there was something familiar about a woman standing at the curb across the avenue I took notice and looked. Right; it was Frances Cox in her gray wool coat and gray fur stole, and she had seen me. As I stopped in front of the building I was bound for she beckoned, and I crossed over to her. As I got there she spoke.

'There's a light in Ashby's room.'

I rubbernecked and saw the two lit windows on the tenth floor. 'The cleaners,' I said.

'No. They start at the top and they're through on that floor by seven-thirty.'

'Inspector Cramer. He's short a clue. Have you got a key?'

'Of course. I came to let you in. Mr. Mercer and Mr. Horan are busy.'

'With the lawyer?'

'Ask them.'

'The trouble with you is you blab. Okay, let's go up and help Cramer.'

We crossed the avenue and entered. It was an old building and the lobby looked it, and so did the night man sprawled in a chair, yawning. He gave Miss Cox a nod as we entered the elevator, and on the way up she asked the operator if he had taken anyone to the tenth floor and he said no. When we got out she pointed to a door across the hall to the left and said, 'That's Ashby's room.'

There were two doors in range across the hall, the one she had pointed to, six paces to the left, and one six paces to the right with the number 1018 and below it MERCER'S BOBBINS, INC., and below that ENTRANCE. I asked if that was the reception room, and she said yes.

'This takes generalship,' I said. 'If we both go through the reception room and around, he hears us and ducks out this way. This door can be opened from the inside?'

'Yes.'

'Then I'll stick here. Maybe you'd better get the elevator man to go in and around with you. He might get tough.'

'I can take care of myself. But I'm not taking orders from you.'

'Okay, I'll get the elevator man.'

'No.' Her chin was stiff again-too bad, for it was a nice chin. She moved. As she headed for the door to the right I told her back, not loud, 'Don't try to stalk him. Let your heels tap.'

As I went to the door on the left and put my back to the wall, near its edge that would open, I was regretting that I had disregarded one of my personal rules, made some years back when I had spent a month in a hospital, that I would never go on an errand connected with a murder case without having a gun along. When you're just standing and listening, your mind skips around. For instance, what if Ashby had been in with a narcotics ring, and he kept bobbins full of heroin in the files in his room, and one or more of his colleagues had come Monday and bumped him, and they had come back to look for bobbins, and they now emerged with hardware'Or, for instance, what if a competitor, knowing that Ashby was responsible for Mercer's Bobbins taking over his customers, had got desperate and decided to put an end-

The door opened, and the opener, not seeing me, was coming out backward, pulling the door shut, easy. I put my hand in the small of his back and pushed him back in, not too easy, and followed him. He stumbled but managed to recover without going down. Frances Cox's voice came. 'Oh, it's you!'

I spoke. 'This is getting monotonous, Mr. Busch. A door opens, and there you are. Are you surprising me, or am I surprising you?'

'You dirty double-crosser,' Andrew Busch said. 'I can't handle you, I know that, I found that out. I wish to God I could, and Nero Wolfe too. You lousy rat.' He started for the door, not the one to the outer hall, the one where Miss Cox was standing.

'Wrong number,' I said. 'I didn't know who I was shoving. We don't owe you anything; we're working for Elma Vassos.' He had turned and I had approached. 'As for my being with Miss Cox, I wanted to have a look around and someone had to let me in. That's why I'm here. As I asked you once before, why are you here?'

'Go to hell. I think you're a damn liar and a rat.'

'You're wrong, but I can't right you now. Of course you were looking for something, and if you found it I want to know what it is. I'm going over you. As you say, you can't handle me, but that's no disgrace. I'm bigger and stronger, and you're an office manager and I'm a pro. Stand still, please.' I moved behind him.

I frisked him. Since he hadn't been expecting visitors it wasn't necessary to have him take off his shoes, but I made sure that he had no paper or other object on him that he might have found in that room. He didn't. Miss Cox had moved away from the door and stood and watched, saying nothing. Busch stood stiff, stiff as stone. When I stepped back and said, 'Okay, I guess you hadn't found it,' he walked to the door, the inner one, and on out, without a word.

I looked around. Everything seemed to be in order; not even a drawer or a file was standing open. It was an ordinary executive office, nothing special, except that most of one wall was lined with filing cabinets. There was no hunk of polished petrified wood on the desk; it was probably still at the police laboratory. I went to the door Busch had left by, crossed the sill, turned right, stepped nine paces to a door on the right, turned through it, and was in the reception room. Miss Cox was at my heels. Facing me was the door to the outer hall with MERCER'S BOBBINS, INC. on it. To the right of it were chairs. The wall on the left was lined with shelves displaying Mercer's Bobbins products. Near the corner at the right were a desk and a switchboard. On the chair nearest the door was Andrew Busch, sitting straight and stiff, his palms on his knees.

'I'm an officer of this corporation,' he said. 'I belong here. You don't.'

I couldn't dispute that, so I ignored it and turned to Miss Cox. 'That's your desk?'

'Yes.'

'Where are Mercer's and Busch's rooms?'

She showed me, and I went for a look. It was like this: When you entered the reception room from the outer hall the desk and switchboard were near the far left corner, and at the far right corner was the door into the inner hall. Passing through that door, if you turned left you went down a short stretch of hall with only one door in it, Ashby's, on the left; if you went straight ahead you were in a longer hall with a window at the end, and you came to Mercer's door first, on the left, and then Busch's door farther on, on the right. So, as Miss Cox had said, she could see none of the doors from her desk. Another habit a detective forms is looking in drawers and cupboards and closets, on the principle that you sometimes find things you're not even looking for, and I would have pottered around a little in Mercer's and Busch's rooms, and Ashby's too, if Miss Cox hadn't been tagging along. I made a rough plan of the layout on a sheet of paper she furnished on request, folded it and put it in my pocket, and went to the chair where I had put my hat and coat.

'Just a minute,' Andrew Busch said. He stood up. 'Now I'm going to search you.'

'I'll be damned. You are?'

'I am. If you're taking something I want to know what it is.'

'Good for you.' I dropped my coat on the chair. 'I'll make a deal. Tell me what you were after in Ashby's room and I'll let you finger me if you don't tickle.'

'I don't know. I was going through his files. I thought I might find something that would give me an idea who killed him. I'm for Elma Vassos, and I think you're lying when you say you are. You came here with her.' He aimed a finger at Frances Cox. 'She's a liar too. She lied to the police.'

'Can you prove it?'

'No. But I know her.'

'Watch it. She'll sue you for slander. Did you find anything helpful in Ashby's files?'

'No.'

'Since you're an officer of the corporation, why did you scoot to the hall when you heard footsteps?'

'Because I thought it was her. I was coming back in this way and see what she was up to.'

'Okay. You're wrong about Nero Wolfe and me, but time will tell. Frisking me will be easier with my hands up.' I put them up. 'If you tickle, the deal's off.'

He wasn't as clumsy as you would expect, and he didn't miss a pocket. He even flipped through my notebook. With some practice he would have made a good dipper. When he was through he said all right and returned to his chair and I put on my coat and went to the door; and there was Miss Cox with her coat and stole on. Evidently she was seeing me out of the building. Not a word had passed between her and Busch since she had said, 'Oh, it's you,' and no more than necessary between her and me. I opened the door and followed her through, and at the elevator she pressed the button, touched my sleeve with fingertips, and said, 'I'm thirsty,' in a voice I hadn't thought she had in her. It was unquestionably a come-on.

'Have a heart,' I said. 'First Busch is suddenly a bulldog, and now you're suddenly a siren. I'm being crowded.'

'Not you.' The same voice. 'I'm no siren. It's just that I've realized what you're like-or what you may be like. I'm curious, and when a girl's curious& I only said I'm thirsty. Aren't you?'

I put a fingertip under her nice chin, tilted her head back, and took in her eyes. 'Panting,' I said, and the elevator came.

An hour and ten minutes later, at a corner table at Charley's Grill, I decided I had wasted seven dollars of Wolfe's money, including tip. Her take-off had been fine, but she hadn't maintained altitude. After only a couple of sips of the first drink she had said, 'What was that about asking Andy Busch once before why he was here'Where'I didn't know you had met.' I don't mind being foxed by an expert, it's how you learn; but that was an insult. I hung on, quenching her thirst with Wolfe's money and no expense account for a client's bill, as long as there was a chance of getting something useful out of her, and then put her in a taxi and gave my lungs a dose of fresh cold December air by walking home. It was eleven-thirty as I mounted the seven steps of the stoop; Wolfe would probably be in bed.

He wasn't. There were voices in the office as I put my coat and hat on the rack-voices I recognized, and the click of my typewriter. I proceeded down the hall and entered. Wolfe was at his desk. Elma was at my desk, typing. Saul Panzer was in the red leather chair, and Fred Durkin was in one of the yellow ones. I stood. No one had a glance for me. Wolfe was speaking.

'& but the sooner the better, naturally. It must be conclusive enough for me, and through me for the police, but not necessarily for a judge and jury. You will phone every hour or so whether or not you have got anything; one of you may need the other. Archie will be out much of the day; he will be with Miss Vassos arranging for the burial of her father and attending to it; but the usual restrictions regarding nine to eleven in the morning and four to six in the afternoon will not apply. Call as soon as you have something to report. I want to settle this matter as soon as possible. Whatever you must disburse can't be helped, but it will be my money; it will not be billed to anyone. Have that in mind. Archie. Give them each five hundred dollars.'

As I went and opened the safe and pulled out the cash reserve drawer I was remarking to myself that that sounded more lavish than it actually was, since it would be deductible as a business expense. Even if they shelled it all out the net loss would be less than two Cs of the grand. Of course there would also be their pay-ten dollars an hour for Saul Panzer, the best free-lance operative this side of outer space, and seven-fifty an hour for Fred Durkin, who wasn't in Saul's class but was way above average.

By the time I had it counted, in used fives, tens, and twenties, Saul and Fred were on their feet, ready to go, the briefing apparently finished. As I handed them the lettuce I told Wolfe I had a sketch of the Mercer's Bobbins office if that would help them, and he said it wouldn't. I said it might be useful for them to know that I had found Andrew Busch in Ashby's room, hoping, according to him, to find something that would give him an idea about who killed Ashby, and Wolfe said it wasn't. Evidently I had nothing to contribute except my services as an escort for Saul and Fred to the door, opening it, and closing it after them, which I supplied, with appropriate exchanges between old friends and colleagues. When I returned to the office, Wolfe was out of his chair but Elma was still at the typewriter. I handed him the sketch, and he looked it over.

He handed it back. 'Satisfactory. Who let you in?'

'Miss Cox. Shall I report, or have you gone on ahead with Saul and Fred?'

'Report.'

I did so, and he listened, but when I had finished he merely nodded. No questions. He told me Miss Vassos was typing the substance of a conversation she had had with him, said good night, and went out to his elevator. Elma turned to say she was nearly through and did I want to read it, and I took it and sat in the red leather chair. It was four pages, double-spaced, not margined my way, but nice and clean, no erasing or exing out, and it was all about her father-or rather, what her father had told her at various times about his customers at Mercer's Bobbins, and one who hadn't been a customer, Frances Cox. Apparently he had told her a lot, part fact and part opinion.

DENNIS ASHBY. Pete hadn't thought much of him except as a steady source of a dollar and a quarter a week. When Elma had told him that Ashby was responsible for pulling the firm out of the hole it had been in, Pete had said maybe he had been lucky. I have already reported his reaction when Elma told him that Ashby had asked her to dinner and a show, and now add that he said that if she got into trouble with such a man as Ashby she was no daughter of his anyway.

JOHN MERCER. Not as steady a customer as Ashby, since he spent part of his days at the factory in Jersey, but Pete was all for him. A gentleman and a real American. However, Elma said, her father had been very grateful to Mercer because he had given her a good job just because Pete asked him to.

ANDREW BUSCH. Pete's verdict on Busch had varied from week to week. Before Elma had started to work there he had- But what's the use'This was what Elma saw fit to report of what her father had said about a man who had asked her to marry him just yesterday. That affects a girl's attitude. What she had put in was probably straight enough, but what had she left out'

Other books

I Hate Rules! by Nancy Krulik
Bet Me (Finding My Way) by Burnett, R.S
Soulbound by Kristen Callihan
The Arrangement by Mary Balogh
Blue Wolf In Green Fire by Joseph Heywood
Sheikh's Possession by Sophia Lynn
Everything She Forgot by Lisa Ballantyne
A La Carte by Tanita S. Davis