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Authors: Liz Curtis Higgs

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The evocative image of Cairnholy on the back cover was captured
by Allen Wright, a gifted photographer whose Galloway calendars decorate my writing study. You’ll find more of his work at
www.LyricalScotland.co.uk
.

I wouldn’t dream of writing a Scottish novel without the help of Benny Gillies—bookseller, cartographer, proofreader, and friend—who, along with his wonderful wife, Lyn, welcomed me into his Kirkpatrick-Durham home and shop, fed me magnificently, and sent me home with my suitcase packed with books. Visit his bookshop online at
www.bennygillies.co.uk
. Benny informed me that in all his years in Galloway he had never seen the northern lights. But since Jacob of old saw angels in the heavens, I thought Jamie miraculously seeing the merry dancers in Galloway was only fitting. Then, just weeks before this novel went to print, Benny had his first sighting!

For my sheepish scenes, I am indebted to Tony Dempster of Castlehill Farm near Lockerbie and Barbara Wiedenbeck of Sonsie Farm, who, along with Benny Gillies, made certain my lambs were properly cared for. Ian Niall’s
The Galloway Shepherd
(1970) was also a fine resource. Since I’m no more adept at fishing than I am at herding sheep, I’m thankful to have found a recent reprint of Izaak Walton’s
The Compleat Angler
(1653) and am especially glad to count fisherman Stephen Tweed among my helpful friends. Ginia Hairston kindly offered her horse sense, for which Walloch and Hastings neigh their appreciation. Bill Holland, the minister for New Abbey parish, and his dear wife, Helen, made me feel at home in the manse parlor not once but
three
times over the years, offering valuable historic information with a plateful of fine Galloway cheeses and crisp oatcakes.

Tromping about the old kirk at Anwoth, I met Carrie Peto, who owns both the newer church next door—built in 1826 and only recently vacated—and the former manse. Not only did this generous woman give me a tour of the sanctuary, but she also put me in touch with Mrs. Katharine McCulloch, who lives in “the Big House,” as they say in the UK. Her famous family’s ties to Anwoth parish go back at least six centuries. A timeless treasure, Mrs. McCulloch.

More helpful information awaited me when I reached the old Ferrytown of Cree. Heartfelt thanks go to Rosemarie Stephenson at the Gem
Rock Museum and my trio of experts at the Creetown Heritage Museum and Exhibition Centre—Andrew Macdonald, Val Johnson, and John Cutland, local historian and author of
The Story of Ferrytown of Cree and Kirkmabreck Parish.
These folk are the true gems of Creetown. I pray they will forgive me for having the bridge over the Moneypool Burn collapse twenty years after the fact—1790, rather than 1770—though I’m told it was 1809 before the span was fully restored.

Why not join me on a virtual tour of the Scottish countryside featured in
Whence Came a Prince
, including all the kirks where Rose deposits her pilfered coins, by visiting my Web site:
www.LizCurtisHiggs.com
. You’ll also find a free Bible study guide examining the source material on which this novel was based—Genesis 31–33, 35—as well as a listing of my Scottish resource books, additional historical notes, readers’ comments, links to my favorite Scottish Web sites, a discography of Celtic music and soundtracks that inspire me as I write, and some delicious Scottish recipes.

Few things delight me more than staying in touch with readers. If you would enjoy receiving my free newsletter,
The Graceful Heart,
printed and mailed just once a year, or would like a free bookplate for this novel, please contact me by post:

Liz Curtis Higgs
P.O. Box 43577
Louisville, KY 40253-0577

Or visit my Web site:

Thanks to your support, many more Scottish historical novels are in progress. Do join me on the misty isle of Arran for Davina’s story in
Grace in Thine Eyes
, coming to stores in spring 2006. Until then, dear reader, you are a blissin!

Whence Came a Prince

R
EADER’S
G
UIDE

Books should to one of these four ends conduce,
For wisdom, piety, delight, or use.

S
IR
J
OHN
D
ENHAM

  1. Though Jamie McKie appears on the cover, Leana McBride begins our story. What are your hopes for Leana by the end of the first chapter of
    Whence Came a Prince
    ? And by the end of the tenth chapter? How might this story have unfolded if Leana had remained at Auchengray all along, rather than fleeing to Twyneholm? What if she’d stayed at Burnside Cottage instead of going home?
  2. Though Jamie McKie’s affections are captured first by one sister, then by the other, he takes his time shifting allegiances. Do you sympathize with his struggles or find him fickle? Does Leana’s written entreaty—“Love my sister”—justify his actions? How would you explain Jamie’s turning his heart toward Rose once more?
  3. Though wee Ian can only babble and wave his arms about, he is integral to this family’s story. How would you describe Leana’s relationship with her son? What of Rose’s bond with Ian? And Jamie’s, father to son? Did you find yourself wanting to care for Ian—or perhaps for your own child—while reading
    Whence Came a Prince
    ? At what points in the story did your mothering urges surface?
  4. How do marriage and impending motherhood help Rose mature? Leana tells her, “ ’Tis Jamie’s love for you and yours for him that make you fearless.” Do you agree? What else might make Rose fearless? If you’ve read
    Fair Is the Rose
    , how have your feelings toward her changed after reading this novel? From your viewpoint does Rose become a true heroine at the last?
  5. In what way is Rose like her father, and how is she different? If Rose were
    your
    daughter, how might you have counseled her at the pivotal moment she is alone in the spence with Lachlan’s money box? What do you think of Rose’s solution for distributing the stolen gold? What would you have done with it? How might things have been different if Rose had told Jamie from the beginning?
  6. The epigraphs that begin each chapter are meant to link the previous scene with the current one or to hint at what’s to come. In what ways do Sir Walter Scott’s words at the start of
    chapter 42
    epitomize Jamie’s dilemma? Choose an epigraph that you especially like. How does that quote foreshadow the scene it introduces?
  7. True to this period in Scottish history, religion plays a major role in the day-to-day lives of these Lowlanders. How would you define Leana’s relationship with God? What of Jamie’s faith? and Rose’s? Which one of the three most closely parallels your own spiritual journey? God promises, “I will not fail thee, nor forsake thee.” What evidence do you find of his steadfastness in this story?
  8. Throughout much of the novel Leana finds herself in a very difficult situation, offering her sister loving support even as she, too, carries Jamie’s child. How would you characterize Leana—a role model? a martyr? a righteous woman? a fool? Do you empathize with her plight? What other options appropriate to the late eighteenth century might Leana have explored?
  9. Scottish folklore is replete with kelpies—water spirits that assume the form of a horse. John Mactaggart, in his
    Scottish Gallovidian Encyclopedia
    (1824), calls them “evil-disposed beings of the supernatural stamp.” On that fateful night in Moneypool Burn, was Jamie indeed wrestling with a kelpie? with mud and sand? with God? with his brother? with himself? How did the experience change him, and why?
  10. Were you prepared for the story to take a tragic turn in Monnigaff? What feelings did those scenes with Rose evoke? Was anyone truly
    at fault for what happened? Did the emotional aftermath ring true to your own life experiences?
  11. How would you define Jamie’s character at the start of this novel? Through his trials and tests in Gatehouse of Fleet, Ferrytown of Cree, and Monnigaff? And at the end of the story in Glentrool? Jamie sees in his wife’s eyes “a love he would spend the rest of his life trying to deserve.” Does Jamie in fact deserve her love? When all is said and done, has Jamie McKie earned the title of “prince,” of hero?
  12. This reader’s guide opens with a quote from Sir John Denham, an Irish poet of the seventeenth century. Do you agree that books should lead to one of four ends: wisdom, piety, delight, or use? In reading
    Whence Came a Prince
    , what wisdom did you glean? Was there anything of spiritual significance for you? What engaged you most in the story? And how might you apply the lessons you’ve learned? If you were describing this series of three novels to a friend who enjoys fiction, what would you tell her?
Scots Glossary

a
’—all

aboot
—about

aflocht
—in a flutter, agitated

aften
—often

ain
—own

amang
—among

ane
—one

anither
—another

auld
—old

awa
—away, distant

ba
—handful of coins tossed after wedding

bairn
—child

baith
—both

baloo
—used to hush a child to sleep

bauld
—bold

bethankit!
—God be thanked!

bien
—good, pleasant, comfortable

birk
—birch

birsie
—hairy, hot-tempered

bittie
—small piece

blaw
—blow

blether
—jabber, gossip

blissin
—blessing

blithesome
—cheerful

bogle
—ghost, specter

bothy
—small cottage

bowsome
—compliant, obedient

brae
—hill, slope

brainwode
—mad, insane

braisant
—shameless

braw
—fine, handsome

bridie
—pasties made with meat

brig
—bridge

brither
—brother

broo
—broth, soup

broon
—brown

Buik
—the Bible

burn
—brook, stream

byre
—cowshed

bystart
—bastard

cabbieclaw
—a dish of salt cod

campie
—bold, brave

cantie
—lively, cheerful, pleasant

cantrip
—charm, magic, trick

clack
—gossip, idle chatter

cleck
—conceive

cliver
—clever, quick

collieshangle
—disturbance, dogfight

compear
—appear before congregation for rebuke

coo
—cow

crabbit
—in a bad temper, cross

creepie
—low chair, footstool

cryin siller
—coins required for the marriage banns to be read

cutty stool
—stool of repentance

dashelt
—battered

daurk
—dark

deid
—dead

deid licht
—strange light that foretells death

de’il
—devil

dochter
—daughter

dominie
—schoolmaster, teacher

doocot
—dovecote

doon
—down

douce
—amiable, sweet

dout
—doubt

dowly
—sad, doleful

dreich
—bleak, dismal

dry stane dyke
—stone fence without mortar

dwiny
—wasting away, failing in health

eldritch
—mysterious, unearthly

ell
—a linear measure, just over a yard

Embrough
—Edinburgh

etin
—a giant

fairing
—a present from a fair

faither
—father

farle
—segment of baked goods

fash
—worry, trouble, vex

fauchie
—sickly-looking

fause
—counterfeit, false

fee
—engage, hire

ferlie
—superb, wonderful

fleg
—frighten, scare

flindrikin
—flirtatious

flit
—move one’s household

flooer
—flower

foord
—ford, as a river

forby
—besides, furthermore

fowk
—folk

frae
—from

freen
—friend

fremmit
—an outsider, a stranger

freshening
—cool, refreshing, healthy

frichtsome
—frightening

fu’
—full

gaberlunzie
—beggar

gairden
—garden

gane
—gone

gentrice
—gentry

gie—
give

girdle
—griddle for cooking

glaumshach
—greedy, grasping

glessie
—toffee

glib-gabbit
—gossipy

goud
—gold

goun
—gown

gracie
—devout, virtuous

granbairn
—grandchild

granmither
—grandmother

green
—young, youthful

gruntie
—pig

guid
—good

gustie
—savory, tasty

halfgone
—the middle period of pregnancy

halie
—holy

hame
—home

hatesome
—hateful

haud
—hold, keep

haud yer wheesht
—hold your tongue

heartsome
—merry

heidie
—headstrong, impetuous

heirship
—inheritance

heiven
—heaven

herd
—shepherd

het
—hot

hind
—farmworker

hindberry
—raspberry

hizzie
—hussy

hochmagandy
—fornication

hoose
—house

hough
—hock; hind-leg joint of meat

howdie
—midwife

hunder
—hundred

hurlie
—trundle, move about on wheels

ilka
—each, every

ill-deedie
—mischievous, wicked

ill-fashioned
—ill mannered

ill-faured
—ugly, unattractive

ill-gotten
—illegitimate

ill-kindit
—cruel, inhuman

ill-scrapit
—rude, bitter

in trowth
—indeed! upon my word!

ither
—other

itherwise
—otherwise

jalouse
—imagine, presume, deduce

keel
—means of marking sheep for identification

kell
—headdress worn by a young, unmarried woman

kelpie
—a water demon

ken
—to know, recognize

kenspeckle
—conspicuous, familiar

kimmer
—godmother

kintra
—of the country, rustic

kirkin
—first appearance at kirk

kist
—chest, coffin

kittlie
—itchy, sensitive

kye
—cow(s)

lanelie
—lonely

lang
—long

leuk
—look

licht
—light

limmer
—prostitute

loosome
—lovely

lowpin-on stane
—leaping-on stone, used to mount a horse or a carriage

luve
—love

lykewake
—vigil kept over corpse

mainnerlie
—mannerly

mair
—more

maun
—must

mebbe
—maybe, perhaps

meikle
—great, much

mem
—madam

mercat
—market

merry dancers
—northern lights

mither
—mother

mony
—many

morn’s morn
—tomorrow morning

mort-cloth
—a pall covering a coffin

mote
—a mound, an embankment

naither
—neither

neep
—turnip

nicht
—night

niver
—never

noo
—now

noony
—late morning meal

och!
—oh!

onie
—any

oniething
—anything

oniewise
—anyway, anywhere

oo aye!

yes
! (from the French
oui
)

oot
—out

orraman
—odd-jobs man

Pasch
—Easter

pensie
—pompous, self-important

plenishing
—goods, provisions

plumpshower
—heavy downpour of rain

posy
—term of endearment for a child

praisent
—present, gift

pu’
—pull

puir
—poor

purpie
—purslane, an herb

quaich
—shallow drinking cup with handles

quate
—quiet

raik
—a journey, a trip

reiver
—robber, thief

richt
—right, authentic

run-line
—psalm sung one line at a time

sae
—so

saicret
—secret

sair
—sore

sairlie
—sorely

sark
—shirt

scaur-craw
—scarecrow

scoonrel
—scoundrel

shiel
—shield

shooglie
—shaky, wobbly

shortsome
—amusing, enjoyable

shullin
—shilling

sic
—such

simmer
—summer

sleekit
—smooth-tongued, deceitful

slitterie
—messy, sloppy

sma’
—small

smeddum
—courage, drive, energy

smirr
—a fine, misty rain

smokies
—smoked haddock

sonsie
—substantial, appealing

speeritie
—energetic, spirited, vivacious

spleet-new
—brand-new

spurtle
—porridge stick

stone
—stone; also a measure of weight

staw
—stole

stayed lass
—an old maid

stramash
—clamor, disturbance, uproar

suin
—soon

sully
—silly

sweetie-wife
—female seller of sweets

swick
—to cheat, swindle, deceive

swickerie
—trickery, deception

syne
—ago, thereafter, since

tablet
—a sweet made of butter and sugar

tae
—to

taigled
—confused, hampered

tairt
—tart, a promiscuous woman

tak
—take

tapsalteerie
—topsy-turvy, upside down

tassie
—cup

tattie
—potato

thar
—there

thegither
—together, concerted

thocht
—thought, believed

thrifite
—money box

tickler
—problem, puzzle

tig
—to tap the hand, as in playing tag

timorsome
—timid, fearful, nervous

tocher
—dowry

tod
—fox

topsman
—lead drover

tup
—a ram

twa
—two

ugsome
—gruesome, horrible

unchancie
—unlucky, dangerous, risky

unco
—strange, eccentric, odd

unheartsome
—sad, melancholy

unweel
—unwell, sickly

verra
—very

waddin
—wedding

walcome
—welcome

wame
—womb

wark
—work

warse
—worse

warslin
—wrestling

waukens
—awakens

weatherful
—stormy

weel
—well

wha
—who

whan
—when

whanever
—whenever

whatsomever
—whatever

whaur
—where

wheesht!
—hush!

wi’
—with

wickit
—wicked

widdershins
—counterclockwise

wi’oot
—without

wird
—word

wud
—wood

wull
—will

wunner
—wonder

wutch
—witch

wyne
—wind, turn

yestermorn
—yesterday morning

yestreen
—yesterday, last night

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