A Good Man Is Hard to Find and Other Stories (6 page)

In a second he began to gasp and sputter and his head reappeared on the surface; he started under again and the same thing happened. The river wouldn't have him. He tried again and came up, choking. This was the way it had been when the preacher held him under—he had had to fight with something that pushed him back in the face. He stopped and thought suddenly: it's another joke, it's just another joke! He thought how far he had come for nothing and he began to hit and splash and kick the filthy river. His feet were already treading on nothing. He gave one low cry of pain and indignation. Then he heard a shout and turned his head and saw something like a giant pig bounding after him, shaking a red and white club and shouting. He plunged under once and this time, the waiting current caught him like a long gentle hand and pulled him swiftly forward and down. For an instant he was overcome with surprise; then since he was moving quickly and knew that he was getting somewhere, all his fury and his fear left him.

Mr. Paradise's head appeared from time to time on the surface of the water. Finally, far downstream, the old man rose like some ancient water monster and stood empty-handed, staring with his dull eyes as far down the river line as he could see.

The old woman and her daughter were sitting on their porch when Mr. Shiftier came up their road for the first time. The old woman slid to the edge of her chair and leaned forward, shading her eyes from the piercing sunset with her hand. The daughter could not see far in front of her and continued to play with her fingers. Although the old woman lived in this desolate spot with only her daughter and she had never seen Mr. Shiftier before, she could tell, even from a distance, that he was a tramp and no one to be afraid of. His left coat sleeve was folded up to show there was only half an arm in it and his gaunt figure listed slightly to the side as if the breeze were pushing him. He had on a black town suit and a brown felt hat that was turned up in the front and down in the back and he carried a tin tool box by a handle. He came on, at an amble, up her road, his face turned toward the sun which appeared to be balancing itself on the peak of a small mountain.

The old woman didn't change her position until he was almost into her yard; then she rose with one hand fisted on her hip. The daughter, a large girl in a short blue organdy dress, saw him all at once and jumped up and began to stamp and point and make excited speechless sounds.

Mr. Shiftlet stopped just inside the yard and set his box on the ground and tipped his hat at her as if she were not in the least afflicted; then he turned toward the old woman and swung the hat all the way off. He had long black slick hair that hung flat from a part in the middle to beyond the tips of his ears on either side. His face descended in forehead for more than half its length and ended suddenly with his features just balanced over a jutting steel-trap jaw. He seemed to be a young man but he had a look of composed dissatisfaction as if he understood life thoroughly.

"Good evening," the old woman said. She was about the size of a cedar fence post and she had a man's gray hat pulled down low over her head.

The tramp stood looking at her and didn't answer. He turned his back and faced the sunset. He swung both his whole and his short arm up slowly so that they indicated an expanse of sky and his figure formed a crooked cross. The old woman watched him with her arms folded across her chest as if she were the owner of the sun, and the daughter watched, her head thrust forward and her fat helpless hands hanging at the wrists. She had long pink-gold hair and eyes as blue as a peacock's neck.

He held the pose for almost fifty seconds and then he picked up his box and came on to the porch and dropped down on the bottom step. "Lady," he said in a firm nasal voice, "I'd give a fortune to live where I could see me a sun do that every evening."

"Does it every evening," the old woman said and sat back down. The daughter sat down too and watched him with a cautious sly look as if he were a bird that had come up very close. He leaned to one side, rooting in his pants pocket, and in a second he brought out a package of chewing gum and offered her a piece. She took it and unpeeled it and began to chew without taking her eyes off him. He offered the old woman a piece but she only raised her upper lip to indicate she had no teeth.

Mr. Shiftlet's pale sharp glance had already passed over everything in the yard—the pump near the corner of the house and the big fig tree that three or four chickens were preparing to roost in—and had moved to a shed where he saw the square rusted back of an automobile. "You ladies drive?" he asked.

"That car ain't run in fifteen year," the old woman said. "The day my husband died, it quit running."

"Nothing is like it used to be, lady," he said. "The world is almost rotten."

"That's right," the old woman said. "You from around here?"

"Name Tom T. Shiftlet," he murmured, looking at the tires.

"I'm pleased to meet you," the old woman said. "Name Lucynell Crater and daughter Lucynell Crater. What you doing around here, Mr. Shiftlet?"

He judged the car to be about a 1928 or '29 Ford. "Lady," he said, and turned and gave her his full attention, "lemme tell you something. There's one of these doctors in Atlanta that's taken a knife and cut the human heart—the human heart," he repeated, leaning forward, "out of a man's chest and held it in his hand," and he held his hand out, palm up, as if it were slightly weighted with the human heart, "and studied it like it was a day-old chicken, and lady," he said, allowing a long significant pause in which his head slid forward and his clay-colored eyes brightened, "he don't know no more about it than you or me."

"That's right," the old woman said.

"Why, if he was to take that knife and cut into every corner of it, he still wouldn't know no more than you or me. What you want to bet?"

"Nothing," the old woman said wisely. "Where you come from, Mr. Shiftlet?"

He didn't answer. He reached into his pocket and brought out a sack of tobacco and a package of cigarette papers and rolled himself a cigarette, expertly with one hand, and attached it in a hanging position to his upper lip. Then he took a box of wooden matches from his pocket and struck one on his shoe. He held the burning match as if he were studying the mystery of flame while it traveled dangerously toward his skin. The daughter began to make loud noises and to point to his hand and shake her finger at him, but when the flame was just before touching him, he leaned down with his hand cupped over it as if he were going to set fire to his nose and lit the cigarette.

He flipped away the dead match and blew a stream of gray into the evening. A sly look came over his face. "Lady," he said, "nowadays, people'll do anything anyways. I can tell you my name is Tom T. Shiftlet and I came from Tarwater, Tennessee, but you never have seen me before: how you know I ain't lying? How you know my name ain't Aaron Sparks, lady, and I come from Singleberry, Georgia, or how you know it's not George Speeds and I come from Lucy, Alabama, or how you know I ain't Thompson Bright from Toolafalls, Mississippi?"

"I don't know nothing about you," the old woman muttered, irked.

"Lady," he said, "people don't care how they lie. Maybe the best I can tell you is, I'm a man; but listen lady," he said and paused and made his tone more ominous still, "what is a man?"

The old woman began to gum a seed. "What you carry in that tin box, Mr. Shiftlet?" she asked.

"Tools," he said, put back. "I'm a carpenter."

"Well, if you come out here to work, I'll be able to feed you and give you a place to sleep but I can't pay. I'll tell you that before you begin," she said.

There was no answer at once and no particular expression on his face. He leaned back against the two-by-four that helped support the porch roof. "Lady," he said slowly, "there's some men that some things mean more to them than money." The old woman rocked without comment and the daughter watched the trigger that moved up and down in his neck. He told the old woman then that all most people were interested in was money, but he asked what a man was made for. He asked her if a man was made for money, or what. He asked her what she thought she was made for but she didn't answer, she only sat rocking and wondered if a one-armed man could put a new roof on her garden house. He asked a lot of questions that she didn't answer. He told her that he was twenty-eight years old and had lived a varied life. He had been a gospel singer, a foreman on the railroad, an assistant in an undertaking parlor, and he had come over the radio for three months with Uncle Roy and his Red Creek Wranglers. He said he had fought and bled in the Arm Service of his country and visited every foreign land and that everywhere he had seen people that didn't care if they did a thing one way or another. He said he hadn't been raised thataway.

A fat yellow moon appeared in the branches of the fig tree as if it were going to roost there with the chickens. He said that a man had to escape to the country to see the world whole and that he wished he lived in a desolate place like this where he could see the sun go down every evening like God made it to do.

"Are you married or are you single?" the old woman asked.

There was a long silence. "Lady," he asked finally, "where would you find you an innocent woman today? I wouldn't have any of this trash I could just pick up."

The daughter was leaning very far down, hanging her head almost between her knees, watching him through a triangular door she had made in her overturned hair; and she suddenly fell in a heap on the floor and began to whimper. Mr. Shiftlet straightened her out and helped her get back in the chair.

"Is she your baby girl?" he asked.

"My only," the old woman said, "and she's the sweetest girl in the world. I wouldn't give her up for nothing on earth. She's smart too. She can sweep the floor, cook, wash, feed the chickens, and hoe. I wouldn't give her up for a casket of jewels."

"No," he said kindly, "don't ever let any man take her away from you."

"Any man come after her," the old woman said, "'11 have to stay around the place."

Mr. Shiftlet's eye in the darkness was focused on a part of the automobile bumper that glittered in the distance. "Lady," he said, jerking his short arm up as if he could point with it to her house and yard and pump, "there ain't a broken thing on this plantation that I couldn't fix for you, one-arm jackleg or not. I'm a man," he said with a sullen dignity, "even if I ain't a whole one. I got," he said, tapping his knuckles on the floor to emphasize the immensity of what he was going to say, "a moral intelligence!" and his face pierced out of the darkness into a shaft of doorlight and he stared at her as if he were astonished himself at this impossible truth.

The old woman was not impressed with the phrase. "I told you you could hang around and work for food," she said, "if you don't mind sleeping in that car yonder."

"Why listen, lady," he said with a grin of delight, "the monks of old slept in their coffins!"

"They wasn't as advanced as we are," the old woman said.

The next morning he began on the roof of the garden house while Lucynell, the daughter, sat on a rock and watched him work. He had not been around a week before the change he had made in the place was apparent. He had patched the front and back steps, built a new hog pen, restored a fence, and taught Lucynell, who was completely deaf and had never said a word in her life, to say the word "bird." The big rosy-faced girl followed him everywhere, saying "Burrttddt ddbirrrttdt," and clapping her hands. The old woman watched from a distance, secretly pleased. She was ravenous for a son-in-law.

Mr. Shiftlet slept on the hard narrow back seat of the car with his feet out the side window. He had his razor and a can of water on a crate that served him as a bedside table and he put up a piece of mirror against the back glass and kept his coat neatly on a hanger that he hung over one of the windows.

In the evenings he sat on the steps and talked while the old woman and Lucynell rocked violently in their chairs on either side of him. The old woman's three mountains were black against the dark blue sky and were visited off and on by various planets and by the moon after it had left the chickens. Mr. Shiftlet pointed out that the reason he had improved this plantation was because he had taken a personal interest in it. He said he was even going to make the automobile run.

He had raised the hood and studied the mechanism and he said he could tell that the car had been built in the days when cars were really built. You take now, he said, one man puts in one bolt and another man puts in another bolt and another man puts in another bolt so that it's a man for a bolt. That's why you have to pay so much for a car: you're paying all those men. Now if you didn't have to pay but one man, you could get you a cheaper car and one that had had a personal interest taken in it, and it would be a better car. The old woman agreed with him that this was so.

Mr. Shiftlet said that the trouble with the world was that nobody cared, or stopped and took any trouble. He said he never would have been able to teach Lucynell to say a word if he hadn't cared and stopped long enough.

"Teach her to say something else," the old woman said.

"What you want her to say next?" Mr. Shiftlet asked.

The old woman's smile was broad and toothless and suggestive. "Teach her to say 'sugarpie,'" she said.

Mr. Shiftlet already knew what was on her mind.

The next day he began to tinker with the automobile and that evening he told her that if she would buy a fan belt, he would be able to make the car run.

The old woman said she would give him the money. "You see that girl yonder?" she asked, pointing to Lucynell who was sitting on the floor a foot away, watching him, her eyes blue even in the dark. "If it was ever a man wanted to take her away, I would say, 'No man on earth is going to take that sweet girl of mine away from me!' but if he was to say, 'Lady, I don't want to take her away, I want her right here,' I would say, 'Mister, I don't blame you none. I wouldn't pass up a chance to live in a permanent place and get the sweetest girl in the world myself. You ain't no fool,' I would say."