A Taste for Murder (7 page)
Read A Taste for Murder Online
Authors: Claudia Bishop
Tags: #Fiction, #General, #Mystery & Detective, #Women Detectives, #Women Sleuths, #Cooking, #New York (State), #Unknown, #Cookery, #Historical Reenactments, #Hotels
Mavis waved at the crowd, and spoke in a low voice to Marge.
"Hah? That there's Betty Hall. She's my business partner. No way she could play the part."
Betty, unclear as to the nature of the discussion, clearly heard an insult implicit in Marge's dismissal of her, and said, "What the hell?"
"No," Marge said, again in response to a question from Mavis, "Clarissa's usually played by some girl from the high school. Miss Sarah poison-your-guts Quilliam's supposed to play it this year." She gestured in Quill's direction.
"Marge!" said Esther. "For heaven's sake! This is a private rehearsal. As director, I must insist that your guest wait outside while we finish."
"You've met before?" said Betty icily.
"Met before?" said Mavis breathlessly. "Why, we worked together for this age!"
"Doggone good dogs," said Marge cryptically.
"Doggone good dogs," responded Mavis, and both women went off into gusts of laughter.
"The fast-food chain," said Tom Peterson. "It's out of Syracuse. You wouldn't know this, Quill, but they do quite a bit of recruiting from the high school." He blinked his pale eyes slowly-rather, Quill thought, like a lizard in the sun.
"Yeah," said Norm Pasquale. "Hot dogs and paint are the only jobs our graduates get unless they go to college. It's not like the old days, when all the kids went back to the farm."
"So what's your point, Marge?" said Elmer impatiently.
"Point is that Mavis here is a hell of an actress. She can do this part better'n anyone here."
"Then she'll have to audition," said Esther.
"She din't." Marge threw a large thumb in Quill's direction.
"Yes, she did," said Esther. "I auditioned her. I'm the director, and I say who auditions and who doesn't:"
"Quiet!" said Elmer. "Whyn't you tell us your experience, Ms. Collinwood. What exactly did you do at Doggone Good Dogs?"
John Raintree came into the room and settled unobtrusively! in a chair. Doreen tiptoed in behind him. Quill drummed her fingers in irritation and wondered who else from the staff was coming to watch her debut as an actress.
"Best hot dogs in the South," said Mavis.
"Best in the whole damn country!" said Marge. "Good plain American food."
"I never knew you worked for somebody else before," said Betty Hall stiffly.
"Oh, yeah. Managed a whole chain of 'em down to Atlanta," said Marge. "Mavis was in the Mid-Atlantic region. She was Human Resources Coordinator and - "
"That's just fine, Marge," said Elmer Henry impatiently, "but we've got to get on with this rehearsal."
"Let me finish," said Marge, "and the best damn actress in the whole chain."
"Oh, I don't know about that," said Mavis modestly.
"Do they have actors in fast-food places?" asked Esther, in genuine bewilderment.
"Of course," said Marge scornfully. "We had an employee talent show every year and Mavis got the cash prize every time. Sang "The Doggone Good Dog" theme song. Go on, sing it for' em, Mavis. She done a little dance, too," she said in a helpful aside.
"I don't have my costume or anything." Mavis sent a brilliant smile around the room.
Quill, acutely sympathetic to the agonies of performing in front of crowds, and still somewhat nettled over the "poisoned-guts" remark said, "Honestly, Marge. Let the poor woman sit down," surprising herself. If she kept this up, she could handle a dozen Mrs. Hallenbecks in a week.
"Go on, Mavis," said Marge.
"Well." Mavis cleared her throat and said confidently, "Now, y'all are going to have to do some imagining, and pretend I'm dressed as a hot dog." She winked at Dookie Shuttleworth, whose eyebrows rose in alarm. "The hot dog comes out in front of me, and out back - I'm in the middle of the bun." Then she sang, in a contralto:
"You can slather me with mustard
and a dilly pickle, too. Tickle me with onions,
I'll be doggone good for you.
I'm a plump and juicy red-hot
In a toasted whole wheat bun.
For less than two and fifty
We can have a lot of fun."
She and Marge locked arms and swayed together in
"Hot-Hot-Hot dog
Doggone Doggone good.
Bet you'd love our hot dogs
Anyway you could."
Harvey Bozzel broke the silence. "Could use a leetle bit of editing, but it's good. Pretty good."
"Sing it again," said Gil Gilmeister huskily. "You looked great, Mavis. You, too, Marge."
Mavis tossed her head, and dimpled. Her dangling earrings clicked. She reminded Quill of someone: a chubby Vivien Leigh as Scarlett O'Hara. Quill cleared her throat and stood up. "This is a wonderful opportunity, don't you think? I mean, we practically have a professional right here. We'd be crazy not to take advantage of it. If you don't mind, Mavis, I think you'd make a wonderful Clarissa."
"We voted on Quill and we should stick with her," said Betty Hall. "Some newcomer just swanking on in here, even if she is a famous actress-I don't know how the town is going to feel about that."
"She's not a famous actress, Betty," Esther snapped. "She's a Human Resources Director."
"Whatever." Resentment was in every line of Betty's bowling jacket.
"Marge, you have the best judgment of anybody in the Chamber I know of," said Gil earnestly. "And I think this is a prime example of it."
"We gotta talk about that loan, Gil," said Marge jovially. "What d'ya think?"
"I move to have Mavis Collin wood take on the role of Clarissa in the History Days play," said Quill immediately. She ignored Myles's sardonic grin with the restrained dignity appropriate to an innkeeper rescued from public humiliation at the last minute.
"Second," said Gil.
Elmer called for a vote. Esther and Betty abstained, with what Quill identified as darkling glances, but the motion passed. Quill entertained a fleeting thought about the efficacy of Doreen's new commitment to prayer; she decided she was inclined to leniency in the matter of religious fervor. This was much more satisfactory than a tornado.
"I suppose we'll discover just how quick a study you are, Miss Collinwood?" Esther said stiffly. "Come, people, we're running behind schedule. Everybody at the pond in ten minutes."
Quill stopped John in the hall during the general exodus. "Do your plans include watching the rehearsal?"
He smiled faintly. "Not if you're a member of the audience rather than the cast."
"Thank you so much."
He glanced at her out of the comer of his eye. "Did you talk to the widows?"
"Yes."
"Is Myles going to continue with the background checks?"
"I'm not sure. John, Mrs. Hallenbeck's sitting by herself by the fireplace." Quill looked back at the chattering crowd leaving the Inn. Mavis, expansive, was in the center. "I'll just speak to her."
She crossed the lobby and sat next to Mrs. Hallenbeck. "Did you get a chance to walk in the gardens today, Mrs. Hallenbeck?"
"Not yet. Mavis and I were going to go this afternoon, but she appears to be busy. Perhaps we'll go tomorrow."
She folded her hands. "I'll wait until she is finished with her friends. The old are boring to you youngsters."
Quill was quiet a moment. It was pathetic, this small confession. "Would you like to walk down to the rehearsal with me? Only part of the cast will be in costume, but it might be kind of fun. I can't stay for the whole thing, but you're more than welcome to. There's always a crowd watching. Mostly townspeople."
"I'd like that very much."
It was one of those July afternoons that made Quill glad to be in Central New York in summer. The sky was a Breughel-blue, the sun a clear glancing light that made Quill's hands itch for her acrylics. As they came to the edge of the Falls Park and the small man-made pond that had been formed from the river water, Edward Lancashire picked his way over the grass to them.
"I'd call this a paintable day," he said by way of greeting.
"Do you paint, Sarah?" asked Mrs. Hallenbeck.
"I used to. Not much anymore."
"She was becoming quite well-known when she quit," said Lancashire. His dark eyes narrowed against the bright sun, he smiled down at Quill.
"A painter," said Mrs. Hallenbeck with satisfaction. "I knew you were quite out of the ordinary, my dear. I should like to see your work."
"My sister's work is more impressive," said Quill. "Are you finding the food to your liking, Mr. Lancashire?"
"Call me Edward. And the food's terrific."
"And what do you do?" asked Mrs. Hallenbeck.
"Oh. Reporting, mostly," he said vaguely. "What's going on down there?"
"This is the part of the play that's the witch test."
"The witch test?"
"Yes. When a person was accused of witchcraft, there was sort of a preliminary cut made of witches and non-witches. A real witch could swim. Innocent victims couldn't. So many American villages used the ducking stool as a test. The real witches swam to shore and were tried and convicted at a later trial."
"And the innocent victims?" asked Mrs. Hallenbeck.
"Drowned," said Quill.
"My goodness!" With a certain degree of ceremony, Mrs. Hallenbeck took a pair of glasses from her purse, fitted them on carefully, and peered at the makeshift stage by the ducking stool.
With the steadily increasing popularity of Hemlock History Week, the town had turned the area adjacent to the ducking pond into a twenty-acre municipal park some years before. An asphalt parking lot lay at the north edge, and half a dozen picnic tables surrounded the pavilion. The pavilion itself consisted of a large bandstand surrounded by enough wooden benches to seat two hundred spectators. The entire park fronted the Hemlock River; the Falls that formed such a unique backdrop to Meg and Quill's inn rushed gently into the river at the south of the park. The ducking pond was edged with concrete. A sluiceway was lowered to fill the pond in spring, and lifted to empty it in winter. A ten-foot fence of treated lumber stood at right angles to the pond's edge, where Harland Peterson parked his ancient John Deere farm tractor every year to power the ducking stool into the water. A chorus of cheers greeted him as the John Deere chugged into place behind the fence. He hopped out of the cab, waved his baseball hat to the crowd, and began hooking the ropes attached to the ducking stool to the metal arms on the front loader.
"That thing is old," Edward observed. "Fifty-six or fifty-seven at least."
"The Petersons are pretty thrifty," said Quill. She avoided Mrs. Hallenbeck's eye. Harland jumped back into the cab and raced the motor. Belching black smoke, the tractor jerked the front loader aloft. The ducking stool dangled freely in the breeze from the river.
"I thought a ducking stool was sort of a teeter-totter," said Edward. "The judge or whoever sat on one end, the accused witch on the other, and then the judge got up."
"Yes," said Quill.
"That's a lot simpler than using a tractor, isn't it?"
"Yes," said Quill. "So why..."
"Harland Peterson wanted to be part of the play. But he refused to dress up in a costume."
"And!"
"The Petersons have owned most of the town for generations. See that nice house there, over by the pavilion? Tom Peterson lives there. He's Harland's cousin. Harland donated the land for the park. And he owns a tractor."
"Ah." A look of ineffable pleasure crossed Edward's face. "I'm going to enjoy this."
Howie Murchison, Tom Peterson, and Elmer Henry ranged themselves in front of the stool. Esther dragged Mavis unceremoniously in front of them, shoved her head forward into a bowed and penitent attitude, then spoke earnestly to her. She stepped back, raised both arms, and dropped them.
"Take One!" she shouted.
"Are they filming this?" said Edward.
"Oh, no," said Quill cheerfully. "Esther sent away for a PBS videotape on directors' techniques. The Chamber argued for months about paying for it."
"Did they pay?" asked Edward, clearly fascinated.
"No. Marge said she'd tell Esther what to do for free."
"I ACCUSE!" roared Elmer Henry suddenly.
Mrs. Hallenbeck jumped.
"It's just the play," said Quill. "There's a whole bunch of `accuses.' "
"I ACCUSE GOODY MARTIN OF THESE WILLFUL AND SATANIC ACTS !" Elmer hollered again. "THE DEATH ! OF MY GOOD MILCH COW! THE SICKENING AND DISEASE OF MY FLOCK OF HENS !"
"Crowd!" demanded Esther authoritatively. "The chorus, please!"
The crowd consisted of the eighteen Chamber members who didn't have major speaking parts. Quill noticed Keith Baumer had insinuated himself into the group.
Mumblings indicated the crowd was confused. Esther circulated briefly, issuing instructions, then stepped aside. "Take Two!"
"I ACCUSE!" roared Elmer, and recounted the death of several chickens, ducks, and sundry hogs.
"Crowd!" shouted Esther imperatively.
"Sink or swim! Sink or swim!" the crowd roared.
Mavis flung her hands over her head and fell to the ground with a thud. "As God is my witness! I'll never be hungry again!" Mavis shrieked dramatically.
Esther threw her script to the ground, hauled Mavis up by the collar of the print dress, and shook her finger in her face. "Take Three!" she said in loud disgust.
Elmer, Tom, and Howie declaimed in turn about the demise of their livestock. The crowd yelled "Sink or swim" until it was hoarse. With a defiant shake of her head at Esther, Mavis prostrated herself in front of her accusers and cried, "As God is my witness... I am innocent!"
"She got the line right this time," said Quill. , The "judge" - Gil in a black cloak, a tricorne hat, and a ruffled shirt - handed Mavis over for trial.
"Of course," Edward observed with a mischievous glance at Quill. "The French costumes. So much more attractive than those staid Pilgrims."
Screaming enthusiastically, Mavis was dragged to the ducking stool, roped in, and swung aloft. The front loader flipped forward, and Mavis slid into the pond. She emerged and swam to shore to loud applause.
"They go to the pavilion and have the trial next," said Quill.
"What happens there?" asked Edward.
"Well, she's tried. Convicted. There's this speech. Elmer comes out from behind the fence with a horse-drawn sledge and she's drawn off on it just long enough to substitute a dummy. The sledge comes back with a hooded dummy on it - they believed witches could hypnotize you to hell with their eyes. There's a procession to the foot of that statue of General Hemlock, and then a bunch of guys lower a barn door onto the dummy and the crowd piles stones on it."
"My goodness!" said Mrs. Hallenbeck. "The violence of these Pilgrims."
"Straight out of a Shirley Jackson story," muttered Edward. Gil, his arm around a laughing Mavis, broke away from the crowd at the pond and headed toward them. Keith Baumer and Marge followed them like hopeful puppies.
"You're soaking wet, Mavis," said Mrs. Hallenbeck. "You should change."
"Hah? That there's Betty Hall. She's my business partner. No way she could play the part."
Betty, unclear as to the nature of the discussion, clearly heard an insult implicit in Marge's dismissal of her, and said, "What the hell?"
"No," Marge said, again in response to a question from Mavis, "Clarissa's usually played by some girl from the high school. Miss Sarah poison-your-guts Quilliam's supposed to play it this year." She gestured in Quill's direction.
"Marge!" said Esther. "For heaven's sake! This is a private rehearsal. As director, I must insist that your guest wait outside while we finish."
"You've met before?" said Betty icily.
"Met before?" said Mavis breathlessly. "Why, we worked together for this age!"
"Doggone good dogs," said Marge cryptically.
"Doggone good dogs," responded Mavis, and both women went off into gusts of laughter.
"The fast-food chain," said Tom Peterson. "It's out of Syracuse. You wouldn't know this, Quill, but they do quite a bit of recruiting from the high school." He blinked his pale eyes slowly-rather, Quill thought, like a lizard in the sun.
"Yeah," said Norm Pasquale. "Hot dogs and paint are the only jobs our graduates get unless they go to college. It's not like the old days, when all the kids went back to the farm."
"So what's your point, Marge?" said Elmer impatiently.
"Point is that Mavis here is a hell of an actress. She can do this part better'n anyone here."
"Then she'll have to audition," said Esther.
"She din't." Marge threw a large thumb in Quill's direction.
"Yes, she did," said Esther. "I auditioned her. I'm the director, and I say who auditions and who doesn't:"
"Quiet!" said Elmer. "Whyn't you tell us your experience, Ms. Collinwood. What exactly did you do at Doggone Good Dogs?"
John Raintree came into the room and settled unobtrusively! in a chair. Doreen tiptoed in behind him. Quill drummed her fingers in irritation and wondered who else from the staff was coming to watch her debut as an actress.
"Best hot dogs in the South," said Mavis.
"Best in the whole damn country!" said Marge. "Good plain American food."
"I never knew you worked for somebody else before," said Betty Hall stiffly.
"Oh, yeah. Managed a whole chain of 'em down to Atlanta," said Marge. "Mavis was in the Mid-Atlantic region. She was Human Resources Coordinator and - "
"That's just fine, Marge," said Elmer Henry impatiently, "but we've got to get on with this rehearsal."
"Let me finish," said Marge, "and the best damn actress in the whole chain."
"Oh, I don't know about that," said Mavis modestly.
"Do they have actors in fast-food places?" asked Esther, in genuine bewilderment.
"Of course," said Marge scornfully. "We had an employee talent show every year and Mavis got the cash prize every time. Sang "The Doggone Good Dog" theme song. Go on, sing it for' em, Mavis. She done a little dance, too," she said in a helpful aside.
"I don't have my costume or anything." Mavis sent a brilliant smile around the room.
Quill, acutely sympathetic to the agonies of performing in front of crowds, and still somewhat nettled over the "poisoned-guts" remark said, "Honestly, Marge. Let the poor woman sit down," surprising herself. If she kept this up, she could handle a dozen Mrs. Hallenbecks in a week.
"Go on, Mavis," said Marge.
"Well." Mavis cleared her throat and said confidently, "Now, y'all are going to have to do some imagining, and pretend I'm dressed as a hot dog." She winked at Dookie Shuttleworth, whose eyebrows rose in alarm. "The hot dog comes out in front of me, and out back - I'm in the middle of the bun." Then she sang, in a contralto:
"You can slather me with mustard
and a dilly pickle, too. Tickle me with onions,
I'll be doggone good for you.
I'm a plump and juicy red-hot
In a toasted whole wheat bun.
For less than two and fifty
We can have a lot of fun."
She and Marge locked arms and swayed together in
"Hot-Hot-Hot dog
Doggone Doggone good.
Bet you'd love our hot dogs
Anyway you could."
Harvey Bozzel broke the silence. "Could use a leetle bit of editing, but it's good. Pretty good."
"Sing it again," said Gil Gilmeister huskily. "You looked great, Mavis. You, too, Marge."
Mavis tossed her head, and dimpled. Her dangling earrings clicked. She reminded Quill of someone: a chubby Vivien Leigh as Scarlett O'Hara. Quill cleared her throat and stood up. "This is a wonderful opportunity, don't you think? I mean, we practically have a professional right here. We'd be crazy not to take advantage of it. If you don't mind, Mavis, I think you'd make a wonderful Clarissa."
"We voted on Quill and we should stick with her," said Betty Hall. "Some newcomer just swanking on in here, even if she is a famous actress-I don't know how the town is going to feel about that."
"She's not a famous actress, Betty," Esther snapped. "She's a Human Resources Director."
"Whatever." Resentment was in every line of Betty's bowling jacket.
"Marge, you have the best judgment of anybody in the Chamber I know of," said Gil earnestly. "And I think this is a prime example of it."
"We gotta talk about that loan, Gil," said Marge jovially. "What d'ya think?"
"I move to have Mavis Collin wood take on the role of Clarissa in the History Days play," said Quill immediately. She ignored Myles's sardonic grin with the restrained dignity appropriate to an innkeeper rescued from public humiliation at the last minute.
"Second," said Gil.
Elmer called for a vote. Esther and Betty abstained, with what Quill identified as darkling glances, but the motion passed. Quill entertained a fleeting thought about the efficacy of Doreen's new commitment to prayer; she decided she was inclined to leniency in the matter of religious fervor. This was much more satisfactory than a tornado.
"I suppose we'll discover just how quick a study you are, Miss Collinwood?" Esther said stiffly. "Come, people, we're running behind schedule. Everybody at the pond in ten minutes."
Quill stopped John in the hall during the general exodus. "Do your plans include watching the rehearsal?"
He smiled faintly. "Not if you're a member of the audience rather than the cast."
"Thank you so much."
He glanced at her out of the comer of his eye. "Did you talk to the widows?"
"Yes."
"Is Myles going to continue with the background checks?"
"I'm not sure. John, Mrs. Hallenbeck's sitting by herself by the fireplace." Quill looked back at the chattering crowd leaving the Inn. Mavis, expansive, was in the center. "I'll just speak to her."
She crossed the lobby and sat next to Mrs. Hallenbeck. "Did you get a chance to walk in the gardens today, Mrs. Hallenbeck?"
"Not yet. Mavis and I were going to go this afternoon, but she appears to be busy. Perhaps we'll go tomorrow."
She folded her hands. "I'll wait until she is finished with her friends. The old are boring to you youngsters."
Quill was quiet a moment. It was pathetic, this small confession. "Would you like to walk down to the rehearsal with me? Only part of the cast will be in costume, but it might be kind of fun. I can't stay for the whole thing, but you're more than welcome to. There's always a crowd watching. Mostly townspeople."
"I'd like that very much."
It was one of those July afternoons that made Quill glad to be in Central New York in summer. The sky was a Breughel-blue, the sun a clear glancing light that made Quill's hands itch for her acrylics. As they came to the edge of the Falls Park and the small man-made pond that had been formed from the river water, Edward Lancashire picked his way over the grass to them.
"I'd call this a paintable day," he said by way of greeting.
"Do you paint, Sarah?" asked Mrs. Hallenbeck.
"I used to. Not much anymore."
"She was becoming quite well-known when she quit," said Lancashire. His dark eyes narrowed against the bright sun, he smiled down at Quill.
"A painter," said Mrs. Hallenbeck with satisfaction. "I knew you were quite out of the ordinary, my dear. I should like to see your work."
"My sister's work is more impressive," said Quill. "Are you finding the food to your liking, Mr. Lancashire?"
"Call me Edward. And the food's terrific."
"And what do you do?" asked Mrs. Hallenbeck.
"Oh. Reporting, mostly," he said vaguely. "What's going on down there?"
"This is the part of the play that's the witch test."
"The witch test?"
"Yes. When a person was accused of witchcraft, there was sort of a preliminary cut made of witches and non-witches. A real witch could swim. Innocent victims couldn't. So many American villages used the ducking stool as a test. The real witches swam to shore and were tried and convicted at a later trial."
"And the innocent victims?" asked Mrs. Hallenbeck.
"Drowned," said Quill.
"My goodness!" With a certain degree of ceremony, Mrs. Hallenbeck took a pair of glasses from her purse, fitted them on carefully, and peered at the makeshift stage by the ducking stool.
With the steadily increasing popularity of Hemlock History Week, the town had turned the area adjacent to the ducking pond into a twenty-acre municipal park some years before. An asphalt parking lot lay at the north edge, and half a dozen picnic tables surrounded the pavilion. The pavilion itself consisted of a large bandstand surrounded by enough wooden benches to seat two hundred spectators. The entire park fronted the Hemlock River; the Falls that formed such a unique backdrop to Meg and Quill's inn rushed gently into the river at the south of the park. The ducking pond was edged with concrete. A sluiceway was lowered to fill the pond in spring, and lifted to empty it in winter. A ten-foot fence of treated lumber stood at right angles to the pond's edge, where Harland Peterson parked his ancient John Deere farm tractor every year to power the ducking stool into the water. A chorus of cheers greeted him as the John Deere chugged into place behind the fence. He hopped out of the cab, waved his baseball hat to the crowd, and began hooking the ropes attached to the ducking stool to the metal arms on the front loader.
"That thing is old," Edward observed. "Fifty-six or fifty-seven at least."
"The Petersons are pretty thrifty," said Quill. She avoided Mrs. Hallenbeck's eye. Harland jumped back into the cab and raced the motor. Belching black smoke, the tractor jerked the front loader aloft. The ducking stool dangled freely in the breeze from the river.
"I thought a ducking stool was sort of a teeter-totter," said Edward. "The judge or whoever sat on one end, the accused witch on the other, and then the judge got up."
"Yes," said Quill.
"That's a lot simpler than using a tractor, isn't it?"
"Yes," said Quill. "So why..."
"Harland Peterson wanted to be part of the play. But he refused to dress up in a costume."
"And!"
"The Petersons have owned most of the town for generations. See that nice house there, over by the pavilion? Tom Peterson lives there. He's Harland's cousin. Harland donated the land for the park. And he owns a tractor."
"Ah." A look of ineffable pleasure crossed Edward's face. "I'm going to enjoy this."
Howie Murchison, Tom Peterson, and Elmer Henry ranged themselves in front of the stool. Esther dragged Mavis unceremoniously in front of them, shoved her head forward into a bowed and penitent attitude, then spoke earnestly to her. She stepped back, raised both arms, and dropped them.
"Take One!" she shouted.
"Are they filming this?" said Edward.
"Oh, no," said Quill cheerfully. "Esther sent away for a PBS videotape on directors' techniques. The Chamber argued for months about paying for it."
"Did they pay?" asked Edward, clearly fascinated.
"No. Marge said she'd tell Esther what to do for free."
"I ACCUSE!" roared Elmer Henry suddenly.
Mrs. Hallenbeck jumped.
"It's just the play," said Quill. "There's a whole bunch of `accuses.' "
"I ACCUSE GOODY MARTIN OF THESE WILLFUL AND SATANIC ACTS !" Elmer hollered again. "THE DEATH ! OF MY GOOD MILCH COW! THE SICKENING AND DISEASE OF MY FLOCK OF HENS !"
"Crowd!" demanded Esther authoritatively. "The chorus, please!"
The crowd consisted of the eighteen Chamber members who didn't have major speaking parts. Quill noticed Keith Baumer had insinuated himself into the group.
Mumblings indicated the crowd was confused. Esther circulated briefly, issuing instructions, then stepped aside. "Take Two!"
"I ACCUSE!" roared Elmer, and recounted the death of several chickens, ducks, and sundry hogs.
"Crowd!" shouted Esther imperatively.
"Sink or swim! Sink or swim!" the crowd roared.
Mavis flung her hands over her head and fell to the ground with a thud. "As God is my witness! I'll never be hungry again!" Mavis shrieked dramatically.
Esther threw her script to the ground, hauled Mavis up by the collar of the print dress, and shook her finger in her face. "Take Three!" she said in loud disgust.
Elmer, Tom, and Howie declaimed in turn about the demise of their livestock. The crowd yelled "Sink or swim" until it was hoarse. With a defiant shake of her head at Esther, Mavis prostrated herself in front of her accusers and cried, "As God is my witness... I am innocent!"
"She got the line right this time," said Quill. , The "judge" - Gil in a black cloak, a tricorne hat, and a ruffled shirt - handed Mavis over for trial.
"Of course," Edward observed with a mischievous glance at Quill. "The French costumes. So much more attractive than those staid Pilgrims."
Screaming enthusiastically, Mavis was dragged to the ducking stool, roped in, and swung aloft. The front loader flipped forward, and Mavis slid into the pond. She emerged and swam to shore to loud applause.
"They go to the pavilion and have the trial next," said Quill.
"What happens there?" asked Edward.
"Well, she's tried. Convicted. There's this speech. Elmer comes out from behind the fence with a horse-drawn sledge and she's drawn off on it just long enough to substitute a dummy. The sledge comes back with a hooded dummy on it - they believed witches could hypnotize you to hell with their eyes. There's a procession to the foot of that statue of General Hemlock, and then a bunch of guys lower a barn door onto the dummy and the crowd piles stones on it."
"My goodness!" said Mrs. Hallenbeck. "The violence of these Pilgrims."
"Straight out of a Shirley Jackson story," muttered Edward. Gil, his arm around a laughing Mavis, broke away from the crowd at the pond and headed toward them. Keith Baumer and Marge followed them like hopeful puppies.
"You're soaking wet, Mavis," said Mrs. Hallenbeck. "You should change."
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