A Year with Aslan: Daily Reflections from The Chronicles of Narnia (9 page)

BOOK: A Year with Aslan: Daily Reflections from The Chronicles of Narnia
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M
ARCH 2

He Has Betrayed Us All

I
SAY

WHERE

S EDMUND?

There was a dreadful pause, and then everyone began asking “Who saw him last? How long has he been missing? Is he outside?” and then all rushed to the door and looked out. The snow was falling thickly and steadily, the green ice of the pool had vanished under a thick white blanket, and from where the little house stood in the center of the dam you could hardly see either bank. Out they went, plunging well over their ankles into the soft new snow, and went round the house in every direction. “Edmund! Edmund!” they called till they were hoarse. But the silently falling snow seemed to muffle their voices and there was not even an echo in answer. . . .

“What on earth are we to do, Mr. Beaver?” said Peter.

“Do?” said Mr. Beaver, who was already putting on his snow-boots, “do? We must be off at once. We haven’t a moment to spare!”

“We’d better divide into four search parties,” said Peter, “and all go in different directions. . . .”

“Search parties, Son of Adam?” said Mr. Beaver; “what for?”

“Why, to look for Edmund, of course!”

“There’s no point in looking for him,” said Mr. Beaver.

“What do you mean?” said Susan. “He can’t be far away yet. And we’ve got to find him. . . .”

“The reason there’s no use looking,” said Mr. Beaver, “is that we know already where he’s gone!” Everyone stared in amazement. “Don’t you understand?” said Mr. Beaver. “He’s gone to
her
, to the White Witch. He has betrayed us all.”

“Oh, surely—oh, really!” said Susan; “he can’t have done that.”

“Can’t he?” said Mr. Beaver, looking very hard at the three children, and everything they wanted to say died on their lips, for each felt suddenly quite certain inside that this was exactly what Edmund had done.

—The Lion, the Witch, and the Wardrobe

How does Mr. Beaver know where Edmund has gone? Why does it sometimes take an outsider to point out the failings of those we love?

 

M
ARCH 3

You Are Somebody?

P
LEASE, WHAT TASK, SIR?
” said Jill.

“The task for which I called you and him here out of your own world.”

This puzzled Jill very much. “It’s mistaking me for someone else,” she thought. She didn’t dare to tell the Lion this, though she felt things would get into a dreadful muddle unless she did.

“Speak your thought, Human Child,” said the Lion.

“I was wondering—I mean—could there be some mistake? Because nobody called me and Scrubb, you know. It was we who asked to come here. Scrubb said we were to call to—to Somebody—it was a name I wouldn’t know—and perhaps the Somebody would let us in. And we did, and then we found the door open.”

“You would not have called to me unless I had been calling to you,” said the Lion.

“Then you are Somebody, Sir?” said Jill.

“I am.”

—The Silver Chair

Why is it hard for Jill to think that the Lion called her instead of the other way around? Do you tend to credit yourself with too much power or to accept too little responsibility for events in your life? What are some of the repercussions of each tendency?

 

M
ARCH 4

The Old Days

I
WISH

I WISH

I WISH
I could have lived in the Old Days,” said Caspian. (He was only a very little boy at the time.)

Up till now King Miraz had been talking in the tiresome way that some grown-ups have, which makes it quite clear that they are not really interested in what you are saying, but now he suddenly gave Caspian a very sharp look.

“Eh? What’s that?” he said. “What old days do you mean?”

“Oh, don’t you know, Uncle?” said Caspian. “When everything was quite different. When all the animals could talk, and there were nice people who lived in the streams and the trees. Naiads and Dryads, they were called. And there were Dwarfs. And there were lovely little Fauns in all the woods. They had feet like goats. And—”

“That’s all nonsense, for babies,” said the King sternly. “Only fit for babies, do you hear? You’re getting too old for that sort of stuff. At your age you ought to be thinking of battles and adventures, not fairy tales.”

“Oh, but there
were
battles and adventures in those days,” said Caspian. “Wonderful adventures. Once there was a White Witch and she made herself Queen of the whole country. And she made it so that it was always winter. And then two boys and two girls came from somewhere and so they killed the Witch and they were made Kings and Queens of Narnia, and their names were Peter and Susan and Edmund and Lucy. And so they reigned for ever so long and everyone had a lovely time, and it was all because of Aslan—”

“Who’s he?” said Miraz. And if Caspian had been a very little older, the tone of his uncle’s voice would have warned him that it would be wiser to shut up. But he babbled on,

“Oh, don’t you know?” he said. “Aslan is the great Lion who comes from over the sea.”

“Who has been telling you all this nonsense?” said the King in a voice of thunder. Caspian was frightened and said nothing.

“Your Royal Highness,” said King Miraz, letting go of Caspian’s hand, which he had been holding till now, “I insist upon being answered. Look me in the face. Who has been telling you this pack of lies?”

“N—Nurse,” faltered Caspian, and burst into tears.

“Stop that noise,” said his uncle, taking Caspian by the shoulders and giving him a shake. “Stop it. And never let me catch you talking—or
thinking
either—about all those silly stories again. There never were those Kings and Queens. How could there be two Kings at the same time? And there’s no such person as Aslan. And there are no such things as lions. And there never was a time when animals could talk. Do you hear?”

—Prince Caspian

Why do the old stories hold such power for Caspian? At the same time, why does the King react to them the way he does? Have you ever felt the truth of something deeply only to have it denied by someone you trust?

 

M
ARCH 5

I Apologize

O
-O-OH
!”
SAID SUSAN SUDDENLY
, and everyone asked her what was the matter.

“I’m sitting against a tree,” said Susan, “and look! It’s getting light—over there.”

“By jove, you’re right,” said Peter, “and look there—and there. It’s trees all round. And this wet stuff is snow. Why, I do believe we’ve got into Lucy’s wood after all.”

And now there was no mistaking it, and all four children stood blinking in the daylight of a winter day. Behind them were coats hanging on pegs, in front of them were snow-covered trees.

Peter turned at once to Lucy.

“I apologize for not believing you,” he said, “I’m sorry. Will you shake hands?”

“Of course,” said Lucy, and did.

—The Lion, the Witch, and the Wardrobe

Peter apologizes immediately when he realizes he was wrong not to believe Lucy. Do you think it is difficult for him to admit he was wrong? How quick are you to admit your errors or offenses? How does apologizing show strength?

 

M
ARCH 6

A Wild Tune

T
HE LION WAS SINGING STILL.
But now the song had once more changed. It was more like what we should call a tune, but it was also far wilder. It made you want to run and jump and climb. It made you want to shout. It made you want to rush at other people and either hug them or fight them. It made Digory hot and red in the face. It had some effect on Uncle Andrew, for Digory could hear him saying, “A spirited gel, sir. It’s a pity about her temper, but a dem fine woman all the same, a dem fine woman.” But what the song did to the two humans was nothing compared with what it was doing to the country.

Can you imagine a stretch of grassy land bubbling like water in a pot? For that is really the best description of what was happening. In all directions it was swelling into humps. There were of very different sizes, some no bigger than mole-hills, some as big as wheelbarrows, two the size of cottages. And the humps moved and swelled until they burst, and the crumbled earth poured out of them, and from each hump there came out an animal.

—The Magician’s Nephew

Has anything in our world ever affected you as the song affects Digory?

 

M
ARCH 7

The Fauns Arrive

C
ASPIAN HAD NEARLY DROPPED OFF
to sleep when he thought he heard a faint musical sound from the depth of the woods at his back. Then he thought it was only a dream and turned over again; but as soon as his ear touched the ground he felt or heard (it was hard to tell which) a faint beating or drumming. He raised his head. The beating noise at once became fainter, but the music returned, clearer this time. It was like flutes. He saw that Trufflehunter was sitting up staring into the wood. The moon was bright; Caspian had been asleep longer than he thought. Nearer and nearer came the music, a tune wild and yet dreamy, and the noise of many light feet, till at last, out from the wood into the moonlight, came dancing shapes such as Caspian had been thinking of all his life. They were not much taller than dwarfs, but far slighter and more graceful. Their curly heads had little horns, the upper part of their bodies gleamed naked in the pale light, but their legs and feet were those of goats.

“Fauns!” cried Caspian, jumping up, and in a moment they were all round him. It took next to no time to explain the whole situation to them and they accepted Caspian at once. Before he knew what he was doing he found himself joining in the dance. Trumpkin, with heavier and jerkier movements, did likewise and even Trufflehunter hopped and lumbered about as best he could. Only Nikabrik stayed where he was, looking on in silence. The Fauns footed it all round Caspian to their reedy pipes. Their strange faces, which seemed mournful and merry all at once, looked into his; dozens of Fauns, Mentius and Obentinus and Dumnus, Voluns, Voltinus, Girbius, Nimienus, Nausus, and Oscuns. Pattertwig had sent them all.

When Caspian awoke next morning he could hardly believe that it had not all been a dream; but the grass was covered with little cloven hoof-marks.

—Prince Caspian

When have you had an experience so extraordinary that you could hardly believe it was not a dream?

 

M
ARCH 8

Sleeping Under the Stars

T
HE PLACE WHERE THEY HAD MET
the Fauns was, of course, Dancing Lawn itself, and here Caspian and his friends remained till the night of the great Council. To sleep under the stars, to drink nothing but well water and to live chiefly on nuts and wild fruit, was a strange experience for Caspian after his bed with silken sheets in a tapestried chamber at the castle, with meals laid out on gold and silver dishes in the anteroom, and attendants ready at his call. But he had never enjoyed himself more. Never had sleep been more refreshing nor food tasted more savory, and he began already to harden and his face wore a kinglier look.

—Prince Caspian

Why might just being away from the creature comforts of the castle give Caspian’s face a more kingly look? When have you had an experience in which you were taken from your usual routine and found yourself changing? How did that change come about?

 

M
ARCH 9

The Black Woods

T
HIS CASTLE IS A THING OF YESTERDAY.
Your great-great-grand-father built it. But when the two sons of Adam and the two daughters of Eve were made Kings and Queens of Narnia by Aslan himself, they lived in the castle of Cair Paravel. No man alive has seen that blessed place and perhaps even the ruins of it have now vanished. But we believe it was far from here, down at the mouth of the Great River, on the very shore of the sea.”

“Ugh!” said Caspian with a shudder. “Do you mean in the Black Woods? Where all the—the—you know, the ghosts live?”

“Your Highness speaks as you have been taught,” said the Doctor. “But it is all lies. There are no ghosts there. That is a story invented by the Telmarines. Your Kings are in deadly fear of the sea because they can never quite forget that in all stories Aslan comes from over the sea. They don’t want to go near it and they don’t want anyone else to go near it. So they have let great woods grow up to cut their people off from the coast. But because they have quarreled with the trees they are afraid of the woods. And because they are afraid of the woods they imagine that they are full of ghosts. And the Kings and great men, hating both the sea and the wood, partly believe these stories, and partly encourage them. They feel safer if no one in Narnia dares to go down to the coast and look out to sea—toward Aslan’s land and the morning and the eastern end of the world.”

—Prince Caspian

Why don’t the Kings want Narnians spending time at the coast? Do you think many modern ghost stories or superstitions have a similar basis? What does this story say about the power of fear?

 

M
ARCH 10

Eustace’s Diary

W
HAT EUSTACE THOUGHT
had best be told in his own words, for when they all got their clothes back, dried, next morning, he at once got out a little black notebook and a pencil and started to keep a diary. He always had this notebook with him and kept a record of his marks in it, for though he didn’t care much about any subject for its own sake, he cared a great deal about marks and would even go to people and say, “I got so much. What did you get?” But as he didn’t seem likely to get many marks on the
Dawn Treader
he now started a diary. This was the first entry.

August 7th. Have now been twenty-four hours on this ghastly boat if it isn’t a dream. All the time a frightful storm has been raging (it’s a good thing I’m not seasick). Huge waves keep coming in over the front and I have seen the boat nearly go under any number of times. All the others pretend to take no notice of this, either from swank or because Harold says one of the most cowardly things ordinary people do is to shut their eyes to Facts. It’s madness to come out into the sea in a rotten little thing like this. Not much bigger than a lifeboat. And, of course, absolutely primitive indoors. No proper saloon, no radio, no bathrooms, no deck-chairs. I was dragged all over it yesterday evening and it would make anyone sick to hear Caspian showing off his funny little toy boat as if it was the Queen Mary. I tried to tell him what real ships are like, but he’s too dense. E. and L.,
of course
, didn’t back me up. I suppose a kid like L. doesn’t realize the danger and E. is buttering up C. as everyone does here. They call him a King. I said I was a Republican but he had to ask me what that meant! He doesn’t seem to know anything at all.
Needless to say
I’ve been put in the worst cabin of the boat, a perfect dungeon, and Lucy has been given a whole room on deck to herself, almost a nice room compared with the rest of this place. C. says that’s because she’s a girl. I tried to make him see what Alberta says, that all that sort of thing is really lowering girls but he was too dense. Still, he might see that I shall be ill if I’m kept in that
hole
any longer. E. says we mustn’t grumble because C. is sharing it with us himself to make room for L. As if that didn’t make it more crowded and far worse. Nearly forgot to say that there is also a kind of Mouse thing that gives everyone the most frightful cheek. The others can put up with it if they like but I shall twist his tail pretty soon if he tries it on me. The food is frightful too.

—The Voyage of the
Dawn Treader

How does Eustace, by assuming to know much more than those around him, distance himself and prevent himself from enjoying the adventure? Are there times in your life when you do the same thing?

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