B0041VYHGW EBOK (203 page)

Berkeley, Busby,
343

Footlight Parade,
231

42nd Street,
156
,
156
,
231

Berlin, Symphony of a Great City,
423

Bertolucci, Bernardo

Last Tango in Paris,
178
,
179
,
188

The Spider’s Stratagem,
146
,
146

best boy,
24

A Better Tomorrow,
483
,
483
–484

Betty Boop,
383

Bezhin Meadow,
134
,
134

Bicycle Thieves,
149
,
149
,
473
–474,
474

Big,
334

The Big Heat,
332

The Big Sleep,
33
,
100
,
118

narration in,
93
–94

restricted narration in,
96

Biograph,
458

biopics,
352

Bird, Brad,
The Incredibles,
382

The Birds,
18
,
197

editing in,
224
–225,
225
,
228
,
229
,
230
–231

The Birth of a Nation,
58
,
63
,
223
,
459

narration in,
93
–94

omniscient narration in,
96

Black Maria,
456
,
456

Blade Runner,
333

The Blair Witch Project,
200
–201

film marketing of,
37

Blanchett, Cate,
26

Blank, Les.
see also Gap-Toothed Women

Gap-Toothed Women,
354
–358,
354
–359,
444
–445

Garlic Is as Good as Ten Mothers,
354

Blazing Saddles,
291
,
291

blind booking,
34

Blind Chance,
88

Blinkety Blank,
383
,
383

Block, Mitchell,
No Lies,
352

block booking,
34

Blood Simple,
69
,
334

Blow Out,
27

Blue Velvet,
334
,
479

Boat People,
483

The Bodyguard,
134
,
134

Bogart, Humphrey,
33

Bogdanovich, Peter

on screen size,
45

What’s Up, Doc?,
478

Bonfire of the Vanities,
200

Les Bonnes femmes,
476
,
477

Bonnie and Clyde,
413

Boogie Nights,
200

boom operator,
20

Boom Town,
180

Boorman, John,
233
,
237

Borthwick, Dave,
The Secret Adventures of Tom

Thumb,
384

Bound,
334

The Bourne Ultimatum,
250

Boy Meets Girl,
154
,
179
,
189

Boyle, Danny,
Slumdog Millionaire,
30
,
35
,
99
,
99

Boys Don’t Cry,
139

Boyz N the Hood,
479

Brakhage, Stan,
33

Dog Star Man,
30
,
366

Mothlight,
383

process of,
30
–31

Reflections on Black,
170
,
170

The Riddle of Lumen,
30

23
rd Psalm Branch,
30

Window Water Baby Moving,
30

Bram Stoker’s Dracula,
122
,
123
,
481

speed of motion in,
172
–173

Brando, Marlon,
119
,
139
,
442

The Godfather,
performance of,
140

Breaking the Waves,
168
,
168
,
170
,
482

Breathless,
60
,
145
,
145
,
334
,
396
,
400
,
445
–446,
475
–477

ambiguity in,
410
–411

critical analysis of,
408
–413,
409
–412

discontinuity editing in,
258
–259,
259

editing in,
412

as film noir,
409

film style in,
413

jump cuts in,
258
–259,
259
,
412

lighting in,
411

mise-en-scene in,
411

narrative form in,
411

180° system in,
412

plot/story of,
409
–410

sound in,
413

Breer, Robert,
389
.
see also Fuji

Fist Fight,
256
,
256
,
366

Fuji,
366
,
382

Bresson, Robert,
16
,
152

acting in films of,
144
,
144

L’Argent,
123
,
124

Four Nights of a Dreamer,
282
–283

Au Hasard Balthasar,
144

Lancelot du Lac,
155
,
156

A Man Escaped,
275

Pickpocket,
131
,
197
,
197

Breton, André,
466

The Bride Wore Black,
200

Bringing Up Baby,
98
,
478

continuity editing in,
242
,
243

Brokeback Mountain,
139

Broken Arrow,
339

Brooks, Mel,
Blazing Saddles,
291
,
291

Broughton, James,
Mother’s Day,
367

budget

above-the-line costs/below-the-line costs,
17

car crashes and,
7

digital dailies and,
23
–24

HD creating savings for,
15

negative cost,
17

savings for,
3
–4

Bugsy Malone,
330
–331

Buice, Susan,
Four Eyed Monsters,
32

Bullock, Sandra,
130

Buñuel, Luis

Belle de Jour,
467

Un Chien andalou,
466
,
466

The Discreet Charm of the Bourgoisie,
467

L’Age d’or,
466

That Obscure Object of Desire,
82

Burch, Noël,
191

Burns, Robert,
375

Burton, Tim

Batman,
479

Beetlejuice,
479

Edward Scissorhands,
85

Mars Attacks,
149

The Nightmare Before Christmas,
384
,
384

Sleepy Hollow,
479

Burtt, Ben,
274

The Butterfly Effect,
89

Bye Bye Birdie,
191
,
191

Byrne, David,
True Stories,
226
,
226
,
329

cabaretera
genre,
328

The Cabinet of Dr. Caligari,
103
,
119
,
119
,
144
,
145
,
341

film style in,
462
,
462

Caché,
15
,
84
,
260
,
260

camera development,
9
,
9

consumer products and,
13
–14

Dickson and,
186
,
186

digital media and,
13
–16

Lumière brothers and,
186
,
186

mini-DV,
15

night shoots and advances in,
5

prosumer products and,
14

camera movement.
see
mobile framing

camera negative,
26

camera operator,
20

Cameron, James,
40

The Abyss,
385

Aliens,
79
,
146
,
150
,
151
,
337
,
337

Terminator,
257
,
479

Terminator
2
: Judgement Day,
26
,
479

Titanic,
28
,
46
,
479

Cameron, Paul,
5
,
20

Cameron, William,
472

Campion, Jane,
Portrait of a Lady,
315

canted angles,
194

Cantor, Eddie,
Whoopee!,
334
–335,
345

Caouette, Jonathan,
Tarnation,
16

car crashes,
6
–7

Les Carabiniers,
476

cinematography in,
168
,
168

Carax, Leo

Boy Meets Girl,
154
,
179

Mauvais sang,
136
,
136

Caroll, Noël,
64

Carpenter, John

Assault on Precinct
13
,
257
,
478

Halloween,
478

Carrey, Jim,
140

Carrie,
342

Cars,
138
,
138

Casablanca,
168
,
168
,
269

Casanova,
128
,
129
,
150

cast,
19
.
see also
acting

Cast Away,
274

cast shadows,
131

casting director,
24

The Cat and the Canary,
340

Cat Ballou,
335

Cat People,
340
,
340
–342

Catch Me If You Can,
47
,
99
,
99

categorical form

in documentary film,
353
–359

in
Gap-Toothed Women,
354
–359

cause and effect

in
Citizen Kane,
106
–107

in classical Hollywood cinema,
102

in
His Girl Friday,
397
–398

in
L. A. Confidential,
83

in
The Man Who Knew Too Much,
83

in
My Man Godfrey,
83

in narrative form,
82
–84

Cavalcanti, Alberto,
Rien que les herues,
423