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Authors: Sax Rohmer

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In response to my ringing the door was presently opened by Ah Tsong.
His yellow face exhibited no trace of emotion whatever. He merely
opened the door and stood there looking at me.

"Is Mr. Camber at home?" I enquired.

"Master no got," crooned Ah Tsong.

He proceeded quietly to close the door again.

"One moment," I said, "one moment. I wish, at any rate, to leave my
card."

Ah Tsong allowed the door to remain open, but:

"No usee palaber so fashion," he said. "No feller comee here. Sabby?"

"I savvy, right enough," said I, "but all the same you have got to take
my card in to Mr. Camber."

I handed him a card as I spoke, and suddenly addressing him in
"pidgin," of which, fortunately, I had a smattering:

"Belong very quick, Ah Tsong," I said, sharply, "or plenty big trouble,
savvy?"

"Sabby, sabby," he muttered, nodding his head; and leaving me standing
in the porch he retired along the sparsely carpeted hall.

This hall was very gloomily lighted, but I could see several pieces of
massive old furniture and a number of bookcases, all looking incredibly
untidy.

Rather less than a minute elapsed, I suppose, when from some place at
the farther end of the hallway Mr. Camber appeared in person. He wore a
threadbare dressing gown, the silken collar and cuffs of which were
very badly frayed. His hair was dishevelled and palpably he had not
shaved this morning.

He was smoking a corncob pipe, and he slowly approached, glancing from
the card which he held in his hand in my direction, and then back again
at the card, with a curious sort of hesitancy. In spite of his untidy
appearance I could not fail to mark the dignity of his bearing, and the
almost arrogant angle at which he held his head.

"Mr—er—Malcolm Knox?" he began, fixing his large eyes upon me with a
look in which I could detect no sign of recognition. "I am advised that
you desire to see me?"

"That is so, Mr. Camber," I replied, cheerily. "I fear I have
interrupted your work, but as no other opportunity may occur of
renewing an acquaintance which for my part I found extremely pleasant—"

"Of renewing an acquaintance, you say, Mr. Knox?"

"Yes."

"Quite." He looked me up and down critically. "To be sure, we have met
before, I understand?"

"We met yesterday, Mr. Camber, you may recall. Having chanced to come
across a contribution of yours of the
Occult Review
, I have
availed myself of your invitation to drop in for a chat."

His expression changed immediately and the sombre eyes lighted up.

"Ah, of course," he cried, "you are a student of the transcendental.
Forgive my seeming rudeness, Mr. Knox, but indeed my memory is of the
poorest. Pray come in, sir; your visit is very welcome."

He held the door wide open, and inclined his head in a gesture of
curious old-world courtesy which was strange in so young a man. And
congratulating myself upon the happy thought which had enabled me to
win such instant favour, I presently found myself in a study which I
despair of describing.

In some respects it resembled the lumber room of an antiquary, whilst
in many particulars it corresponded to the interior of one of those
second-hand bookshops which abound in the neighbourhood of Charing
Cross Road. The shelves with which it was lined literally bulged with
books, and there were books on the floor, books on the mantelpiece, and
books, some open and some shut, some handsomely bound, and some having
the covers torn off, upon every table and nearly every chair in the
place.

Volume seven of Burton's monumental "Thousand Nights and a Night" lay
upon a littered desk before which I presumed Mr. Camber had been seated
at the time of my arrival. Some wet vessel, probably a cup of tea or
coffee, had at some time been set down upon the page at which this
volume was open, for it was marked with a dark brown ring. A volume of
Fraser's "Golden Bough" had been used as an ash tray, apparently, since
the binding was burned in several places where cigarettes had been laid
upon it.

In this interesting, indeed unique apartment, East met West, unabashed
by Kipling's dictum. Roman tear-vases and Egyptian tomb-offerings stood
upon the same shelf as empty Bass bottles; and a hideous wooden idol
from the South Sea Islands leered on eternally, unmoved by the presence
upon his distorted head of a soft felt hat made, I believe, in
Philadelphia.

Strange implements from early British barrows found themselves in the
company of
Thugee
daggers There were carved mammals' tusks and
snake emblems from Yucatan; against a Chinese ivory model of the Temple
of Ten Thousand Buddhas rested a Coptic crucifix made from a twig of
the Holy Rose Tree. Across an ancient Spanish coffer was thrown a
Persian rug into which had been woven the monogram of Shah-Jehan and a
text from the Koran. It was easy to see that Mr. Colin Camber's studies
must have imposed a severe strain upon his purse.

"Sit down, Mr. Knox, sit down," he said, sweeping a vellum-bound volume
of Eliphas Levi from a chair, and pushing the chair forward. "The visit
of a fellow-student is a rare pleasure for me. And you find me, sir,"
he seated himself in a curious, carved chair which stood before the
desk, "you find me engaged upon enquiries, the result of which will
constitute chapter forty-two of my present book. Pray glance at the
contents of this little box."

He placed in my hands a small box of dark wood, evidently of great age.
It contained what looked like a number of shrivelled beans.

Having glanced at it curiously I returned it to him, shaking my head
blankly.

"You are puzzled?" he said, with a kind of boyish triumph, which
lighted up his face, which rejuvenated him and gave me a glimpse of
another man. "These, sir," he touched the shrivelled objects with a
long, delicate forefinger "are seeds of the sacred lotus of Ancient
Egypt. They were found in the tomb of a priest."

"And in what way do they bear upon the enquiry to which you referred,
Mr. Camber?"

"In this way," he replied, drawing toward him a piece of newspaper upon
which rested a mound of coarse shag. "I maintain that the vital
principle survives within them. Now, I propose to cultivate these
seeds, Mr. Knox. Do you grasp the significance, of this experiment?"

He knocked out the corn-cob upon the heel of his slipper and began to
refill the hot bowl with shag from the newspaper at his elbow.

"From a physical point of view, yes," I replied, slowly. "But I should
not have supposed such an experiment to come within the scope of your
own particular activities, Mr. Camber."

"Ah," he returned, triumphantly, at the same time stuffing tobacco into
the bowl of the corn-cob, "it is for this very reason that chapter
forty-two of my book must prove to be the hub of the whole, and the
whole, Mr. Knox, I am egotist enough to believe, shall establish a new
focus for thought, an intellectual Rome bestriding and uniting the
Seven Hills of Unbelief."

He lighted his pipe and stared at me complacently.

Whilst I had greatly revised my first estimate of the man, my revisions
had been all in his favour. Respecting his genius my first impression
was confirmed. That he was ahead of his generation, perhaps a new
Galileo, I was prepared to believe. He had a pride of bearing which I
think was partly racial, but which in part, too, was the insignia of
intellectual superiority. He stood above the commonplace, caring little
for the views of those around and beneath him. From vanity he was
utterly free. His was strangely like the egotism of true genius.

"Now, sir," he continued, puffing furiously at his corn-cob, "I
observed you glancing a moment ago at this volume of the 'Golden
Bough.'" He pointed to the scarred book which I have already mentioned.
"It is a work of profound scholarship. But having perused its hundreds
of pages, what has the student learned? Does he know why the twenty-
sixth chapter of the 'Book of the dead' was written upon lapis-lazuli,
the twenty-seventh upon green felspar, the twenty-ninth upon cornelian,
and the thirtieth upon serpentine? He does not. Having studied Part
Four, has he learned the secret of why Osiris was a black god, although
he typified the Sun? Has he learned why modern Christianity is losing
its hold upon the nations, whilst Buddhism, so called, counts its
disciples by millions? He has not. This is because the scholar is
rarely the seer."

"I quite agree with you," I said, thinking that I detected the drift of
his argument.

"Very well," said he. "I am an American citizen, Mr. Knox, which is
tantamount to stating that I belong to the greatest community of
traders which has appeared since the Phoenicians overran the then known
world. America has not produced the mystic, yet Judæa produced the
founder of Christianity, and Gautama Buddha, born of a royal line,
established the creed of human equity. In what way did these magicians,
for a miracle-worker is nothing but a magician, differ from ordinary
men? In one respect only: They had learned to control that force which
we have to-day termed Will."

As he spoke those words Colin Camber directed upon me a glance from his
luminous eyes which frankly thrilled me. The bemused figure of the
Lavender Arms was forgotten. I perceived before me a man of power, a
man of extraordinary knowledge and intellectual daring. His voice,
which was very beautiful, together with his glance, held me enthralled.

"What we call Will," he continued, "is what the Ancient Egyptians
called
Khu
. It is not mental: it is a property of the soul. At
this point, Mr. Knox, I depart from the laws generally accepted by my
contemporaries. I shall presently propose to you that the eye of the
Divine Architect literally watches every creature upon the earth."

"Literally?"

"Literally, Mr. Knox. We need no images, no idols, no paintings. All
power, all light comes from one source. That source is the sun! The sun
controls Will, and the Will is the soul. If there were a cavern in the
earth so deep that the sun could never reach it, and if it were
possible for a child to be born in that cavern, do you know what that
child would be?"

"Almost certainly blind," I replied; "beyond which my imagination fails
me."

"Then I will inform you, Mr. Knox. It would be a demon."

"What!" I cried, and was momentarily touched with the fear that this
was a brilliant madman.

"Listen," he said, and pointed with the stem of his pipe. "Why, in all
ancient creeds, is Hades depicted as below? For the simple reason that
could such a spot exist and be inhabited, it must be
sunless
,
when it could only be inhabited by devils; and what are devils but
creatures without souls?"

"You mean that a child born beyond reach of the sun's influence would
have no soul?"

"Such is my meaning, Mr. Knox. Do you begin to see the importance of my
experiment with the lotus seeds?"

I shook my head slowly. Whereupon, laying his corn-cob upon the desk,
Colin Camber burst into a fit of boyish laughter, which seemed to
rejuvenate him again, which wiped out the image of the magus
completely, and only left before me a very human student of strange
subjects, and withal a fascinating companion.

"I fear, sir," he said, presently, "that my steps have led me farther
into the wilderness than it has been your fate to penetrate. The whole
secret of the universe is contained in the words Day and Night,
Darkness and Light. I have studied both the light and the darkness,
deliberately and without fear. A new age is about to dawn, sir, and a
new age requires new beliefs, new truths. Were you ever in the country
of the Hill Dyaks?"

This abrupt question rather startled me, but:

"You refer to the Borneo hill-country?"

"Precisely."

"No, I was never there."

"Then this little magical implement will be new to you," said he.

Standing up, he crossed to a cabinet littered untidily with all sorts
of strange-looking objects, carved bones, queer little inlaid boxes,
images, untidy manuscripts, and what-not.

He took up what looked like a very ungainly tobacco-pipe, made of some
rich brown wood, and, handing it to me:

"Examine this, Mr. Knox," he said, the boyish smile of triumph
returning again to his face.

I did as he requested and made no discovery of note. The thing clearly
was not intended for a pipe. The stem was soiled and, moreover, there
was carving inside the bowl. So that presently I returned it to him,
shaking my head.

"Unless one should be informed of the properties of this little
instrument," he declared, "discovery by experiment is improbable. Now,
note."

He struck the hollow of the bowl upon the palm of his hand, and it
delivered a high, bell-like note which lingered curiously. Then:

"Note again."

He made a short striking motion with the thing, similar to that which
one would employ who had designed to jerk something out of the bowl.
And at the very spot on the floor where any object contained in the
bowl would have fallen, came a reprise of the bell note! Clearly, from
almost at my feet, it sounded, a high, metallic ring.

He struck upward, and the bell-note sounded on the ceiling; to the
right, and it came from the window; in my direction, and the tiny bell
seemed to ring beside my ear! I will honestly admit that I was
startled, but:

"Dyak magic," said Colin Camber; "one of nature's secrets not yet
discovered by conventional Western science. It was known to the
Egyptian priesthood, of course; hence the Vocal Memnon. It was known to
Madame Blavatsky, who employed an 'astral bell'; and it is known to
me."

He returned the little instrument to its place upon the cabinet.

"I wonder if the fact will strike you as significant," said he, "that
the note which you have just heard can only be produced between sunrise
and sunset?"

BOOK: Bat-Wing
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