Choke Point (6 page)

“Such cloak and dagger,” Grace says.

He pockets her phone, turns her toward the ferry dock. “Walk.” He stays at her side, a quarter-stride behind. In the distance, two electronic ferry signs.

She has yet to get a decent look at him. In profile, he’s strong-featured, tall and unshaven. His left eye is swollen and he’s sporting three stitches above the cheekbone. He has lost a layer of skin. Confident this is finally the Fahiz she’s sought, she doesn’t allow herself a sense of satisfaction. His preparedness is a warning. If he wants to come across as an ordinary man in extraordinary circumstances, he has failed.

Since a young age she’s been drawn to the irrepressible overconfidence and swarthy looks of Turks. She finds their penetrating eyes hypnotic and their words carefully chosen. Appreciates that, as with Italian men, there’s no ambiguity about what it is they are after. Conquest is all that matters to them, and she controls them because she controls access. She’s never slept with a Turk. Can’t say the same about Italians.

Is Knox watching?
she wonders.

The walk back to the ferry takes only a minute. The approaching vessel is mid-river and closing fast.

Several cyclists arrive and queue up, standing alongside their bikes. It takes her a moment to recognize the man wearing the beret. His bike has to be twenty years old. He’s stolen it. He will call it borrowing.

“After what has happened . . . someone with your particular credentials . . . the car bombing. My being assaulted. You must be half mad to investigate this.”

“Only half?”

“You joke? A man was killed.”

“Assistant deputy directors are allocated five minutes of humor a month.”

“Again,” he says.

The return ferry arrives. She repeats the boarding process, and there’s Knox chatting up a blonde while eating a candy bar and laughing into the gray mist that’s thick as teapot steam. He’s so deeply in character she wonders if he remembers why he’s here.

“Your . . . the people who assaulted you . . .” she says, “did they condemn you, make any kind of racial slur or—”

“My mother was a Turk. My father, Chechen. I no longer hear such things when they’re said. My ears filter them out.” He lights a cigarette, savors the first inhale. Barely any smoke escapes as he exhales, or maybe the wind caused by the movement of the ferry carries it away.

She does not quote the police file directly. She wants him to volunteer the same information a second time. People say strange things—incorrect things—when in shock and under duress. People will blurt things out to the police, invented on the spot, having no idea why.

Give me what you gave the police. Convince me.

“What can anyone do about such hate crimes?” he asks.

“I’m a civil servant. Trained as an accountant. I’m not much of an investigator. I ask questions I am told to ask. I write reports. We build statistics.”

“I’m a statistic.”

“Soon. Yes. Of course.”

“Earlier you said you were investigating.”

“Following orders.”

“The police report. I would not have filed in the first place, except for my attackers’ comment about me keeping my mouth shut.”

Thank you.

“
How many?” she asks.

“It is this Kabril Fahiz they were after. I know that now. You should be speaking to him, not me.”

“He is on my list, of course. But he was not attacked. He is not the victim.”

“Victim,” he repeats. “So you
are
investigating.”

“I am doing what I am told. Seriously. No more, no less.”

“I’m not sleeping. If I am to see even my close friends,” he said, meeting eyes with her for the first time, “it’s like this.” He motions out to the river. The ferry is pulling up to the dock. “Precautions. Paranoia.”

“What exactly did they say?”

“You have read the report.”

“Can you give me some descriptions? We often remember more a day or two later. Hmm?”

“Not I. I want to forget, not remember.”

“We don’t control our memories. They control us.”

“A philosopher?” he says, mocking her. Again, eye contact. “What I ask is simple enough. This is not my fight. But they brought it to me. They know my face. My habits. How would I know until it’s too late? You . . . and the police . . . you owe it to me to let me know what’s going on
ahead of time
so I am not made a victim a second time.” He touches the fresh scar on his cheek. It’s an angry red. “You owe me.”

“I need more,” she says. “If I am to—”

She’s cut off as the gangway begins its groaning descent. The passengers surge forward as a unit.

“Listen, from what I experienced, you should not pursue these people. They will hurt you. Worse. Go back to your superiors and tell them it was a dead end. Give this up.”

“Height? Weight? You must remember something.”

She sees Fahiz trying to time his next comment, his eyes shifting toward the lowering gangway.

“Three of them. One who spoke Dutch, but like a German speaks Dutch.”

She says, “You did not tell this to the police.”

He doesn’t look at her, seems not to have heard her. “I have your number. If I should remember more . . .”

“The longer your assailants remain at large, the longer you are at risk. Help us find them, and your trouble is over.”

“Once started, trouble is never over. That is a myth.” He returns her phone. Then he’s off into the departing passengers, putting a wall of flesh between them.

You owe me,
echoes in her ears.

Behind him follows a man walking a twenty-year-old bicycle.

T
he bicycle’s rear wheel squeaks on each revolution, its rhythm steady as Knox keeps his distance behind Fahiz. He, and a few hundred others in and around Centraal Station, wears stereo earbuds on white wires. His are connected to an iPhone zippered into his Scottevest windbreaker. But Knox is not listening to Coldplay; he’s waiting for the call from Grace. He slings the camera bag over his shoulder.

Fahiz circumnavigates the station, rather than taking the shortcut through it. An interesting choice that puzzles Knox. Fahiz arrives at the outdoor tram platforms. Riders crowd the stops. Jiggering the camera bag, Knox mounts the bike and rides ahead of Fahiz and stops at a crosswalk, looking back to see Fahiz board the number 5. Knox knows the line. He can get a jump on the trolley and beat it to its first stop if the lights are favorable.

His ring tone purrs in the earbuds and he reaches into the windbreaker to connect the call, though he doesn’t answer at first.

“Clear,” comes Grace’s voice.

“Got it.”

Grace has executed a series of procedures to determine she’s not being followed and Knox trusts her. She’s as good as—or better than—him in the field, having spent a year in Chinese Army Intelligence.

Knox hangs up and dismounts the bike. The number 5 passes. He likes the bike too much to ditch it. He walks it across the pedestrian crossing, over another grouping of multiple tram tracks, and follows up a sidewalk, the bike off the curb. The island to his right is a vast construction site and parking lot behind wire fencing. Its top boundary is Prins Hendrikkade. The neighborhood is coffee shops, T-shirt stores and restaurants, all aimed at tourists. At the next light he hits speed dial and mounts the bike and rides straight.

“Go ahead,” answers the deep voice of David Dulwich.

“I’m shorthanded.”

“I arrive this evening. I’m at the Sofitel Grand on Oude-zijds Voor . . . burgwal.” The Dutch words come out sounding like a soap brand.

“I was thinking of someone half your age and twice your speed.”

“Tell me how you really feel.”

“A lot of balls in the air.”

“So hire a juggler. You have a sizable expense account.”

“Two men. Maybe three.”

“Not going to happen, unless you agree to waive half your fee.”

“Our client is rich.”

“Every client has limits. My job is to see there’s something left for Brian Primer to put on the P side of the P-and-L.”

“One more man, then.”

“You’re talking to him.”

Knox dodges a taxi and runs a red light. The street narrows a hundred meters ahead. Knox pinches the iPhone through the fabric of the windbreaker and kills the call.

—

T
HE
T
UDOR
ALE HOUSE
Knox has named as the meeting place has a view across the Leidsegracht canal. The magnificent canal houses are out of the nineteenth century. A slim waitress serves him. She has a platinum bob and black ceramic ear gauges the size of buffalo nickels. Without her to interrupt his fantasy, he might have been time traveling. He might have been spying on Vermeer or Jan van Goyen across the dimly lit room, with its heavy, exposed wooden beams, plank tables, wrought-iron candelabra. He can imagine a big-breasted woman wearing too much rouge delivering warm dark beer. Instead, he gets a scene-kid waitress smacking chewing gum in a room filled with people in T-shirts.

“I have caught you in meditation perhaps?” The older man with the scrubby white beard speaks his English with a Dutch accent so thick he’s hard to understand. His nose is cratered with acne scars and spiderwebbed with broken blood vessels. His ice blue eyes study Knox from behind wire-rimmed glasses. His meaty hand is inhumanly cold as they greet each other. He sits down slowly, perhaps painfully, and looks as if he could use help pulling closer to the table, but Knox fears humiliating him by offering.

“I was wishing for a different waitress,” Knox says.

“I can procure for you any girl you want. Certified clean.”

Knox’s jaw muscles knot. “I’ll pass.”

“Pussies soft as lambs. I can arrange it. Not the window girls. Much classier. Any age, any skin color.”

Knox struggles to relax his fist, which has tightened beneath the table. He blames himself for starting the conversation. For an instant he visualizes the other man’s bulbous nose pushed through his face and into his brain, his blue eyes lifeless.

Gerhardt Kreiger can procure
anything
. Knox knows this; he has purchased a variety of goods from him for nearly three years, one of his longest business relationships. But this is the first time Kreiger’s offered to pimp. Knox wonders if the wholesale business is that bad.

He’d wanted to start with pleasantries but is reminded how unpleasant Kreiger can be. Instead, he jumps in, hoping to network his way into the rug business.

“We need another gross of the Delftware dinner plates and salad plates, a gross of the beer steins and a half gross of the glass yards.”

“So send me an e-mail.” Kreiger cleans the wire rims with a checkered cloth napkin, blowing on each lens. He orders a Grolsch as Knox’s Heineken is delivered. “Not that I do not enjoy you buying me a beer. And the company, of course.”

Knox keeps his voice low despite there being no one within earshot. “Rugs,” Knox says.

Kreiger studies him pensively. “Turkey. North Africa. I realize the quality Afghans have dried up temporarily, but that’s your country’s fault, not mine.”

“Too many middlemen,” Knox says. “Prices are too high. Government’s too unstable. I need quantity and quality and not six Turks between me and the manufacturer.”

Kreiger fights off a devilish grin and shakes his head. He waits for the beer to be delivered. They clink steins. He makes sure the waitress is another five strides gone. “I didn’t know you read Dutch.”

“I have no idea what you’re talking about.”

“No, I am sure of it,” Kreiger says. He savors the beer and licks his mustache. He eyeballs Knox again, a mixture of cunning and respect. “You impress me, Knox. Such ambition.”

Knox says nothing.

“I do not picture you as the type to condone the manufacturing
methods
.”

“Gerhardt, these are trying times. The euro zone is in recession, so it’s a buyer’s market. At home, we’re stuck with customers wanting everything for less, if they want anything at all. If I buy from the Mideast, the margins will kill me, and between the shrinkage and the bribes to longshoremen, there go the profits. By the time I see my container—hopefully sometime this millennium—I’m looking at pennies on the dollar. To hell with that. I need that ratio reversed. Your city’s got one of the biggest shipping ports in north Europe. If there are rugs being manufactured here—hand-tied, natural dyes, high-quality wool—and I buy from a single agent, as in you, I can trust the container to arrive with its original count and contents on time. Clean and simple, just as I like it.”

“You do make a girl blush,” Kreiger said. “But who says the article was accurate? You know journalism these days.”

“Hypothetically speaking,” Knox says, “there must be others like me . . . a market for high-end knockoffs.”

Kreiger wipes foam off his mustache and grins wryly. “There’s always the UK. And you’d be surprised: the Russians will pay these prices. So much goddamned money there now. All of them wanting to be as Western as money can buy. St. Petersburg is a gold mine for these rugs. Anything north of Prague is a viable market at these prices.”

Knox hears price mentioned and thinks only of the girls. Kreiger reads him.

“Who says I would know anything about such a despicable place? I happen to like children. I have seven grandchildren. Did you know that? Four boys, one named for me.”

“Congratulations.” Knox works on the beer, but can’t keep up with Kreiger, who signals for another. “Maybe you could ask around.”

“For you? Anything.” He leans closer. “Hypothetically speaking, what count and cuts are you interested in?”

Knox gives him an overall number and the breakdown in sizes. Kreiger rolls his eyes, exaggerated by the spectacles. He scratches out some numbers onto a napkin. “This number would occupy three-quarters of a full-sized container. You can’t be serious.”

“I take delivery once. If I have to wait a few months before you ship, I can live with that. My experience says that manufacturers like this don’t stay in business all that long. I won’t get the chance for a repeat buy, much less establish regular shipments.”

“No. I would agree.”

“So I’m front-loading inventory. Stocking up.”

“You are looking at”—he refers back to the napkin—“a hundred thousand euros minimum. Cash, you understand?”

“Fifty. And you handle the port costs on this end.”

“You have become a comedian. The act needs work, I’m afraid. Ninety-five.”

“Sixty.”

“Eighty, and it is final. Also, I must check with the supplier first.”

“Seventy-five is my limit.”

“I will look into it.”

Knox writes a phone number on a napkin. He’ll have to remember to swap the SIMs a couple times a day and check for messages. He pushes the napkin back to Kreiger.

“I need to see the work. All three sizes, various dye lots,” Knox says. “You decide the where and when. I am at such an advantage knowing someone like you, only one middleman, not three.”

“Someone like me.” Kreiger hoists his beer stein, and the dull clank that sounds off Knox’s half-empty stein sounds to Knox like a judge’s gavel lowering.