Collected Prose: Autobiographical Writings, True Stories, Critical Essays, Prefaces, Collaborations With Artists, and Interviews (10 page)

When I got back to the office a few minutes later, my father was greatly amused. I realized that the situation was amusing, but I was too embarrassed to want to joke about it. To my father’s credit, he did not get angry at me or make fun of me. He laughed, but in a way that made me laugh too. Then he dropped what he had been doing, took me to the Woolworth’s across the street, and bought me some new clothes. It had suddenly become possible for me to feel close to him.

*

As the years went by, the business started to decline. The business itself was not at fault, but rather the nature of the business: at that particular time, in that particular place, it was no longer possible to survive. The cities were falling apart, and no one seemed to care. What had once been a more or less fulfilling activity for my father now became simple drudgery. In the last years of his life he hated going to work.

Vandalism became such a severe problem that doing any kind of repairs became a demoralizing gesture. No sooner was plumbing installed in a building than the pipes would be ripped out by thieves. Windows were constantly being broken, doors smashed, hallways gutted, fires started. At the same time, it was impossible to sell out. No one wanted the buildings. The only way to get rid of them was to abandon them and let the cities take over. Tremendous amounts of money were lost in this way, an entire life’s work. In the end, at the time of my father’s death, there were only six or seven buildings left. The whole empire had disintegrated.

The last time I was in Jersey City (at least ten years ago) the place had the look of a disaster area, as if it had been pillaged by Huns. Gray, desolate streets; garbage piled everywhere; derelicts shuffling aimlessly up and down. My father’s office had been robbed so many times that by now there was nothing left in it but some gray metal desks, a few chairs, and three or four telephones. Not even a typewriter, not one touch of color. It was not really a work place anymore, but a room in hell. I sat down and looked out at the bank across the street. No one came out, no one went in. The only living things were two stray dogs humping on the steps.

How he managed to pick himself up and go in there every day is beyond my understanding. Force of habit, or else sheer stubbornness. Not only was it depressing, it was dangerous. He was mugged several times, and once was kicked in the head so viciously by an attacker that his hearing was permanently damaged. For the last four or five years of his life there was a faint and constant ringing in his head, a humming that never went away, not even while he was asleep. The doctors said there was nothing that could be done about it.

In the end, he never went out into the street without carrying a monkey wrench in his right hand. He was over sixty-five years old, and he did not want to take any more chances.

*

Two sentences that suddenly come to mind this morning as I am showing Daniel how to make scrambled eggs.

“‘And now I want to know,’ the woman says, with terrible force, ‘I want to know whether it is possible to find another father like him anywhere in the world.’” (Isaac Babel)

“Children have always a tendency either to depreciate or to exalt their parents, and to a good son his father is always the best of fathers, quite apart from any objective reason there may be for admiring him.” (Proust)

*

I realize now that I must have been a bad son. Or, if not precisely bad, then at least a disappointment, a source of confusion and sadness. It made no sense to him that he had produced a poet for a son. Nor could he understand why a young man with two degrees from Columbia University should take a job after graduation as an ordinary seaman on an oil tanker in the Gulf of Mexico, and then, without rhyme or reason, take off for Paris and spend four years there leading a hand to mouth existence.

His most common description of me was that I had “my head in the clouds,” or else that I “did not have my feet on the ground.” Either way, I must not have seemed very substantial to him, as if I were somehow a vapor or a person not wholly of this world. In his eyes, you became part of the world by working. By definition, work was something that brought in money. If it did not bring in money, it was not work. Writing, therefore, was not work, especially the writing of poetry. At best it was a hobby, a pleasant way to pass the time in between the things that really mattered. My father thought that I was squandering my gifts, refusing to grow up.

Nevertheless, some kind of bond remained between us. We were not close, but stayed in touch. A phone call every month or so, perhaps three or four visits a year. Each time a book of my poetry was published I would dutifully send it to him, and he would always call to thank me. Whenever I wrote an article for a magazine, I would set aside a copy and make sure I gave it to him the next time I saw him.
The New York Review of Books
meant nothing to him, but the pieces in
Commentary
impressed him. I think he felt that if the Jews were publishing me, then perhaps there was something to it.

Once, while I was still living in Paris, he wrote to tell me he had gone to the public library to read some of my poems that had appeared in a recent issue of
Poetry
. I imagined him in a large, deserted room, early in the morning before going to work: sitting at one of those long tables with his overcoat still on, hunched over words that must have been incomprehensible to him.

I have tried to keep this image in mind, along with all the others that will not leave it.

*

The rampant, totally mystifying force of contradiction. I understand now that each fact is nullified by the next fact, that each thought engenders an equal and opposite thought. Impossible to say anything without reservation: he was good, or he was bad; he was this, or he was that. All of them are true. At times I have the feeling that I am writing about three or four different men, each one distinct, each one a contradiction of all the others. Fragments. Or the anecdote as a form of knowledge.

Yes.

*

The occasional flash of generosity. At those rare times when the world was not a threat to him, his motive for living seemed to be kindness. “May the good Lord ever to Bless you.”

Friends called him whenever they were in trouble. A car stuck somewhere in the middle of the night, and my father would drag himself out of bed and come to the rescue. In certain ways it was easy for others to take advantage of him. He refused to complain about anything.

A patience that bordered on the superhuman. He was the only person I have ever known who could teach someone to drive without getting angry or crumpling in a fit of nerves. You could be careening straight toward a lamp post, and still he would not get excited.

Impenetrable. And because of that, at times almost serene.

*

Starting when he was still a young man, he always took a special interest in his oldest nephew—the only child of his only sister. My aunt had an unhappy life, punctuated by a series of difficult marriages, and her son bore the brunt of it: shipped off to military schools, never really given a home. Motivated, I think, by nothing more than kindness and a sense of duty, my father took the boy under his wing. He nursed him along with constant encouragement, taught him how to get along in the world. Later, he helped him in business, and whenever a problem came up, he was always ready to listen and give advice. Even after my cousin married and had his own family, my father continued to take an active interest, putting them up in his house at one point for more than a year, religiously giving presents to his four grand-nephews and grand-nieces on their birthdays, and often going to visit them for dinner.

This cousin was more shaken by my father’s death than any of my other relatives. At the family gathering after the funeral he came up to me three or four times and said, “I ran into him by accident just the other day. We were supposed to have dinner together Friday night.”

The words he used were exactly the same each time. As if he no longer knew what he was saying.

I felt that we had somehow reversed roles, that he was the grieving son and I was the sympathetic nephew. I wanted to put my arm around his shoulder and tell him what a good man his father had been. After all, he was the real son, he was the son I could never bring myself to be.

*

For the past two weeks, these lines from Maurice Blanchot echoing in my head: “One thing must be understood: I have said nothing extraordinary or even surprising. What is extraordinary begins at the moment I stop. But I am no longer able to speak of it.”

To begin with death. To work my way back into life, and then, finally, to return to death.

Or else: the vanity of trying to say anything about anyone.

*

In 1972 he came to visit me in Paris. It was the one time he ever traveled to Europe.

I was living that year in a minuscule sixth-floor maid’s room barely large enough for a bed, a table, a chair, and a sink. The windows and little balcony stared into the face of one of the stone angels that jutted from St. Germain Auxerrois: the Louvre to my left, Les Halles off to my right, and Montmartre in the far distance ahead. I had a great fondness for that room, and many of the poems that later appeared in my first book were written there.

My father was not planning to stay for any length of time, hardly even what you would call a vacation: four days in London, three days in Paris, and then home again. But I was pleased at the thought of seeing him and prepared myself to show him a good time.

Two things happened, however, that made this impossible. I became very ill with the flu; and I had to leave for Mexico the day after his arrival to work on a ghostwriting project.

I waited for him all morning in the lobby of the tourist hotel where he had booked reservations, sweating away with a high fever, almost delirious with weakness. When he did not show up at the appointed time, I stayed on for another hour or two, but finally gave in and went back to my room where I collapsed into bed.

Late in the afternoon he came and knocked on my door, waking me from a deep sleep. The encounter was straight out of Dostoyevsky: bourgeois father comes to visit son in a foreign city and finds the struggling poet alone in a garret, wasting away with fever. He was shocked by what he saw, outraged that anyone could live in such a room, and it galvanized him into action: he made me put on my coat, dragged me off to a neighborhood clinic, and then bought the pills that were prescribed for me. Afterwards, he refused to allow me to spend the night in my room. I was in no condition to argue, so I agreed to stay in his hotel.

The next day I was no better. But there were things to be done, and I picked myself up and did them. In the morning I took my father along with me to the vast Avenue Henri Martin apartment of the movie producer who was sending me to Mexico. For the past year I had been working on and off for this man, doing what amounted to odd jobs—translations, script synopses—things that were only marginally connected to the movies, which anyway did not interest me. Each project was more idiotic than the last, but the pay was good, and I needed the money. Now he wanted me to help his Mexican wife with a book she had been contracted to write for an English publisher: Quetzalcoatl and the mysteries of the plumed serpent. This seemed to be pushing it a bit, and I had already turned him down several times. But each time I said no, his offer had gone up, until now I was being paid so much money that I could no longer turn away. I would only be gone for a month, and I was being paid in cash—in advance.

This was the transaction my father witnessed. For once, I could see that he was impressed. Not only had I led him into this luxurious setting and introduced him to a man who did business in the millions, but now this man was calmly handing me a stack of hundred dollar bills across the table and telling me to have a pleasant trip. It was the money, of course, that made the difference, the fact that my father had seen it with his own eyes. I felt it as a triumph, as if I had somehow been vindicated. For the first time he had been forced to realize that I could take care of myself on my own terms.

He became very protective, indulgent of my weakened condition. Helped me deposit the money in the bank, all smiles and jokes. Then got us a cab and rode all the way to the airport with me. A big handshake at the end. Good luck, son. Knock ’em dead.

You bet.

*

Nothing now for several days….

In spite of the excuses I have made for myself, I understand what is happening. The closer I come to the end of what I am able to say, the more reluctant I am to say anything. I want to postpone the moment of ending, and in this way delude myself into thinking that I have only just begun, that the better part of my story still lies ahead. No matter how useless these words might seem to be, they have nevertheless stood between me and a silence that continues to terrify me. When I step into this silence, it will mean that my father has vanished forever.

*

The dingy green carpet in the funeral home. And the director, unctuous, professional, suffering from eczema and swollen ankles, going down a checklist of expenses as if I were about to buy a suite of bedroom furniture on credit. He handed me an envelope that contained the ring my father had been wearing when he died. Idly fingering the ring as the conversation droned on, I noticed that the underside of the stone was smeared with the residue of some soapy lubricant. A few moments passed before I made the connection, and then it became absurdly obvious: the lotion had been used to remove the ring from his finger. I tried to imagine the person whose job it was to do such things. I did not feel horror so much as fascination. I remember thinking to myself: I have entered the world of facts, the realm of brute particulars. The ring was gold, with a black setting that bore the insignia of the Masonic brotherhood. My father had not been an active member for over twenty years.

The funeral director kept telling me how he had known my father “in the old days,” implying an intimacy and friendship I was sure had never existed. As I gave him the information to be passed on to the newspapers for the obituary, he anticipated my remarks with incorrect facts, rushing ahead of me in order to prove how well acquainted he had been with my father. Each time this happened, I stopped and corrected him. The next day, when the obituary appeared in the paper, many of these incorrect facts were printed.