Complete Works of Emile Zola (262 page)

BOOK: Complete Works of Emile Zola
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    [*] These rotisseries, now all but extinct, were at one time

    a particular feature of the Parisian provision trade. I can

    myself recollect several akin to the one described by M.

    Zola. I suspect that they largely owed their origin to the

    form and dimensions of the ordinary Parisian kitchen stove,

    which did not enable people to roast poultry at home in a

    convenient way. In the old French cuisine, moreover, roast

    joints of meat were virtually unknown; roasting was almost

    entirely confined to chickens, geese, turkeys, pheasants,

    etc.; and among the middle classes people largely bought

    their poultry already cooked of the
rotisseur
, or else

    confided it to him for the purpose of roasting, in the same

    way as our poorer classes still send their joints to the

    baker’s. Roasting was also long looked upon in France as a

    very delicate art. Brillat-Savarin, in his famous

    
Physiologie du Gout
, lays down the dictum that “A man may

    become a cook, but is born a
rotisseur
.” — Translator.

The broad copper bands of the fireplace glistened brightly, the poultry steamed, the fat bubbled melodiously in the dripping-pan, and the spits seemed to talk amongst themselves and to address kindly words to Quenu, who, with a long ladle, devoutly basted the golden breasts of the fat geese and turkeys. He would stay there for hours, quite crimson in the dancing glow of the flames, and laughing vaguely, with a somewhat stupid expression, at the birds roasting in front of him. Indeed, he did not awake from this kind of trance until the geese and turkeys were unspitted. They were placed on dishes, the spits emerged from their carcasses smoking hot, and a rich gravy flowed from either end and filled the shop with a penetrating odour. Then the lad, who, standing up, had eagerly followed every phase of the dishing, would clap his hands and begin to talk to the birds, telling them that they were very nice, and would be eaten up, and that the cats would have nothing but their bones. And he would give a start of delight whenever Gavard handed him a slice of bread, which he forthwith put into the dripping-pan that it might soak and toast there for half an hour.

It was in this shop, no doubt, that Quenu’s love of cookery took its birth. Later on, when he had tried all sorts of crafts, he returned, as though driven by fate, to the spits and the poultry and the savoury gravy which induces one to lick one’s fingers. At first he was afraid of vexing his brother, who was a small eater and spoke of good fare with the disdain of a man who is ignorant of it; but afterwards, on seeing that Florent listened to him when he explained the preparation of some very elaborate dish, he confessed his desires and presently found a situation at a large restaurant. From that time forward the life of the two brothers was settled. They continued to live in the room in the Rue Royer Collard, whither they returned every evening; the one glowing and radiant from his hot fire, the other with the depressed countenance of a shabby, impecunious teacher. Florent still wore his old black coat, as he sat absorbed in correcting his pupils’ exercises; while Quenu, to put himself more at ease, donned his white apron, cap, and jacket, and, flitting about in front of the stove, amused himself by baking some dainty in the oven. Sometimes they smiled at seeing themselves thus attired, the one all in black, the other all in white. These different garbs, one bright and the other sombre, seemed to make the big room half gay and half mournful. Never, however, was there so much harmony in a household marked by such dissimilarity. Though the elder brother grew thinner and thinner, consumed by the ardent temperament which he had inherited from his Provencal father, and the younger one waxed fatter and fatter like a true son of Normandy, they loved each other in the brotherhood they derived from their mother — a mother who had been all devotion.

They had a relation in Paris, a brother of their mother’s, one Gradelle, who was in business as a pork butcher in the Rue Pirouette, near the central markets. He was a fat, hard-hearted, miserly fellow, and received his nephews as though they were starving paupers the first time they paid him a visit. They seldom went to see him afterwards. On his nameday Quenu would take him a bunch of flowers, and receive a half-franc piece in return for it. Florent’s proud and sensitive nature suffered keenly when Gradelle scrutinised his shabby clothes with the anxious, suspicious glance of a miser apprehending a request for a dinner, or the loan of a five-franc piece. One day, however, it occurred to Florent in all artlessness to ask his uncle to change a hundred-franc note for him, and after this the pork butcher showed less alarm at sight of the lads, as he called them. Still, their friendship got no further than these infrequent visits.

These years were like a long, sweet, sad dream to Florent. As they passed he tasted to the full all the bitter joys of self-sacrifice. At home, in the big room, life was all love and tenderness; but out in the world, amidst the humiliations inflicted on him by his pupils, and the rough jostling of the streets, he felt himself yielding to wicked thoughts. His slain ambitions embittered him. It was long before he could bring himself to bow to his fate, and accept with equanimity the painful lot of a poor, plain, commonplace man. At last, to guard against the temptations of wickedness, he plunged into ideal goodness, and sought refuge in a self-created sphere of absolute truth and justice. It was then that he became a republican, entering into the republican idea even as heart-broken girls enter a convent. And not finding a republic where sufficient peace and kindliness prevailed to lull his troubles to sleep, he created one for himself. He took no pleasure in books. All the blackened paper amidst which he lived spoke of evil-smelling class-rooms, of pellets of paper chewed by unruly schoolboys, of long, profitless hours of torture. Besides, books only suggested to him a spirit of mutiny and pride, whereas it was of peace and oblivion that he felt most need. To lull and soothe himself with the ideal imaginings, to dream that he was perfectly happy, and that all the world would likewise become so, to erect in his brain the republican city in which he would fain have lived, such now became his recreation, the task, again and again renewed, of all his leisure hours. He no longer read any books beyond those which his duties compelled him to peruse; he preferred to tramp along the Rue Saint Jacques as far as the outer boulevards, occasionally going yet a greater distance and returning by the Barriere d’Italie; and all along the road, with his eyes on the Quartier Mouffetard spread out at his feet, he would devise reforms of great moral and humanitarian scope, such as he thought would change that city of suffering into an abode of bliss. During the turmoil of February 1848, when Paris was stained with blood he became quite heartbroken, and rushed from one to another of the public clubs demanding that the blood which had been shed should find atonement in “the fraternal embrace of all republicans throughout the world.” He became one of those enthusiastic orators who preached revolution as a new religion, full of gentleness and salvation. The terrible days of December 1851, the days of the Coup d’Etat, were required to wean him from his doctrines of universal love. He was then without arms; allowed himself to be captured like a sheep, and was treated as though he were a wolf. He awoke from his sermon on universal brotherhood to find himself starving on the cold stones of a casemate at Bicetre.

Quenu, when two and twenty, was distressed with anguish when his brother did not return home. On the following day he went to seek his corpse at the cemetery of Montmartre, where the bodies of those shot down on the boulevards had been laid out in a line and covered with straw, from beneath which only their ghastly heads projected. However, Quenu’s courage failed him, he was blinded by his tears, and had to pass twice along the line of corpses before acquiring the certainty that Florent’s was not among them. At last, at the end of a long and wretched week, he learned at the Prefecture of Police that his brother was a prisoner. He was not allowed to see him, and when he pressed the matter the police threatened to arrest him also. Then he hastened off to his uncle Gradelle, whom he looked upon as a person of importance, hoping that he might be able to enlist his influence in Florent’s behalf. But Gradelle waxed wrathful, declared that Florent deserved his fate, that he ought to have known better than to have mixed himself up with those rascally republicans. And he even added that Florent was destined to turn out badly, that it was written on his face.

Quenu wept copiously and remained there, almost choked by his sobs. His uncle, a little ashamed of his harshness, and feeling that he ought to do something for him, offered to receive him into his house. He wanted an assistant, and knew that his nephew was a good cook. Quenu was so much alarmed by the mere thought of going back to live alone in the big room in the Rue Royer Collard, that then and there he accepted Gradelle’s offer. That same night he slept in his uncle’s house, in a dark hole of a garret just under the room, where there was scarcely space for him to lie at full length. However, he was less wretched there than he would have been opposite his brother’s empty couch.

He succeeded at length in obtaining permission to see Florent; but on his return from Bicetre he was obliged to take to his bed. For nearly three weeks he lay fever-stricken, in a stupefied, comatose state. Gradelle meantime called down all sorts of maledictions on his republican nephew; and one morning, when he heard of Florent’s departure for Cayenne, he went upstairs, tapped Quenu on the hands, awoke him, and bluntly told him the news, thereby bringing about such a reaction that on the following day the young man was up and about again. His grief wore itself out, and his soft flabby flesh seemed to absorb his tears. A month later he laughed again, and then grew vexed and unhappy with himself for having been merry; but his natural light-heartedness soon gained the mastery, and he laughed afresh in unconscious happiness.

He now learned his uncle’s business, from which he derived even more enjoyment than from cookery. Gradelle told him, however, that he must not neglect his pots and pans, that it was rare to find a pork butcher who was also a good cook, and that he had been lucky in serving in a restaurant before coming to the shop. Gradelle, moreover, made full use of his nephew’s acquirements, employed him to cook the dinners sent out to certain customers, and placed all the broiling, and the preparation of pork chops garnished with gherkins in his special charge. As the young man was of real service to him, he grew fond of him after his own fashion, and would nip his plump arms when he was in a good humour. Gradelle had sold the scanty furniture of the room in the Rue Royer Collard and retained possession of the proceeds — some forty francs or so — in order, said he, to prevent the foolish lad, Quenu, from making ducks and drakes of the cash. After a time, however, he allowed his nephew six francs a month a pocket-money.

Quenu now became quite happy, in spite of the emptiness of his purse and the harshness with which he was occasionally treated. He liked to have life doled out to him; Florent had treated him too much like an indolent girl. Moreover, he had made a friend at his uncle’s. Gradelle, when his wife died, had been obliged to engage a girl to attend to the shop, and had taken care to choose a healthy and attractive one, knowing that a good-looking girl would set off his viands and help to tempt custom. Amongst his acquaintances was a widow, living in the Rue Cuvier, near the Jardin des Plantes, whose deceased husband had been postmaster at Plassans, the seat of a sub-prefecture in the south of France. This lady, who lived in a very modest fashion on a small annuity, had brought with her from Plassans a plump, pretty child, whom she treated as her own daughter. Lisa, as the young one was called, attended upon her with much placidity and serenity of disposition. Somewhat seriously inclined, she looked quite beautiful when she smiled. Indeed, her great charm came from the exquisite manner in which she allowed this infrequent smile of hers to escape her. Her eyes then became most caressing, and her habitual gravity imparted inestimable value to these sudden, seductive flashes. The old lady had often said that one of Lisa’s smiles would suffice to lure her to perdition.

When the widow died she left all her savings, amounting to some ten thousand francs, to her adopted daughter. For a week Lisa lived alone in the Rue Cuvier; it was there that Gradelle came in search of her. He had become acquainted with her by often seeing her with her mistress when the latter called on him in the Rue Pirouette; and at the funeral she had struck him as having grown so handsome and sturdy that he had followed the hearse all the way to the cemetery, though he had not intended to do so. As the coffin was being lowered into the grave, he reflected what a splendid girl she would be for the counter of a pork butcher’s shop. He thought the matter over, and finally resolved to offer her thirty francs a month, with board and lodging. When he made this proposal, Lisa asked for twenty-four hours to consider it. Then she arrived one morning with a little bundle of clothes, and her ten thousand francs concealed in the bosom of her dress. A month later the whole place belonged to her; she enslaved Gradelle, Quenu, and even the smallest kitchen-boy. For his part, Quenu would have cut off his fingers to please her. When she happened to smile, he remained rooted to the floor, laughing with delight as he gazed at her.

Lisa was the eldest daughter of the Macquarts of Plassans, and her father was still alive.[*] But she said that he was abroad, and never wrote to him. Sometimes she just dropped a hint that her mother, now deceased, had been a hard worker, and that she took after her. She worked, indeed, very assiduously. However, she sometimes added that the worthy woman had slaved herself to death in striving to support her family. Then she would speak of the respective duties of husband and wife in such a practical though modest fashion as to enchant Quenu. He assured her that he fully shared her ideas. These were that everyone, man or woman, ought to work for his or her living, that everyone was charged with the duty of achieving personal happiness, that great harm was done by encouraging habits of idleness, and that the presence of so much misery in the world was greatly due to sloth. This theory of hers was a sweeping condemnation of drunkenness, of all the legendary loafing ways of her father Macquart. But, though she did not know it, there was much of Macquart’s nature in herself. She was merely a steady, sensible Macquart with a logical desire for comfort, having grasped the truth of the proverb that as you make your bed so you lie on it. To sleep in blissful warmth there is no better plan than to prepare oneself a soft and downy couch; and to the preparation of such a couch she gave all her time and all her thoughts. When no more than six years old she had consented to remain quietly on her chair the whole day through on condition that she should be rewarded with a cake in the evening.

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