Complete Works of Emile Zola (893 page)

BOOK: Complete Works of Emile Zola
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‘I have given it to that lady,’ called Madame Joseph from the back of the room. ‘She is upstairs.’

‘What lady?’ he asked in bewilderment.

‘That young person. Come, you know very well, the one who always comes.’

He had not the remotest idea whom she meant. Still, in his utter confusion of mind, he decided to go upstairs. The key was in the door, which he slowly opened and closed again.

For a moment Claude stood stock still. Darkness had invaded the studio; a violet dimness, a melancholy gloom fell from the large window, enveloping everything. He could no longer plainly distinguish either the floor, or the furniture, or the sketches; everything that was lying about seemed to be melting in the stagnant waters of a pool. But on the edge of the couch there loomed a dark figure, stiff with waiting, anxious and despairing amid the last gasp of daylight. It was Christine; he recognised her.

She held out her hands, and murmured in a low, halting voice:

‘I have been here for three hours; yes, for three hours, all alone, and listening. I took a cab on leaving there, and I only wanted to stay a minute, and get back as soon as possible. But I should have stayed all night; I could not go away without shaking hands with you.’

She continued, and told him of her mad desire to see the picture; her prank of going to the Salon, and how she had tumbled into it amidst the storm of laughter, amidst the jeers of all those people. It was she whom they had hissed like that; it was on herself that they had spat. And seized with wild terror, distracted with grief and shame, she had fled, as if she could feel that laughter lashing her like a whip, until the blood flowed. But she now forgot about herself in her concern for him, upset by the thought of the grief he must feel, for her womanly sensibility magnified the bitterness of the repulse, and she was eager to console.

‘Oh, friend, don’t grieve! I wished to see and tell you that they are jealous of it all, that I found the picture very nice, and that I feel very proud and happy at having helped you — at being, if ever so little, a part of it.’

Still, motionless, he listened to her as she stammered those tender words in an ardent voice, and suddenly he sank down at her feet, letting his head fall upon her knees, and bursting into tears. All his excitement of the afternoon, all the bravery he had shown amidst the jeering, all his gaiety and violence now collapsed, in a fit of sobs which well nigh choked him. From the gallery where the laughter had buffeted him, he heard it pursuing him through the Champs Elysees, then along the banks of the Seine, and now in his very studio. His strength was utterly spent; he felt weaker than a child; and rolling his head from one side to another he repeated in a stifled voice:

‘My God! how I do suffer!’

Then she, with both hands, raised his face to her lips in a transport of passion. She kissed him, and with her warm breath she blew to his very heart the words: ‘Be quiet, be quiet, I love you!’

They adored each other; it was inevitable. Near them, on the centre of the table, the lilac she had sent him that morning embalmed the night air, and, alone shiny with lingering light, the scattered particles of gold leaf, wafted from the frame of the big picture, twinkled like a swarming of stars.

VI

THE very next morning, at seven o’clock, Christine was at the studio, her face still flushed by the falsehood which she had told Madame Vanzade about a young friend from Clermont whom she was to meet at the station, and with whom she should spend the day.

Claude, overjoyed by the idea of spending a whole day with her, wanted to take her into the country, far away under the glorious sunlight, so as to have her entirely to himself. She was delighted; they scampered off like lunatics, and reached the St. Lazare Station just in time to catch the Havre train. He knew, beyond Mantes, a little village called Bennecourt, where there was an artists’ inn which he had at times invaded with some comrades; and careless as to the two hours’ rail, he took her to lunch there, just as he would have taken her to Asnieres. She made very merry over this journey, to which there seemed no end. So much the better if it were to take them to the end of the world! It seemed to them as if evening would never come.

At ten o’clock they alighted at Bonnieres; and there they took the ferry — an old ferry-boat that creaked and grated against its chain — for Bennecourt is situated on the opposite bank of the Seine. It was a splendid May morning, the rippling waters were spangled with gold in the sunlight, the young foliage showed delicately green against the cloudless azure. And, beyond the islets situated at this point of the river, how delightful it was to find the country inn, with its little grocery business attached, its large common room smelling of soapsuds, and its spacious yard full of manure, on which the ducks disported themselves.

‘Hallo, Faucheur! we have come to lunch. An omelette, some sausages, and some cheese, eh?’

‘Are you going to stay the night, Monsieur Claude?’

‘No, no; another time. And some white wine; eh? you know that pinky wine, that grates a bit in the throat.’

Christine had already followed mother Faucheur to the barn-yard, and when the latter came back with her eggs, she asked Claude with her artful peasant’s laugh:

‘And so now you’re married?’

‘Well,’ replied the painter without hesitation, ‘it looks like it since I’m with my wife.’

The lunch was exquisite: the omelette overdone, the sausages too greasy, and the bread so hard that he had to cut it into fingers for Christine lest she should hurt her wrist. They emptied two bottles of wine, and began a third, becoming so gay and noisy that they ended by feeling bewildered in the long room, where they partook of the meal all alone. She, with her cheeks aflame, declared that she was tipsy; it had never happened to her before, and she thought it very funny. Oh! so funny, and she burst into uncontrollable laughter.

‘Let us get a breath of air,’ she said at last.

‘Yes, let’s take a stroll. We must start back at four o’clock; so we have three hours before us.’

They went up the village of Bennecourt, whose yellow houses straggle along the river bank for about a couple of thousand yards. All the villagers were in the fields; they only met three cows, led by a little girl. He, with an outstretched arm, told her all about the locality; seemed to know whither he was going, and when they had reached the last house — an old building, standing on the bank of the Seine, just opposite the slopes of Jeufosse — turned round it, and entered a wood of oak trees. It was like the end of the world, roofed in with foliage, through which the sun alone penetrated in narrow tongues of flame. And there they could stroll and talk and kiss in freedom.

When at last it became necessary for them to retrace their steps, they found a peasant standing at the open doorway of the house by the wood-side. Claude recognised the man and called to him:

‘Hallo, Porrette! Does that shanty belong to you?’

At this the old fellow, with tears in his eyes, related that it did, and that his tenants had gone away without paying him, leaving their furniture behind. And he invited them inside.

‘There’s no harm in looking; you may know somebody who would like to take the place. There are many Parisians who’d be glad of it. Three hundred francs a year, with the furniture; it’s for nothing, eh?’

They inquisitively followed him inside. It was a rambling old place that seemed to have been cut out of a barn. Downstairs they found an immense kitchen and a dining-room, in which one might have given a dance; upstairs were two rooms also, so vast that one seemed lost in them. As for the furniture, it consisted of a walnut bedstead in one of the rooms, and of a table and some household utensils in the kitchen. But in front of the house the neglected garden was planted with magnificent apricot trees, and overgrown with large rose-bushes in full bloom; while at the back there was a potato field reaching as far as the oak wood, and surrounded by a quick-set hedge.

‘I’d leave the potatoes as they are,’ said old Porrette.

Claude and Christine looked at each other with one of those sudden cravings for solitude and forgetfulness common to lovers. Ah! how sweet it would be to love one another there in the depths of that nook, so far away from everybody else! But they smiled. Was such a thing to be thought of? They had barely time to catch the train that was to take them back to Paris. And the old peasant, who was Madame Faucheur’s father, accompanied them along the river bank, and as they were stepping into the ferry-boat, shouted to them, after quite an inward struggle:

‘You know, I’ll make it two hundred and fifty francs — send me some people.’

On reaching Paris, Claude accompanied Christine to Madame Vanzade’s door. They had grown very sad. They exchanged a long handshake, silent and despairing, not daring to kiss each other there.

A life of torment then began. In the course of a fortnight she was only able to call on three occasions; and she arrived panting, having but a few minutes at her disposal, for it so happened that the old lady had just then become very exacting. Claude questioned her, feeling uneasy at seeing her look so pale and out of sorts, with her eyes bright with fever. Never had that pious house, that vault, without air or light, where she died of boredom, caused her so much suffering. Her fits of giddiness had come upon her again; the want of exercise made the blood throb in her temples. She owned to him that she had fainted one evening in her room, as if she had been suddenly strangled by a leaden hand. Still she did not say a word against her employer; on the contrary, she softened on speaking of her: the poor creature, so old and so infirm, and so kind-hearted, who called her daughter! She felt as if she were committing a wicked act each time that she forsook her to hurry to her lover’s.

Two more weeks went by, and the falsehoods with which Christine had to buy, as it were, each hour of liberty became intolerable to her. She loved, she would have liked to proclaim it aloud, and her feelings revolted at having to hide her love like a crime, at having to lie basely, like a servant afraid of being sent away.

At last, one evening in the studio, at the moment when she was leaving, she threw herself with a distracted gesture into Claude’s arms, sobbing with suffering and passion. ‘Ah! I cannot, I cannot — keep me with you; prevent me from going back.’

He had caught hold of her, and was almost smothering her with kisses.

‘You really love me, then! Oh, my darling! But I am so very poor, and you would lose everything. Can I allow you to forego everything like this?’

She sobbed more violently still; her halting words were choked by her tears.

‘The money, eh? which she might leave me? Do you think I calculate? I have never thought of it, I swear it to you! Ah! let her keep everything and let me be free! I have no ties, no relatives; can’t I be allowed to do as I like?’

Then, in a last sob of agony: ‘Ah, you are right; it’s wrong to desert the poor woman. Ah! I despise myself. I wish I had the strength. But I love you too much, I suffer too much; surely you won’t let me die?’

‘Oh!’ he cried in a passionate transport. ‘Let others die, there are but we two on earth.’

It was all so much madness. Christine left Madame Vanzade in the most brutal fashion. She took her trunk away the very next morning. She and Claude had at once remembered the deserted old house at Bennecourt, the giant rose-bushes, the immense rooms. Ah! to go away, to go away without the loss of an hour, to live at the world’s end in all the bliss of their passion! She clapped her hands for very joy. He, still smarting from his defeat, at the Salon, and anxious to recover from it, longed for complete rest in the country; yonder he would find the real ‘open air,’ he would work away with grass up to his neck and bring back masterpieces. In a couple of days everything was ready, the studio relinquished, the few household chattels conveyed to the railway station. Besides, they met with a slice of luck, for Papa Malgras gave some five hundred francs for a score of sketches, selected from among the waifs and strays of the removal. Thus they would be able to live like princes. Claude still had his income of a thousand francs a year; Christine, too, had saved some money, besides having her outfit and dresses. And away they went; it was perfect flight, friends avoided and not even warned by letter, Paris despised and forsaken amid laughter expressive of relief.

June was drawing to a close, and the rain fell in torrents during the week they spent in arranging their new home. They discovered that old Porrette had taken away half the kitchen utensils before signing the agreement. But that matter did not affect them. They took a delight in dabbling about amidst the showers; they made journeys three leagues long, as far as Vernon, to buy plates and saucepans, which they brought back with them in triumph. At last they got shipshape, occupying one of the upstairs rooms, abandoning the other to the mice, and transforming the dining-room into a studio; and, above all, as happy as children at taking their meals in the kitchen off a deal table, near the hearth where the soup sang in the pot. To wait upon them they engaged a girl from the village, who came every morning and went home at night. She was called Melie, she was a niece of the Faucheurs, and her stupidity delighted them. In fact, one could not have found a greater idiot in the whole region.

The sun having shown itself again, some delightful days followed, the months slipping away amid monotonous felicity. They never knew the date, they were for ever mixing up the days of the week. Every day, after the second breakfast, came endless strolls, long walks across the tableland planted with apple trees, over the grassy country roads, along the banks of the Seine through the meadows as far as La Roche-Guyon; and there were still more distant explorations, perfect journeys on the opposite side of the river, amid the cornfields of Bonnieres and Jeufosse. A person who was obliged to leave the neighbourhood sold them an old boat for thirty francs, so that they also had the river at their disposal, and, like savages, became seized with a passion for it, living on its waters for days together, rowing about, discovering new countries, and lingering for hours under the willows on the banks, or in little creeks, dark with shade. Betwixt the eyots scattered along the stream there was a shifting and mysterious city, a network of passages along which, with the lower branches of the trees caressingly brushing against them, they softly glided, alone, as it were, in the world, with the ringdoves and the kingfishers. He at times had to spring out upon the sand, with bare legs, to push off the skiff. She bravely plied the oars, bent on forcing her way against the strongest currents, and exulting in her strength. And in the evening they ate cabbage soup in the kitchen, laughing at Melie’s stupidity, as they had laughed at it the day before; to begin the morrow just in the same fashion.

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