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Authors: Carolyn Wheat

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Terrell's grandmother waited patiently in the hall, holding the brown paper bag full of clothes she knew full well she wouldn't be permitted to give him. She brought it every time, a symbol of her caring.

“How is he, Miz Jameson?” she asked. “How they treatin' my boy back there?”

“He seems fine, Ms. Hopkins,” I answered. I wanted to tell her the truth, that the best thing she could do for Terrell was to lessen her fierce belief in him, to allow him to face the reality of his guilt and cut the best deal he could get. But I had the uneasy feeling that her faith in him was the only thing Terrell had, the only rock in a stormy sea, and that he couldn't bear to let it go even if it meant seven extra years in prison.

I looked into Ms. Hopkins's eyes, their hopeful luster dimmed not a bit by the cloudy cataracts through which she saw the world. No, I decided, let Terrell tell her the truth himself. If he could. As to the fee, I decided it could wait.

I went from Terrell Hopkins to Tito Fernandez. Where Terrell had only one person who cared for him, Tito had a whole corridor full of supporters, slapping his back, poking him, laughing with him. They all wore their colors, against my legal advice. I really think a gang member would rather go naked in January than appear without the jacket that proclaims his affiliation.

They called themselves the Unknown Homicides. Like other gangs, they stuck together out of a need for community and protection in a harsh urban world. They needed both more than most kids do. They were deaf.

I walked up and greeted him with a smile and the one sign I knew—the two-finger salute that meant “Hi.” The official sign-language interpreter wasn't there yet, but Frankie, who was only partially deaf, offered to translate for me.

“How's it going, Tito?” I addressed my client, a kid of eighteen whose Colombian parents had had enough trouble learning English, let alone taking on Ameslan. They could communicate with their son only in the most rudimentary fashion. As soon as he met the Homicides, Tito had left his family and moved into the semi-abandoned building they called home.

Unfortunately, sombody'd lit a fire in the tumbledown building, starting with Tito's mattress, and the cops had arrested him on the complaint of the super, a hostile type who objected to the “dummies” taking over his building and who claimed Tito and another gang member had threatened to burn down the building earlier in the week.

I'd talked to the guys many times about the day of the fire, but I'd always had the feeling, born of ten years in the system, that they were holding something back. I knew I'd better find out what it was before the trial.

I turned to Frankie. “Tito says he was with three other guys in Julio's room, right?” Frankie signed and Tito nodded; his hands started rapid movement, his mouth miming words. Frankie turned back to me and said in the dull monotone of the deaf, “Tito says he was with Julio, Marco, and Randy.” Here he pointed to a tall black kid with cornrows. Unlike most gangs, the Homicides were integrated. Deafness was the only entrance requirement.

“What were they doing there?” I faced Tito as I spoke, even though I knew his lip-reading ability to be nil. “And I don't want any bullshit!” I said, pointing and scowling as I spoke. “I want the truth!” I punctuated my words with a forceful gesture, then turned to Frankie and repeated it. Whenever I talked to Tito, I found myself using exaggerated gestures and facial expressions to make up for the lack of words. I felt like a silent-movie actress.

Tito and Frankie signed back and forth and finally both turned to Ray, the leader. Ray stared at me with the impassivity I had come to expect from him. He was in his mid-twenties and had an acne-scarred face. He made a living selling cards printed in the sign-language alphabet on the subway. I asked Frankie to explain that if I was going to help Tito out of this jam, I was going to need the truth. While I spoke to Frankie, I deliberately locked eyes with Ray. He stared back coolly. He was a born leader, Ray, and I couldn't help but wonder what he could have been had he been born rich or hearing, or both.

After Frankie finished relaying my message, he looked at me with a steady, appraising glance. I willed myself not to blink. Finally he nodded, a single nod that sent all the fingers in the group flying as the Unknown Homicides proceeded to breach the wall of silence and tell me what had really happened.

“We was in Julio's room,” Frankie translated. “We was gettin' high.”

I nodded. I had expected something like this. “Tito was helpin' Marco find a vein,” Frankie went on, pointing to a skinny, curly-haired kid of about fifteen. “He got skinny arms, and we was pokin' him to get the vein to pop.” Frankie illustrated as he spoke, pointing to his own arm, pulling the tourniquet, searching for the vein. “Then Randy smell smoke.” Frankie lifted his head and made a sniffing motion. It was such perfect mime, I could almost smell smoke in the courthouse corridor. “We didn't think nothin',” Frankie went on, making a brush-off motion, “but then it got stronger and we all run out.” Tito was acting it out now, using his whole body to show how he ran downstairs, opened his apartment door and then recoiled from the flames.

“Stop!” I held up a hand. “Ask him why he went to his room. Why not straight outside?”

Signs flew. “He wanted to get his stuff out,” Frankie explained. “But there was too much fire.” His hands encompassed a conflagration.

The rest I knew. The super, perpetually angry at the Homicides' invasion, had told the police the boys had lit matches in front of his face. In his view, this had been their way of announcing their plans for the building. This the gang emphatically denied.

“So if you guys didn't do it, who did?” I asked, although I already knew the answer. Their answer. According to them, any rival gang, any Hearing gang, could and would have done it. “They always down on us for bein' deaf,” Frankie said in his eerie voice, pointing to his ears. “We always gettin' crap from Hearing,” added a plump black kid, whose huge earphones almost but not quite put him in the Hearing world.

Some wonderful defense, I thought as I signed the case in on the clerk's sheet and walked toward the front row of the courtroom. Gang vengeance by an unknown gang for an unknown reason. And my kids no angels in spite of their handicaps. The Homicides might not have lived up to their name, but there were burglars, shoplifters, and drug addicts among them, just as there were among the Hearing.

I needed a postponement. This case just wasn't ready for a jury, not if I wanted to win. I found myself wishing Linda's help had paid off. When I'd first picked up the case, I'd asked her how to go about locating the building's owner to see whether the fire might not have made him a profit. She'd given me advice from her days in a real-estate office, and I'd done my share of sending letters and subpoenas. None of it had borne fruit; the fire had been minor and no big insurance payoff had been made. It was just one more fire in a neighborhood gradually being destroyed by arson.

Still, I felt as though there were things I should know and didn't. Plus I had to see the building, something I'd been unable to arrange due to a heavy trial schedule. When I asked for the adjournment, Judge Kaplan gave me her Dragon Lady smile and asked, “What's the matter, Counselor, afraid to take this case to a jury?”

“Of course,” I answered. “Any lawyer who's not afraid to hold a kid's life in her hands is someone I don't even want to know. Especially,” I added with a smile, “when the case isn't ready. I'm owed a few things by the DA's office and there are subpoenaed items that haven't come in yet.”

Over the prosecution's strenuous objection, I got my adjournment, as well as the fire marshal's report I'd been waiting for. One week in which to work a miracle.

The only person less thrilled by the delay than ADA Bergen was Tito Fernandez. Angrily gesturing, the Homicides demanded to know why they couldn't have the trial today and “get it over with.” I tried to explain that “getting it over with” was not the first objective of a good defense lawyer, but they walked away disgusted. There are few things in life less rewarding than addressing the retreating back of a deaf person, but I did it anway. “For guys who don't trust Hearing,” I muttered, “you're pretty anxious to put Tito's fate in the hands of a Hearing jury.”

As the gang passed through the metal detectors, I saw Tito turn toward me. The one-finger sign he flashed me needed no translation.

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About the Author

Carolyn Wheat is an attorney, editor, and award-winning author. She has worked on both sides of the legal fence, defending indigents accused of crime for the Brooklyn office of the Legal Aid Society and giving legal advice to the New York City Police Department. Wheat's short stories have won the Anthony, Agatha, Shamus, and Macavity Awards, and two of her six Cass Jameson Mysteries have been nominated for Edgar Awards.

All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

This is a work of fiction. Names, characters, places, events, and incidents either are the product of the author's imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

Lines from “The Lawyers Know Too Much,” appearing on page vii, from
Smoke and Steel
by Carl Sandburg. Copyright 1920 by Harcourt Brace Jovanovich, Inc.; renewed 1948 by Carl Sandburg. Reprinted by permission of the publisher.

Lines from “The Death of the Hired Man,” appearing on page 123, from
The Poetry of Robert Frost.
edited by Edward Connery Lathem. Copyright 1930, 1939, © 1969, by Holt, Rinehart and Winston. Copyright © 1958 by Robert Frost. Copyright © 1967 by Lesley Frost Ballantine. Reprinted by permission of Holt, Rinehart and Winston, Publishers.

Copyright © 1983 by Carolyn Wheat

Cover design by Barbara Brown

ISBN: 978-1-5040-0224-0

This edition published in 2015 by Open Road Integrated Media, Inc.

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New York, NY 10014

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