Delphi Complete Works of Ann Radcliffe (Illustrated) (100 page)

Emily, as she approached the lattice, was sensible of the features of this scene only as they served to bring Valancourt more immediately to her fancy. ‘Ah!’ said she, with a heavy sigh, as she threw herself into a chair by the window, ‘how often have we sat together in this spot — often have looked upon that landscape! Never, never more shall we view it together — never — never more, perhaps, shall we look upon each other!’

Her tears were suddenly stopped by terror — a voice spoke near her in the pavilion; she shrieked — it spoke again, and she distinguished the wellknown tones of Valancourt. It was indeed Valancourt who supported her in his arms! For some moments their emotion would not suffer either to speak. ‘Emily,’ said Valancourt at length, as he pressed her hand in his. ‘Emily!’ and he was again silent, but the accent, in which he had pronounced her name, expressed all his tenderness and sorrow.

‘O my Emily!’ he resumed, after a long pause, ‘I do then see you once again, and hear again the sound of that voice! I have haunted this place — these gardens, for many — many nights, with a faint, very faint hope of seeing you. This was the only chance that remained to me, and thank heaven! it has at length succeeded — I am not condemned to absolute despair!’

Emily said something, she scarcely knew what, expressive of her unalterable affection, and endeavoured to calm the agitation of his mind; but Valancourt could for some time only utter incoherent expressions of his emotions; and, when he was somewhat more composed, he said, ‘I came hither, soon after sun-set, and have been watching in the gardens, and in this pavilion ever since; for, though I had now given up all hope of seeing you, I could not resolve to tear myself from a place so near to you, and should probably have lingered about the chateau till morning dawned. O how heavily the moments have passed, yet with what various emotion have they been marked, as I sometimes thought I heard footsteps, and fancied you were approaching, and then again — perceived only a dead and dreary silence! But, when you opened the door of the pavilion, and the darkness prevented my distinguishing with certainty, whether it was my love — my heart beat so strongly with hopes and fears, that I could not speak. The instant I heard the plaintive accents of your voice, my doubts vanished, but not my fears, till you spoke of me; then, losing the apprehension of alarming you in the excess of my emotion, I could no longer be silent. O Emily! these are moments, in which joy and grief struggle so powerfully for preeminence, that the heart can scarcely support the contest!’

Emily’s heart acknowledged the truth of this assertion, but the joy she felt on thus meeting Valancourt, at the very moment when she was lamenting, that they must probably meet no more, soon melted into grief, as reflection stole over her thoughts, and imagination prompted visions of the future. She struggled to recover the calm dignity of mind, which was necessary to support her through this last interview, and which Valancourt found it utterly impossible to attain, for the transports of his joy changed abruptly into those of suffering, and he expressed in the most impassioned language his horror of this separation, and his despair of their ever meeting again. Emily wept silently as she listened to him, and then, trying to command her own distress, and to sooth his, she suggested every circumstance that could lead to hope. But the energy of his fears led him instantly to detect the friendly fallacies, which she endeavoured to impose on herself and him, and also to conjure up illusions too powerful for his reason.

‘You are going from me,’ said he, ‘to a distant country, O how distant! — to new society, new friends, new admirers, with people too, who will try to make you forget me, and to promote new connections! How can I know this, and not know, that you will never return for me — never can be mine.’ His voice was stifled by sighs.

‘You believe, then,’ said Emily, ‘that the pangs I suffer proceed from a trivial and temporary interest; you believe— ‘

‘Suffer!’ interrupted Valancourt, ‘suffer for me! O Emily — how sweet — how bitter are those words; what comfort, what anguish do they give! I ought not to doubt the steadiness of your affection, yet such is the inconsistency of real love, that it is always awake to suspicion, however unreasonable; always requiring new assurances from the object of its interest, and thus it is, that I always feel revived, as by a new conviction, when your words tell me I am dear to you; and, wanting these, I relapse into doubt, and too often into despondency.’ Then seeming to recollect himself, he exclaimed, ‘But what a wretch am I, thus to torture you, and in these moments, too! I, who ought to support and comfort you!’

This reflection overcame Valancourt with tenderness, but, relapsing into despondency, he again felt only for himself, and lamented again this cruel separation, in a voice and words so impassioned, that Emily could no longer struggle to repress her own grief, or to sooth his. Valancourt, between these emotions of love and pity, lost the power, and almost the wish, of repressing his agitation; and, in the intervals of convulsive sobs, he, at one moment, kissed away her tears, then told her cruelly, that possibly she might never again weep for him, and then tried to speak more calmly, but only exclaimed, ‘O Emily — my heart will break! — I cannot — cannot leave you! Now — I gaze upon that countenance, now I hold you in my arms! a little while, and all this will appear a dream. I shall look, and cannot see you; shall try to recollect your features — and the impression will be fled from my imagination; — to hear the tones of your voice, and even memory will be silent! — I cannot, cannot leave you! why should we confide the happiness of our whole lives to the will of people, who have no right to interrupt, and, except in giving you to me, have no power to promote it? O Emily! venture to trust your own heart, venture to be mine for ever!’ His voice trembled, and he was silent; Emily continued to weep, and was silent also, when Valancourt proceeded to propose an immediate marriage, and that at an early hour on the following morning, she should quit Madame Montoni’s house, and be conducted by him to the church of the Augustines, where a friar should await to unite them.

The silence, with which she listened to a proposal, dictated by love and despair, and enforced at a moment, when it seemed scarcely possible for her to oppose it; — when her heart was softened by the sorrows of a separation, that might be eternal, and her reason obscured by the illusions of love and terror, encouraged him to hope, that it would not be rejected. ‘Speak, my Emily!’ said Valancourt eagerly, ‘let me hear your voice, let me hear you confirm my fate.’ she spoke not; her cheek was cold, and her senses seemed to fail her, but she did not faint. To Valancourt’s terrified imagination she appeared to be dying; he called upon her name, rose to go to the chateau for assistance, and then, recollecting her situation, feared to go, or to leave her for a moment.

After a few minutes, she drew a deep sigh, and began to revive. The conflict she had suffered, between love and the duty she at present owed to her father’s sister; her repugnance to a clandestine marriage, her fear of emerging on the world with embarrassments, such as might ultimately involve the object of her affection in misery and repentance; — all this various interest was too powerful for a mind, already enervated by sorrow, and her reason had suffered a transient suspension. But duty, and good sense, however hard the conflict, at length, triumphed over affection and mournful presentiment; above all, she dreaded to involve Valancourt in obscurity and vain regret, which she saw, or thought she saw, must be the too certain consequence of a marriage in their present circumstances; and she acted, perhaps, with somewhat more than female fortitude, when she resolved to endure a present, rather than provoke a distant misfortune.

With a candour, that proved how truly she esteemed and loved him, and which endeared her to him, if possible, more than ever, she told Valancourt all her reasons for rejecting his proposals. Those, which influenced her concerning his future welfare, he instantly refuted, or rather contradicted; but they awakened tender considerations for her, which the frenzy of passion and despair had concealed before, and love, which had but lately prompted him to propose a clandestine and immediate marriage, now induced him to renounce it. The triumph was almost too much for his heart; for Emily’s sake, he endeavoured to stifle his grief, but the swelling anguish would not be restrained. ‘O Emily!’ said he, ‘I must leave you — I MUST leave you, and I know it is for ever!’

Convulsive sobs again interrupted his words, and they wept together in silence, till Emily, recollecting the danger of being discovered, and the impropriety of prolonging an interview, which might subject her to censure, summoned all her fortitude to utter a last farewell.

‘Stay!’ said Valancourt, ‘I conjure you stay, for I have much to tell you. The agitation of my mind has hitherto suffered me to speak only on the subject that occupied it; — I have forborne to mention a doubt of much importance, partly, lest it should appear as if I told it with an ungenerous view of alarming you into a compliance with my late proposal.’

Emily, much agitated, did not leave Valancourt, but she led him from the pavilion, and, as they walked upon the terrace, he proceeded as follows:

‘This Montoni: I have heard some strange hints concerning him. Are you certain he is of Madame Quesnel’s family, and that his fortune is what it appears to be?’

‘I have no reason to doubt either,’ replied Emily, in a voice of alarm. ‘Of the first, indeed, I cannot doubt, but I have no certain means of judging of the latter, and I entreat you will tell me all you have heard.’

‘That I certainly will, but it is very imperfect, and unsatisfactory information. I gathered it by accident from an Italian, who was speaking to another person of this Montoni. They were talking of his marriage; the Italian said, that if he was the person he meant, he was not likely to make Madame Cheron happy. He proceeded to speak of him in general terms of dislike, and then gave some particular hints, concerning his character, that excited my curiosity, and I ventured to ask him a few questions. He was reserved in his replies, but, after hesitating for some time, he owned, that he had understood abroad, that Montoni was a man of desperate fortune and character. He said something of a castle of Montoni’s, situated among the Apennines, and of some strange circumstances, that might be mentioned, as to his former mode of life. I pressed him to inform me further, but I believe the strong interest I felt was visible in my manner, and alarmed him; for no entreaties could prevail with him to give any explanation of the circumstances he had alluded to, or to mention any thing further concerning Montoni. I observed to him, that, if Montoni was possessed of a castle in the Apennines, it appeared from such a circumstance, that he was of some family, and also seemed to contradict the report, that he was a man of entirely broken fortunes. He shook his head, and looked as if he could have said a great deal, but made no reply.

‘A hope of learning something more satisfactory, or more positive, detained me in his company a considerable time, and I renewed the subject repeatedly, but the Italian wrapped himself up in reserve, said — that what he had mentioned he had caught only from a floating report, and that reports frequently arose from personal malice, and were very little to be depended upon. I forbore to press the subject farther, since it was obvious that he was alarmed for the consequence of what he had already said, and I was compelled to remain in uncertainty on a point where suspense is almost intolerable. Think, Emily, what I must suffer to see you depart for a foreign country, committed to the power of a man of such doubtful character as is this Montoni! But I will not alarm you unnecessarily; — it is possible, as the Italian said, at first, that this is not the Montoni he alluded to. Yet, Emily, consider well before you resolve to commit yourself to him. O! I must not trust myself to speak — or I shall renounce all the motives, which so lately influenced me to resign the hope of your becoming mine immediately.’

Valancourt walked upon the terrace with hurried steps, while Emily remained leaning on the balustrade in deep thought. The information she had just received excited, perhaps, more alarm than it could justify, and raised once more the conflict of contrasted interests. She had never liked Montoni. The fire and keenness of his eye, its proud exultation, its bold fierceness, its sullen watchfulness, as occasion, and even slight occasion, had called forth the latent soul, she had often observed with emotion; while from the usual expression of his countenance she had always shrunk. From such observations she was the more inclined to believe, that it was this Montoni, of whom the Italian had uttered his suspicious hints. The thought of being solely in his power, in a foreign land, was terrifying to her, but it was not by terror alone that she was urged to an immediate marriage with Valancourt. The tenderest love had already pleaded his cause, but had been unable to overcome her opinion, as to her duty, her disinterested considerations for Valancourt, and the delicacy, which made her revolt from a clandestine union. It was not to be expected, that a vague terror would be more powerful, than the united influence of love and grief. But it recalled all their energy, and rendered a second conquest necessary.

With Valancourt, whose imagination was now awake to the suggestion of every passion; whose apprehensions for Emily had acquired strength by the mere mention of them, and became every instant more powerful, as his mind brooded over them — with Valancourt no second conquest was attainable. He thought he saw in the clearest light, and love assisted the fear, that this journey to Italy would involve Emily in misery; he determined, therefore, to persevere in opposing it, and in conjuring her to bestow upon him the title of her lawful protector.

‘Emily!’ said he, with solemn earnestness, ‘this is no time for scrupulous distinctions, for weighing the dubious and comparatively trifling circumstances, that may affect our future comfort. I now see, much more clearly than before, the train of serious dangers you are going to encounter with a man of Montoni’s character. Those dark hints of the Italian spoke much, but not more than the idea I have of Montoni’s disposition, as exhibited even in his countenance. I think I see at this moment all that could have been hinted, written there. He is the Italian, whom I fear, and I conjure you for your own sake, as well as for mine, to prevent the evils I shudder to foresee. O Emily! let my tenderness, my arms withhold you from them — give me the right to defend you!’