Godfather (69 page)

Read Godfather Online

Authors: Gene D. Phillips

BOOK: Godfather
5.37Mb size Format: txt, pdf, ePub

Lewis, Jon, ed.
The New American Cinema
. Durham, N.C.: Duke University Press, 1999.

          
. “The Road to Romance and Ruin:
Rumble Fish
.” In
Crisis Cinema: Postmodern Narrative Film
, edited by Christopher Starrett, 129–46. Washington, D.C.: Maison Elve Press, 1983.

          
.
Whom God Wishes to Destroy: Francis Coppola and the New Hollywood
. Durham, N.C.: Duke University Press, 1997.

Lindsey, Robert. “Coppola Returns to the Vietnam Era.”
New York Times
, 3 May 1987, sec. 2.

          
. “Martin Landau Rolls Up in a New Vehicle.”
New York Times, 7
August 1988, sec. 2.

          
. “Promises to Keep.”
New York Times Magazine
, 24 July 1988, 23–27.

LoBrutto, Vincent.
Principal Photography: Interviews with Cinematographers
. New York: Praeger, 1999.

          
.
Selected Takes: Film Editors on Editing
. New York: Praeger, 1991.

          
.
Sound on Film: Interviews with Creators of Film Sound
. New York: Praeger, 1994.

Lourdeaux, Lee.
Italian and Irish Filmmakers in America: Ford, Capra, Coppola, and Scorsese
. Philadelphia: Temple University Press, 1990.

Macnab, Geoffrey. ”
Apocalypse Now Redux
.”
Sight and Sound
, n.s., 11, no. 12 (2001): 41–42.

McCarthy, Todd, “Michael Powell: Zoetrope's Senior Director in Residence.” In
Michael Powell: Interviews
, edited by David Lazar, 57–70. Jackson: University Press of Mississippi, 2003.

McCarty, John.
Hollywood Gangland: The Movies' Love Affair with the Mob
. New York: St. Martin's Press, 1993.

McGillian, Patrick, ed.
Backstory Three: Interviews with Screenwriters of the 1960s
. Los Angeles: University of California Press, 1997.

Maltin, Leonard, Cathleen Anderson, and Luke Sader, eds.
Movie Guide
. Rev. ed. New York: Penguin, 2003.

Mansfield, Stephanie. “Andy Garcia.”
GQ
, December 1990, 272–77.

Maslin, Janet. “
Dracula
Doesn't Scare Coppola.”
New York Times
, 15 November 1992, sec. 2.

Messenger, Chris.
The Godfather and American Culture
. Albany: State University of New York Press, 2002.

Milius, John. “Apocalypse Now.” Unpublished screenplay. American Zoetrope, 1969.

Murphy, Kathleen. “Dancing on the High Wire: Al Pacino.”
Film Comment
36, no. 2 (2000): 19–31.

Murray, William. “
Playboy
Interview: Francis Ford Coppola.”
Playboy
, July 1975, 53–68+.

Nash, Jay, and Stanley Ross, eds.
The Motion Picture Guide: 1927—1983
. Chicago: Cinebooks, 1985.

Nowlan, Robert, and Gwendolyn Nowlan.
The Films of the Eighties: A Complete Qualitative Filmography
. Jefferson, N.C.: McFarland, 1991.

Oldham, Gabriella, ed.
First Cut: Conversations with Film Editors
. Los Angeles: University of California Press, 1995.

Olsen, Mark. “Grisham Movies.”
Film Comment
34, no. 2 (1997): 76–79.

Ondaatje, Michael. “
Apocalypse Now
and Then.”
Film Comment
37, no. 3 (2001): 43–47.

          
.
The Conversations: Walter Murch and the Art of Editing Film
. New York: Knopf, 2002.

Ozer, Jerome, ed.
Film Review Annual
. Englewood, N.J.:Film Review Publications, 1980–2000.

Phillips, Gene D., and Rodney Hill, eds.
Francis Ford Coppola: Interviews
. Jackson: University Press of Mississippi, 2004.

Phillips, William. “
Hearts of Darkness
: A Documentary.” In
Film: An Introduction
, 353–61. Rev. ed. New York: St. Martin's Press, 2002.

Pollock, Dale.
Skywalking: The Life and Times of George Lucas
. Rev. ed. New York: Da Capo, 1999.

Puzo, Mario.
The Godfather
. 1969. With an Afterword by Peter Bart. New York: Penguin, 2002.

          
.
The Godfather Papers
. Greenwich, Conn.: Fawcett Crest, 1973.

Pye, Michael, and Linda Myles.
The Movie Brats: How the Film Generation Took Over Hollywood
. New York: Holt, Rinehart, and Winston, 1979.

Riley, Brooks. “‘Heart' Transplant.”
Film Comment
15, no. 5 (1979): 26–27.

Roquemore, Joseph.
History Goes to the Movies
. New York: Doubleday, 1999.

Rosenbaum, Jonathan. “Movies:
Bram Stoker's Dracula
.”
Chicago Reader
, 21 February 2003, sec. 2.

          
. “Southern Accents:
The Rainmaker
.”
Chicago Reader
, 25 November 1997, sec. 1.

Ross, Lillian, “Some Figures in a Fantasy: Francis Coppola.”
New Yorker
, 8 November 1982, 48+.

Rothstein, Edward. “Chilling Balance of Love and Evil.”
New York Times
, 23 March 1997, sec. 2.

Salamon, Julie. “A Hollywood Used-to-Be: Robert Evans.”
New York Times
, 28 July 2002, sec. 2.

Schaefer, Dennis, and Larry Salvato.
Masters of Light: Conversations with Cinematographers
. Los Angeles: University of California Press, 1984.

Schickel, Richard. “On the Road to Utopia:
Tucker
.”
Time
, 15 August 1988, 68–69.

          
. “Recess Yet?:
Jack
.”
Time
, 12 August 1996, 64.

          
. “Tales of Young Men:
The Rainmaker
.”
Time
, 6 March 1989, 68.

          
. “Three's Company:
New York Stories
.”
Time
, 6 March 1989, 68.

Schoell, William.
The Films of Al Pacino
. New York: Carol, 1995.

Schulman, Arnold. “Tucker: the Man and His Dream.” Unpublished screenplay. Paramount, 1987.

Schumacher, Michael.
Francis Ford Coppola: A Filmmaker's Life
. New York: Crown, 1999.

Scott, A. O. “Seen This Guy Lately?: Al Pacino.”
New York Times
, 20 April 2003, sec. 2.

Scott, Jay. “Coppola's Dream Comes True:
Tucker
.”
Toronto Globe and Mail
, 12 August 1988, sec. C.

Shadoian, Jack.
Dreams and Dead Ends: The American Gangster Film
. Rev. ed. New York: Oxford University Press, 2003.

Siskel, Gene. “Celluloid Godfather.”
Chicago Tribune
, 3 October 1986, sec. 13.

          
. “Coppola's Sumptuous
Dracula
.”
Chicago Tribune
, 13 November 1992, sec. C.

          
. “It's Not Auto Biography:
Tucker
.”
Chicago Tribune
, 7 August 1988, sec. 13.

          
. “Tiresome
Jack
.”
Chicago Tribune
, 9 August 1996, sec. B.

Skow, John. “Coppola Previews His New Film:
One from the Heart
.”
Time
, 25 January 1982, 70.

Solmon, Greg. “Uncertain Glory: The Director's Cut.”
Film Comment
29, no. 3 (1993): 19–27.

Sragow, Michael. “
The Conversation
.”
New Yorker
, 27 March 1995, 33.

          
. “Godfatherhood.”
New Yorker
, 24 March 1997, 44–52.

          
. “You're a Big Boy Now.”
New Yorker
, 11 May 1998, 32.

Stoker, Bram.
Dracula
. 1897. The Annotated Edition. Edited by Leonard Wolf. New York: Potter, 1975.

Stone, Judy.
Eye on the World: Conversations with Filmmakers
. Los Angeles: Silman-James, 1997.

Storaro, Vittorio.
Writing with Light
. London: Aperture, 2003.

Strauss, Bob. “Coppola, Lucas, and Tucker: The Men and Their Dreams.”
Chicago Sun-Times
, 7 August 1988, sec. 2.

Suid, Lawrence. “Hollywood and Vietnam.”
Film Comment
15, no. 5 (1979): 20–25.

Tessitore, John. “The Literary Roots of
Apocalypse Now
.”
New York Times
, 21 October 1979, sec. 2.

Thompson, Kristin, and David Bordwell.
Film History: An Introduction
. New York: McGraw-Hill, 2003.

Thompson, Richard. “John Milius Interviewed.”
Film Comment
12, no. 4 (1976): 10–21. [Contains extracts from the first draft of Milius's scenario for
Apocalypse Now
.]

Thomson, David. “
Apocalypse
Then, and Now.”
New York Times
, 13 May 2001, sec. 2.

          
.
The New Biographical Dictionary of Film
. Rev. ed. New York: Knopf, 2002.

Thomson, David, and Lucy Gray. “Idols of the King: Francis Coppola.”
Film Comment
19, no. 5 (1983): 61–75.

Timm, Larry.
The Soul of Cinema: Film Music
. Upper Saddle River, N.J.: Prentice Hall, 2003.

Variety Film Reviews: 1907–1996
. 24 vols. New Providence, N.J.: Bowker, 1997.

Warshow, Robert. “The Gangster as Tragic Hero.” In
The Immediate Experience
, 127–33. Garden City, N.Y.: Doubleday, 1962.

Whalen, Tim. “Romancing Film: Images of
Dracula
.”
Literature/Film Quarterly
23, no. 2 (1995): 99–101.

Wilmington, Michael. “The Best of 2001:
Apocalypse Now Redux
and Other Films.”
Chicago Tribune
, 16 December 2001, sec. 7.

          
. “Courting Success:
The Rainmaker
.”
Chicago Tribune
, 21 November 1997, sec. 7.

          
. “Trapped in the
Jack
Box.”
Chicago Tribune
, 9 August 1996, sec. B.

Yaquinto, Marilyn.
Pump ‘em Full of Lead: Gangsters on Film
. New York: Twayne, 1998.

Ziesmer, Jerry.
Ready When You Are, Mr. Coppola, Mr. Spielberg, Mr. Crowe
. Lanham, Md.: Scarecrow Press, 2000.

Zuker, Joel.
Francis Ford Coppola: A Guide to References and Resources
. Boston: G. K. Hall, 1984.

Filmography
Tonight for Sure
(1961)

Screenplay: Jerry Shaffer and Francis Ford Coppola

Direction: Francis Ford Coppola

Photography (color): Jack Hill

Art Direction: Albert Locatelli

Editing: Ronald Waller

Music: Carmine Coppola (credited as Carmen Coppola)

Produced by Francis Ford Coppola. 75 minutes.

The Bellboy and the Playgirls
(1962)

Screenplay: Fritz Umgelter and Francis Ford Coppola

Direction: Fritz Umgelter and Francis Ford Coppola

Photography (color): Jack Hill

Art Direction: Albert Locatelli

Produced by Wolfgang Hartwig. 94 minutes.

Dementia 13
(1963)

Screenplay: Francis Ford Coppola

Direction: Francis Ford Coppola

Photography (black and white): Charles Hannawalt

Art Direction: Albert Locatelli

Editing: Mort Tubor, Stuart O'Brien

Music: Ronald Stein

Cast: William Campbell (Richard Haloran), Luana Anders (Louise Haloran), Bart Patton (Billy Haloran), Mary Mitchel (Kane), Patrick Magee (Justin Caleb), Ethne Dunn (Lady Haloran), Peter Reed (John Haloran), Karl Schanzer (Simon), Ron Perry (Arthur), Derry O'Donovan (Lillian), Barbara Dowling (Kathleen)

Produced by Francis Ford Coppola for Roger Corman Productions. 97 minutes.

Premiere: September 25, 1963.

You're a Big Boy Now
(1966)

Screenplay: Francis Ford Coppola, based on the novel by David Benedictus

Direction: Francis Ford Coppola

Photography (Eastmancolor): Andy Laszlo

Art Direction: Vassele Fotopoulos

Costumes: Theoni V. Aldredge

Choreography: Robert Tucker

Editing: Aram Avakian

Music: Bob Prince; songs by John Sebastian; performed by The Lovin' Spoonful Cast: Peter Kastner (Bernard Chanticleer), Elizabeth Hartman (Barbara Darling), Geraldine Page (Margery Chanticleer), Julie Harris (Miss Thing), Rip Torn (I. H. Chanticleer), Tony Bill (Raef), Karen Black (Amy), Michael Dunn (Richard Mudd), Dolph Sweet (Francis Graf), Michael O'Sullivan (Kurt Doughty).

Produced by Phil Feldman for Seven Arts, released by Warner Bros. 96 minutes.

Premiere: March 20, 1967.

Finian's Rainbow
(1968)

Screenplay: E. Y. Harburg and Fred Saidy, based on the Broadway play (book by E. Y. Harburg and Fred Saidy, lyrics by E. Y. Harburg, Music by Burton Lane)

Direction: Francis Ford Coppola

Photography (Technicolor, Panavision): Philip Lathrop

Production Design: Hilyard M. Brown

Costumes: Dorothy Jenkins

Choreography: Hermes Pan

Editing: Melvin Shapiro

Music Direction: Ray Heindorf

Associate Music Supervisor: Ken Darby

Sound: M. A. Merrick and Dan Wallin

Cast: Fred Astaire (Finian McLonergan), Petula Clark (Sharon McLonergan), Tommy Steele (Og), Don Francks (Woody Mahoney), Barbara Hancock (Susan the Silent), Keenan Wynn (Senator “Billboard” Rawkins), Al Freeman, Jr. (Howard), Ronald Colby (Buzz Collins), Dolph Sweet (Sheriff), Wright King (District Attorney), Louil Silas (Henry), Brenda Arnau (Sharecropper), Avon Long, Roy Glen, Jerster Hairston (Passion Pilgrim Gospellers)

Produced by Joseph Landon for Warner Bros.-Seven Arts. Associate producer: Joel Freeman. 145 minutes.

Premiere: October 9, 1968.

The Rain People
(1969)

Screenplay: Francis Ford Coppola

Other books

Cold feet by Brenda Novak
The Unblemished by Conrad Williams
No Place to Hide by Lynette Eason
Cold Eye of Heaven, The by Hickey, Christine Dwyer
Queen of the Road by Tricia Stringer
Dragon in Exile - eARC by Sharon Lee, Steve Miller
Blind Trust by Sandra Orchard