Authors: Gene D. Phillips
Cotton Club, The
(Coppola film),
4
,
226
â
43
,
248
,
251
,
311
,
359
â
60
Cotton Club, The
(Haskins book),
226
â
27
CQ
(film),
319
Craig, John,
297
Craig's Wife
(film),
12
critical reviews:
Bram Stoker's Dracula
,
291
;
The Cotton Club
,
240
â
41
,
242
,
243
;
Dementia
13
,
26
;
Gardens of Stone
,
178
;
The Godfather
,
110
â
11
;
The Godfather II
,
128
;
Jack
,
311
;
One from the Heart
,
197
;
Peggy Sue Got Married
,
256
â
57
;
The Rainmaker
,
307
;
The Rain People
,
63
â
64
;
Tucker: The Man and His Dream
,
278
;
You're a Big Boy Now
,
43
â
44
Cronenweth, Jordan,
178
,
250
,
256
Crosby, Floyd,
20
Cukor, George,
45
Curtis, Mark,
257
Cyrano de Bergerac
(play),
10
Daisy Miller
(film),
73
Dallesandro, Joe,
240
D'Ambrosio, Franc,
134
Danes, Clare,
301
Darling Lili
(film),
92
David Donatello Award,
110
Dean, James,
206
de Gaulle, Gen. Charles,
30
de la Fontaine, Jacqueline,
175
Dementia 13
(Coppola film),
22
â
27
,
55
,
214
,
287
; credits,
353
; family theme in,
43
; as film within a film,
42
; original screenplay for,
72
Demme, Jonathan,
17
De Monaco, James,
307
Depardieu, Gérard,
319
Desperate Hours
(film),
302
Devil in the Flesh, The
(film),
30
Dewey, Thomas,
240
Dickos, Andrew,
109
Dirty Dancing
(film),
213
Dirty Harry
(film),
320
Dispatches
(Herr),
159
Donahue, Troy,
116
Donnelly, Donnal,
134
Dor, Karen,
15
Doumani, Ed and Fred,
229
,
230
,
236
,
241
; Coppola feud with Evans and,
238
; investment in
The Cotton Club
,
227
,
231
,
235
; rights to
The Cotton Club
and,
237
Dracula
(Browning film),
9
,
285
,
287
Dracula
(Stoker novel),
283
â
84
,
287
Drugstore Cowboy
(film),
213
Dutchman
(play),
54
Duvall, Robert,
57
,
59
,
68
; in
Apocalypse Now
,
150
,
168
; in
The Conversation
,
75
,
76
; in
The Godfather
,
96
; in
The Godfather II
,
116
;
The Godfather III
and,
132
â
33
Duvall, Shelley,
257
Ebert, Roger,
277
Echoes
(uncompleted screenplay),
54
editing:
Apocalypse Now
,
158
â
60
;
Bram Stoker's Dracula
,
290
,
292
;
The Cotton Club
,
237
,
238
,
239
;
The Godfather
,
107
â
8
;
The Godfather II
,
120
,
128
;
The Outsiders
,
207
;
Tucker: The Man and His Dream
,
271
Ehrenstein, David,
223
Eisenhower, Dwight,
32
Eisenstein, Sergei,
10
,
11
,
12
,
113
,
289
Eliot, T. S.,
163
Ellington, Duke,
228
â
29
,
233
,
238
,
241
Elwes, Cary,
298
Estevez, Emilio,
206
,
208
,
211
,
213
Euripides,
186
Evans, Robert:
The Cotton Club
and,
225
,
226
â
31
,
235
,
241
â
42
,
250
;
The Godfather
and,
87
â
88
,
92
,
93
,
94
,
95
,
101
,
107
â
9
,
235
,
250
;
The Godfather II
and,
113
;
The Great Gatsby
and,
33
; as material witness in murder case,
230
exploitation films,
12
â
17
,
18
,
19
,
23
expressionism, cinematic,
215
â
16
,
225
Faerie Tale Theater
(cable TV series),
257
,
259
,
260
family, as theme in Coppola's films:
Apocalypse Now
,
166
;
The Cotton Club
,
242
;
Dementia
13
,
27
,
43
;
Gardens of Stone
,
172
,
178
; the
Godfather
films,
110
,
126
; “Life without Zoe,” 280;
The Outsiders
,
203
,
204
;
The Rain People
,
62
;
Tucker: The Man and His Dream
,
268
,
277
;
You're a Big Boy Now
,
43
Farrow, Mia,
33
Faski, Beth,
73
Fassbinder, Rainer Werner,
288
Fat Spy
(film),
56
Fehr, Rudi,
192
feminism,
64
Ferguson, Sen. Homer,
263
,
269
,
270
,
271
,
275
,
276
Ferguson, Jay,
213
film budgets:
Apocalypse Now
,
151
,
155
,
186
;
The Conversation
,
258
;
The Cotton Club
,
231
,
236
,
237
;
Dementia
13
,
22
;
Finian's Rainbow
,
45
,
53
;
Gardens of Stone
,
176
;
The Godfather
,
92
;
The Godfather II
,
118
;
The Godfather III
,
138
;
One from the Heart
,
188
;
The Outsiders
,
206
;
The Rain People
,
62
,
258
;
Rumble Fish
,
258
;
THX 1138
,
67
;
Tucker: The Man and His Dream
,
267
;
You're a Big Boy Now
,
37
,
38
,
44
Film Comment
(journal),
193
film festivals,
64
filmmaker: a diary by George Lucas
(documentary film),
57
â
58
,
68
filmmaking: Coppola on,
313
,
314
â
15
; as corporate effort,
2
; crew members arrested by police,
76
; extras,
57
,
76
,
118
; high-speed color film,
40
; homages to other directors and films,
78
,
251
; killing of animals and,
102
,
153
,
167
; natural disasters and,
151
; on-location shooting,
80
,
92
â
93
,
136
â
37
,
149
â
50
; political problems,
93
,
102
; rehearshals,
174
,
207
,
233
,
289
â
90
; special effects,
290
â
91
; storyboard sketches,
137
,
188
â
89
; technical equipment,
54
,
68
,
70
; as “therapy,”
188
; unbroken takes,
190
.
See also
editing; “previsualization”
Finian's Rainbow
(Coppola film),
44
â
52
,
72
,
74
,
83
,
190
,
192
; black community and,
228
; box-office earnings,
53
; as commercial compromise,
89
; credits,
354
Firm, The
(film),
300
Fisher, Lucy,
185
Fitzgerald, F. Scott,
1
,
33
,
35
,
73
,
283
Flynn, Sean,
152
Ford, John,
176
Forrest, Frederic,
76
,
81
,
188
,
199
,
200
,
269
Fox, The
(film),
22
Francis Ford Coppola
(Johnson),
4
Frazer, James,
166
Fritsch, Willy,
15
From Here to Eternity
(film),
103
Frost, Robert,
210
Fry, Carol,
297
Galati, Frank,
316
Gallo, Fred,
100
Gallo, Joey,
137
“Gangster as Tragic Hero, The” (Warshow),
128
Gardens of Stone
(Coppola film),
171
â
79
,
299
,
361
Garfield, Allen,
200
Gasso, Michael V.,
116
Gere, Richard,
227
,
228
,
230
,
231
; conflict with Coppola,
229
,
234
; enhanced role in
The Cotton Club
,
232
Giannini, Giancarlo,
280
Gidget
(musical),
319
Gilbey, Ryan,
320
Glover, Danny,
305
Glynn, Carlin,
174
Godfather, The
(Coppola film),
3
,
33
,
90
â
111
,
228
,
302
; actors in,
10
; as cinema classic,
169
,
321
; as commercial venture,
73
; comparison with
The Cotton Club
,
239
,
240
; credits,
355
; in Library of Congress,
320
; Mafia response to,
236
; popularity of,
4
; scenes foreshadowed in earlier films,
55
; screenwriters,
20
; success of,
71
,
112
,
119
,
129
; violence in,
26