In Antwerp one sees a picture in which Rubens, who felt more than any other artist the glory of the physical life, has embodied his conception of the Madonna, in opposition to the faded, cold ideals of the Middle Ages, from which he revolted with such a bound. His Mary is a superb Oriental sultana, with lustrous dark eyes, redundant form, jewelled turban, standing leaning on the balustrade of a princely terrace, and bearing on her hand, not the silver dove, but a gorgeous paroquet. The two styles, in this instance, were both in the same room; and as Burr sat looking from one to the other, he felt, for a moment, as one would who should put a sketch of Overbeck's beside a splendid painting of Titian's.
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For a few moments, everything in the room seemed faded and cold, in contrast with the tropical atmosphere of this regal beauty. Burr watched Mary with a keen eye, to see if she were dazzled and overawed. He saw nothing but the most innocent surprise and delight. All the slumbering poetry within her seemed to awaken at the presence of her beautiful neighbor,as when one, for the first time, stands before the great revelations of Art. Mary's cheek glowed, her eyes seemed to grow deep with the enthusiasm of admiration, and, after a few moments, it seemed as if her delicate face and figure reflected the glowing loveliness of her visitor, just as the virgin snows of the Alps become incarnadine as they stand opposite the glorious radiance of a sunset sky.
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Madame de Frontignac was accustomed to the effect of her charms; but there was so much love in the admiration now directed towards her, that her own warm nature was touched, and she threw out the glow of her feelings with a magnetic power. Mary never felt the cold, habitual reserve of her education so suddenly melt, never felt herself so naturally falling into language of confidence and endearment with a stranger; and as her face, so delicate and spiritual, grew bright with love, Madame de Frontignac thought she had never seen anything so beautiful, and, stretching out her hands towards her, she exclaimed, in her own language,
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"Mais, mon Dieu! mon enfant, que tu es belle!"
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Mary's deep blush, at her ignorance of the language in which her visitor spoke, recalled her to herself;she laughed
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