Hello, Gorgeous: Becoming Barbra Streisand (88 page)

at the Blue Angel,
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–
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on
The Dinah Shore Show
,
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–
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in duet with Garland,
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,
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on
The Garry Moore Show
,
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–
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at the Hollywood Bowl concert,
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at the hungry i,
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nomination for Grammy,
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,
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performance for President Kennedy,
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–
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,
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Harford, Margaret,
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Harmonie Club, New York City, performance at,
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Harrahs, Lake Tahoe, engagement at,
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,
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,
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Harrington, Pat, Jr.,
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–
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Harris, Barbara,
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Harris, Bob,
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Harris, Jack, Detroit, radio show interview and performance,
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Harris, Jeff,
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–
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Hart, Lorenz,
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,
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–
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Harvey, Laurence,
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Hatful of Rain, A
(musical) tour,
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Hawks, Howard,
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Hayward, Susan,
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–
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,
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Hecht, Ben,
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–
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Heimer, Mel,
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Hello, Dolly!
,
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Henderson, Florence,
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,
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,
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Henry V
(Shakespeare),
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,
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–
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,
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–
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Hepburn, Audrey,
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,
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Herald Tribune,
reviews in,
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,
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,
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heroes, role models

Gould’s,
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–
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lack of interest in,
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,
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,
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,
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–
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,
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,
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Hildy (in
On the Town
),
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Hobin, Bill,
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–
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Hoffman, Dustin,
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,
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Holiday, Billie,
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,
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Holiday
magazine, Streisand profile in,
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–
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Holliday, Judy,
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Hollywood, CA.
See also
Cocoanut Grove, Los Angeles

appeal of,
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,
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–
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desire to make impression in,
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–
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Hollywood Bowl concert,
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–
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Hollywood Reporter
, gossip about Streisand in,
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–
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“Home” (
Funny Girl
),
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Home of the Brave
(play),
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honeymoon,
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–
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Hope, Bob,
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Hopper, Hedda

on casting of Nick Arnstein,
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on Cocoanut Grove debut,
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,
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on efforts to improve
Funny Girl
,
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on
What’s in It for Me?
,
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hot-water bottle doll,
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House of Flowers
(musical),
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–
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House Un-American Activities Committee (HUAC),
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,
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,
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Howard, Bart,
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“Howdy Neighbor” duet, with Garland,
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How to Succeed in Business Without Really Trying
(musical),
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,
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Hudson, Rock,
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–
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Hughes, Elinor,
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,
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–
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hungry i

Streisand’s performances at,
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–
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,
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–
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as venue, importance of,
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–
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,
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Hyman, Eliot,
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“I Am Woman,” recording and reception of,
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I Can Get It for You Wholesale
(movie),
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–
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I Can Get It for You Wholesale
(musical).
See also
Gould, Elliott; Miss Marmelstein

auditions, casting,
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,
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–
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,
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book, story,
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–
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,
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boredom with repetitiveness of,
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–
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,
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,
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Boston previews, reviews,
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,
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,
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Broadway opening,
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cast album,
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closing,
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move to Broadway Theatre,
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New York reviews,
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–
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publicity for,
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rehearsals,
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–
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,
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Streisand’s contract and billing,
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,
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team assembled for,
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,
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Tony nominations,
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“If a Girl Isn’t Pretty” (
Funny Girl
),
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“I Had Myself a True Love” (Arlen),
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I Hate Music: A Cycle of Five Kids’ Songs for Soprano and Piano
(Bernstein),
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I’ll Cry Tomorrow
(Roth),
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illnesses, stress-related,
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–
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,
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,
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“I’ll Tell the Man in the Street,” recording of,
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Imperial Theatre, New York City,
Funny Girl
auditions,
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“I’m the Greatest Star” (
Funny Girl
),
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–
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Insect Comedy, The
(Čapek and Čapek)

auditions,
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–
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,
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hopes for,
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Kind’s invitation to see,
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1948 production,
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rehearsals for,
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–
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reviews,
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role of Clythia,
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,
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run of,
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insecurity.
See
self-doubt

Irma la Douce
(musical), touring company,
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–
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,
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,
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Irv Kupcinet Show, The
,
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“I Stayed Too Long at the Fair” (Barnes)

at the Cocoanut Grove,
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on
PM East
,
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on
The Second Barbra Streisand Album
,
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,
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–
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“It Had to Be You,” on
The Third Album
,
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“I Want to Be Bad,” at the Bon Soir debut,
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–
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,
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“I Want to Hold Your Hand,”
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“I Wish I Were in Love Again” duet, with Rooney,
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–
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Jack Barry Show
(television),
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Jack Paar Show
, appearances on,
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,
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–
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,
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–
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Jacobson, Max,
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Jacoby, Herbert,
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,
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Jamaica, shooting of
The Confession
in,
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,
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“Jazz on the Hudson” cruise series,
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Jewish identity/religion

and challenges facing women in show business,
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Gould’s connection to,
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Robbins’ response to,
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role in Streisand’s success,
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–
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Streisand’s Jewish education,
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Jewison, Norman,
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Joe Franklin Show
(television), appearances on,
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,
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Jones, Candy,
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Jones, Jack,
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Jordan, G. Adam,
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Jordan, Lee,
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Judge, Frank,
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Judy Garland Show
(television)

appearance on,
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–
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,
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,
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Emmy nominations for,
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final taping for,
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–
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McDowall’s photographs during,
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Merman’s surprise appearance,
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–
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production and ratings problems,
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–
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reviews,
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script for,
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Julie and Carol at Carnegie Hall
(television special),
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,
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Juliet (in
Romeo and Juliet
), ambition to play,
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,
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,
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,
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,
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,
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By Jupiter
(Rodgers and Hart),
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Kahn, Charles,
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–
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,
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Kander, John,
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Kane, Helen,
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Kanin, Garson

crediting on
Playbill
for
Funny Girl
,
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departure from
Funny Girl
,
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directorial style, inputs,
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,
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–
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,
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hiring to direct
Funny Girl
,
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homosexuality,
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response to reviews,
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self-aggrandizement by,
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Streisand’s problems with,
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–
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,
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,
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Kapralik, David,
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–
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,
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Karp, Oscar,
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Kaufman Schwartz and Associates,
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Kaye, Danny,
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Kazan, Lainie

ambition to play Brice,
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costumes in
Funny Girl
,
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conflicts with Streisand,
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,
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hiring to play Vera in
Funny Girl
,
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on impact of Haney’s dismissal from
Funny Girl
,
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relationship with Peter Daniels,
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relationship with Stark,
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–
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Robbins’ efforts to fire from
Funny Girl
,
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on Robbins’s relationship with Streisand,
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on Streisand’s inputs during
Fanny Girl
rehearsals,
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–
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on Styne,
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Keefe Brasselle Show, The
(television),
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–
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,
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“Keepin’ Out of Mischief Now” (Waller)

at the Bon Soir,
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,
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recording of,
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Kelly, Kevin, reviews,
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–
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,
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Kelly, Pat,
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–
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Kennedy, John F.

assassination,
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–
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,
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,
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election,
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invitation to sing for,
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,
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performance for,
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,
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request for autograph from,
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request for copy of “Happy Days,”
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Kennedy, Ray,
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–
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Kerr, Walter, reviews by,
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,
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–
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,
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Kilgallen, Dorothy

on casting of Brice role,
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–
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