Hex and the City (10 page)

"You were expecting me," I said.

"Of course," said Walker, in his calm dry voice. "It was inevitable, one way or another."

I sat down opposite him without waiting to be asked, and the hovering footman reluctantly asked if he could bring me a menu.

"That won't be necessary," said Walker. "He isn't staying." 

"You could invite me to join you," I said.

"I could still have you killed," said Walker.

He gestured at the footman, who bowed low to Walker, then hurried away. I looked at what Walker was having for dinner and sniffed loudly. It was all very stolid and British; roast beef, Yorkshire pudding, lumpy gravy, and limp vegetables. With probably a steamed pudding for afters.

"That is so you, Walker," I said. "Dull, worthy, and supposedly good for you. Indigestion on a plate, and not a spot of imagination anywhere."

"This is good solid food," said Walker, cutting up his meat with military precision. "Sticks to the ribs and keeps the cold out."

"Public school dinners ruin the palate for real cuisine," I said.

Walker raised an eyebrow. "What would you know about public school life?"

"Not a damned thing, and proud of it," I said. "Now, Walker, we have things to discuss, you and I. You cast a long shadow over the Nightside ..."

"Yes," said Walker, chewing his food thoroughly. "I do. I have many shadows; my operatives are my eyes and ears, and they are everywhere. I knew the details of your current case almost as soon as you did."

"Is that why you sent the Reasonable Men after me?"

"Yes. They may be vicious animals, but they're my vicious animals. And they do put people in the right frame of mind for talking to me, and telling me what I want to know. I knew they wouldn't be enough to stop you, but I was pretty sure they'd get your attention. May I ask why they're not here with you?"

"Because they're all dead," I said.

Walker raised an eyebrow. "Well, well. How very ... impressive. You're not usually so final in your dealings with my agents."

I said nothing. Apparently he hadn't been told yet that I'd hooked up with Madman, Sinner, and Pretty Poison. So let him think I'd killed the Reasonable Men. It all helped maintain my reputation.

"Never did take to Hadleigh," Walker admitted, spearing a piece of meat with his fork. "Dreadful fellow. Far too full of himself; downright cocky, in fact."

"Not quite the word I had in mind for him, but close," I said. "Will there be repercussions?"

"For killing thirteen bright young men with prospects, all from good families? Oh, almost certainly. I don't give a damn, but you can be sure the families, some of them very old and very connected, will be most upset with you. This time tomorrow there won't be a bounty hunter in the Nightside without paper on you. The price on your head is about to go through the roof. And don't look to me to protect you. They were my boys, after all."

"Let them all come," I said. "I've never depended on you for protection."

He nodded slightly, admitting the point. "This new case of yours, Taylor..."

"Yes."

"Drop it."

I leaned back in my chair, studying him thoughtfully. Walker isn't usually that direct. "Why?"

"Because the Authorities don't take kindly to anyone investigating the Nightside's history and beginnings."

"Why not?"

Walker sighed, as though faced with a very dim pupil. "Because it is possible that you might discover things better left lost and forgotten, things that might threaten or even upset the status quo. If only because an awful lot of people, and I use the term loosely, would be very interested in obtaining such information. And would almost certainly make every effort to buy, steal, or torture it from you. We are talking about the kind of people even you would have trouble saying no to. They might even go to war with each other over its possession, and we can't have that. We're still recovering and rebuilding after the recent angel war— a war you helped to bring about. The Authorities would quite certainly order me to have you eliminated, rather than risk another war in the Nightside."

"And you'd hate to have to do that," I said.

"Of course," said Walker. "There's still a lot of use I was hoping to get out of you, before your inevitable early death."

"You'd really have me killed, after all the jobs I've done for you? After all the messes I've cleaned up for you? After I saved the whole Nightside by bringing the angel war to a close?"

"Only after you started it."

"Details, details."

Walker looked at me narrowly. "There is a line you can't be allowed to cross, Taylor. A line no-one can be allowed to cross. For the good of all. So; who hired you?"

It was my turn to raise an eyebrow. "I thought you knew everything, Walker?"

"Normally, I do. Whoever hired you must be incredibly powerful, to hide their identity from my people, and that in itself is worrying."

"I never reveal the identity of a client, Walker. You know that. I will say ... I was offered as payment the identity of my mother."

Walker put down his knife and fork and looked at me for a long moment. He looked suddenly older, tireder. 

"Trust me, John," he said finally. "You don't want to know."

When Walker starts calling me by my first name, it usually means I'm in real trouble, but this time there was something in his voice, and in his face ...

"You know! All this time, you've known who my mother is and kept it from me!"

"Yes," said Walker, unmoved by the clear anger and accusation in my voice. "I never told you because I wanted to protect you. Your father and I were ... close, once."

"So where were you when he was drinking himself to death?"

My voice must have been cold as ice, but Walker didn't flinch. He met my gaze squarely, and his voice was calm. "There was nothing I could have done for him. He'd stopped listening to me a long time before. And we all have the right to go to Hell in our own way. Sometimes I think that's what the Nightside is all about."

"Tell me," I said, and it wasn't a request. 'Tell me the name of my mother."

"I can't," said Walker. "There are ... reasons. I'm one of only two people who know, and God willing we'll take the knowledge to our graves with us."

"The other being the Collector."

"Yes. Poor Mark. And he won't tell you either. So let it go, John. Knowing who your mother was won't make you happy or wise. It killed your father."

"What if she comes back?" I said.

"She won't. She can't."

"You're sure of that?"

"I have to be." Walker leaned back in his chair. He looked smaller, diminished. "Give up this case, John. No good will come of it. The origins of the Nightside are best left lost and forgotten."

"Even to the Authorities?"

"Quite possibly. There are things they don't tell me. For my own protection. Let the past stay in the past. Where it can't hurt anyone."

I did consider it, for a moment. I'd never known Walker to be this open, this concerned, about anything before. But in the end, I shook my head.

"I can't, Walker. I have to do this. I have to know. . . About the Nightside, about my mother. My whole life has been a search for the truth, for others and myself."

Walker sat up straight, his old commanding arrogance suddenly back in place. He fixed me with a cold gaze, and said, Drop the case, John. His voice sounded in my head like thunder, a voice like God speaking to one of his prophets; the Voice of the Authorities, speaking through their servant Walker. They gave him the Voice that commands, that cannot be disregarded, so that he might enforce their wishes in all things. There are those who claim Walker once used his Voice to make a corpse in a mortuary sit up and answer his questions. His words reverberated in my head, filling my thoughts, pinning me in my seat like a butterfly transfixed on a pin.

And then everything on the table between us began to tremble and clatter. The cutlery and the plates jumped and bounced on the immaculate tablecloth. The table rocked back and forth, its legs slamming up and down with increasing force. The floor lurched, and the whole Dining Room shook and shuddered. People cried out and clung to their juddering tables. And then it all died slowly away, and the reverberations in my head disappeared with it. I rose easily to my feet and smiled down at the openly astonished Walker.

"How about that?" I said. "So much for His Master's Voice. Perhaps I am my mother's son after all." 

I walked away, and no-one wanted to look at me. I carefully chose my path to take me past Julien Advent's table, and when I was sure there was a wide marble pillar between me and Walker's table, I dropped suddenly into a chair beside Julien, and sank down, so that his body helped to hide me. I put a finger to my lips to hush him, and he nodded agreeably. By leaning back just right, I could see Walker at his table in the corner. He was so taken up with his own thoughts it was clear he hadn't noticed I never actually left the room. I'd thought that last parting shot would distract him. I wanted to see what he would do, who he would talk to, now he knew he didn't have his Reasonable Men to hold over me.

In the end, he called for a footman to clear away the mess on his table, then looked sharply to one side and nodded, A beautiful woman appeared suddenly from behind a concealing glamour, right beside the table. I cursed quietly. I'd been so focussed on Walker, and what he was saying, that I hadn't even sensed someone else was listening, unobserved. I must be getting old. I didn't used to make mistakes like that. And it didn't help at all that I recognised the stunning woman smiling at Walker.

Bad Penny was a freelance operative for hire, always turning up when least expected. Vicious, deadly, seductive, and entirely treacherous. An agent extremely provocateur. She smiled around the crowded Dining Room, and struck an elegant pose, the better for everyone to admire her. Most did, unobtrusively, though there were those who deliberately looked away rather than admit recognising her. Bad Penny was drop-dead gorgeous, with a voluptuous figure like a Bill Ward cartoon, somehow stuffed into a classic little black dress, complete with elbow-length white silk gloves, black mesh stockings, and a cigarette in a long black holder. She wore her night-dark hair piled up on top of her head, above a sharp, fierce face with strong bone structure and an openly insolent mouth. Her eyes were dark and deep enough to drown in. And it wasn't just her thrusting bosom that gave Bad Penny her air of sexual intimidation; she was a predator, in every way there was. She radiated sex appeal on an almost brutal level, like a weapon. She also carried two guns and any number of throwing knives about her person, though no-one was quite sure where.

We knew each other. A bit. Ships that passed in the night and kept on going. We didn't approve of each other, but we had been known to work together, occasionally. When no-one else would do.

Walker invited her to sit down at his table, and immediately the footman was there to pull her chair out for her, then push it back in again. Bad Penny accepted the attention as her due, but did deign to favour him with a flashing smile; and the footman did everything but wriggle like a puppy.

"You needn't bother with a menu," Walker said calmly to the footman. "The lady isn't stopping."

Bad Penny pouted. "Wouldn't eat here if you paid me, darling. I do have my standards."

Walker waved the footman away, and he disappeared reluctantly. I leaned out a little way from Julien's table, to hear them more clearly. Bad Penny worried me; but then, she always did, even when she was supposedly on my side. Julien watched me, amused, but continued with his dinner. As editor of the Nightside's only daily newspaper, the Night Times, he knew he'd get a good story out of me eventually.

I was just a bit surprised that Bad Penny was working for Walker. He was usually more subtle than that. Bad Penny, on the other hand, would work for anyone with enough money, on anything from espionage to assassination. Whether she was working on the side of Good or Evil had honestly never mattered to her; as she was only too happy to point out, gold has no provenance. She had no personal preference either way, nor any ethics worth the mentioning. She was utterly amoral and quite cheerful about it. I knew she'd occasionally done the Authorities' dirty work in the past, when they felt the need for a little distance or deniability. (Strictly pro bono, in return for which they agreed to turn a blind eye to some of her more notorious activities. Business as usual, in the Nightside.)

"I do hope this isn't about a honey trap, darling, because I don't do those any more," she said flatly to Walker. "They're just too easy, my dear; there's no challenge in it. Been there, done that, starred in the video. These days I prefer to specialise in cunning thefts, daring exploits, and just a touch of the good old-fashioned ultraviolence now and again, to keep the blood flowing."

"And a little discreet blackmail," said Walker. "To keep your coffers full."

Bad Penny batted her long eyelashes at him. "A girl has to live. And I never was very good at investments. All I have to do is mention that I'm thinking of finally writing my memoirs, and you'd be surprised how fast the cheques come flooding in. Now, what is it you want me to do, Walker? Something frightfully nasty, no doubt."

"You were listening to my little chat with John Taylor."

"Well yes, but I can't honestly say it made much sense to me."

"I want you to take care of Taylor."

Bad Penny looked at him sharply. "Now you're going to have to be just a little more specific than that, darling."

"I want you to do whatever it takes to prevent him from completing his mission. I want him off his present case, and I don't care how you do it."

"So ... dear John is no longer under your protection?"

"No," said Walker. "Can you take him?"

"Of course, darling! He's just a man."

"Distract him. Divert him. Do whatever you think necessary. But, if all else fails, you are authorised to eliminate him."

"I get to kill John Taylor?" said Bad Penny. "Oh, result, darling! This will absolutely make my reputation!"