Hide and seek (30 page)

Though they continue to circle, Kingman with his gun leveled hopefully, they never see the squirrel again.

Kingman is very thoughtful as they walk back across the lawn toward the magnificent old house. “That tree-rat!” he says with sudden vehemence (he has always called them tree-rats, he has earlier confided to Bill, on the grounds that people are too sentimental to condone the shooting of dear little squirrels). “Reminded me of a very peculiar experience I had year before last.”

Bill is pretty sure he knows what is coming, and he doesn’t want to hear it. Kingman’s circumstances are awkward, but there is nothing Bill can do for him–or so he would protest if asked–and he hopes Kingman won’t put him in the position of refusing a host’s request.

He is saved, temporarily at least, by the appearance of two other shooters, Jurgen and Holly, just coming around the far side of the house. The two of them were hunting the western half of the estate while Bill and Kingman took the east. From the looks of things the west will be devoid of bird life for years to come; Jurgen, shouting a hearty “Hola,” brandishes what looks to be several generations of a oncepopulous grouse family, strung up in bunches by their feet.

Holly is trim and deadly looking in spotless doeskin jodhpurs and a white silk blouse. A silver-chased under-and-over rests in the crook of her arm, and two of Kingman’s hounds stalk at her heels. Perhaps she has given her kills to Jurgen to carry for her, or perhaps she has simply let them lie where they fell, preferring not to soil her shooting outfit.

For Jurgen’s shooting jacket is covered with blood and feathers; that and the fierce grin that stretches his ruddy cheeks make him look quite the fell huntsman–which he is, although his hunting is usually not done in the woods. He yells at Kingman in his too-jolly, German-accented notion of British upper-class speech: “Simply marvelous place you’ve got here, Lord Kingman. Very good of you to have us.”

Kingman glances at his companion, pained. “Nothing, really,” he mutters, by which Bill suspects he means that if it were up to him, he’d have nothing to do with bloody Jurgen and his ilk. But Kingman is no longer the ruler of his own fate. “Let’s give these to the cook, shall we?”

“I’ll be going on up then,” Holly says. “Until this evening.” She waves with two fingers and ascends the curving stone stairs to the wide back porch; Jurgen follows her, his gaze resting heavily on her swaying hips.

Kingman leaves the dogs with the kennel keeper and goes in through the kitchen entrance; he and Bill hand their victims to Mrs. McGrath, who receives them without too much enthusiasm–all that bird shot to be dug out–and then they part company.

Bill walks slowly up the broad staircase to his rooms. He checks his watch. The business meeting is set for six o’clock–an exploratory affair this first evening, with the hard choices deferred until tomorrow. Dinner is to be promptly at eight. Whatever his failings as a strategist, Bill reflects, Kingman knows how to do things in a civilized way.

Before anything else there is the ceremony, of course. There are few better places for it; the sanctuary at Kingman’s, while small, is one of the oldest surviving in the Athanasian Society, the earlier ones on the Continent having been destroyed in the Terrors. The vaulted ceiling is patterned with the Starry Cross in gold leaf on blue–and a remarkably accurate rendition it is, given that Europeans were unfamiliar with the southern skies when this crypt was built.

Jurgen reads the dedication. A stranger would be surprised to see how the man’s intelligence shines through his lumpishness when he is in the grip of the Knowledge. Finally they all speak the Words of Affirmation–“All Will Be Well”–and drink from the Chalice, in this case an iron vessel, a Hittite piece which is the crown of Kingman’s collection.
They exchange their robes for regular clothing and reassemble in the library, beneath oak shelves filled with a good many real printed books bound in tooled leather. Besides the four of them who fancy themselves shooters–Kingman and Bill attired rather tweedily, Jurgen in something that looks like an American cowboy outfit, and Holly again in white, this time a pristine cotton sari befitting a maharani– the other members of the executive committee present are Jack and Martita.

Jack, who has the look of an aging fighter, is as usual dressed like a Manhattan banker. Martita is as naturally pale as Holly is dark and like her seeks the maximum effect from contrast, on this occasion by wearing a rough-woven woolen outfit that sets off her fine gold hair.

Although Martita’s costume is paramilitary, her combativeness is genuine. “We have come some way from the debacles of the last two years, but not far enough,” she announces, as the butler is still bringing drinks. “Our program–largely
your
program, Bill, but correct me if I’m wrong”–she gives him an arch stare–“failed pathetically in execution, however sensible it may have seemed at the time.”

“I hardly think it’s necessary to rehearse old misfortunes. We are all thoroughly familiar with the relevant issues,” Bill replies, too stiffly. Is anything less dignified than wounded dignity?

 

Martita will not be put off. “I think we could all benefit from a thorough review of our predicament . . .”

 

“For Knowledge’s sake, why do you think we’re all here?” Bill grumbles.

 

“. . . in order to assess any new plan with essential objectivity,” she finishes.

 

“Get it off your chest, darling,” says Jurgen, peering openly at her splendid chest.

 

Martita ignores him. “We failed in our first attempt to create an intermediary . . .”

 

“Now that is
very
old history,” Bill mutters.

 

“. . . and the latest efforts are untested.”

 

“They will be tested soon,” Bill replies. “In plenty of time.”

 

“We have failed to conceal the identity of the home star,” she goes on, “and we have failed to maintain the confidentiality of the sacred texts.”

“As to the identity of the home star, our fears were groundless, but no one can be blamed,” Jack says with his customary directness. “No one knows exactly where it is and no one will, unless and until there’s a signal.”
“That is not her point,” Holly puts in. Her self-satisfied serenity can set one’s teeth on edge–and has occasionally, Bill muses, driven him to the edge of violence. Nevertheless she is a logical person. “The point is our failure, a costly failure that has drawn attention to what we had hoped to hide.”

“I agree with Jack,” Jurgen says. “The home star is doing well enough at hiding itself.”

 

“And immediately afterward, the debacle of the texts . . .” Martita continues–but then allows her words to trail off. No one fills the silence.

 

An angel chooses that moment to pass. The angel of death, no doubt.

Some call them the Free Spirit. Some call them Athanasians. Their attempt to destroy all existing copies of what the public has come to know as the Culture X writings–and to eliminate anyone who might have been able to reconstruct them from memory–was a bold and necessary effort, nor was it a
complete
failure. In the attempt Bill and his companions learned much that was necessary and might not otherwise have come to light.

They learned from the texts themselves. Some of what they learned was in the Knowledge, but some was not. Some that was in the Knowledge had been misinterpreted.

 

Yet against these gains, Bill reflects, what they lost by their ill-conceived venture was undeniably greater.

Kingman, who has contributed nothing to the conversation so far except to direct the butler with minute nods and tilts of his leonine head, abruptly speaks. “It was a peculiar experience, very peculiar indeed. That damned tree-rat this afternoon–remember, Bill?–brought it vividly to mind.”

Jurgen sees it coming, as Bill had earlier, and tries to head Kingman off. “Lord Kingman, the particulars of your experience are quite illuminating,
ja
, but the agenda possibly precludes . . .”

 

“Of course, if you’d rather I didn’t . . .” Kingman is clearly nettled.

“No, please,” Bill says hastily, seeing an opportunity where before he had seen only an embarrassment. Let Kingman tell his tale once again. Let them all again contemplate his debacle. “Martita has already rewritten the agenda, I think. So at your suggestion, my dear”–Bill graces her with a smile as poisonous as he can make it–“let us all exert ourselves to learn from the past.” He turns to Kingman. “So please do go on. Tell us, just what connection is there between a gray squirrel and the fate of the most sacred of the texts?”

Kingman is greatly mollified. He settles deep into his leather armchair and, after refreshing himself with a sip from his jigger of Scotch, begins thoughtfully to speak. “I’m not sure I have all the names, but the times and places are vivid enough in memory. The story begins on Mars Station . . .” The minutes pass swiftly, and now it is almost eight o’clock. The servants have appeared in the shadowed doorways, quietly but anxiously seeking to remind the assembled party that dinner is about to be served.

But Kingman has paced himself well, and he is just now finishing his recitation. “. . . and so we were forced to retreat. We had no choice. It was the best and only course remaining to us.”

There is a protracted moment of silence before Bill speaks. “Quite an interesting story, Rupert,” he says, “and I see now how it ties up with that squirrel. There you were, with all that firepower, with one of the most powerful ships in the solar system under your command, and one unarmed woman on the surface of a puny little rock . . .”

“Bill, really . . .”

Sometimes when the red anger takes Bill he can’t stop, and I . . . he, I mean . . . adds unnecessary insult to deserved injury. “Would you have done as well in her place? Do you think you would have been able to evade . . . not only evade, but
drive off
. . . the best machinery and people the Free Spirit could muster? How would you have done if you were the squirrel and she were the hunter?”

Kingman’s lordly features sag; he turns pale. “She is not human, Bill.” He gets stiffly to his feet. “We have you to thank for that.”

 

Which neatly puts me in my place. Or so I . . . Bill, that is . . . concedes.

 

Our host–I mean, Bill’s host, Bill’s and the others’–marches out of the room, doing an old man’s best to keep his shoulders squared in proper regimental fashion.

 

The others in the library look at me with varying degrees of disapproval. Only Jurgen is vulgar enough to laugh.

The next morning reveals one of those crisp October days when, despite the lazy sun, the haze in the air renders the landscape in the flat perspectives of an Oriental ink painting. I am enjoying the view from the terrace when Kingman comes out of the house. He seems unhappy to see me.

“Rupert,” I say, “I really didn’t intend to . . .”

 

“If you’ll excuse me,” he says, cutting off my apology. “I believe I’ll have another go at that tree-rat.

Maybe I’ll get him this time.”
I watch a long time as he strides across the dewy lawn and into the ruddy bracken. Finally he disappears into the autumn woods on the far side of the shallow valley.

A few minutes later, I hear the shot. Not the roar of Kingman’s shotgun, but the sharp crack of a pistol.

 

I stand at the stone railing, watching the bright speck of a yellow leaf fluttering to the ground at the edge of the distant woods. The others come out of the house one by one.

 

“Poor Kingman,” says Jurgen, suppressing a giggle.

 

“He would have done better to run. When he knew it was . . .
her
,” says Martita.

 

“The file he had on her was not complete,” I say. “But that was no excuse. If he’d acted more quickly, he could have defeated her.”

 

“Meaning, I suppose, that we would not have lost the
Doradus?
That half of its crew would not now be dead and the other half fugitives?”

 

Damn Martita. I refuse to reply.

 

“It’s clear enough that she remembers what she was taught,” Jack observes. “The Knowledge has not been erased in her.”

 

“No matter. We are impervious now,” I say, as firmly as I can. “The New Man is indestructible.”

Jurgen snorts at me; he sounds like some bulky ungulate. “You’ve said
that
before. And been as wrong as Kingman.” When he is in a very good mood his giggle uncannily resembles the whinny of a jackass. “Really, Bill, if Kingman must die for such a trivial mistake, why should we let
you
live?”

“
Let
me live?” I turn away from the fields and the forest to face them. “I think you can answer that for yourselves.”

Until now they hadn’t known how I was planning to deal with Kingman, or whom I’d chosen to do the work. But I’ve just seen the man coming out of the woods–which is why I choose this moment to turn toward them. Against the colorful autumn leaves the man’s curly red hair, his camel’s hair coat, his pigskin gloves, make an unmistakable orange splotch on the landscape.

I’ve turned because I want to see the looks on their faces. They cringe quite satisfactorily–all of them except Jack Noble, who is my man now, now that he’s been forced to go underground like me. The orange man is my man too, and they all know it.
Holly is the first to recover her aplomb. “So, Bill, on to Jupiter.” She has the audacity to smirk at me. “But how do we know Linda won’t be there ahead of us, as she was on Phobos?”

I can think of several answers to that. The least obscene finds voice before the others. “Actually, my dear, I’m depending on it.”
Afterword
by PAUL PREUSS

 

W
hat’s in a title? When the phrase “people who die in glass houses” came to me I thought it was a

nifty tag, and although I used it for the second section of this book, I’ve always thought somebody (probably not me) should use it for a whole novel.
People Who Die in Glass Houses
would be an Agatha Christie-style mystery, of course, not science fiction.

Arthur’s “Hide and Seek,” on the other hand, is a title uncannily suited to its science-fictional subject, the orbital-mechanical adventure story that inspired this volume of Sparta’s interplanetary quest. In it Arthur also found the perfect metaphor for the problem a spaceship captain might face while chasing a mobile human around a smallish moon, that of the squirrel (or “tree rat”) that easily stays on the opposite side of the tree trunk, as squirrels do. It’s the kind of problem spaceship captains face more often than you might expect–for example, while trying to sidle a space shuttle up to a hatch on a broken satellite that’s spinning.