Honey, Baby, Sweetheart (34 page)

Instead I went to Moon Point and watched the paragliders, who would still have another month of good weather, if they were lucky. The day was too autumn-glorious to resist soaring in, I guess, and the parking lot and roadside was filled with cars, including the funny van with the whale and I LOVE POTHOLES bumper sticker. I sat down and watched them awhile, listening to the flapping, book pages turning, turning with sharp speed, and watching them make butterfly circles against the mountainside.
I watched two people land, their parachutes collapsing sumptuously around them once their feet touched ground, their faces so exhilarated that it made you feel it too.

I walked to the small house that acted as the office of the paragliding school. As Charles Whitney said, when your life changes, a definite action is called for. I had never been there before, even though I had come to the field so many times. The door was half open. I was surprised to see the whale van guy behind the desk, talking on the phone. I couldn’t believe it was him. He was wearing a T-shirt with the school logo on it, a heart with wings. I waited for him to finish.

“I know you,” he said when he got off the phone.

“I know you.”

“The girl with the shiny hair and the good sense of humor.”

“The guy with the squirting whale van. You work here.”

“I do.”

“That is so great.”

He grinned. “I think so too.” He nodded at me as if we both understood something about each other. “Well,” he said finally. “What can I do for you?”

Here is what happened then. I heard the voices of the Queens. I heard the clinking of their glasses, raised in a toast. To
adventure,
they said.

And I listened.

“I want to fly,” I said.

Deb Caletti
is the author of
The Queen of Everything; Honey, Baby, Sweetheart
(a National Book Award finalist);
Wild Roses; The Nature of Jade; and The Fortunes of Indigo Skye.

Deb lives with her family part-time on acreage in Issaquah, a Seattle suburb, and part-time in the city on a houseboat. She steals her best lines from her mother, her kids, and the dog, who doesn’t seem to mind. When she is not writing books or reading them, Deb is a painter, a lyricist, and a lecturer. You can visit her at
www.debcaletti.com
.

A SIMON PULSE GUIDE FOR READING GROUPS

Honey, Baby, Sweetheart

BY DEB CALETTI

About the Book

Ruby McQueen has never had trouble being good—getting along with her family, doing well in school, and making good decisions. Which is why nobody is more surprised than she when bad boy Travis Becker sucks her into his world of privilege and lawlessness and she follows so willingly. But when Ruby does the unthinkable, she sets in motion a madcap multigenerational adventure, as those close to her do everything they can to save her from herself. Can one summer change what Ruby knows about true love, family, fate, and her own heart?

Discussion Questions

• Ruby’s involvement with Travis Becker is out of character for her, but she says, “It was about the way a moment, a single moment, could change things and make you decide to try to be someone different.” What does Ruby feel is her pivotal moment? Do you agree? Who else in the story has moments like the one Ruby describes?

• Travis believes that Ruby is fearless, and so she becomes that way around him. How much of our personalities is defined by how others see us? Does Ruby succeed in becoming truly fearless? On what do you think Travis is basing his vision of Ruby?

• In what ways are Ruby and her mother similar when it comes to romantic relationships? In what ways are they different? What do they learn about romance over the course of the summer?

• Discuss Ruby’s relationship with Chip Jr. What role does Chip Jr. play in her life? What role does he play within the family as a whole?

• How is Joe Davis different from Ruby’s father? What does he bring to the McQueen family? How do his struggles with the church sign reflect his beliefs about spirituality?

• How do the members of the Casserole Queens feel about Ruby? About each other? Why does Ruby enjoy her time with them so much?

• Why is it so important to the Casserole Queens that Charles and Lillian be reunited? What does each member of the group contribute to the plan? What does each member gain from the reunion?

• Ruby says that, had they known Lillian had so little time left, they would have hurried their trip along. Do you think this is true? What did they gain by taking their time on the way to meet Charles? Do you think that Lillian would have wanted them to hurry?

• Why is Ruby so fascinated by the paragliders? What do they represent to her? Does anything else in her life make her feel this way?

• Ruby says, “I guess for one summer, just one summer . . . I did have passion and adventure in my life.” To which events do you think she is referring? Do you think that there was any adventure in her life before this summer? Do you think she will continue to have passion and adventure in her life?

Activities

• Start your own book group, like the Casserole Queens. Invite all your friends, decide how often you would like to meet, and have someone bring snacks.

• The story behind Lillian and Charles’s relationship inspired the Casserole Queens to strike out on their adventure. What stories are hidden in your family tree? Interview your parents, grandparents, aunts, and uncles about their lives. Write down this oral history and share it with other family members.

• Look into volunteering at a nursing home or retirement community in your neighborhood.

• Is there something in your life that you’ve been wanting to learn—like Ruby and paragliding—that you could take up now? See if there’s anywhere in your town you could take lessons.

This reading group guide has been provided by Simon & Schuster for classroom, library, and reading group use. It may be reproduced in its entirety or excerpted for these purposes.

Simon & Schuster Children’s Publishing
www.SimonSaysTeach.com

Here’s a peek at another novel by Deb Caletti:

wild roses

To say my life changed when my mother married Dino Cavalli (yes,
the
Dino Cavalli) would be like saying that the tornado changed things for Dorothy There was only one other thing that would impact my life so much, and that was when Ian Waters drove up our road on his bicycle, his violin case sticking out from a compartment on the side, and his long black coat flying out behind him.

My stepfather was both crazy and a genius, and I guess that’s where I should start. If you’ve read about him recently, you already know this. He was a human meteor. Supposedly there’s an actual, researched link between extreme creativity and mental illness, and I believe it because I’ve seen it with my own eyes. Sure, you have the artists and writers and musicians like my mom, say, who are talented and calm and get things done without much fuss. The closest she gets to madness is when she gets flustered and calls me William, which is our dog’s name. But then there are the van Goghs and Hemingways and Mozarts, those who feel a hunger so deep, so far down, that greatness lies there too, nestled somewhere within it. Those who get their inner voice and direction from the cool, mysterious insides of the moon, and not from the earth like the rest of us. In other words, brilliant nuts.

I guess we should also begin with an understanding, and that is, if you are one of those easily offended people who insist that every human breath be politically correct, it’s probably best we just part company now. I’ll loan you my copy of
Little House in the Big Woods
(I actually loved it when I was eight) and you can disappear into prairie perfection, because I will not dance around this topic claiming that Dino Cavalli was joy-impaired (hugely depressed), excessively imaginative (delusional), abundantly security conscious (paranoid as hell) or emotionally challenged (wacko). I’m not talking about your mentally ill favorite granny or sick best uncle—I’m not judging anyone else who’s ill. This is my singular experience. I’ve lived it; I’ve earned the right to describe how it felt from inside my own skin. So if your life truths have to be protected the same way some people keep their couches in plastic, then ciao. Have a nice life. If we bump into each other at Target, I’m the one buying the sour gummy worms, and that’s all you need to know about me.

Anyway, madness and genius. They’re the disturbed pals of the human condition. The Bonnie and Clyde, the

Thelma and Louise, the baking soda and vinegar. Insanity just walks alongside the brilliant like some creepy, insistent shadow. Edgar Allan Poe, Virginia Woolf, Charles Dickens. William Faulkner, Dostoevsky, Cezanne, Gauguin. Tolstoy, Sylvia Plath, Keats, and Shelley. Walt Whitman and F. Scott Fitzgerald and Michelangelo. All wacko. And we can’t forget the musicians, because this story is about them, especially. Schumann and Beethoven, Chopin and Handel and Rachmaninov and Liszt. Tchaikovsky and Wagner.

And, of course, Dino Cavalli.

In that group you’ve got every variety of creation: the ceiling of the Sistine Chapel and
Farewell to Arms
and the epic poem, “Ode on a Grecian Urn,” which, if you ask me, finds its true greatness as a cure for insomnia. You’ve also got every variety of crazy act. You’ve got the gross—van Gogh slicing off his earlobe and giving it to a woman (you can just hear her—
Damn, I was hoping for chocolates),
and the unimaginable—Virginia Woolf filling her pockets with stones to hold her down in the river so that she could do an effective job of drowning. And even the funny—the reason our dog is named William, for example, is because Dino Cavalli bought him during a particularly bad bout of paranoia and named him for his enemy and former manager and agent, William Tiero. He liked the idea of this poor, ugly dog named William that would eat used Kleenex if he had the chance. He liked yelling at William for getting too personal with guests. I can hear his voice even now, in his Italian accent.
Get your nose out of Mrs.

Kadinsky’s crotch, William,
he’d say with mock seriousness, and everyone would picture William Tiero with his bald head and beetle eyes, and they would laugh. Man, oh, man. You didn’t want to get on Dino Cavalli’s bad side.

Some people think the brilliant have been touched by God, and if this is true then Dino Cavalli got God on the day he was wearing black leather and listening to his metal CDs, feeling a bit twisted and in the kind of mood where you laugh at people when they fall down. God wearing a studded collar. Because, sure, Dino Cavalli was a world-renowned composer and violinist, a combination of talent virtually unheard of, but there were days he didn’t get out of bed, even to shower. And, sure, he wrote and performed
Amore Innamorato,
said to, “have moments of such brutal tenderness and soulful passion that it will live forever in both the hearts of audience members and the annals of modern composing,”
¹
as well as the unforgettable
Artemisia
(“breathtaking and heart-stopping work with the brilliance of the seventeenth-century masters.”
²
), but he also had the ability to make you feel small to the point of disappearance. His perfectionism could shatter your joy like a bullet through a stained glass window.

What I’m saying is, he possessed magnificent and destructive layers. Either that or he was just plain possessed. I mean, it all got toned down in the papers, but we all know what could have happened to William Tiero that day. We all now know what happens when you selfdestruct. Yet I’ve got to say, listening to his music can make you cry. Goose bumps actually rise up along your arms.

Everyone wants to get close to genius and fame, claim pieces of it, mostly because it’s the closest they’ll ever get to fame themselves. You learn this when you live with someone renowned. Those who know that Dino Cavalli was my stepfather think I’m near enough to fame to call it good. Fame, the nearness of it, the possibility of it rubbing off, seems to turn people into obsessed Tolkien characters, hypnotized not by a ring but by the thought of getting on TV Luckily at my school, most of the kids who hear the name Dino Cavalli will think it’s some brand of designer shoes. To the majority I am just Cassie Morgan, regular seventeen-year-old trying to figure out what to do with my life and hoping my jeans are clean and swearing at myself for cutting my own bangs again. Few know my stepfather was once on the cover of
Time
magazine, or was also well known for the journals in which he wrote of his sexual adventures as a young composer in Paris. Everyone is too involved in the school game of How Orange Is Tiffany Morris’s Makeup Today to care, even if they did. But the teachers and orchestra students, they know who I am, and I see what it means to them. Once during a school concert this kid was staring so hard at me that he accidentally stepped into an open viola case and wore it like an overgrown shoe for a few seconds on the gym floor.