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Authors: Colson Whitehead

BOOK: John Henry Days
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The woman’s arm digs into J.’s side. She smiles an apology but does not speak. Maybe he’ll talk to her at the dinner, so what brings you down here from the big city? How did I know? I could tell. J. closes his eyes to gather himself for the next few hours. Shut down for a bit before whatever god awful festivities are ahead of him. His stomach chews on itself loudly and he hopes that no one else hears it. Then he hears honking and the van lurches to the side. Peering through the windshield he sees the vehicle trying to run them off the road, the red pickup truck of his nightmares. So much depends upon a red pickup truck, filled with crackers. The pickup swerves in the lane parallel to them, dipping and zigging. The man in the passenger seat waves his pink fist out the window at them. Both drivers pounding their horns feverishly. “What the fuck is this! What the fuck is this!” Dave yells. They are being run off the road. Here it comes, J. thinks, this is how it goes down. The van capsized in a ditch. Open the door, I said open the damn door. What chew all doin’ ridin’ with nigruhs? We don’t abide no consortin’ with nigruhs in Summers County. Get out the car. Maybe one of his comrades puts up a little resistance against the taking of J. and the young lady. Then the ropes, the guns, the fire. The South will kill you.

“Slow down, slow down,” Frenchie says. “It’s all right.”

“Are you fucking crazy?” the young woman shrieks. J. thinking, now she speaks.

“No, it’s okay,” Dave reassures, pointing out the window. “It’s a friend of ours.” And indeed, J. sees, the man in the passenger seat is none other than One Eye, come in from the cold.

“You know these men?” the driver asks.

“Sure, just pull over,” Dave says. “It’ll only take a second.”

“You’re the boss,” the driver says, easing into the shoulder. The pickup pulls up in front of them and One Eye hops out, a scrambling, scarecrow figure with a short brown buzzcut. He is dressed like an idiot, with gray cloth trousers held up by red suspenders over a white striped shirt. A black eye-patch conceals his left eye.

One Eye removes his two black suitcases from the back of the pickup and offers a farewell to the man in the front seat before the red pickup takes off down the road. One Eye looks in the van and scrabbles into the passenger seat next to the driver, who shakes his head and frowns.

“What’s up, fellows?” One Eye says. “I saw Tiny’s fat fucking head in the window and knew it must be you.”

“You had your one eye peeled,” Tiny says.

“The great Cyclops,” Frenchie adds.

“My plane was late and my ride had already left,” One Eye explains. “So I hitched with Johnson there, figuring I’d catch up with you at the Mill-house.”

“You’re lucky Johnson had to run into town to buy some dry goods,” Dave chuckles. Dave Brown—what could you do with Dave Brown? It is inert, the name just lays there, as resistible as his prose. His name does not lend itself to nickname shenanigans, playful permutations.

“He was a nice guy,” One Eye says, cracking his knuckles. “More than I can say for you all. This is one sorry crew. No offense, ma’am, I’m not talking about you. Dave, of course, it wouldn’t be a junket without Dave. Being down South must bring back memories of being on tour with the Allman Brothers, huh? Yes, we all miss Duane, it was a terrible loss. Tiny, of course, thought he could wrassle up some alligator fritters. Sorry to burst your bubble, Tiny, but we’re a little north of weezie-ana. Frenchie, fuck you, I don’t know about you, but J., poor J., I had such high hopes for you.”

“He’s our inspiration,” Tiny pipes in.

“The great black hope,” Frenchie says.

“Exactly. I had such high hopes. New York, New York. Wine, women and pop songs. And I find you here.”

“He’s going for the record,” Dave offers.

“Tsk, tsk,” One Eye shaking his head. “You can’t see, but I’m making the station of the cross and praying for the soul of Bobby Figgis. Say it isn’t so, J.”

J., his name truncated to a single initial during childhood, does not need a nickname. “I’m on a jag,” he says. He is a little embarrassed about how all their bullshitting appears to the woman next to him.

“Nonstop since April,” Dave says, happy to be finally getting in his little digs before a proper audience. “Three-month bid.”

“Three months in,” One Eye says, taking stock, “Figgis was a wreck. You seem to be holding up.”

“Jag.”

“Hit an event every day,” Frenchie counters. “He’s going for the record.”

“How’s the book coming, Frenchie?” One Eye suddenly on J.’s side. If you wanted to shut Frenchie up, a quick rapier thrust to his ambition did the trick. Frenchie had spent his advance on clothes and lifestyle years before, without delivering word one of his manuscript, thus urging his comrades’ initial envy to curdle into warming superiority, and then well-timed derision. If he wanted sympathy he should have never written those Talk of the Towns for the
New Yorker,
a sure friendship-killer in the freelance world. Frenchie does not say anything; One Eye’s shiv dispatched him to the site of his more recent failure, to the bed he shared with his lost Italian model, her lost thighs.

One Eye had been blinded in a tragic ironic quotes accident a few years before. As he sat on a couch chatting with a publicist, a young freelancer stood above him, relating a droll tale of Manhattan mores as expressed in a new collection of short stories by that month’s photogenic young writer. The bartender yelled out last call for the open bar, and One Eye jumped up on instinct, just as the freelancer punctuated his clever description by forming air quotations with the index and forefingers of his hands. The point in question was apparently very ironic, requiring a vigorous expression of the ironic quotes. The force of the irony, coupled with One Eye’s eager and frantic upward movement, drove the freelancer’s pincer fingers deep into the junketeer’s eye socket.

J. reaches over and snaps One Eye’s suspenders. “Where did you dig this up?”

“This is my Huck Finn outfit. I’m trying to gain trust, blend in.”

“You look like an idiot.”

“I know.”

“Couldn’t miss this one, eh? Where are you coming from?”

“Florida. I was visiting my parents.”

“Okay time?”

“It’s Florida.”

“Figured you’d stop on down here for some more Southern hospitality.”

“I’m on a secret mission,” One Eye says. His good eye winks mysteriously. “A mission that could very well change the course of human events.”

“It’s hush-hush.”

“I’ll tell you about it later,” One Eye murmurs. He turns back to face the road. He isn’t kidding, J. thinks.

“I can’t wait to see Ben Vereen,” Tiny says.

“He canceled,” J. informs him.

“What, creative differences?”

“No, he’s sick,” J. says, and the van continues its approach to the Mill-house Inn.

T
he List possessed a will and function. It sensed a need for itself, for an assemblage of likely suspects to get the word out. A group of men and women who could be called upon in times of need, individuals of good character and savvy, individuals who understood the pitch of the times. And the pitch of the
Times.
The public needed to know about the things that were being created by capable interests, a hunger existed among the public for the word, all that was needed was a reliable system to get the information to them. The List recognized the faces of itself: they turned out in bad weather, tired and hungry, night after night. Sometimes the ones who came got the word out; other times they took a few hours’ reprieve from the chaos, a free meal and trinkets. The ultimate percentage was the thing that mattered, the unconquerable ratio of events covered to events not covered, that was the final concern.

The List pondered the faces of itself and reached out. The List kept abreast of the latest advances in information technology, contacting its charges by mail, later by fax, then email, whichever medium was most appropriate. The men and women on the List were astonished to find themselves contacted by email, having only just signed up for an email account a few days before and not having given their new email address to many people. They did not complain. It was convenient. If they wondered about the mechanism of the List, they kept their concern to themselves, or voiced it in low tones, during private moments. They feared expulsion. There had been a few cases of those who had abused the gift. One went mad. Another stopped filing and only showed up to eat from the banquet without giving in return. For the sin of not searching for outlets in which to deliver the word, this latter individual was deleted from the List and eventually became an editor. He looked at his colleagues from the outside, invited to only a fraction of the events he had been invited to before, and all remembered the look in his eyes.

The List was just. The List saw a discoloration on its person, watched as the discoloration described a face, and the face was added to the List. The
faces the List plucked from its body were surprised. Some were new to the game, others old hands bitter for being overlooked for so long. Some appeared with much effort, others easy as pie. Some tried to figure out which event or article had been key, the one that blessed and graduated them, the one that had proved their worthiness. It was to no end. Shmoozers were passed over and the quiet diligent welcomed; the reverse was true just as often. It was inscrutable.

The List had been pushed from the earth by tectonic forces. The List possessed a specific gravity measurable by scientific instruments. The List contained weight and volume.

The List was aware of those in its charge. It knew if writers moved, switched from this newspaper to that magazine, if they died or retired, and updated itself accordingly. The men and women of the List were surprised at the promptness of the List’s readjustment, but only the first time. After that first time they were surprised at nothing. Contact names were updated with military precision. The publicity firm rolls were never obsolete. If a bouncer at a club quit, or went to jail, or moved to a different club, his replacement was noted and identified to eliminate possible embarrassment. The quirks and pet names of maître d’s at the popular restaurants were indexed. A harmony was achieved.

And the List rewarded the world. The percentage was maintained. Cover stories with witty headlines. Short and long reviews in the back of the book. Profiles of stars and magnates and web geniuses, insightful questions, silly questions, questions that begged still further questions, column inches adding up, fodder for the next iteration of the press packet. The public figure and the private citizen were rewarded. Those with dead careers walked among the living, resuscitated by a press release and attendant event at an appropriate venue. A financier who had done nothing real to speak of lately save collect interest threw a party to inform the public he was still alive. Around the Christmas shopping season a new gadget perched on a black pedestal, product of prodigious intellect, its virtues enumerated by those who had received it for free. The great ebb and flow of need, chronicled, subscribed to. A comeback. A meteoric rise. A next big thing, jostling for position in a year-end double issue. The reclusive author breaks her silence and grants interviews to justify her grandiose advance. The precocious upstart seen at the right parties. Behind the scenes at the award ceremony. The triumphant return. The inner life of. The secret world. The stories were told. There was a need. The List facilitated.

T
his inveigler of invites and slayer of crudités, this drink ticket fondler and slim tipper, open bar opportunist, master of vouchers, queue-jumping wrangler of receipts, goes by the name of J. Sutter, views the facade of the Millhouse Inn through reptilian eyes.

Is he supposed to take this place seriously? The walls of the rustic hotel and restaurant are obviously some factory concoction, J. sees that from yards away, the ridges and pocks identical from stone to stone. He can’t figure out what style its designers tried to effect, colonial flourishes abut antebellum wood columns, modern double-pane windows nestle in artificially weathered frames of molting paint. Nice attempt by the toddler ivy along the walls, but hell, he discerns the wire firming it in place. But the water wheel is the biggest atrocity. The fountain jets force water over slats that do not move, the spray energetic and process of no natural movement, splashing into a cement pool lousy with plastic lily pads floating moronically, congregating near the drainage grate. Snug up against a hill, this establishment totally new, intended to service the legions of tourists who will flock here now for John Henry Days. They hope. A hipster kid with more hooks in his face than some ancient, uncatchable fish, strutting down Soho in seventies’ bell-bottoms, has more period authenticity than this place. What is he doing here? He is going for the record, his works gurgling with slow, heavy fluids.

First things first when they hit the Social Room. Objective One: find a base of operations. Most of the tables had already been colonized by the other factions, but there is Frenchie tracking ahead, wading between chairs before the rest of them have finished taking stock of the room, on point, surveying, dithering a little between two tables to the far left of the podium before dropping his bag on one and motioning the other junketeers over. He nods to himself, second-guessing his choice, but no, this is it, this table is definitely it. As J. and the rest march to join him, they progress to Objective Two, libations, scanning the joint as they advance on their seats. Two bartenders barely
out of their teens work their alchemy in a corner under ferns. John Henry Days employment largesse stealing labor from the fast food outlets, J. surmises. The junketeers take their seats and dispatch Tiny and Dave for drinks. A few citizens of Talcott and Hinton hover around the bar, but there is an opening on the left flank, a chink where Tiny or Dave might weasel in and dominate.

“I don’t see a cash register,” One Eye comments, sipping water.

“Me either,” J. seconds.

These are some real white people, J. thinks, looking around. These people go into hair salons armed with pictures of stars on CBS television shows and demand. He is out of his element. He discovers the food table on the other side of the room. Looks like salad to start. His stomach grumbles again but he decides he can wait until the boys come back with the drinks. Bit of a line anyway. J. notices that the woman in the van has chosen a different table. Probably a good choice to keep her distance.

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